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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E3BC53 it is the complementary color #1C43AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E3BC53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E3BC53 shade: #E8BC4E, #F9CE61, #FFE074, #FFF287 and #FFFF9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E3BC53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E3BC53 shade: #E3BC53, #D2AA40, #C1982D, #B0861A and #9F7407

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E3BC53 shade: #E3BC53, #E39553, #E36F53 and #E35353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E3BC53 shade: #E3BC53, #E3E253, #BCE353, #96E353 and #6FE353

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E3BC53 shade matches the following richer shades: #E3BC53 and #F3C343

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E3BC53 shade: #E3BC53, #D3B464, #C2AD74, #B2A684 and #A29E94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E3BC53 shade: #E36E53, #E39453, #E3BA53, #E3E053 and #BFE353

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E3BC53 shade: #C49820, #DDAE30, #E3BC53, #E8CA77 and #EED89A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E3BC53 shade: #E3BC53, #5FE353 and #8153E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E3BC53 shade: #E3BC53, #53E3BA and #BA53E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E3BC53 shade: #E3BC53, #5FE353, #537CE3 and #D753E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E3BC53 shade: #E3BC53, #53E372, #537CE3 and #E353C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 63 / 11

HEX #E3BC53

RGB 227 188 83

HSL 43.75, 0.72%, 0.61%

LAB 77.83, 2.46, 56.9

 

Complementary color

CMYK 84 / 61 / 0 / 33

HEX #1C43AC

RGB 28 67 172

HSL 223.75, 0.72%, 0.39%

LAB 32.35, 27.12, -59.77

 

CMYK 0 / 19 / 66 / 9

HEX #E8BC4E

RGB 232 188 78

HSL 42.86, 0.77%, 0.61%

LAB 78.27, 4.26, 59.72

 

CMYK 0 / 17 / 61 / 2

HEX #F9CE61

RGB 249 206 97

HSL 43.03, 0.93%, 0.68%

LAB 84.56, 3.19, 58.66

 

CMYK 0 / 12 / 55 / 0

HEX #FFE074

RGB 255 224 116

HSL 46.62, 1%, 0.73%

LAB 89.78, -2.18, 56.09

 

CMYK 0 / 5 / 47 / 0

HEX #FFF287

RGB 255 242 135

HSL 53.5, 1%, 0.76%

LAB 94.53, -9.58, 52.86

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF9A

RGB 255 255 154

HSL 60, 1%, 0.8%

LAB 98.08, -14.13, 48.19

 

CMYK 0 / 17 / 63 / 11

HEX #E3BC53

RGB 227 188 83

HSL 43.75, 0.72%, 0.61%

LAB 77.83, 2.46, 56.9

 

CMYK 0 / 19 / 70 / 18

HEX #D2AA40

RGB 210 170 64

HSL 43.56, 0.62%, 0.54%

LAB 71.43, 3.6, 57.86

 

CMYK 0 / 21 / 77 / 24

HEX #C1982D

RGB 193 152 45

HSL 43.38, 0.62%, 0.47%

LAB 64.95, 4.95, 58.44

 

CMYK 0 / 24 / 85 / 31

HEX #B0861A

RGB 176 134 26

HSL 43.2, 0.74%, 0.4%

LAB 58.37, 6.55, 58.26

 

CMYK 0 / 27 / 96 / 38

HEX #9F7407

RGB 159 116 7

HSL 43.03, 0.92%, 0.33%

LAB 51.7, 8.45, 56.63

 

CMYK 0 / 17 / 63 / 11

HEX #E3BC53

RGB 227 188 83

HSL 43.75, 0.72%, 0.61%

LAB 77.83, 2.46, 56.9

 

CMYK 0 / 34 / 63 / 11

HEX #E39553

RGB 227 149 83

HSL 27.5, 0.72%, 0.61%

LAB 68.35, 23.17, 46.23

 

CMYK 0 / 51 / 63 / 11

HEX #E36F53

RGB 227 111 83

HSL 11.67, 0.72%, 0.61%

LAB 60.18, 42.94, 36.54

 

CMYK 0 / 63 / 63 / 11

HEX #E35353

RGB 227 83 83

HSL 0, 0.72%, 0.61%

LAB 55.22, 55.9, 30.39

 

CMYK 0 / 17 / 63 / 11

HEX #E3BC53

RGB 227 188 83

HSL 43.75, 0.72%, 0.61%

LAB 77.83, 2.46, 56.9

 

CMYK 0 / 0 / 63 / 11

HEX #E3E253

RGB 227 226 83

HSL 59.58, 0.72%, 0.61%

LAB 87.65, -16.83, 67.4

 

CMYK 17 / 0 / 63 / 11

HEX #BCE353

RGB 188 227 83

HSL 76.25, 0.72%, 0.61%

LAB 85.13, -32.88, 63.88

 

CMYK 34 / 0 / 63 / 11

HEX #96E353

RGB 150 227 83

HSL 92.08, 0.72%, 0.61%

LAB 82.94, -46.81, 60.88

 

CMYK 51 / 0 / 63 / 11

HEX #6FE353

RGB 111 227 83

HSL 108.33, 0.72%, 0.61%

LAB 81.26, -58.85, 58.57

 

CMYK 0 / 17 / 63 / 11

HEX #E3BC53

RGB 227 188 83

HSL 43.75, 0.72%, 0.61%

LAB 77.83, 2.46, 56.9

 

CMYK 0 / 20 / 72 / 5

HEX #F3C343

RGB 243 195 67

HSL 43.64, 0.88%, 0.61%

LAB 81.01, 4.7, 67.36

 

CMYK 0 / 17 / 63 / 11

HEX #E3BC53

RGB 227 188 83

HSL 43.75, 0.72%, 0.61%

LAB 77.83, 2.46, 56.9

 

