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Color name
HEX #DFE5A2

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFE5A2 it is the complementary color #201A5D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFE5A2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFE5A2 shade: #E4E59D, #F5F7B0, #FFFFC3, #FFFFD6 and #FFFFE9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFE5A2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFE5A2 shade: #DFE5A2, #CED38F, #BDC17C, #ACAF69 and #9B9D56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFE5A2 shade: #DFE5A3, #E5D9A3, #E5C7A3, #E5B5A3 and #E5A4A3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFE5A2 shade: #DFE5A3, #CDE5A3, #BBE5A3, #AAE5A3 and #A3E5AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFE5A2 shade matches the following richer shades: #DFE5A3, #E7EE9A and #EEF890

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFE5A2 shade: #DFE5A3, #D7DBAC, #CFD2B6, #C7C8BF and #C0BFC9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFE5A2 shade: #E5C7A3, #E5D9A3, #DFE5A3, #CEE5A3 and #BCE5A3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFE5A2 shade: #C9D363, #D4DC83, #DFE5A3, #EAEEC3 and #F5F7E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFE5A2 shade: #DFE5A2, #A3E5B6 and #D0A3E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFE5A2 shade: #DFE5A2, #A3DFE5 and #E5A3DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFE5A2 shade: #DFE5A2, #A3E5B6, #A8A3E5 and #E5A3D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFE5A2 shade: #DFE5A2, #A3E5C9, #A8A3E5 and #E5A3BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 29 / 10

HEX #DFE5A2

RGB 223 229 162

HSL 65.37, 0.56%, 0.77%

LAB 89.08, -12.48, 32.08

 

Complementary color

CMYK 66 / 72 / 0 / 64

HEX #201A5D

RGB 32 26 93

HSL 245.37, 0.56%, 0.23%

LAB 14.6, 25.06, -39.11

 

CMYK 0 / 0 / 31 / 10

HEX #E4E59D

RGB 228 229 157

HSL 60.83, 0.58%, 0.76%

LAB 89.38, -11.23, 35.08

 

CMYK 1 / 0 / 29 / 3

HEX #F5F7B0

RGB 245 247 176

HSL 61.69, 0.82%, 0.83%

LAB 95.61, -11.45, 34.01

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC3

RGB 255 255 195

HSL 60, 1%, 0.88%

LAB 98.72, -9.28, 28.77

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD6

RGB 255 255 214

HSL 60, 1%, 0.92%

LAB 99.08, -6.61, 19.64

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE9

RGB 255 255 233

HSL 60, 1%, 0.96%

LAB 99.48, -3.69, 10.51

 

CMYK 3 / 0 / 29 / 10

HEX #DFE5A2

RGB 223 229 162

HSL 65.37, 0.56%, 0.77%

LAB 89.08, -12.48, 32.08

 

CMYK 2 / 0 / 32 / 17

HEX #CED38F

RGB 206 211 143

HSL 64.41, 0.44%, 0.69%

LAB 82.75, -12.28, 33.17

 

CMYK 2 / 0 / 36 / 24

HEX #BDC17C

RGB 189 193 124

HSL 63.48, 0.36%, 0.62%

LAB 76.32, -12.05, 34.31

 

CMYK 2 / 0 / 40 / 31

HEX #ACAF69

RGB 172 175 105

HSL 62.57, 0.3%, 0.55%

LAB 69.79, -11.76, 35.5

 

CMYK 1 / 0 / 45 / 38

HEX #9B9D56

RGB 155 157 86

HSL 61.69, 0.29%, 0.48%

LAB 63.14, -11.41, 36.73

 

CMYK 3 / 0 / 29 / 10

HEX #DFE5A3

RGB 223 229 163

HSL 65.45, 0.56%, 0.77%

LAB 89.1, -12.35, 31.59

 

CMYK 0 / 5 / 29 / 10

HEX #E5D9A3

RGB 229 217 163

HSL 49.09, 0.56%, 0.77%

LAB 86.47, -4.03, 28.14

 

