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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFDEC2 it is the complementary color #20213D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFDEC2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFDEC2 shade: #E4DEBD, #F5F0D0, #FFFFE3 and #FFFFF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFDEC2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFDEC2 shade: #DFDEC2, #CECCAF, #BDBA9C, #ACA889 and #9B9676

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFDEC2 shade: #DFDEC2, #DFD6C2, #DFCEC2, #DFC7C2 and #DFC2C2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFDEC2 shade: #DFDEC2, #D8DFC2, #D0DFC2, #C9DFC2 and #C2DFC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFDEC2 shade matches the following richer shades: #DFDEC2, #E6E5BB, #EEECB4, #F5F3AC and #FDFAA5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFDEC2 shade: #DFDEC2, #D7D7CA, #D0D0D1, #C9C9D9 and #C1C2E0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFDEC2 shade: #DFCEC2, #DFD6C2, #DFDDC2, #D9DFC2 and #D1DFC2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFDEC2 shade: #C2C08C, #D1CFA7, #DFDEC2, #EDEDDD and #FBFBF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFDEC2 shade: #DFDEC2, #C2DFC7 and #D2C2DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFDEC2 shade: #DFDEC2, #C2DFDD and #DDC2DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFDEC2 shade: #DFDEC2, #C2DFC7, #C2C4DF and #DFC2DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFDEC2 shade: #DFDEC2, #C2DFCF, #C2C4DF and #DFC2D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 13 / 13

HEX #DFDEC2

RGB 223 222 194

HSL 57.93, 0.31%, 0.82%

LAB 87.88, -4.37, 13.87

 

Complementary color

CMYK 48 / 46 / 0 / 76

HEX #20213D

RGB 32 33 61

HSL 237.93, 0.31%, 0.18%

LAB 14.01, 8.26, -18.14

 

CMYK 0 / 3 / 17 / 11

HEX #E4DEBD

RGB 228 222 189

HSL 50.77, 0.42%, 0.82%

LAB 88.17, -3.34, 16.94

 

CMYK 0 / 2 / 15 / 4

HEX #F5F0D0

RGB 245 240 208

HSL 51.89, 0.65%, 0.89%

LAB 94.43, -3.53, 16.08

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE3

RGB 255 255 227

HSL 60, 1%, 0.95%

LAB 99.35, -4.64, 13.39

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF6

RGB 255 255 246

HSL 60, 1%, 0.98%

LAB 99.78, -1.54, 4.28

 

CMYK 0 / 0 / 13 / 13

HEX #DFDEC2

RGB 223 222 194

HSL 57.93, 0.31%, 0.82%

LAB 87.88, -4.37, 13.87

 

CMYK 0 / 1 / 15 / 19

HEX #CECCAF

RGB 206 204 175

HSL 56.13, 0.24%, 0.75%

LAB 81.51, -4.2, 14.72

 

CMYK 0 / 2 / 17 / 26

HEX #BDBA9C

RGB 189 186 156

HSL 54.55, 0.2%, 0.68%

LAB 75.04, -4.02, 15.61

 

CMYK 0 / 2 / 20 / 33

HEX #ACA889

RGB 172 168 137

HSL 53.14, 0.17%, 0.61%

LAB 68.45, -3.81, 16.56

 

CMYK 0 / 3 / 24 / 39

HEX #9B9676

RGB 155 150 118

HSL 51.89, 0.16%, 0.54%

LAB 61.73, -3.57, 17.58

 

CMYK 0 / 0 / 13 / 13

HEX #DFDEC2

RGB 223 222 194

HSL 57.93, 0.31%, 0.82%

LAB 87.88, -4.37, 13.87

 

CMYK 0 / 4 / 13 / 13

HEX #DFD6C2

RGB 223 214 194

HSL 41.38, 0.31%, 0.82%

LAB 85.84, -0.25, 10.97

 

CMYK 0 / 8 / 13 / 13

HEX #DFCEC2

RGB 223 206 194

HSL 24.83, 0.31%, 0.82%

LAB 83.82, 3.92, 8.09

 

