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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFEAA3 it is the complementary color #20155C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFEAA3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFEAA3 shade: #E4EA9E, #F5FCB1, #FFFFC4, #FFFFD7 and #FFFFEA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFEAA3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFEAA3 shade: #DFEAA3, #CED890, #BDC67D, #ACB46A and #9BA257

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFEAA3 shade: #DFEAA3, #EAE2A3, #EACFA3, #EABCA3 and #EAA8A3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFEAA3 shade: #DFEAA3, #CCEAA3, #B9EAA3, #A6EAA3 and #A3EAB4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFEAA3 shade matches the following richer shades: #DFEAA3, #E5F39A and #EBFC91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFEAA3 shade: #DFEAA3, #D9E1AC, #D2D8B5, #CCCFBE and #C6C5C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFEAA3 shade: #EACFA3, #EAE1A3, #DFEAA3, #CCEAA3 and #B9EAA3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFEAA3 shade: #C7DA60, #D3E281, #DFEAA3, #EAF1C5 and #F6F9E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFEAA3 shade: #DFEAA3, #A3EABC and #D8A3EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFEAA3 shade: #DFEAA3, #A3DFEA and #EAA3DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFEAA3 shade: #DFEAA3, #A3EABC, #AEA3EA and #EAA3D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFEAA3 shade: #DFEAA3, #A3EAD1, #AEA3EA and #EAA3BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 30 / 8

HEX #DFEAA3

RGB 223 234 163

HSL 69.3, 0.63%, 0.78%

LAB 90.4, -14.83, 33.34

 

Complementary color

CMYK 65 / 77 / 0 / 64

HEX #20155C

RGB 32 21 92

HSL 249.3, 0.63%, 0.22%

LAB 13.33, 27.93, -40.53

 

CMYK 3 / 0 / 32 / 8

HEX #E4EA9E

RGB 228 234 158

HSL 64.74, 0.64%, 0.77%

LAB 90.69, -13.59, 36.31

 

CMYK 3 / 0 / 30 / 1

HEX #F5FCB1

RGB 245 252 177

HSL 65.6, 0.93%, 0.84%

LAB 96.91, -13.78, 35.23

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC4

RGB 255 255 196

HSL 60, 1%, 0.88%

LAB 98.74, -9.15, 28.29

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD7

RGB 255 255 215

HSL 60, 1%, 0.92%

LAB 99.1, -6.46, 19.16

 

CMYK 0 / 0 / 8 / 0

HEX #FFFFEA

RGB 255 255 234

HSL 60, 1%, 0.96%

LAB 99.5, -3.53, 10.03

 

CMYK 5 / 0 / 30 / 8

HEX #DFEAA3

RGB 223 234 163

HSL 69.3, 0.63%, 0.78%

LAB 90.4, -14.83, 33.34

 

CMYK 5 / 0 / 33 / 15

HEX #CED890

RGB 206 216 144

HSL 68.33, 0.48%, 0.71%

LAB 84.09, -14.67, 34.43

 

CMYK 5 / 0 / 37 / 22

HEX #BDC67D

RGB 189 198 125

HSL 67.4, 0.39%, 0.63%

LAB 77.69, -14.48, 35.57

 

CMYK 4 / 0 / 41 / 29

HEX #ACB46A

RGB 172 180 106

HSL 66.49, 0.33%, 0.56%

LAB 71.18, -14.24, 36.75

 

CMYK 4 / 0 / 46 / 36

HEX #9BA257

RGB 155 162 87

HSL 65.6, 0.3%, 0.49%

LAB 64.56, -13.93, 37.96

 

CMYK 5 / 0 / 30 / 8

HEX #DFEAA3

RGB 223 234 163

HSL 69.3, 0.63%, 0.78%

LAB 90.4, -14.83, 33.34

 

CMYK 0 / 3 / 30 / 8

HEX #EAE2A3

RGB 234 226 163

HSL 53.24, 0.63%, 0.78%

LAB 89.17, -6.71, 31.84

 

