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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFED8B it is the complementary color #201274. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFED8B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFED8B shade: #E4ED86, #F5FF99, #FFFFAC, #FFFFBF and #FFFFD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFED8B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFED8B shade: #DFED8B, #CEDB78, #BDC965, #ACB752 and #9BA53F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFED8B shade: #DFED8C, #EDE08C, #EDC68C, #EDAC8C and #ED928C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFED8B shade: #DFED8C, #C5ED8C, #ABED8C, #90ED8C and #8CEDA1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFED8B shade matches the following richer shades: #DFED8C and #E6F781

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFED8B shade: #DFED8C, #D7E297, #CFD7A1, #C8CCAC and #C0C2B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFED8B shade: #EDC68C, #EDE08C, #E0ED8C, #C6ED8C and #ACED8C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFED8B shade: #CBE144, #D5E768, #DFED8C, #E9F2AF and #F3F8D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFED8B shade: #DFED8B, #8CEDAC and #D38CED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFED8B shade: #DFED8B, #8CE0ED and #ED8CE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFED8B shade: #DFED8B, #8CEDAC, #998CED and #ED8CCC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFED8B shade: #DFED8B, #8CEDC9, #998CED and #ED8CAF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 41 / 7

HEX #DFED8B

RGB 223 237 139

HSL 68.57, 0.73%, 0.74%

LAB 90.83, -19.13, 45.83

 

Complementary color

CMYK 72 / 84 / 0 / 55

HEX #201274

RGB 32 18 116

HSL 248.57, 0.73%, 0.26%

LAB 15.49, 37.66, -52.76

 

CMYK 4 / 0 / 43 / 7

HEX #E4ED86

RGB 228 237 134

HSL 65.24, 0.74%, 0.73%

LAB 91.14, -17.73, 48.7

 

CMYK 4 / 0 / 40 / 0

HEX #F5FF99

RGB 245 255 153

HSL 65.88, 1%, 0.8%

LAB 97.32, -18.02, 47.56

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAC

RGB 255 255 172

HSL 60, 1%, 0.84%

LAB 98.34, -12.15, 39.74

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBF

RGB 255 255 191

HSL 60, 1%, 0.87%

LAB 98.65, -9.81, 30.68

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD2

RGB 255 255 210

HSL 60, 1%, 0.91%

LAB 99, -7.2, 21.56

 

CMYK 6 / 0 / 41 / 7

HEX #DFED8B

RGB 223 237 139

HSL 68.57, 0.73%, 0.74%

LAB 90.83, -19.13, 45.83

 

CMYK 6 / 0 / 45 / 14

HEX #CEDB78

RGB 206 219 120

HSL 67.88, 0.58%, 0.66%

LAB 84.56, -18.87, 46.97

 

CMYK 6 / 0 / 50 / 21

HEX #BDC965

RGB 189 201 101

HSL 67.2, 0.48%, 0.59%

LAB 78.19, -18.54, 48.11

 

CMYK 6 / 0 / 55 / 28

HEX #ACB752

RGB 172 183 82

HSL 66.53, 0.41%, 0.52%

LAB 71.72, -18.13, 49.2

 

CMYK 6 / 0 / 62 / 35

HEX #9BA53F

RGB 155 165 63

HSL 65.88, 0.45%, 0.45%

LAB 65.15, -17.61, 50.16

 

CMYK 6 / 0 / 41 / 7

HEX #DFED8C

RGB 223 237 140

HSL 68.66, 0.73%, 0.74%

LAB 90.85, -19.02, 45.36

 

CMYK 0 / 5 / 41 / 7

HEX #EDE08C

RGB 237 224 140

HSL 51.96, 0.73%, 0.74%

LAB 88.55, -7.17, 42.67

 

CMYK 0 / 16 / 41 / 7

HEX #EDC68C

RGB 237 198 140

HSL 35.88, 0.73%, 0.74%

LAB 81.99, 6.18, 34.22

 