CMYK 0 / 13 / 29 / 10

HEX #E5C7A3

RGB 229 199 163

HSL 32.73, 0.56%, 0.77%

LAB 81.92, 5.29, 21.94

 

CMYK 0 / 21 / 29 / 10

HEX #E5B5A3

RGB 229 181 163

HSL 16.36, 0.56%, 0.77%

LAB 77.49, 14.81, 15.79

 

CMYK 0 / 28 / 29 / 10

HEX #E5A4A3

RGB 229 164 163

HSL 0.91, 0.56%, 0.77%

LAB 73.45, 23.9, 10.1

 

CMYK 3 / 0 / 29 / 10

HEX #DFE5A3

RGB 223 229 163

HSL 65.45, 0.56%, 0.77%

LAB 89.1, -12.35, 31.59

 

CMYK 10 / 0 / 29 / 10

HEX #CDE5A3

RGB 205 229 163

HSL 81.82, 0.56%, 0.77%

LAB 87.81, -18.98, 29.64

 

CMYK 18 / 0 / 29 / 10

HEX #BBE5A3

RGB 187 229 163

HSL 98.18, 0.56%, 0.77%

LAB 86.63, -25.39, 27.84

 

CMYK 26 / 0 / 29 / 10

HEX #AAE5A3

RGB 170 229 163

HSL 113.64, 0.56%, 0.77%

LAB 85.62, -31.16, 26.31

 

CMYK 29 / 0 / 24 / 10

HEX #A3E5AE

RGB 163 229 174

HSL 130, 0.56%, 0.77%

LAB 85.44, -31.59, 20.32

 

CMYK 3 / 0 / 29 / 10

HEX #DFE5A3

RGB 223 229 163

HSL 65.45, 0.56%, 0.77%

LAB 89.1, -12.35, 31.59

 

CMYK 3 / 0 / 35 / 7

HEX #E7EE9A

RGB 231 238 154

HSL 65, 0.71%, 0.77%

LAB 91.9, -14.91, 39.92

 

CMYK 4 / 0 / 42 / 3

HEX #EEF890

RGB 238 248 144

HSL 65.77, 0.88%, 0.77%

LAB 94.88, -18.23, 48.71

 

CMYK 3 / 0 / 29 / 10

HEX #DFE5A3

RGB 223 229 163

HSL 65.45, 0.56%, 0.77%

LAB 89.1, -12.35, 31.59

 

CMYK 2 / 0 / 21 / 14

HEX #D7DBAC

RGB 215 219 172

HSL 65.11, 0.39%, 0.77%

LAB 86.05, -9.05, 22.72

 

CMYK 1 / 0 / 13 / 18

HEX #CFD2B6

RGB 207 210 182

HSL 66.43, 0.24%, 0.77%

LAB 83.3, -5.84, 13.54

 

CMYK 0 / 0 / 5 / 22

HEX #C7C8BF

RGB 199 200 191

HSL 66.67, 0.08%, 0.77%

LAB 80.3, -1.96, 4.37

 

CMYK 4 / 5 / 0 / 21

HEX #C0BFC9

RGB 192 191 201

HSL 246, 0.08%, 0.77%

LAB 77.69, 2.23, -4.9

 

CMYK 0 / 13 / 29 / 10

HEX #E5C7A3

RGB 229 199 163

HSL 32.73, 0.56%, 0.77%

LAB 81.92, 5.29, 21.94

 

CMYK 0 / 5 / 29 / 10

HEX #E5D9A3

RGB 229 217 163

HSL 49.09, 0.56%, 0.77%

LAB 86.47, -4.03, 28.14

 

CMYK 3 / 0 / 29 / 10

HEX #DFE5A3

RGB 223 229 163

HSL 65.45, 0.56%, 0.77%

LAB 89.1, -12.35, 31.59

 

CMYK 10 / 0 / 29 / 10

HEX #CEE5A3

RGB 206 229 163

HSL 80.91, 0.56%, 0.77%

LAB 87.87, -18.62, 29.74

 

CMYK 18 / 0 / 29 / 10

HEX #BCE5A3

RGB 188 229 163

HSL 97.27, 0.56%, 0.77%

LAB 86.69, -25.04, 27.94

 