CMYK 0 / 12 / 30 / 8

HEX #EACFA3

RGB 234 207 163

HSL 37.18, 0.63%, 0.78%

LAB 84.36, 3.03, 25.35

 

CMYK 0 / 20 / 30 / 8

HEX #EABCA3

RGB 234 188 163

HSL 21.13, 0.63%, 0.78%

LAB 79.67, 12.99, 18.91

 

CMYK 0 / 28 / 30 / 8

HEX #EAA8A3

RGB 234 168 163

HSL 4.23, 0.63%, 0.78%

LAB 74.91, 23.63, 12.25

 

CMYK 5 / 0 / 30 / 8

HEX #DFEAA3

RGB 223 234 163

HSL 69.3, 0.63%, 0.78%

LAB 90.4, -14.83, 33.34

 

CMYK 13 / 0 / 30 / 8

HEX #CCEAA3

RGB 204 234 163

HSL 85.35, 0.63%, 0.78%

LAB 89.08, -21.78, 31.33

 

CMYK 21 / 0 / 30 / 8

HEX #B9EAA3

RGB 185 234 163

HSL 101.41, 0.63%, 0.78%

LAB 87.87, -28.46, 29.51

 

CMYK 29 / 0 / 30 / 8

HEX #A6EAA3

RGB 166 234 163

HSL 117.46, 0.63%, 0.78%

LAB 86.8, -34.79, 27.87

 

CMYK 30 / 0 / 23 / 8

HEX #A3EAB4

RGB 163 234 180

HSL 134.37, 0.63%, 0.78%

LAB 86.96, -32.86, 19.31

 

CMYK 5 / 0 / 30 / 8

HEX #DFEAA3

RGB 223 234 163

HSL 69.3, 0.63%, 0.78%

LAB 90.4, -14.83, 33.34

 

CMYK 6 / 0 / 37 / 5

HEX #E5F39A

RGB 229 243 154

HSL 69.44, 0.79%, 0.78%

LAB 93.05, -18.11, 41.39

 

CMYK 7 / 0 / 42 / 1

HEX #EBFC91

RGB 235 252 145

HSL 69.53, 0.95%, 0.78%

LAB 95.72, -21.19, 49.23

 

CMYK 5 / 0 / 30 / 8

HEX #DFEAA3

RGB 223 234 163

HSL 69.3, 0.63%, 0.78%

LAB 90.4, -14.83, 33.34

 

CMYK 4 / 0 / 24 / 12

HEX #D9E1AC

RGB 217 225 172

HSL 69.06, 0.47%, 0.78%

LAB 87.77, -11.35, 25.1

 

CMYK 3 / 0 / 16 / 15

HEX #D2D8B5

RGB 210 216 181

HSL 70.29, 0.31%, 0.78%

LAB 85.07, -8, 16.59

 

CMYK 1 / 0 / 8 / 19

HEX #CCCFBE

RGB 204 207 190

HSL 70.59, 0.15%, 0.78%

LAB 82.48, -4.03, 8.08

 

CMYK 1 / 1 / 0 / 22

HEX #C6C5C7

RGB 198 197 199

HSL 270, 0.02%, 0.78%

LAB 79.65, 0.72, -0.89

 

CMYK 0 / 12 / 30 / 8

HEX #EACFA3

RGB 234 207 163

HSL 37.18, 0.63%, 0.78%

LAB 84.36, 3.03, 25.35

 

CMYK 0 / 4 / 30 / 8

HEX #EAE1A3

RGB 234 225 163

HSL 52.39, 0.63%, 0.78%

LAB 88.92, -6.2, 31.5

 

CMYK 5 / 0 / 30 / 8

HEX #DFEAA3

RGB 223 234 163

HSL 69.3, 0.63%, 0.78%

LAB 90.4, -14.83, 33.34

 

CMYK 13 / 0 / 30 / 8

HEX #CCEAA3

RGB 204 234 163

HSL 85.35, 0.63%, 0.78%

LAB 89.08, -21.78, 31.33

 

CMYK 21 / 0 / 30 / 8

HEX #B9EAA3

RGB 185 234 163

HSL 101.41, 0.63%, 0.78%

LAB 87.87, -28.46, 29.51

 