CMYK 0 / 27 / 41 / 7

HEX #EDAC8C

RGB 237 172 140

HSL 19.79, 0.73%, 0.74%

LAB 75.7, 19.9, 25.86

 

CMYK 0 / 38 / 41 / 7

HEX #ED928C

RGB 237 146 140

HSL 3.71, 0.73%, 0.74%

LAB 69.79, 33.66, 17.79

 

CMYK 6 / 0 / 41 / 7

HEX #DFED8C

RGB 223 237 140

HSL 68.66, 0.73%, 0.74%

LAB 90.85, -19.02, 45.36

 

CMYK 17 / 0 / 41 / 7

HEX #C5ED8C

RGB 197 237 140

HSL 84.74, 0.73%, 0.74%

LAB 89.08, -28.72, 42.75

 

CMYK 28 / 0 / 41 / 7

HEX #ABED8C

RGB 171 237 140

HSL 100.82, 0.73%, 0.74%

LAB 87.54, -37.86, 40.47

 

CMYK 39 / 0 / 41 / 7

HEX #90ED8C

RGB 144 237 140

HSL 117.53, 0.73%, 0.74%

LAB 86.2, -46.49, 38.48

 

CMYK 41 / 0 / 32 / 7

HEX #8CEDA1

RGB 140 237 161

HSL 132.99, 0.73%, 0.74%

LAB 86.36, -44.35, 28.09

 

CMYK 6 / 0 / 41 / 7

HEX #DFED8C

RGB 223 237 140

HSL 68.66, 0.73%, 0.74%

LAB 90.85, -19.02, 45.36

 

CMYK 7 / 0 / 48 / 3

HEX #E6F781

RGB 230 247 129

HSL 68.64, 0.88%, 0.74%

LAB 93.85, -22.28, 54.41

 

CMYK 6 / 0 / 41 / 7

HEX #DFED8C

RGB 223 237 140

HSL 68.66, 0.73%, 0.74%

LAB 90.85, -19.02, 45.36

 

CMYK 5 / 0 / 33 / 11

HEX #D7E297

RGB 215 226 151

HSL 68.8, 0.56%, 0.74%

LAB 87.52, -15.38, 35.49

 

CMYK 4 / 0 / 25 / 16

HEX #CFD7A1

RGB 207 215 161

HSL 68.89, 0.4%, 0.74%

LAB 84.19, -11.55, 25.81

 

CMYK 2 / 0 / 16 / 20

HEX #C8CCAC

RGB 200 204 172

HSL 67.5, 0.24%, 0.74%

LAB 80.98, -6.86, 15.5

 

CMYK 1 / 0 / 6 / 24

HEX #C0C2B7

RGB 192 194 183

HSL 70.91, 0.08%, 0.74%

LAB 78, -2.68, 5.28

 

CMYK 0 / 16 / 41 / 7

HEX #EDC68C

RGB 237 198 140

HSL 35.88, 0.73%, 0.74%

LAB 81.99, 6.18, 34.22

 

CMYK 0 / 5 / 41 / 7

HEX #EDE08C

RGB 237 224 140

HSL 51.96, 0.73%, 0.74%

LAB 88.55, -7.17, 42.67

 

CMYK 5 / 0 / 41 / 7

HEX #E0ED8C

RGB 224 237 140

HSL 68.04, 0.73%, 0.74%

LAB 90.92, -18.64, 45.46

 

CMYK 16 / 0 / 41 / 7

HEX #C6ED8C

RGB 198 237 140

HSL 84.12, 0.73%, 0.74%

LAB 89.14, -28.36, 42.84

 

CMYK 27 / 0 / 41 / 7

HEX #ACED8C

RGB 172 237 140

HSL 100.21, 0.73%, 0.74%

LAB 87.6, -37.52, 40.55

 

