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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFEDA8 it is the complementary color #201257. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFEDA8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFEDA8 shade: #E4EDA3, #F5FFB6, #FFFFC9, #FFFFDC and #FFFFEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFEDA8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFEDA8 shade: #DFEDA8, #CEDB95, #BDC982, #ACB76F and #9BA55C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFEDA8 shade: #DEECA6, #ECE8A6, #ECD5A6, #ECC1A6 and #ECAEA6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFEDA8 shade: #DEECA6, #CBECA6, #B8ECA6, #A6ECA6 and #A6ECBA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFEDA8 shade matches the following richer shades: #DEECA6, #E3F59D and #E8FE94

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFEDA8 shade: #DEECA6, #D9E4AE, #D4DBB7, #CFD2C0 and #C9CAC8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFEDA8 shade: #ECD5A6, #ECE8A6, #DEECA6, #CBECA6 and #B8ECA6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFEDA8 shade: #C5DE61, #D1E583, #DEECA6, #EAF3C8 and #F7FAEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFEDA8 shade: #DFEDA8, #A6ECC2 and #DEA6EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFEDA8 shade: #DFEDA8, #A6DEEC and #ECA6DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFEDA8 shade: #DFEDA8, #A6ECC2, #B4A6EC and #ECA6D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFEDA8 shade: #DFEDA8, #A6ECD7, #B4A6EC and #ECA6BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 29 / 7

HEX #DFEDA8

RGB 223 237 168

HSL 72.17, 0.66%, 0.79%

LAB 91.27, -15.66, 31.96

 

Complementary color

CMYK 63 / 79 / 0 / 66

HEX #201257

RGB 32 18 87

HSL 252.17, 0.66%, 0.21%

LAB 12.14, 28.03, -39.11

 

CMYK 4 / 0 / 31 / 7

HEX #E4EDA3

RGB 228 237 163

HSL 67.3, 0.67%, 0.78%

LAB 91.55, -14.46, 34.93

 

CMYK 4 / 0 / 29 / 0

HEX #F5FFB6

RGB 245 255 182

HSL 68.22, 1%, 0.86%

LAB 97.76, -14.62, 33.87

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFC9

RGB 255 255 201

HSL 60, 1%, 0.89%

LAB 98.83, -8.47, 25.89

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDC

RGB 255 255 220

HSL 60, 1%, 0.93%

LAB 99.2, -5.72, 16.75

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFEF

RGB 255 255 239

HSL 60, 1%, 0.97%

LAB 99.62, -2.71, 7.63

 

CMYK 6 / 0 / 29 / 7

HEX #DFEDA8

RGB 223 237 168

HSL 72.17, 0.66%, 0.79%

LAB 91.27, -15.66, 31.96

 

CMYK 6 / 0 / 32 / 14

HEX #CEDB95

RGB 206 219 149

HSL 71.14, 0.49%, 0.72%

LAB 84.97, -15.54, 33.03

 

CMYK 6 / 0 / 35 / 21

HEX #BDC982

RGB 189 201 130

HSL 70.14, 0.4%, 0.65%

LAB 78.58, -15.39, 34.15

 

CMYK 6 / 0 / 39 / 28

HEX #ACB76F

RGB 172 183 111

HSL 69.17, 0.33%, 0.58%

LAB 72.08, -15.2, 35.32

 

CMYK 6 / 0 / 44 / 35

HEX #9BA55C

RGB 155 165 92

HSL 68.22, 0.29%, 0.5%

LAB 65.48, -14.95, 36.52

 

CMYK 6 / 0 / 30 / 7

HEX #DEECA6

RGB 222 236 166

HSL 72, 0.65%, 0.79%

LAB 90.9, -15.8, 32.47

 

CMYK 0 / 2 / 30 / 7

HEX #ECE8A6

RGB 236 232 166

HSL 56.57, 0.65%, 0.79%

LAB 90.92, -8.6, 32.67

 

