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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFE77E it is the complementary color #201881. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFE77E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFE77E shade: #E4E779, #F5F98C, #FFFF9F, #FFFFB2 and #FFFFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFE77E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFE77E shade: #DFE77E, #CED56B, #BDC358, #ACB145 and #9B9F32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFE77E shade: #DFE77D, #E7D27D, #E7B67D, #E7997D and #E77D7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFE77E shade: #DFE77D, #C2E77D, #A6E77D, #89E77D and #7DE78E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFE77E shade matches the following richer shades: #DFE77D and #E9F371

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFE77E shade: #DFE77D, #D4DA8A, #CACE96, #BFC2A2 and #B5B5AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFE77E shade: #E7B67D, #E7D27D, #E0E77D, #C4E77D and #A7E77D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFE77E shade: #CEDA37, #D6E05A, #DFE77D, #E7EDA0 and #F0F4C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFE77E shade: #DFE77E, #7DE799 and #C47DE7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFE77E shade: #DFE77E, #7DE0E7 and #E77DE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFE77E shade: #DFE77E, #7DE799, #847DE7 and #E77DCB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFE77E shade: #DFE77E, #7DE7B9, #847DE7 and #E77DAB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 45 / 9

HEX #DFE77E

RGB 223 231 126

HSL 64.57, 0.69%, 0.7%

LAB 89.09, -17.53, 49.92

 

Complementary color

CMYK 75 / 81 / 0 / 49

HEX #201881

RGB 32 24 129

HSL 244.57, 0.69%, 0.3%

LAB 18.12, 38.82, -56.73

 

CMYK 1 / 0 / 48 / 9

HEX #E4E779

RGB 228 231 121

HSL 61.64, 0.7%, 0.69%

LAB 89.41, -16.04, 52.76

 

CMYK 2 / 0 / 44 / 2

HEX #F5F98C

RGB 245 249 140

HSL 62.2, 0.9%, 0.76%

LAB 95.6, -16.43, 51.63

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9F

RGB 255 255 159

HSL 60, 1%, 0.81%

LAB 98.15, -13.6, 45.86

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB2

RGB 255 255 178

HSL 60, 1%, 0.85%

LAB 98.43, -11.44, 36.89

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC5

RGB 255 255 197

HSL 60, 1%, 0.89%

LAB 98.75, -9.01, 27.81

 

CMYK 3 / 0 / 45 / 9

HEX #DFE77E

RGB 223 231 126

HSL 64.57, 0.69%, 0.7%

LAB 89.09, -17.53, 49.92

 

CMYK 3 / 0 / 50 / 16

HEX #CED56B

RGB 206 213 107

HSL 63.96, 0.56%, 0.63%

LAB 82.79, -17.15, 51.05

 

CMYK 3 / 0 / 55 / 24

HEX #BDC358

RGB 189 195 88

HSL 63.36, 0.47%, 0.55%

LAB 76.41, -16.68, 52.13

 

CMYK 3 / 0 / 61 / 31

HEX #ACB145

RGB 172 177 69

HSL 62.78, 0.44%, 0.48%

LAB 69.93, -16.1, 53.08

 

CMYK 3 / 0 / 69 / 38

HEX #9B9F32

RGB 155 159 50

HSL 62.2, 0.52%, 0.41%

LAB 63.34, -15.37, 53.74

 

CMYK 3 / 0 / 46 / 9

HEX #DFE77D

RGB 223 231 125

HSL 64.53, 0.69%, 0.7%

LAB 89.07, -17.63, 50.38

 

CMYK 0 / 9 / 46 / 9

HEX #E7D27D

RGB 231 210 125

HSL 48.11, 0.69%, 0.7%

LAB 84.26, -3.94, 44.6

 

CMYK 0 / 21 / 46 / 9

HEX #E7B67D

RGB 231 182 125

HSL 32.26, 0.69%, 0.7%

LAB 77.24, 10.66, 35.71

 

CMYK 0 / 34 / 46 / 9

HEX #E7997D

RGB 231 153 125

HSL 15.85, 0.69%, 0.7%

LAB 70.35, 26.1, 26.69

 

CMYK 0 / 46 / 46 / 9

HEX #E77D7D

RGB 231 125 125

HSL 0, 0.69%, 0.7%

LAB 64.27, 40.76, 18.47

 

CMYK 3 / 0 / 46 / 9

HEX #DFE77D

RGB 223 231 125

HSL 64.53, 0.69%, 0.7%

LAB 89.07, -17.63, 50.38

 

CMYK 16 / 0 / 46 / 9

HEX #C2E77D

RGB 194 231 125

HSL 80.94, 0.69%, 0.7%

LAB 87.05, -28.71, 47.44

 

CMYK 28 / 0 / 46 / 9

HEX #A6E77D

RGB 166 231 125

HSL 96.79, 0.69%, 0.7%

LAB 85.37, -38.77, 44.99

 

CMYK 41 / 0 / 46 / 9

HEX #89E77D

RGB 137 231 125

HSL 113.21, 0.69%, 0.7%

LAB 83.94, -48.15, 42.89

 

CMYK 46 / 0 / 39 / 9

HEX #7DE78E

RGB 125 231 142

HSL 129.62, 0.69%, 0.7%

LAB 83.69, -49.1, 34.05

 

CMYK 3 / 0 / 46 / 9

HEX #DFE77D

RGB 223 231 125

HSL 64.53, 0.69%, 0.7%

LAB 89.07, -17.63, 50.38

 

CMYK 4 / 0 / 53 / 5

HEX #E9F371

RGB 233 243 113

HSL 64.62, 0.84%, 0.7%

LAB 92.85, -20.59, 60.56

 

CMYK 3 / 0 / 46 / 9

HEX #DFE77D

RGB 223 231 125

HSL 64.53, 0.69%, 0.7%

LAB 89.07, -17.63, 50.38

 

