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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E3C4F0 it is the complementary color #1C3B0F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E3C4F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E3C4F0 shade: #E8C4EB, #F9D6FE, #FFE8FF and #FFFAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E3C4F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E3C4F0 shade: #E3C4F0, #D2B2DD, #C1A0CA, #B08EB7 and #9F7CA4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E3C4F0 shade: #E1C2EF, #EEC2EF, #EFC2E4, #EFC2D8 and #EFC2CB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E3C4F0 shade: #E1C2EF, #D5C2EF, #C9C2EF and #C2C2EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E3C4F0 shade matches the following richer shades: #E1C2EF, #E4BBF5 and #E7B5FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E3C4F0 shade: #E1C2EF, #DFC8E9, #DCCEE2, #DAD4DC and #D7DAD6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E3C4F0 shade: #C9C2EF, #D5C2EF, #E1C2EF, #EDC2EF and #EFC2E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E3C4F0 shade: #C280DE, #D2A1E6, #E1C2EF and #F1E2F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E3C4F0 shade: #E3C4F0, #EFC2C6 and #C2EFCF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E3C4F0 shade: #E3C4F0, #EFE1C2 and #C2EFE1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E3C4F0 shade: #E3C4F0, #EFC2C6, #CFEFC2 and #C2EFEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E3C4F0 shade: #E3C4F0, #EFCBC2, #CFEFC2 and #C2E6EF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 18 / 0 / 6

HEX #E3C4F0

RGB 227 196 240

HSL 282.27, 0.59%, 0.85%

LAB 82.97, 18.73, -17.68

 

Complementary color

CMYK 53 / 0 / 75 / 77

HEX #1C3B0F

RGB 28 59 15

HSL 102.27, 0.59%, 0.15%

LAB 21.61, -21.18, 23

 

CMYK 1 / 17 / 0 / 8

HEX #E8C4EB

RGB 232 196 235

HSL 295.38, 0.49%, 0.85%

LAB 83.25, 19.42, -14.54

 

CMYK 2 / 16 / 0 / 0

HEX #F9D6FE

RGB 249 214 254

HSL 292.5, 0.95%, 0.92%

LAB 89.57, 18.99, -14.97

 

CMYK 0 / 9 / 0 / 0

HEX #FFE8FF

RGB 255 232 255

HSL 300, 1%, 0.95%

LAB 94.39, 11.75, -8.26

 

CMYK 0 / 2 / 0 / 0

HEX #FFFAFF

RGB 255 250 255

HSL 300, 1%, 0.99%

LAB 98.77, 2.53, -1.81

 

CMYK 5 / 18 / 0 / 6

HEX #E3C4F0

RGB 227 196 240

HSL 282.27, 0.59%, 0.85%

LAB 82.97, 18.73, -17.68

 

CMYK 5 / 19 / 0 / 13

HEX #D2B2DD

RGB 210 178 221

HSL 284.65, 0.39%, 0.78%

LAB 76.54, 19.18, -17.3

 

CMYK 4 / 21 / 0 / 21

HEX #C1A0CA

RGB 193 160 202

HSL 287.14, 0.28%, 0.71%

LAB 70, 19.67, -16.93

 

CMYK 4 / 22 / 0 / 28

HEX #B08EB7

RGB 176 142 183

HSL 289.76, 0.22%, 0.64%

LAB 63.34, 20.2, -16.55

 

CMYK 3 / 24 / 0 / 36

HEX #9F7CA4

RGB 159 124 164

HSL 292.5, 0.18%, 0.56%

LAB 56.55, 20.78, -16.16

 

CMYK 6 / 19 / 0 / 6

HEX #E1C2EF

RGB 225 194 239

HSL 281.33, 0.58%, 0.85%

LAB 82.28, 18.96, -18.19

 

CMYK 0 / 19 / 0 / 6

HEX #EEC2EF

RGB 238 194 239

HSL 298.67, 0.58%, 0.85%

LAB 83.44, 23.2, -16.34

 