CMYK 0 / 10 / 30 / 7

HEX #ECD5A6

RGB 236 213 166

HSL 40.29, 0.65%, 0.79%

LAB 86.09, 1.06, 26.18

 

CMYK 0 / 18 / 30 / 7

HEX #ECC1A6

RGB 236 193 166

HSL 23.14, 0.65%, 0.79%

LAB 81.14, 11.5, 19.37

 

CMYK 0 / 26 / 30 / 7

HEX #ECAEA6

RGB 236 174 166

HSL 6.86, 0.65%, 0.79%

LAB 76.59, 21.58, 13.01

 

CMYK 6 / 0 / 30 / 7

HEX #DEECA6

RGB 222 236 166

HSL 72, 0.65%, 0.79%

LAB 90.9, -15.8, 32.47

 

CMYK 14 / 0 / 30 / 7

HEX #CBECA6

RGB 203 236 166

HSL 88.29, 0.65%, 0.79%

LAB 89.6, -22.69, 30.49

 

CMYK 22 / 0 / 30 / 7

HEX #B8ECA6

RGB 184 236 166

HSL 104.57, 0.65%, 0.79%

LAB 88.42, -29.3, 28.7

 

CMYK 30 / 0 / 30 / 7

HEX #A6ECA6

RGB 166 236 166

HSL 120, 0.65%, 0.79%

LAB 87.41, -35.23, 27.17

 

CMYK 30 / 0 / 21 / 7

HEX #A6ECBA

RGB 166 236 186

HSL 137.14, 0.65%, 0.79%

LAB 87.8, -31.79, 17.39

 

CMYK 6 / 0 / 30 / 7

HEX #DEECA6

RGB 222 236 166

HSL 72, 0.65%, 0.79%

LAB 90.9, -15.8, 32.47

 

CMYK 7 / 0 / 36 / 4

HEX #E3F59D

RGB 227 245 157

HSL 72.27, 0.81%, 0.79%

LAB 93.48, -19.47, 40.43

 

CMYK 9 / 0 / 42 / 0

HEX #E8FE94

RGB 232 254 148

HSL 72.45, 0.98%, 0.79%

LAB 96.07, -22.95, 48.19

 

CMYK 6 / 0 / 30 / 7

HEX #DEECA6

RGB 222 236 166

HSL 72, 0.65%, 0.79%

LAB 90.9, -15.8, 32.47

 

CMYK 5 / 0 / 24 / 11

HEX #D9E4AE

RGB 217 228 174

HSL 72.22, 0.5%, 0.79%

LAB 88.59, -12.57, 25.19

 

CMYK 3 / 0 / 16 / 14

HEX #D4DBB7

RGB 212 219 183

HSL 71.67, 0.33%, 0.79%

LAB 86.05, -8.49, 16.93

 

CMYK 1 / 0 / 9 / 18

HEX #CFD2C0

RGB 207 210 192

HSL 70, 0.17%, 0.79%

LAB 83.53, -4.19, 8.56

 

CMYK 0 / 0 / 1 / 21

HEX #C9CAC8

RGB 201 202 200

HSL 90, 0.02%, 0.79%

LAB 81.2, -0.7, 0.87

 

CMYK 0 / 10 / 30 / 7

HEX #ECD5A6

RGB 236 213 166

HSL 40.29, 0.65%, 0.79%

LAB 86.09, 1.06, 26.18

 

CMYK 0 / 2 / 30 / 7

HEX #ECE8A6

RGB 236 232 166

HSL 56.57, 0.65%, 0.79%

LAB 90.92, -8.6, 32.67

 

CMYK 6 / 0 / 30 / 7

HEX #DEECA6

RGB 222 236 166

HSL 72, 0.65%, 0.79%

LAB 90.9, -15.8, 32.47

 

CMYK 14 / 0 / 30 / 7

HEX #CBECA6

RGB 203 236 166

HSL 88.29, 0.65%, 0.79%

LAB 89.6, -22.69, 30.49

 

CMYK 22 / 0 / 30 / 7

HEX #B8ECA6

RGB 184 236 166

HSL 104.57, 0.65%, 0.79%

LAB 88.42, -29.3, 28.7

 

