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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFE8DE it is the complementary color #201721. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFE8DE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFE8DE shade: #E4E8D9, #F5FAEC and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFE8DE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFE8DE shade: #DFE8DE, #CED6CB, #BDC4B8, #ACB2A5 and #9BA092

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFE8DE shade: #DEE7DD, #E1E7DD, #E4E7DD, #E7E7DD and #E7E6DD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFE8DE shade: #DEE7DD, #DDE7DF, #DDE7E2, #DDE7E5 and #DDE7E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFE8DE shade matches the following richer shades: #DEE7DD, #DBECD9, #D7F1D4, #D4F5D0 and #D0FACB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFE8DE shade: #DEE7DD, #E2E3E2, #E6DEE6, #E9DAEB and #EDD5F0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFE8DE shade: #E4E7DD, #E1E7DD, #DEE7DD, #DDE7DF and #DDE7E2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFE8DE shade: #AFC6AD, #C7D7C5, #DEE7DD and #F6F8F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFE8DE shade: #DFE8DE, #DDE6E7 and #E7DDE2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFE8DE shade: #DFE8DE, #DDDEE7 and #E7DDDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFE8DE shade: #DFE8DE, #DDE6E7, #E6DDE7 and #E7DEDD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFE8DE shade: #DFE8DE, #DDE3E7, #E6DDE7 and #E7E1DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 4 / 9

HEX #DFE8DE

RGB 223 232 222

HSL 114, 0.18%, 0.89%

LAB 91.09, -4.79, 3.81

 

Complementary color

CMYK 3 / 30 / 0 / 87

HEX #201721

RGB 32 23 33

HSL 294, 0.18%, 0.11%

LAB 9.24, 6.89, -5.23

 

CMYK 2 / 0 / 6 / 9

HEX #E4E8D9

RGB 228 232 217

HSL 76, 0.25%, 0.88%

LAB 91.33, -3.96, 6.82

 

CMYK 2 / 0 / 6 / 2

HEX #F5FAEC

RGB 245 250 236

HSL 81.43, 0.58%, 0.95%

LAB 97.57, -4.08, 6.12

 

CMYK 4 / 0 / 4 / 9

HEX #DFE8DE

RGB 223 232 222

HSL 114, 0.18%, 0.89%

LAB 91.09, -4.79, 3.81

 

CMYK 4 / 0 / 5 / 16

HEX #CED6CB

RGB 206 214 203

HSL 103.64, 0.12%, 0.82%

LAB 84.75, -4.7, 4.48

 

CMYK 4 / 0 / 6 / 23

HEX #BDC4B8

RGB 189 196 184

HSL 95, 0.09%, 0.75%

LAB 78.32, -4.61, 5.18

 

CMYK 3 / 0 / 7 / 30

HEX #ACB2A5

RGB 172 178 165

HSL 87.69, 0.08%, 0.67%

LAB 71.78, -4.52, 5.91

 

CMYK 3 / 0 / 9 / 37

HEX #9BA092

RGB 155 160 146

HSL 81.43, 0.07%, 0.6%

LAB 65.11, -4.42, 6.67

 

CMYK 4 / 0 / 4 / 9

HEX #DEE7DD

RGB 222 231 221

HSL 114, 0.17%, 0.89%

LAB 90.74, -4.8, 3.81

 

CMYK 3 / 0 / 4 / 9

HEX #E1E7DD

RGB 225 231 221

HSL 96, 0.17%, 0.89%

LAB 90.95, -3.78, 4.15

 

CMYK 1 / 0 / 4 / 9

HEX #E4E7DD

RGB 228 231 221

HSL 78, 0.17%, 0.89%

LAB 91.17, -2.77, 4.5

 

CMYK 0 / 0 / 4 / 9

HEX #E7E7DD

RGB 231 231 221

HSL 60, 0.17%, 0.89%

LAB 91.4, -1.74, 4.85

 

