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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E3AC95 it is the complementary color #1C536A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E3AC95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E3AC95 shade: #E8AC90, #F9BEA3, #FFD0B6, #FFE2C9 and #FFF4DC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E3AC95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E3AC95 shade: #E3AC95, #D29A82, #C1886F, #B0765C and #9F6449

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E3AC95 shade: #E3AC96, #E39896 and #E39696

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E3AC95 shade: #E3AC96, #E3C196, #E3D696, #DBE396 and #C6E396

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E3AC95 shade matches the following richer shades: #E3AC96, #EDA88B and #F8A480

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E3AC95 shade: #E3AC96, #D8B1A0, #CDB5AB, #C2BAB6 and #B8BEC1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E3AC95 shade: #E396A9, #E39796, #E3AC96, #E3C096 and #E3D596

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E3AC95 shade: #D17955, #DA9375, #E3AC96, #EBC6B6 and #F4DFD7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E3AC95 shade: #E3AC95, #BDE396 and #969FE3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E3AC95 shade: #E3AC95, #96E3AC and #AC96E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E3AC95 shade: #E3AC95, #BDE396, #96CDE3 and #BB96E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E3AC95 shade: #E3AC95, #A6E396, #96CDE3 and #D296E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 34 / 11

HEX #E3AC95

RGB 227 172 149

HSL 17.69, 0.58%, 0.74%

LAB 74.83, 17.06, 19.64

 

Complementary color

CMYK 74 / 22 / 0 / 58

HEX #1C536A

RGB 28 83 106

HSL 197.69, 0.58%, 0.26%

LAB 32.86, -9.63, -18.48

 

CMYK 0 / 26 / 38 / 9

HEX #E8AC90

RGB 232 172 144

HSL 19.09, 0.66%, 0.74%

LAB 75.25, 18.4, 23

 

CMYK 0 / 24 / 35 / 2

HEX #F9BEA3

RGB 249 190 163

HSL 18.84, 0.88%, 0.81%

LAB 81.63, 17.65, 21.84

 

CMYK 0 / 18 / 29 / 0

HEX #FFD0B6

RGB 255 208 182

HSL 21.37, 1%, 0.86%

LAB 86.87, 12.88, 19.15

 

CMYK 0 / 11 / 21 / 0

HEX #FFE2C9

RGB 255 226 201

HSL 27.78, 1%, 0.89%

LAB 91.63, 6.16, 15.86

 

CMYK 0 / 4 / 14 / 0

HEX #FFF4DC

RGB 255 244 220

HSL 41.14, 1%, 0.93%

LAB 96.46, -0.2, 12.88

 

CMYK 0 / 24 / 34 / 11

HEX #E3AC95

RGB 227 172 149

HSL 17.69, 0.58%, 0.74%

LAB 74.83, 17.06, 19.64

 

CMYK 0 / 27 / 38 / 18

HEX #D29A82

RGB 210 154 130

HSL 18, 0.47%, 0.67%

LAB 68.33, 17.83, 20.82

 

CMYK 0 / 30 / 42 / 24

HEX #C1886F

RGB 193 136 111

HSL 18.29, 0.4%, 0.6%

LAB 61.73, 18.71, 22.12

 

CMYK 0 / 33 / 48 / 31

HEX #B0765C

RGB 176 118 92

HSL 18.57, 0.35%, 0.53%

LAB 55.03, 19.71, 23.56

 

CMYK 0 / 37 / 54 / 38

HEX #9F6449

RGB 159 100 73

HSL 18.84, 0.37%, 0.45%

LAB 48.22, 20.88, 25.17

 

CMYK 0 / 24 / 34 / 11

HEX #E3AC96

RGB 227 172 150

HSL 17.14, 0.58%, 0.74%

LAB 74.85, 17.18, 19.13

 