CMYK 11 / 0 / 56 / 13

HEX #C5DE61

RGB 197 222 97

HSL 72, 0.65%, 0.63%

LAB 84.47, -25.96, 57.4

 

CMYK 9 / 0 / 43 / 10

HEX #D1E583

RGB 209 229 131

HSL 72.24, 0.65%, 0.71%

LAB 87.6, -21.45, 45.45

 

CMYK 6 / 0 / 30 / 7

HEX #DEECA6

RGB 222 236 166

HSL 72, 0.65%, 0.79%

LAB 90.9, -15.8, 32.47

 

CMYK 4 / 0 / 18 / 5

HEX #EAF3C8

RGB 234 243 200

HSL 72.56, 0.64%, 0.87%

LAB 94.21, -10.14, 19.76

 

CMYK 1 / 0 / 6 / 2

HEX #F7FAEA

RGB 247 250 234

HSL 71.25, 0.62%, 0.95%

LAB 97.67, -3.74, 7.31

HEX #F7FAEA

CMYK 6 / 0 / 29 / 7

HEX #DFEDA8

RGB 223 237 168

HSL 72.17, 0.66%, 0.79%

LAB 91.27, -15.66, 31.96

 

CMYK 30 / 0 / 18 / 7

HEX #A6ECC2

RGB 166 236 194

HSL 144, 0.65%, 0.79%

LAB 87.97, -30.31, 13.47

 

CMYK 6 / 30 / 0 / 7

HEX #DEA6EC

RGB 222 166 236

HSL 288, 0.65%, 0.79%

LAB 75.36, 32.48, -27.12

 

CMYK 6 / 0 / 29 / 7

HEX #DFEDA8

RGB 223 237 168

HSL 72.17, 0.66%, 0.79%

LAB 91.27, -15.66, 31.96

 

CMYK 30 / 6 / 0 / 7

HEX #A6DEEC

RGB 166 222 236

HSL 192, 0.65%, 0.79%

LAB 85.2, -14.6, -12.63

 

CMYK 0 / 30 / 6 / 7

HEX #ECA6DE

RGB 236 166 222

HSL 312, 0.65%, 0.79%

LAB 76.3, 34.41, -17.95

 

CMYK 6 / 0 / 29 / 7

HEX #DFEDA8

RGB 223 237 168

HSL 72.17, 0.66%, 0.79%

LAB 91.27, -15.66, 31.96

 

CMYK 30 / 0 / 18 / 7

HEX #A6ECC2

RGB 166 236 194

HSL 144, 0.65%, 0.79%

LAB 87.97, -30.31, 13.47

 

CMYK 24 / 30 / 0 / 7

HEX #B4A6EC

RGB 180 166 236

HSL 252, 0.65%, 0.79%

LAB 71.58, 19.57, -33.27

 

CMYK 0 / 30 / 12 / 7

HEX #ECA6D0

RGB 236 166 208

HSL 324, 0.65%, 0.79%

LAB 75.86, 32.05, -10.98

 

CMYK 6 / 0 / 29 / 7

HEX #DFEDA8

RGB 223 237 168

HSL 72.17, 0.66%, 0.79%

LAB 91.27, -15.66, 31.96

 

CMYK 30 / 0 / 9 / 7

HEX #A6ECD7

RGB 166 236 215

HSL 162, 0.65%, 0.79%

LAB 88.45, -26.15, 3.2

 

CMYK 24 / 30 / 0 / 7

HEX #B4A6EC

RGB 180 166 236

HSL 252, 0.65%, 0.79%

LAB 71.58, 19.57, -33.27

 

CMYK 0 / 30 / 21 / 7

HEX #ECA6BB

RGB 236 166 187

HSL 342, 0.65%, 0.79%

LAB 75.26, 28.77, -0.37

 

Description

Color code: HEX #DFEDA8 | qconv.com Color code: HEX #DFEDA8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 237 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 237 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 29 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 29% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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