CMYK 0 / 19 / 5 / 6

HEX #EFC2E4

RGB 239 194 228

HSL 314.67, 0.58%, 0.85%

LAB 83.2, 21.56, -10.81

 

CMYK 0 / 19 / 10 / 6

HEX #EFC2D8

RGB 239 194 216

HSL 330.67, 0.58%, 0.85%

LAB 82.86, 19.51, -4.9

 

CMYK 0 / 19 / 15 / 6

HEX #EFC2CB

RGB 239 194 203

HSL 348, 0.58%, 0.85%

LAB 82.51, 17.4, 1.56

 

CMYK 6 / 19 / 0 / 6

HEX #E1C2EF

RGB 225 194 239

HSL 281.33, 0.58%, 0.85%

LAB 82.28, 18.96, -18.19

 

CMYK 11 / 19 / 0 / 6

HEX #D5C2EF

RGB 213 194 239

HSL 265.33, 0.58%, 0.85%

LAB 81.27, 15.09, -19.82

 

CMYK 16 / 19 / 0 / 6

HEX #C9C2EF

RGB 201 194 239

HSL 249.33, 0.58%, 0.85%

LAB 80.31, 11.29, -21.37

 

CMYK 19 / 19 / 0 / 6

HEX #C2C2EF

RGB 194 194 239

HSL 240, 0.58%, 0.85%

LAB 79.78, 9.12, -22.23

 

CMYK 6 / 19 / 0 / 6

HEX #E1C2EF

RGB 225 194 239

HSL 281.33, 0.58%, 0.85%

LAB 82.28, 18.96, -18.19

 

CMYK 7 / 24 / 0 / 4

HEX #E4BBF5

RGB 228 187 245

HSL 282.41, 0.74%, 0.85%

LAB 81.09, 24.84, -23.19

 

CMYK 8 / 28 / 0 / 2

HEX #E7B5FB

RGB 231 181 251

HSL 282.86, 0.9%, 0.85%

LAB 80.18, 30.18, -27.76

 

CMYK 6 / 19 / 0 / 6

HEX #E1C2EF

RGB 225 194 239

HSL 281.33, 0.58%, 0.85%

LAB 82.28, 18.96, -18.19

 

CMYK 4 / 14 / 0 / 9

HEX #DFC8E9

RGB 223 200 233

HSL 281.82, 0.43%, 0.85%

LAB 83.38, 13.94, -13.36

 

CMYK 3 / 9 / 0 / 11

HEX #DCCEE2

RGB 220 206 226

HSL 282, 0.26%, 0.85%

LAB 84.41, 8.44, -8.13

 

CMYK 1 / 4 / 0 / 14

HEX #DAD4DC

RGB 218 212 220

HSL 285, 0.1%, 0.85%

LAB 85.58, 3.5, -3.22

 

CMYK 1 / 0 / 2 / 15

HEX #D7DAD6

RGB 215 218 214

HSL 105, 0.05%, 0.85%

LAB 86.72, -1.73, 1.6

 

CMYK 16 / 19 / 0 / 6

HEX #C9C2EF

RGB 201 194 239

HSL 249.33, 0.58%, 0.85%

LAB 80.31, 11.29, -21.37

 

CMYK 11 / 19 / 0 / 6

HEX #D5C2EF

RGB 213 194 239

HSL 265.33, 0.58%, 0.85%

LAB 81.27, 15.09, -19.82

 

CMYK 6 / 19 / 0 / 6

HEX #E1C2EF

RGB 225 194 239

HSL 281.33, 0.58%, 0.85%

LAB 82.28, 18.96, -18.19

 

CMYK 1 / 19 / 0 / 6

HEX #EDC2EF

RGB 237 194 239

HSL 297.33, 0.58%, 0.85%

LAB 83.35, 22.87, -16.48

 