CMYK 0 / 0 / 4 / 9

HEX #E7E6DD

RGB 231 230 221

HSL 54, 0.17%, 0.89%

LAB 91.15, -1.23, 4.49

HEX #E7E6DD

CMYK 4 / 0 / 4 / 9

HEX #DEE7DD

RGB 222 231 221

HSL 114, 0.17%, 0.89%

LAB 90.74, -4.8, 3.81

 

CMYK 4 / 0 / 3 / 9

HEX #DDE7DF

RGB 221 231 223

HSL 132, 0.17%, 0.89%

LAB 90.71, -4.78, 2.72

 

CMYK 4 / 0 / 2 / 9

HEX #DDE7E2

RGB 221 231 226

HSL 150, 0.17%, 0.89%

LAB 90.79, -4.24, 1.26

HEX #DDE7E2

CMYK 4 / 0 / 1 / 9

HEX #DDE7E5

RGB 221 231 229

HSL 168, 0.17%, 0.89%

LAB 90.86, -3.69, -0.19

HEX #DDE7E5

CMYK 4 / 0 / 0 / 9

HEX #DDE7E7

RGB 221 231 231

HSL 180, 0.17%, 0.89%

LAB 90.91, -3.32, -1.17

HEX #DDE7E7

CMYK 4 / 0 / 4 / 9

HEX #DEE7DD

RGB 222 231 221

HSL 114, 0.17%, 0.89%

LAB 90.74, -4.8, 3.81

 

CMYK 7 / 0 / 8 / 7

HEX #DBECD9

RGB 219 236 217

HSL 113.68, 0.33%, 0.89%

LAB 91.71, -9.05, 7.28

 

CMYK 11 / 0 / 12 / 5

HEX #D7F1D4

RGB 215 241 212

HSL 113.79, 0.51%, 0.89%

LAB 92.62, -13.76, 11.14

 

CMYK 13 / 0 / 15 / 4

HEX #D4F5D0

RGB 212 245 208

HSL 113.51, 0.65%, 0.89%

LAB 93.39, -17.42, 14.27

 

CMYK 17 / 0 / 19 / 2

HEX #D0FACB

RGB 208 250 203

HSL 113.62, 0.82%, 0.89%

LAB 94.35, -22.03, 18.16

 

CMYK 4 / 0 / 4 / 9

HEX #DEE7DD

RGB 222 231 221

HSL 114, 0.17%, 0.89%

LAB 90.74, -4.8, 3.81

 

CMYK 0 / 0 / 0 / 11

HEX #E2E3E2

RGB 226 227 226

HSL 120, 0.02%, 0.89%

LAB 90.14, -0.51, 0.36

 

CMYK 0 / 3 / 0 / 10

HEX #E6DEE6

RGB 230 222 230

HSL 300, 0.14%, 0.89%

LAB 89.29, 4.14, -2.94

 

CMYK 1 / 7 / 0 / 8

HEX #E9DAEB

RGB 233 218 235

HSL 292.94, 0.3%, 0.89%

LAB 88.67, 8.13, -6.46

 

CMYK 1 / 11 / 0 / 6

HEX #EDD5F0

RGB 237 213 240

HSL 293.33, 0.47%, 0.89%

LAB 87.91, 13, -10.18

 

CMYK 1 / 0 / 4 / 9

HEX #E4E7DD

RGB 228 231 221

HSL 78, 0.17%, 0.89%

LAB 91.17, -2.77, 4.5

 

CMYK 3 / 0 / 4 / 9

HEX #E1E7DD

RGB 225 231 221

HSL 96, 0.17%, 0.89%

LAB 90.95, -3.78, 4.15

 

CMYK 4 / 0 / 4 / 9

HEX #DEE7DD

RGB 222 231 221

HSL 114, 0.17%, 0.89%

LAB 90.74, -4.8, 3.81

 

CMYK 4 / 0 / 3 / 9

HEX #DDE7DF

RGB 221 231 223

HSL 132, 0.17%, 0.89%

LAB 90.71, -4.78, 2.72

 

