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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFECE5 it is the complementary color #20131A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFECE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFECE5 shade: #E4ECE0 and #F5FEF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFECE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFECE5 shade: #DFECE5, #CEDAD2, #BDC8BF, #ACB6AC and #9BA499

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFECE5 shade: #DFEBE5, #DFEBE1, #E0EBDF, #E3EBDF and #E6EBDF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFECE5 shade: #DFEBE5, #DFEBE8, #DFEBEB, #DFE8EB and #DFE4EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFECE5 shade matches the following richer shades: #DFEBE5, #DAF0E4, #D6F4E4, #D2F8E4 and #CEFCE3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFECE5 shade: #DFEBE5, #E3E7E5, #E7E3E5, #EBDFE5 and #EFDBE6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFECE5 shade: #E0EBDF, #DFEBE1, #DFEBE4, #DFEBE8 and #DFEBEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFECE5 shade: #ABCCBA, #C5DCCF, #DFEBE5 and #F8FBFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFECE5 shade: #DFECE5, #DFE3EB and #EBDFDF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFECE5 shade: #DFECE5, #E4DFEB and #EBE4DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFECE5 shade: #DFECE5, #DFE3EB, #EBDFE6 and #EBE7DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFECE5 shade: #DFECE5, #DFDFEB, #EBDFE6 and #EBEBDF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 3 / 7

HEX #DFECE5

RGB 223 236 229

HSL 147.69, 0.25%, 0.9%

LAB 92.28, -5.58, 1.89

 

Complementary color

CMYK 0 / 41 / 19 / 87

HEX #20131A

RGB 32 19 26

HSL 327.69, 0.25%, 0.1%

LAB 7.65, 8.15, -2.29

 

CMYK 3 / 0 / 5 / 7

HEX #E4ECE0

RGB 228 236 224

HSL 100, 0.24%, 0.9%

LAB 92.52, -4.79, 4.88

 

CMYK 4 / 0 / 4 / 0

HEX #F5FEF3

RGB 245 254 243

HSL 109.09, 0.85%, 0.97%

LAB 98.74, -4.88, 4.22

 

CMYK 6 / 0 / 3 / 7

HEX #DFECE5

RGB 223 236 229

HSL 147.69, 0.25%, 0.9%

LAB 92.28, -5.58, 1.89

 

CMYK 6 / 0 / 4 / 15

HEX #CEDAD2

RGB 206 218 210

HSL 140, 0.14%, 0.83%

LAB 85.97, -5.51, 2.53

 

CMYK 5 / 0 / 5 / 22

HEX #BDC8BF

RGB 189 200 191

HSL 130.91, 0.09%, 0.76%

LAB 79.55, -5.44, 3.19

 

CMYK 5 / 0 / 5 / 29

HEX #ACB6AC

RGB 172 182 172

HSL 120, 0.06%, 0.69%

LAB 73.03, -5.37, 3.88

 

CMYK 5 / 0 / 7 / 36

HEX #9BA499

RGB 155 164 153

HSL 109.09, 0.06%, 0.62%

LAB 66.38, -5.3, 4.6

 

CMYK 5 / 0 / 3 / 8

HEX #DFEBE5

RGB 223 235 229

HSL 150, 0.23%, 0.9%

LAB 92.03, -5.07, 1.52

 

CMYK 5 / 0 / 4 / 8

HEX #DFEBE1

RGB 223 235 225

HSL 130, 0.23%, 0.9%

LAB 91.93, -5.79, 3.46

 

CMYK 5 / 0 / 5 / 8

HEX #E0EBDF

RGB 224 235 223

HSL 115, 0.23%, 0.9%

LAB 91.95, -5.81, 4.54

 

CMYK 3 / 0 / 5 / 8

HEX #E3EBDF

RGB 227 235 223

HSL 100, 0.23%, 0.9%

LAB 92.17, -4.8, 4.88

 