CMYK 0 / 33 / 34 / 11

HEX #E39896

RGB 227 152 150

HSL 1.56, 0.58%, 0.74%

LAB 70.17, 27.89, 12.6

 

CMYK 0 / 34 / 34 / 11

HEX #E39696

RGB 227 150 150

HSL 0, 0.58%, 0.74%

LAB 69.71, 28.96, 11.96

 

CMYK 0 / 24 / 34 / 11

HEX #E3AC96

RGB 227 172 150

HSL 17.14, 0.58%, 0.74%

LAB 74.85, 17.18, 19.13

 

CMYK 0 / 15 / 34 / 11

HEX #E3C196

RGB 227 193 150

HSL 33.51, 0.58%, 0.74%

LAB 80, 6.03, 26.16

 

CMYK 0 / 6 / 34 / 11

HEX #E3D696

RGB 227 214 150

HSL 49.87, 0.58%, 0.74%

LAB 85.31, -4.87, 33.27

 

CMYK 4 / 0 / 34 / 11

HEX #DBE396

RGB 219 227 150

HSL 66.23, 0.58%, 0.74%

LAB 88.06, -14.49, 36.77

 

CMYK 13 / 0 / 34 / 11

HEX #C6E396

RGB 198 227 150

HSL 82.6, 0.58%, 0.74%

LAB 86.58, -22.32, 34.53

 

CMYK 0 / 24 / 34 / 11

HEX #E3AC96

RGB 227 172 150

HSL 17.14, 0.58%, 0.74%

LAB 74.85, 17.18, 19.13

 

CMYK 0 / 29 / 41 / 7

HEX #EDA88B

RGB 237 168 139

HSL 17.76, 0.73%, 0.74%

LAB 74.75, 21.92, 25.11

 

CMYK 0 / 34 / 48 / 3

HEX #F8A480

RGB 248 164 128

HSL 18, 0.9%, 0.74%

LAB 74.87, 27.21, 31.4

 

CMYK 0 / 24 / 34 / 11

HEX #E3AC96

RGB 227 172 150

HSL 17.14, 0.58%, 0.74%

LAB 74.85, 17.18, 19.13

 

CMYK 0 / 18 / 26 / 15

HEX #D8B1A0

RGB 216 177 160

HSL 18.21, 0.42%, 0.74%

LAB 75.19, 11.6, 14.01

 

CMYK 0 / 12 / 17 / 20

HEX #CDB5AB

RGB 205 181 171

HSL 17.65, 0.25%, 0.74%

LAB 75.43, 6.96, 8.23

 

CMYK 0 / 4 / 6 / 24

HEX #C2BAB6

RGB 194 186 182

HSL 20, 0.09%, 0.74%

LAB 76.05, 2.11, 3.02

 

CMYK 5 / 2 / 0 / 24

HEX #B8BEC1

RGB 184 190 193

HSL 200, 0.07%, 0.74%

LAB 76.6, -1.5, -2.24

 

CMYK 0 / 34 / 26 / 11

HEX #E396A9

RGB 227 150 169

HSL 345.19, 0.58%, 0.74%

LAB 70.18, 31.47, 2.05

 

CMYK 0 / 33 / 34 / 11

HEX #E39796

RGB 227 151 150

HSL 0.78, 0.58%, 0.74%

LAB 69.94, 28.43, 12.28

 

CMYK 0 / 24 / 34 / 11

HEX #E3AC96

RGB 227 172 150

HSL 17.14, 0.58%, 0.74%

LAB 74.85, 17.18, 19.13

 

CMYK 0 / 15 / 34 / 11

HEX #E3C096

RGB 227 192 150

HSL 32.73, 0.58%, 0.74%

LAB 79.75, 6.55, 25.82

 

CMYK 0 / 6 / 34 / 11

HEX #E3D596

RGB 227 213 150

HSL 49.09, 0.58%, 0.74%

LAB 85.06, -4.36, 32.93

 