CMYK 4 / 0 / 2 / 9

HEX #DDE7E2

RGB 221 231 226

HSL 150, 0.17%, 0.89%

LAB 90.79, -4.24, 1.26

HEX #DDE7E2

CMYK 12 / 0 / 13 / 22

HEX #AFC6AD

RGB 175 198 173

HSL 115.2, 0.18%, 0.73%

LAB 77.59, -12.51, 9.91

 

CMYK 7 / 0 / 8 / 16

HEX #C7D7C5

RGB 199 215 197

HSL 113.33, 0.18%, 0.81%

LAB 84.37, -8.69, 7.03

 

CMYK 4 / 0 / 4 / 9

HEX #DEE7DD

RGB 222 231 221

HSL 114, 0.17%, 0.89%

LAB 90.74, -4.8, 3.81

 

CMYK 1 / 0 / 1 / 3

HEX #F6F8F6

RGB 246 248 246

HSL 120, 0.13%, 0.97%

LAB 97.38, -1.01, 0.72

 

CMYK 4 / 0 / 4 / 9

HEX #DFE8DE

RGB 223 232 222

HSL 114, 0.18%, 0.89%

LAB 91.09, -4.79, 3.81

 

CMYK 4 / 0 / 0 / 9

HEX #DDE6E7

RGB 221 230 231

HSL 186, 0.17%, 0.89%

LAB 90.66, -2.81, -1.54

 

CMYK 0 / 4 / 2 / 9

HEX #E7DDE2

RGB 231 221 226

HSL 330, 0.17%, 0.89%

LAB 89.01, 4.28, -1.24

 

CMYK 4 / 0 / 4 / 9

HEX #DFE8DE

RGB 223 232 222

HSL 114, 0.18%, 0.89%

LAB 91.09, -4.79, 3.81

 

CMYK 4 / 4 / 0 / 9

HEX #DDDEE7

RGB 221 222 231

HSL 234, 0.17%, 0.89%

LAB 88.63, 1.32, -4.52

 

CMYK 0 / 4 / 4 / 9

HEX #E7DDDE

RGB 231 221 222

HSL 354, 0.17%, 0.89%

LAB 88.91, 3.58, 0.72

 

CMYK 4 / 0 / 4 / 9

HEX #DFE8DE

RGB 223 232 222

HSL 114, 0.18%, 0.89%

LAB 91.09, -4.79, 3.81

 

CMYK 4 / 0 / 0 / 9

HEX #DDE6E7

RGB 221 230 231

HSL 186, 0.17%, 0.89%

LAB 90.66, -2.81, -1.54

 

CMYK 0 / 4 / 0 / 9

HEX #E6DDE7

RGB 230 221 231

HSL 294, 0.17%, 0.89%

LAB 89.07, 4.84, -3.8

 

CMYK 0 / 4 / 4 / 9

HEX #E7DEDD

RGB 231 222 221

HSL 6, 0.17%, 0.89%

LAB 89.14, 2.89, 1.57

 

CMYK 4 / 0 / 4 / 9

HEX #DFE8DE

RGB 223 232 222

HSL 114, 0.18%, 0.89%

LAB 91.09, -4.79, 3.81

 

CMYK 4 / 2 / 0 / 9

HEX #DDE3E7

RGB 221 227 231

HSL 204, 0.17%, 0.89%

LAB 89.9, -1.27, -2.66

 

CMYK 0 / 4 / 0 / 9

HEX #E6DDE7

RGB 230 221 231

HSL 294, 0.17%, 0.89%

LAB 89.07, 4.84, -3.8

 

CMYK 0 / 3 / 4 / 9

HEX #E7E1DD

RGB 231 225 221

HSL 24, 0.17%, 0.89%

LAB 89.89, 1.34, 2.66

 

Description

Color code: HEX #DFE8DE | qconv.com Color code: HEX #DFE8DE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 232 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 232 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 4 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 4% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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