CMYK 2 / 0 / 5 / 8

HEX #E6EBDF

RGB 230 235 223

HSL 85, 0.23%, 0.9%

LAB 92.38, -3.78, 5.23

 

CMYK 5 / 0 / 3 / 8

HEX #DFEBE5

RGB 223 235 229

HSL 150, 0.23%, 0.9%

LAB 92.03, -5.07, 1.52

 

CMYK 5 / 0 / 1 / 8

HEX #DFEBE8

RGB 223 235 232

HSL 165, 0.23%, 0.9%

LAB 92.1, -4.52, 0.06

 

CMYK 5 / 0 / 0 / 8

HEX #DFEBEB

RGB 223 235 235

HSL 180, 0.23%, 0.9%

LAB 92.18, -3.97, -1.39

 

CMYK 5 / 1 / 0 / 8

HEX #DFE8EB

RGB 223 232 235

HSL 195, 0.23%, 0.9%

LAB 91.41, -2.43, -2.5

 

CMYK 5 / 3 / 0 / 8

HEX #DFE4EB

RGB 223 228 235

HSL 215, 0.23%, 0.9%

LAB 90.4, -0.38, -3.99

 

CMYK 5 / 0 / 3 / 8

HEX #DFEBE5

RGB 223 235 229

HSL 150, 0.23%, 0.9%

LAB 92.03, -5.07, 1.52

 

CMYK 9 / 0 / 5 / 6

HEX #DAF0E4

RGB 218 240 228

HSL 147.27, 0.42%, 0.9%

LAB 92.94, -9.43, 3.32

 

CMYK 12 / 0 / 7 / 4

HEX #D6F4E4

RGB 214 244 228

HSL 148, 0.58%, 0.9%

LAB 93.71, -12.74, 4.41

 

CMYK 15 / 0 / 8 / 3

HEX #D2F8E4

RGB 210 248 228

HSL 148.42, 0.73%, 0.9%

LAB 94.5, -16.01, 5.52

 

CMYK 18 / 0 / 10 / 1

HEX #CEFCE3

RGB 206 252 227

HSL 147.39, 0.88%, 0.9%

LAB 95.28, -19.42, 7.13

 

CMYK 5 / 0 / 3 / 8

HEX #DFEBE5

RGB 223 235 229

HSL 150, 0.23%, 0.9%

LAB 92.03, -5.07, 1.52

 

CMYK 2 / 0 / 1 / 9

HEX #E3E7E5

RGB 227 231 229

HSL 150, 0.08%, 0.9%

LAB 91.3, -1.69, 0.49

 

CMYK 0 / 2 / 1 / 9

HEX #E7E3E5

RGB 231 227 229

HSL 330, 0.08%, 0.9%

LAB 90.59, 1.71, -0.5

 

CMYK 0 / 5 / 3 / 8

HEX #EBDFE5

RGB 235 223 229

HSL 330, 0.23%, 0.9%

LAB 89.9, 5.13, -1.47

 

CMYK 0 / 8 / 4 / 6

HEX #EFDBE6

RGB 239 219 230

HSL 327, 0.38%, 0.9%

LAB 89.26, 8.74, -2.9

 

CMYK 5 / 0 / 5 / 8

HEX #E0EBDF

RGB 224 235 223

HSL 115, 0.23%, 0.9%

LAB 91.95, -5.81, 4.54

 

CMYK 5 / 0 / 4 / 8

HEX #DFEBE1

RGB 223 235 225

HSL 130, 0.23%, 0.9%

LAB 91.93, -5.79, 3.46

 

CMYK 5 / 0 / 3 / 8

HEX #DFEBE4

RGB 223 235 228

HSL 145, 0.23%, 0.9%

LAB 92, -5.25, 2

 

CMYK 5 / 0 / 1 / 8

HEX #DFEBE8

RGB 223 235 232

HSL 165, 0.23%, 0.9%

LAB 92.1, -4.52, 0.06

 