CMYK 0 / 11 / 13 / 13

HEX #DFC7C2

RGB 223 199 194

HSL 10.34, 0.31%, 0.82%

LAB 82.07, 7.6, 5.57

 

CMYK 0 / 13 / 13 / 13

HEX #DFC2C2

RGB 223 194 194

HSL 0, 0.31%, 0.82%

LAB 80.83, 10.25, 3.78

 

CMYK 0 / 0 / 13 / 13

HEX #DFDEC2

RGB 223 222 194

HSL 57.93, 0.31%, 0.82%

LAB 87.88, -4.37, 13.87

 

CMYK 3 / 0 / 13 / 13

HEX #D8DFC2

RGB 216 223 194

HSL 74.48, 0.31%, 0.82%

LAB 87.62, -7.36, 13.41

 

CMYK 7 / 0 / 13 / 13

HEX #D0DFC2

RGB 208 223 194

HSL 91.03, 0.31%, 0.82%

LAB 87.04, -10.17, 12.51

 

CMYK 10 / 0 / 13 / 13

HEX #C9DFC2

RGB 201 223 194

HSL 105.52, 0.31%, 0.82%

LAB 86.55, -12.59, 11.75

 

CMYK 13 / 0 / 12 / 13

HEX #C2DFC4

RGB 194 223 196

HSL 124.14, 0.31%, 0.82%

LAB 86.12, -14.62, 10.03

 

CMYK 0 / 0 / 13 / 13

HEX #DFDEC2

RGB 223 222 194

HSL 57.93, 0.31%, 0.82%

LAB 87.88, -4.37, 13.87

 

CMYK 0 / 0 / 19 / 10

HEX #E6E5BB

RGB 230 229 187

HSL 58.6, 0.46%, 0.82%

LAB 90.07, -6.47, 20.66

 

CMYK 0 / 1 / 24 / 7

HEX #EEECB4

RGB 238 236 180

HSL 57.93, 0.63%, 0.82%

LAB 92.34, -8.05, 27.48

 

CMYK 0 / 1 / 30 / 4

HEX #F5F3AC

RGB 245 243 172

HSL 58.36, 0.78%, 0.82%

LAB 94.52, -9.97, 34.57

 

CMYK 0 / 1 / 35 / 1

HEX #FDFAA5

RGB 253 250 165

HSL 57.95, 0.96%, 0.82%

LAB 96.81, -11.25, 41.18

 

CMYK 0 / 0 / 13 / 13

HEX #DFDEC2

RGB 223 222 194

HSL 57.93, 0.31%, 0.82%

LAB 87.88, -4.37, 13.87

 

CMYK 0 / 0 / 6 / 16

HEX #D7D7CA

RGB 215 215 202

HSL 60, 0.14%, 0.82%

LAB 85.66, -2.28, 6.4

 

CMYK 0 / 0 / 0 / 18

HEX #D0D0D1

RGB 208 208 209

HSL 240, 0.01%, 0.82%

LAB 83.51, 0.19, -0.5

 

CMYK 7 / 7 / 0 / 15

HEX #C9C9D9

RGB 201 201 217

HSL 240, 0.17%, 0.82%

LAB 81.4, 3.04, -7.94

 

CMYK 14 / 13 / 0 / 12

HEX #C1C2E0

RGB 193 194 224

HSL 238.06, 0.33%, 0.82%

LAB 79.22, 5.58, -15.03

 

CMYK 0 / 8 / 13 / 13

HEX #DFCEC2

RGB 223 206 194

HSL 24.83, 0.31%, 0.82%

LAB 83.82, 3.92, 8.09

 

CMYK 0 / 4 / 13 / 13

HEX #DFD6C2

RGB 223 214 194

HSL 41.38, 0.31%, 0.82%

LAB 85.84, -0.25, 10.97

 

CMYK 0 / 1 / 13 / 13

HEX #DFDDC2

RGB 223 221 194

HSL 55.86, 0.31%, 0.82%

LAB 87.63, -3.85, 13.51

 

CMYK 3 / 0 / 13 / 13

HEX #D9DFC2

RGB 217 223 194

HSL 72.41, 0.31%, 0.82%

LAB 87.69, -7.01, 13.53

 