CMYK 0 / 15 / 53 / 17

HEX #D3B464

RGB 211 180 100

HSL 43.24, 0.56%, 0.61%

LAB 74.45, 1.21, 44.56

 

CMYK 0 / 11 / 40 / 24

HEX #C2AD74

RGB 194 173 116

HSL 43.85, 0.39%, 0.61%

LAB 71.29, -0.5, 32.05

 

CMYK 0 / 7 / 26 / 30

HEX #B2A684

RGB 178 166 132

HSL 44.35, 0.23%, 0.61%

LAB 68.32, -1.13, 19.2

 

CMYK 0 / 2 / 9 / 36

HEX #A29E94

RGB 162 158 148

HSL 42.86, 0.07%, 0.61%

LAB 65.18, -0.37, 5.73

 

CMYK 0 / 52 / 63 / 11

HEX #E36E53

RGB 227 110 83

HSL 11.25, 0.72%, 0.61%

LAB 59.99, 43.44, 36.3

 

CMYK 0 / 35 / 63 / 11

HEX #E39453

RGB 227 148 83

HSL 27.08, 0.72%, 0.61%

LAB 68.12, 23.7, 45.96

 

CMYK 0 / 18 / 63 / 11

HEX #E3BA53

RGB 227 186 83

HSL 42.92, 0.72%, 0.61%

LAB 77.32, 3.5, 56.35

 

CMYK 0 / 1 / 63 / 11

HEX #E3E053

RGB 227 224 83

HSL 58.75, 0.72%, 0.61%

LAB 87.13, -15.85, 66.85

 

CMYK 16 / 0 / 63 / 11

HEX #BFE353

RGB 191 227 83

HSL 75, 0.72%, 0.61%

LAB 85.32, -31.72, 64.15

 

CMYK 0 / 22 / 84 / 23

HEX #C49820

RGB 196 152 32

HSL 43.9, 0.72%, 0.45%

LAB 65.2, 5.83, 63.13

 

CMYK 0 / 21 / 78 / 13

HEX #DDAE30

RGB 221 174 48

HSL 43.7, 0.72%, 0.53%

LAB 73.45, 5.53, 66.31

 

CMYK 0 / 17 / 63 / 11

HEX #E3BC53

RGB 227 188 83

HSL 43.75, 0.72%, 0.61%

LAB 77.83, 2.46, 56.9

 

CMYK 0 / 13 / 49 / 9

HEX #E8CA77

RGB 232 202 119

HSL 44.07, 0.71%, 0.69%

LAB 82.23, 0.02, 45.08

 

CMYK 0 / 9 / 35 / 7

HEX #EED89A

RGB 238 216 154

HSL 44.29, 0.71%, 0.77%

LAB 86.81, -1.18, 33.37

 

CMYK 0 / 17 / 63 / 11

HEX #E3BC53

RGB 227 188 83

HSL 43.75, 0.72%, 0.61%

LAB 77.83, 2.46, 56.9

 

CMYK 58 / 0 / 63 / 11

HEX #5FE353

RGB 95 227 83

HSL 115, 0.72%, 0.61%

LAB 80.74, -62.9, 57.84

 

CMYK 43 / 63 / 0 / 11

HEX #8153E3

RGB 129 83 227

HSL 259.17, 0.72%, 0.61%

LAB 47.49, 50.94, -66.74

 

CMYK 0 / 17 / 63 / 11

HEX #E3BC53

RGB 227 188 83

HSL 43.75, 0.72%, 0.61%

LAB 77.83, 2.46, 56.9

 

CMYK 63 / 0 / 18 / 11

HEX #53E3BA

RGB 83 227 186

HSL 162.92, 0.72%, 0.61%

LAB 82.01, -48.09, 8.75

 

CMYK 18 / 63 / 0 / 11

HEX #BA53E3

RGB 186 83 227

HSL 282.92, 0.72%, 0.61%

LAB 54.21, 63.14, -55.57

 

CMYK 0 / 17 / 63 / 11

HEX #E3BC53

RGB 227 188 83

HSL 43.75, 0.72%, 0.61%

LAB 77.83, 2.46, 56.9

 

CMYK 58 / 0 / 63 / 11

HEX #5FE353

RGB 95 227 83

HSL 115, 0.72%, 0.61%

LAB 80.74, -62.9, 57.84

 

CMYK 63 / 45 / 0 / 11

HEX #537CE3

RGB 83 124 227

HSL 222.92, 0.72%, 0.61%

LAB 53.81, 17.89, -56.72

 

CMYK 5 / 63 / 0 / 11

HEX #D753E3

RGB 215 83 227

HSL 295, 0.72%, 0.61%

LAB 58.21, 69.79, -48.96

 

CMYK 0 / 17 / 63 / 11

HEX #E3BC53

RGB 227 188 83

HSL 43.75, 0.72%, 0.61%

LAB 77.83, 2.46, 56.9

 

CMYK 63 / 0 / 50 / 11

HEX #53E372

RGB 83 227 114

HSL 132.92, 0.72%, 0.61%

LAB 80.73, -61.77, 43.8

 

CMYK 63 / 45 / 0 / 11

HEX #537CE3

RGB 83 124 227

HSL 222.92, 0.72%, 0.61%

LAB 53.81, 17.89, -56.72

 

CMYK 0 / 63 / 14 / 11

HEX #E353C4

RGB 227 83 196

HSL 312.92, 0.72%, 0.61%

LAB 58.51, 67.76, -30.8

 

Description

Color code: HEX #E3BC53 | qconv.com Color code: HEX #E3BC53 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 188 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 188 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 63 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 63% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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