CMYK 0 / 19 / 5 / 6

HEX #EFC2E4

RGB 239 194 228

HSL 314.67, 0.58%, 0.85%

LAB 83.2, 21.56, -10.81

 

CMYK 13 / 42 / 0 / 13

HEX #C280DE

RGB 194 128 222

HSL 282.13, 0.59%, 0.69%

LAB 63.49, 41.65, -38.02

 

CMYK 9 / 30 / 0 / 10

HEX #D2A1E6

RGB 210 161 230

HSL 282.61, 0.58%, 0.77%

LAB 72.83, 30.22, -27.85

 

CMYK 6 / 19 / 0 / 6

HEX #E1C2EF

RGB 225 194 239

HSL 281.33, 0.58%, 0.85%

LAB 82.28, 18.96, -18.19

 

CMYK 2 / 9 / 0 / 3

HEX #F1E2F7

RGB 241 226 247

HSL 282.86, 0.57%, 0.93%

LAB 91.6, 8.81, -8.35

 

CMYK 5 / 18 / 0 / 6

HEX #E3C4F0

RGB 227 196 240

HSL 282.27, 0.59%, 0.85%

LAB 82.97, 18.73, -17.68

 

CMYK 0 / 19 / 17 / 6

HEX #EFC2C6

RGB 239 194 198

HSL 354.67, 0.58%, 0.85%

LAB 82.38, 16.63, 4.06

 

CMYK 19 / 0 / 13 / 6

HEX #C2EFCF

RGB 194 239 207

HSL 137.33, 0.58%, 0.85%

LAB 90.65, -20.58, 10.74

 

CMYK 5 / 18 / 0 / 6

HEX #E3C4F0

RGB 227 196 240

HSL 282.27, 0.59%, 0.85%

LAB 82.97, 18.73, -17.68

 

CMYK 0 / 6 / 19 / 6

HEX #EFE1C2

RGB 239 225 194

HSL 41.33, 0.58%, 0.85%

LAB 89.9, -0.14, 16.9

 

CMYK 19 / 0 / 6 / 6

HEX #C2EFE1

RGB 194 239 225

HSL 161.33, 0.58%, 0.85%

LAB 91.07, -17.18, 1.98

 

CMYK 5 / 18 / 0 / 6

HEX #E3C4F0

RGB 227 196 240

HSL 282.27, 0.59%, 0.85%

LAB 82.97, 18.73, -17.68

 

CMYK 0 / 19 / 17 / 6

HEX #EFC2C6

RGB 239 194 198

HSL 354.67, 0.58%, 0.85%

LAB 82.38, 16.63, 4.06

 

CMYK 13 / 0 / 19 / 6

HEX #CFEFC2

RGB 207 239 194

HSL 102.67, 0.58%, 0.85%

LAB 91.19, -18.49, 18.35

 

CMYK 19 / 0 / 2 / 6

HEX #C2EFEA

RGB 194 239 234

HSL 173.33, 0.58%, 0.85%

LAB 91.3, -15.38, -2.38

 

CMYK 5 / 18 / 0 / 6

HEX #E3C4F0

RGB 227 196 240

HSL 282.27, 0.59%, 0.85%

LAB 82.97, 18.73, -17.68

 

CMYK 0 / 15 / 19 / 6

HEX #EFCBC2

RGB 239 203 194

HSL 12, 0.58%, 0.85%

LAB 84.46, 11.28, 9.19

 

CMYK 13 / 0 / 19 / 6

HEX #CFEFC2

RGB 207 239 194

HSL 102.67, 0.58%, 0.85%

LAB 91.19, -18.49, 18.35

 

CMYK 19 / 4 / 0 / 6

HEX #C2E6EF

RGB 194 230 239

HSL 192, 0.58%, 0.85%

LAB 89.06, -9.81, -8.29

 

Description

Color code: HEX #E3C4F0 | qconv.com Color code: HEX #E3C4F0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 196 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 196 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 18 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 18% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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