CMYK 6 / 0 / 13 / 13

HEX #D1DFC2

RGB 209 223 194

HSL 88.97, 0.31%, 0.82%

LAB 87.11, -9.82, 12.62

 

CMYK 0 / 1 / 28 / 24

HEX #C2C08C

RGB 194 192 140

HSL 57.78, 0.31%, 0.65%

LAB 76.72, -7.56, 26.54

 

CMYK 0 / 1 / 20 / 18

HEX #D1CFA7

RGB 209 207 167

HSL 57.14, 0.31%, 0.74%

LAB 82.36, -5.86, 20.18

 

CMYK 0 / 0 / 13 / 13

HEX #DFDEC2

RGB 223 222 194

HSL 57.93, 0.31%, 0.82%

LAB 87.88, -4.37, 13.87

 

CMYK 0 / 0 / 7 / 7

HEX #EDEDDD

RGB 237 237 221

HSL 60, 0.31%, 0.9%

LAB 93.36, -2.74, 7.74

 

CMYK 0 / 0 / 1 / 2

HEX #FBFBF8

RGB 251 251 248

HSL 60, 0.27%, 0.98%

LAB 98.54, -0.52, 1.42

 

CMYK 0 / 0 / 13 / 13

HEX #DFDEC2

RGB 223 222 194

HSL 57.93, 0.31%, 0.82%

LAB 87.88, -4.37, 13.87

 

CMYK 13 / 0 / 11 / 13

HEX #C2DFC7

RGB 194 223 199

HSL 130.34, 0.31%, 0.82%

LAB 86.19, -14.09, 8.55

 

CMYK 6 / 13 / 0 / 13

HEX #D2C2DF

RGB 210 194 223

HSL 273.1, 0.31%, 0.82%

LAB 80.52, 10.93, -12.39

 

CMYK 0 / 0 / 13 / 13

HEX #DFDEC2

RGB 223 222 194

HSL 57.93, 0.31%, 0.82%

LAB 87.88, -4.37, 13.87

 

CMYK 13 / 0 / 1 / 13

HEX #C2DFDD

RGB 194 223 221

HSL 175.86, 0.31%, 0.82%

LAB 86.73, -9.92, -2.26

 

CMYK 1 / 13 / 0 / 13

HEX #DDC2DF

RGB 221 194 223

HSL 295.86, 0.31%, 0.82%

LAB 81.45, 14.6, -10.91

 

CMYK 0 / 0 / 13 / 13

HEX #DFDEC2

RGB 223 222 194

HSL 57.93, 0.31%, 0.82%

LAB 87.88, -4.37, 13.87

 

CMYK 13 / 0 / 11 / 13

HEX #C2DFC7

RGB 194 223 199

HSL 130.34, 0.31%, 0.82%

LAB 86.19, -14.09, 8.55

 

CMYK 13 / 12 / 0 / 13

HEX #C2C4DF

RGB 194 196 223

HSL 235.86, 0.31%, 0.82%

LAB 79.77, 4.62, -13.65

 

CMYK 0 / 13 / 2 / 13

HEX #DFC2DB

RGB 223 194 219

HSL 308.28, 0.31%, 0.82%

LAB 81.5, 14.54, -8.67

 

CMYK 0 / 0 / 13 / 13

HEX #DFDEC2

RGB 223 222 194

HSL 57.93, 0.31%, 0.82%

LAB 87.88, -4.37, 13.87

 

CMYK 13 / 0 / 7 / 13

HEX #C2DFCF

RGB 194 223 207

HSL 146.9, 0.31%, 0.82%

LAB 86.38, -12.62, 4.61

 

CMYK 13 / 12 / 0 / 13

HEX #C2C4DF

RGB 194 196 223

HSL 235.86, 0.31%, 0.82%

LAB 79.77, 4.62, -13.65

 

CMYK 0 / 13 / 6 / 13

HEX #DFC2D2

RGB 223 194 210

HSL 326.9, 0.31%, 0.82%

LAB 81.25, 12.94, -4.21

 

Description

Color code: HEX #DFDEC2 | qconv.com Color code: HEX #DFDEC2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 222 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 222 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 13 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 13% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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