CMYK 5 / 0 / 0 / 8

HEX #DFEBEB

RGB 223 235 235

HSL 180, 0.23%, 0.9%

LAB 92.18, -3.97, -1.39

 

CMYK 16 / 0 / 9 / 20

HEX #ABCCBA

RGB 171 204 186

HSL 147.27, 0.24%, 0.74%

LAB 79.26, -14.54, 5.3

 

CMYK 10 / 0 / 6 / 14

HEX #C5DCCF

RGB 197 220 207

HSL 146.09, 0.25%, 0.82%

LAB 85.79, -10.1, 3.78

 

CMYK 5 / 0 / 3 / 8

HEX #DFEBE5

RGB 223 235 229

HSL 150, 0.23%, 0.9%

LAB 92.03, -5.07, 1.52

 

CMYK 1 / 0 / 0 / 2

HEX #F8FBFA

RGB 248 251 250

HSL 160, 0.27%, 0.98%

LAB 98.37, -1.16, 0.12

 

CMYK 6 / 0 / 3 / 7

HEX #DFECE5

RGB 223 236 229

HSL 147.69, 0.25%, 0.9%

LAB 92.28, -5.58, 1.89

 

CMYK 5 / 3 / 0 / 8

HEX #DFE3EB

RGB 223 227 235

HSL 220, 0.23%, 0.9%

LAB 90.15, 0.14, -4.37

 

CMYK 0 / 5 / 5 / 8

HEX #EBDFDF

RGB 235 223 223

HSL 0, 0.23%, 0.9%

LAB 89.75, 4.09, 1.45

 

CMYK 6 / 0 / 3 / 7

HEX #DFECE5

RGB 223 236 229

HSL 147.69, 0.25%, 0.9%

LAB 92.28, -5.58, 1.89

 

CMYK 3 / 5 / 0 / 8

HEX #E4DFEB

RGB 228 223 235

HSL 265, 0.23%, 0.9%

LAB 89.52, 3.86, -5.25

 

CMYK 0 / 3 / 5 / 8

HEX #EBE4DF

RGB 235 228 223

HSL 25, 0.23%, 0.9%

LAB 91, 1.51, 3.27

 

CMYK 6 / 0 / 3 / 7

HEX #DFECE5

RGB 223 236 229

HSL 147.69, 0.25%, 0.9%

LAB 92.28, -5.58, 1.89

 

CMYK 5 / 3 / 0 / 8

HEX #DFE3EB

RGB 223 227 235

HSL 220, 0.23%, 0.9%

LAB 90.15, 0.14, -4.37

 

CMYK 0 / 5 / 2 / 8

HEX #EBDFE6

RGB 235 223 230

HSL 325, 0.23%, 0.9%

LAB 89.93, 5.31, -1.96

 

CMYK 0 / 2 / 5 / 8

HEX #EBE7DF

RGB 235 231 223

HSL 40, 0.23%, 0.9%

LAB 91.75, -0.03, 4.35

 

CMYK 6 / 0 / 3 / 7

HEX #DFECE5

RGB 223 236 229

HSL 147.69, 0.25%, 0.9%

LAB 92.28, -5.58, 1.89

 

CMYK 5 / 5 / 0 / 8

HEX #DFDFEB

RGB 223 223 235

HSL 240, 0.23%, 0.9%

LAB 89.14, 2.21, -5.85

 

CMYK 0 / 5 / 2 / 8

HEX #EBDFE6

RGB 235 223 230

HSL 325, 0.23%, 0.9%

LAB 89.93, 5.31, -1.96

 

CMYK 0 / 0 / 5 / 8

HEX #EBEBDF

RGB 235 235 223

HSL 60, 0.23%, 0.9%

LAB 92.75, -2.08, 5.81

 

Description

Color code: HEX #DFECE5 | qconv.com Color code: HEX #DFECE5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 236 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 236 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 3 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 3% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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