CMYK 10 / 0 / 70 / 12

HEX #CBE144

RGB 203 225 68

HSL 68.41, 0.72%, 0.57%

LAB 85.49, -26.94, 70.27

 

CMYK 8 / 0 / 55 / 9

HEX #D5E768

RGB 213 231 104

HSL 68.5, 0.73%, 0.66%

LAB 88.11, -23.41, 58.74

 

CMYK 6 / 0 / 41 / 7

HEX #DFED8C

RGB 223 237 140

HSL 68.66, 0.73%, 0.74%

LAB 90.85, -19.02, 45.36

 

CMYK 4 / 0 / 28 / 5

HEX #E9F2AF

RGB 233 242 175

HSL 68.06, 0.72%, 0.82%

LAB 93.42, -13.53, 31.42

 

CMYK 2 / 0 / 15 / 3

HEX #F3F8D3

RGB 243 248 211

HSL 68.11, 0.73%, 0.9%

LAB 96.37, -7.79, 17.23

 

CMYK 6 / 0 / 41 / 7

HEX #DFED8B

RGB 223 237 139

HSL 68.57, 0.73%, 0.74%

LAB 90.83, -19.13, 45.83

 

CMYK 41 / 0 / 27 / 7

HEX #8CEDAC

RGB 140 237 172

HSL 139.79, 0.73%, 0.74%

LAB 86.56, -42.41, 22.73

 

CMYK 11 / 41 / 0 / 7

HEX #D38CED

RGB 211 140 237

HSL 283.92, 0.73%, 0.74%

LAB 68.55, 43.27, -38.3

 

CMYK 6 / 0 / 41 / 7

HEX #DFED8B

RGB 223 237 139

HSL 68.57, 0.73%, 0.74%

LAB 90.83, -19.13, 45.83

 

CMYK 41 / 5 / 0 / 7

HEX #8CE0ED

RGB 140 224 237

HSL 188.04, 0.73%, 0.74%

LAB 84.48, -22.21, -14.37

 

CMYK 0 / 41 / 5 / 7

HEX #ED8CE0

RGB 237 140 224

HSL 308.04, 0.73%, 0.74%

LAB 70.97, 48.64, -27.16

 

CMYK 6 / 0 / 41 / 7

HEX #DFED8B

RGB 223 237 139

HSL 68.57, 0.73%, 0.74%

LAB 90.83, -19.13, 45.83

 

CMYK 41 / 0 / 27 / 7

HEX #8CEDAC

RGB 140 237 172

HSL 139.79, 0.73%, 0.74%

LAB 86.56, -42.41, 22.73

 

CMYK 35 / 41 / 0 / 7

HEX #998CED

RGB 153 140 237

HSL 248.04, 0.73%, 0.74%

LAB 63.05, 26.98, -47.31

 

CMYK 0 / 41 / 14 / 7

HEX #ED8CCC

RGB 237 140 204

HSL 320.41, 0.73%, 0.74%

LAB 70.26, 45.36, -17.18

 

CMYK 6 / 0 / 41 / 7

HEX #DFED8B

RGB 223 237 139

HSL 68.57, 0.73%, 0.74%

LAB 90.83, -19.13, 45.83

 

CMYK 41 / 0 / 15 / 7

HEX #8CEDC9

RGB 140 237 201

HSL 157.73, 0.73%, 0.74%

LAB 87.17, -36.72, 8.52

 

CMYK 35 / 41 / 0 / 7

HEX #998CED

RGB 153 140 237

HSL 248.04, 0.73%, 0.74%

LAB 63.05, 26.98, -47.31

 

CMYK 0 / 41 / 26 / 7

HEX #ED8CAF

RGB 237 140 175

HSL 338.35, 0.73%, 0.74%

LAB 69.37, 41.09, -2.35

 

Description

Color code: HEX #DFED8B | qconv.com Color code: HEX #DFED8B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 237 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 237 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 41 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 41% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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