CMYK 9 / 0 / 56 / 15

HEX #C7DA60

RGB 199 218 96

HSL 69.34, 0.62%, 0.62%

LAB 83.51, -23.33, 56.8

 

CMYK 7 / 0 / 43 / 11

HEX #D3E281

RGB 211 226 129

HSL 69.28, 0.63%, 0.7%

LAB 86.91, -19.43, 45.6

 

CMYK 5 / 0 / 30 / 8

HEX #DFEAA3

RGB 223 234 163

HSL 69.3, 0.63%, 0.78%

LAB 90.4, -14.83, 33.34

 

CMYK 3 / 0 / 18 / 5

HEX #EAF1C5

RGB 234 241 197

HSL 69.55, 0.61%, 0.86%

LAB 93.64, -9.59, 20.51

 

CMYK 1 / 0 / 8 / 2

HEX #F6F9E6

RGB 246 249 230

HSL 69.47, 0.61%, 0.94%

LAB 97.25, -4.24, 8.76

 

CMYK 5 / 0 / 30 / 8

HEX #DFEAA3

RGB 223 234 163

HSL 69.3, 0.63%, 0.78%

LAB 90.4, -14.83, 33.34

 

CMYK 30 / 0 / 20 / 8

HEX #A3EABC

RGB 163 234 188

HSL 141.13, 0.63%, 0.78%

LAB 87.13, -31.41, 15.39

 

CMYK 8 / 30 / 0 / 8

HEX #D8A3EA

RGB 216 163 234

HSL 284.79, 0.63%, 0.78%

LAB 74.02, 31.82, -28.15

 

CMYK 5 / 0 / 30 / 8

HEX #DFEAA3

RGB 223 234 163

HSL 69.3, 0.63%, 0.78%

LAB 90.4, -14.83, 33.34

 

CMYK 30 / 5 / 0 / 8

HEX #A3DFEA

RGB 163 223 234

HSL 189.3, 0.63%, 0.78%

LAB 85.25, -16.41, -11.52

 

CMYK 0 / 30 / 5 / 8

HEX #EAA3DF

RGB 234 163 223

HSL 309.3, 0.63%, 0.78%

LAB 75.46, 35.52, -19.79

 

CMYK 5 / 0 / 30 / 8

HEX #DFEAA3

RGB 223 234 163

HSL 69.3, 0.63%, 0.78%

LAB 90.4, -14.83, 33.34

 

CMYK 30 / 0 / 20 / 8

HEX #A3EABC

RGB 163 234 188

HSL 141.13, 0.63%, 0.78%

LAB 87.13, -31.41, 15.39

 

CMYK 26 / 30 / 0 / 8

HEX #AEA3EA

RGB 174 163 234

HSL 249.3, 0.63%, 0.78%

LAB 70.27, 19.01, -34.24

 

CMYK 0 / 30 / 11 / 8

HEX #EAA3D1

RGB 234 163 209

HSL 321.13, 0.63%, 0.78%

LAB 75.01, 33.13, -12.83

 

CMYK 5 / 0 / 30 / 8

HEX #DFEAA3

RGB 223 234 163

HSL 69.3, 0.63%, 0.78%

LAB 90.4, -14.83, 33.34

 

CMYK 30 / 0 / 11 / 8

HEX #A3EAD1

RGB 163 234 209

HSL 158.87, 0.63%, 0.78%

LAB 87.6, -27.29, 5.09

 

CMYK 26 / 30 / 0 / 8

HEX #AEA3EA

RGB 174 163 234

HSL 249.3, 0.63%, 0.78%

LAB 70.27, 19.01, -34.24

 

CMYK 0 / 30 / 20 / 8

HEX #EAA3BC

RGB 234 163 188

HSL 338.87, 0.63%, 0.78%

LAB 74.39, 29.81, -2.22

 

Description

Color code: HEX #DFEAA3 | qconv.com Color code: HEX #DFEAA3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 234 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 234 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 30 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 30% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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