CMYK 0 / 42 / 59 / 18

HEX #D17955

RGB 209 121 85

HSL 17.42, 0.57%, 0.58%

LAB 59.79, 30.94, 34.39

 

CMYK 0 / 33 / 46 / 15

HEX #DA9375

RGB 218 147 117

HSL 17.82, 0.58%, 0.66%

LAB 67.32, 23.38, 26.76

 

CMYK 0 / 24 / 34 / 11

HEX #E3AC96

RGB 227 172 150

HSL 17.14, 0.58%, 0.74%

LAB 74.85, 17.18, 19.13

 

CMYK 0 / 16 / 23 / 8

HEX #EBC6B6

RGB 235 198 182

HSL 18.11, 0.57%, 0.82%

LAB 82.61, 10.68, 12.89

 

CMYK 0 / 9 / 12 / 4

HEX #F4DFD7

RGB 244 223 215

HSL 16.55, 0.57%, 0.9%

LAB 90.28, 5.89, 6.51

 

CMYK 0 / 24 / 34 / 11

HEX #E3AC95

RGB 227 172 149

HSL 17.69, 0.58%, 0.74%

LAB 74.83, 17.06, 19.64

 

CMYK 17 / 0 / 34 / 11

HEX #BDE396

RGB 189 227 150

HSL 89.61, 0.58%, 0.74%

LAB 85.99, -25.58, 33.65

 

CMYK 34 / 30 / 0 / 11

HEX #969FE3

RGB 150 159 227

HSL 232.99, 0.58%, 0.74%

LAB 67.15, 12.65, -35.39

 

CMYK 0 / 24 / 34 / 11

HEX #E3AC95

RGB 227 172 149

HSL 17.69, 0.58%, 0.74%

LAB 74.83, 17.06, 19.64

 

CMYK 34 / 0 / 24 / 11

HEX #96E3AC

RGB 150 227 172

HSL 137.14, 0.58%, 0.74%

LAB 84.17, -35.02, 19.49

 

CMYK 24 / 34 / 0 / 11

HEX #AC96E3

RGB 172 150 227

HSL 257.14, 0.58%, 0.74%

LAB 66.62, 24.07, -36.08

 

CMYK 0 / 24 / 34 / 11

HEX #E3AC95

RGB 227 172 149

HSL 17.69, 0.58%, 0.74%

LAB 74.83, 17.06, 19.64

 

CMYK 17 / 0 / 34 / 11

HEX #BDE396

RGB 189 227 150

HSL 89.61, 0.58%, 0.74%

LAB 85.99, -25.58, 33.65

 

CMYK 34 / 10 / 0 / 11

HEX #96CDE3

RGB 150 205 227

HSL 197.14, 0.58%, 0.74%

LAB 79.44, -12.44, -16.58

 

CMYK 18 / 34 / 0 / 11

HEX #BB96E3

RGB 187 150 227

HSL 268.83, 0.58%, 0.74%

LAB 67.96, 28.55, -33.89

 

CMYK 0 / 24 / 34 / 11

HEX #E3AC95

RGB 227 172 149

HSL 17.69, 0.58%, 0.74%

LAB 74.83, 17.06, 19.64

 

CMYK 27 / 0 / 34 / 11

HEX #A6E396

RGB 166 227 150

HSL 107.53, 0.58%, 0.74%

LAB 84.61, -33.57, 31.58

 

CMYK 34 / 10 / 0 / 11

HEX #96CDE3

RGB 150 205 227

HSL 197.14, 0.58%, 0.74%

LAB 79.44, -12.44, -16.58

 

CMYK 7 / 34 / 0 / 11

HEX #D296E3

RGB 210 150 227

HSL 286.75, 0.58%, 0.74%

LAB 70.22, 35.6, -30.22

 

Description

Color code: HEX #E3AC95 | qconv.com Color code: HEX #E3AC95 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 172 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 172 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 34 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 34% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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