CMYK 3 / 0 / 37 / 15

HEX #D4DA8A

RGB 212 218 138

HSL 64.5, 0.52%, 0.7%

LAB 84.98, -14.1, 38.71

 

CMYK 2 / 0 / 27 / 19

HEX #CACE96

RGB 202 206 150

HSL 64.29, 0.36%, 0.7%

LAB 81.24, -10.36, 27.48

 

CMYK 2 / 0 / 16 / 24

HEX #BFC2A2

RGB 191 194 162

HSL 65.63, 0.21%, 0.7%

LAB 77.44, -6.54, 15.77

 

CMYK 0 / 0 / 3 / 29

HEX #B5B5AF

RGB 181 181 175

HSL 60, 0.04%, 0.7%

LAB 73.52, -1.1, 3.04

 

CMYK 0 / 21 / 46 / 9

HEX #E7B67D

RGB 231 182 125

HSL 32.26, 0.69%, 0.7%

LAB 77.24, 10.66, 35.71

 

CMYK 0 / 9 / 46 / 9

HEX #E7D27D

RGB 231 210 125

HSL 48.11, 0.69%, 0.7%

LAB 84.26, -3.94, 44.6

 

CMYK 3 / 0 / 46 / 9

HEX #E0E77D

RGB 224 231 125

HSL 63.96, 0.69%, 0.7%

LAB 89.15, -17.24, 50.49

 

CMYK 15 / 0 / 46 / 9

HEX #C4E77D

RGB 196 231 125

HSL 79.81, 0.69%, 0.7%

LAB 87.18, -27.97, 47.63

 

CMYK 28 / 0 / 46 / 9

HEX #A7E77D

RGB 167 231 125

HSL 96.23, 0.69%, 0.7%

LAB 85.43, -38.42, 45.07

 

CMYK 6 / 0 / 75 / 15

HEX #CEDA37

RGB 206 218 55

HSL 64.42, 0.69%, 0.54%

LAB 83.73, -22.98, 73.01

 

CMYK 4 / 0 / 60 / 12

HEX #D6E05A

RGB 214 224 90

HSL 64.48, 0.68%, 0.62%

LAB 86.18, -20.68, 62.67

 

CMYK 3 / 0 / 46 / 9

HEX #DFE77D

RGB 223 231 125

HSL 64.53, 0.69%, 0.7%

LAB 89.07, -17.63, 50.38

 

CMYK 3 / 0 / 32 / 7

HEX #E7EDA0

RGB 231 237 160

HSL 64.68, 0.68%, 0.78%

LAB 91.73, -13.71, 36.71

 

CMYK 2 / 0 / 20 / 4

HEX #F0F4C3

RGB 240 244 195

HSL 64.9, 0.69%, 0.86%

LAB 94.81, -9.23, 23.22

 

CMYK 3 / 0 / 45 / 9

HEX #DFE77E

RGB 223 231 126

HSL 64.57, 0.69%, 0.7%

LAB 89.09, -17.53, 49.92

 

CMYK 46 / 0 / 34 / 9

HEX #7DE799

RGB 125 231 153

HSL 135.85, 0.69%, 0.7%

LAB 83.87, -47.27, 28.71

 

CMYK 15 / 46 / 0 / 9

HEX #C47DE7

RGB 196 125 231

HSL 280.19, 0.69%, 0.7%

LAB 63.49, 45.71, -43.02

 

CMYK 3 / 0 / 45 / 9

HEX #DFE77E

RGB 223 231 126

HSL 64.57, 0.69%, 0.7%

LAB 89.09, -17.53, 49.92

 

CMYK 46 / 3 / 0 / 9

HEX #7DE0E7

RGB 125 224 231

HSL 183.96, 0.69%, 0.7%

LAB 83.67, -27.25, -12.47

 

CMYK 0 / 46 / 3 / 9

HEX #E77DE0

RGB 231 125 224

HSL 303.96, 0.69%, 0.7%

LAB 67.31, 54.38, -32.87

 

CMYK 3 / 0 / 45 / 9

HEX #DFE77E

RGB 223 231 126

HSL 64.57, 0.69%, 0.7%

LAB 89.09, -17.53, 49.92

 

CMYK 46 / 0 / 34 / 9

HEX #7DE799

RGB 125 231 153

HSL 135.85, 0.69%, 0.7%

LAB 83.87, -47.27, 28.71

 

CMYK 43 / 46 / 0 / 9

HEX #847DE7

RGB 132 125 231

HSL 243.96, 0.69%, 0.7%

LAB 57.41, 28.77, -53.03

 

CMYK 0 / 46 / 12 / 9

HEX #E77DCB

RGB 231 125 203

HSL 315.85, 0.69%, 0.7%

LAB 66.5, 50.9, -22.42

 

CMYK 3 / 0 / 45 / 9

HEX #DFE77E

RGB 223 231 126

HSL 64.57, 0.69%, 0.7%

LAB 89.09, -17.53, 49.92

 

CMYK 46 / 0 / 20 / 9

HEX #7DE7B9

RGB 125 231 185

HSL 153.96, 0.69%, 0.7%

LAB 84.49, -41.19, 12.99

 

CMYK 43 / 46 / 0 / 9

HEX #847DE7

RGB 132 125 231

HSL 243.96, 0.69%, 0.7%

LAB 57.41, 28.77, -53.03

 

CMYK 0 / 46 / 26 / 9

HEX #E77DAB

RGB 231 125 171

HSL 333.96, 0.69%, 0.7%

LAB 65.43, 46.17, -5.98

 

Description

Color code: HEX #DFE77E | qconv.com Color code: HEX #DFE77E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 231 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 231 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 45 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 45% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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