CMYK 5 / 0 / 53 / 17

HEX #C9D363

RGB 201 211 99

HSL 65.36, 0.56%, 0.61%

LAB 81.79, -18.86, 53.5

 

CMYK 4 / 0 / 40 / 14

HEX #D4DC83

RGB 212 220 131

HSL 65.39, 0.56%, 0.69%

LAB 85.41, -15.87, 42.75

 

CMYK 3 / 0 / 29 / 10

HEX #DFE5A3

RGB 223 229 163

HSL 65.45, 0.56%, 0.77%

LAB 89.1, -12.35, 31.59

 

CMYK 2 / 0 / 18 / 7

HEX #EAEEC3

RGB 234 238 195

HSL 65.58, 0.56%, 0.85%

LAB 92.83, -8.39, 20.41

 

CMYK 1 / 0 / 8 / 3

HEX #F5F7E3

RGB 245 247 227

HSL 66, 0.56%, 0.93%

LAB 96.61, -4.07, 9.38

 

CMYK 3 / 0 / 29 / 10

HEX #DFE5A2

RGB 223 229 162

HSL 65.37, 0.56%, 0.77%

LAB 89.08, -12.48, 32.08

 

CMYK 29 / 0 / 21 / 10

HEX #A3E5B6

RGB 163 229 182

HSL 137.27, 0.56%, 0.77%

LAB 85.61, -30.16, 16.38

 

CMYK 9 / 29 / 0 / 10

HEX #D0A3E5

RGB 208 163 229

HSL 280.91, 0.56%, 0.77%

LAB 73.06, 28.3, -26.96

 

CMYK 3 / 0 / 29 / 10

HEX #DFE5A2

RGB 223 229 162

HSL 65.37, 0.56%, 0.77%

LAB 89.08, -12.48, 32.08

 

CMYK 29 / 3 / 0 / 10

HEX #A3DFE5

RGB 163 223 229

HSL 185.45, 0.56%, 0.77%

LAB 85.11, -17.56, -9.09

 

CMYK 0 / 29 / 3 / 10

HEX #E5A3DF

RGB 229 163 223

HSL 305.45, 0.56%, 0.77%

LAB 74.94, 33.89, -20.63

 

CMYK 3 / 0 / 29 / 10

HEX #DFE5A2

RGB 223 229 162

HSL 65.37, 0.56%, 0.77%

LAB 89.08, -12.48, 32.08

 

CMYK 29 / 0 / 21 / 10

HEX #A3E5B6

RGB 163 229 182

HSL 137.27, 0.56%, 0.77%

LAB 85.61, -30.16, 16.38

 

CMYK 27 / 29 / 0 / 10

HEX #A8A3E5

RGB 168 163 229

HSL 244.55, 0.56%, 0.77%

LAB 69.59, 16.05, -32.59

 

CMYK 0 / 29 / 8 / 10

HEX #E5A3D2

RGB 229 163 210

HSL 317.27, 0.56%, 0.77%

LAB 74.51, 31.62, -14.17

 

CMYK 3 / 0 / 29 / 10

HEX #DFE5A2

RGB 223 229 162

HSL 65.37, 0.56%, 0.77%

LAB 89.08, -12.48, 32.08

 

CMYK 29 / 0 / 12 / 10

HEX #A3E5C9

RGB 163 229 201

HSL 154.55, 0.56%, 0.77%

LAB 86.03, -26.51, 7.02

 

CMYK 27 / 29 / 0 / 10

HEX #A8A3E5

RGB 168 163 229

HSL 244.55, 0.56%, 0.77%

LAB 69.59, 16.05, -32.59

 

CMYK 0 / 29 / 17 / 10

HEX #E5A3BE

RGB 229 163 190

HSL 335.45, 0.56%, 0.77%

LAB 73.91, 28.35, -4.08

 

Description

Color code: HEX #DFE5A2 | qconv.com Color code: HEX #DFE5A2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 229 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 229 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 29 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 29% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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