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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E3CF59 it is the complementary color #1C30A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E3CF59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E3CF59 shade: #E8CF54, #F9E167, #FFF37A, #FFFF8D and #FFFFA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E3CF59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E3CF59 shade: #E3CF59, #D2BD46, #C1AB33, #B09920 and #9F870D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E3CF59 shade: #E2CE59, #E2A959, #E28459, #E25F59 and #E25959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E3CF59 shade: #E2CE59, #D1E259, #ACE259, #87E259 and #62E259

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E3CF59 shade matches the following richer shades: #E2CE59 and #F2DA49

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E3CF59 shade: #E2CE59, #D3C368, #C3B878, #B3AD88 and #A4A298

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E3CF59 shade: #E28459, #E2A959, #E2CE59, #D2E259 and #AEE259

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E3CF59 shade: #C7AF21, #DCC436, #E2CE59, #E8D97C and #EEE39F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E3CF59 shade: #E3CF59, #59E260 and #9759E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E3CF59 shade: #E3CF59, #59E2CE and #CE59E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E3CF59 shade: #E3CF59, #59E260, #596DE2 and #E259DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E3CF59 shade: #E3CF59, #59E289, #596DE2 and #E259B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 61 / 11

HEX #E3CF59

RGB 227 207 89

HSL 51.3, 0.71%, 0.62%

LAB 82.74, -6.96, 59.64

 

Complementary color

CMYK 83 / 71 / 0 / 35

HEX #1C30A6

RGB 28 48 166

HSL 231.3, 0.71%, 0.38%

LAB 27.06, 37.29, -64.85

 

CMYK 0 / 11 / 64 / 9

HEX #E8CF54

RGB 232 207 84

HSL 49.86, 0.76%, 0.62%

LAB 83.14, -5.2, 62.35

 

CMYK 0 / 10 / 59 / 2

HEX #F9E167

RGB 249 225 103

HSL 50.14, 0.92%, 0.69%

LAB 89.38, -6.06, 61.39

 

CMYK 0 / 5 / 52 / 0

HEX #FFF37A

RGB 255 243 122

HSL 54.59, 1%, 0.74%

LAB 94.64, -11.18, 59.03

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8D

RGB 255 255 141

HSL 60, 1%, 0.78%

LAB 97.91, -15.4, 54.17

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA0

RGB 255 255 160

HSL 60, 1%, 0.81%

LAB 98.16, -13.5, 45.4

 

CMYK 0 / 9 / 61 / 11

HEX #E3CF59

RGB 227 207 89

HSL 51.3, 0.71%, 0.62%

LAB 82.74, -6.96, 59.64

 

CMYK 0 / 10 / 67 / 18

HEX #D2BD46

RGB 210 189 70

HSL 51, 0.61%, 0.55%

LAB 76.4, -6.05, 60.5

 

CMYK 0 / 11 / 74 / 24

HEX #C1AB33

RGB 193 171 51

HSL 50.7, 0.58%, 0.48%

LAB 69.97, -4.96, 61

 

CMYK 0 / 13 / 82 / 31

HEX #B09920

RGB 176 153 32

HSL 50.42, 0.69%, 0.41%

LAB 63.44, -3.66, 60.82

 

CMYK 0 / 15 / 92 / 38

HEX #9F870D

RGB 159 135 13

HSL 50.14, 0.85%, 0.34%

LAB 56.81, -2.1, 59.38

 

CMYK 0 / 9 / 61 / 11

HEX #E2CE59

RGB 226 206 89

HSL 51.24, 0.7%, 0.62%

LAB 82.4, -6.86, 59.24

 

CMYK 0 / 25 / 61 / 11

HEX #E2A959

RGB 226 169 89

HSL 35.04, 0.7%, 0.62%

LAB 73.07, 12.47, 48.7

 

CMYK 0 / 42 / 61 / 11

HEX #E28459

RGB 226 132 89

HSL 18.83, 0.7%, 0.62%

LAB 64.48, 32.19, 38.5

 

CMYK 0 / 58 / 61 / 11

HEX #E25F59

RGB 226 95 89

HSL 2.63, 0.7%, 0.62%

LAB 57.15, 50.64, 29.36

 

CMYK 0 / 61 / 61 / 11

HEX #E25959

RGB 226 89 89

HSL 0, 0.7%, 0.62%

LAB 56.12, 53.35, 28.05

 

CMYK 0 / 9 / 61 / 11

HEX #E2CE59

RGB 226 206 89

HSL 51.24, 0.7%, 0.62%

LAB 82.4, -6.86, 59.24

 

CMYK 8 / 0 / 61 / 11

HEX #D1E259

RGB 209 226 89

HSL 67.45, 0.7%, 0.62%

LAB 86.34, -23.72, 63.16

 

CMYK 24 / 0 / 61 / 11

HEX #ACE259

RGB 172 226 89

HSL 83.65, 0.7%, 0.62%

LAB 83.91, -38.03, 59.79

 

CMYK 40 / 0 / 61 / 11

HEX #87E259

RGB 135 226 89

HSL 99.85, 0.7%, 0.62%

LAB 81.98, -50.82, 57.12

 

CMYK 57 / 0 / 61 / 11

HEX #62E259

RGB 98 226 89

HSL 116.06, 0.7%, 0.62%

LAB 80.58, -61.22, 55.15

 

CMYK 0 / 9 / 61 / 11

HEX #E2CE59

RGB 226 206 89

HSL 51.24, 0.7%, 0.62%

LAB 82.4, -6.86, 59.24

 

CMYK 0 / 10 / 70 / 5

HEX #F2DA49

RGB 242 218 73

HSL 51.48, 0.87%, 0.62%

LAB 86.75, -7.19, 70.74

 

CMYK 0 / 9 / 61 / 11

HEX #E2CE59

RGB 226 206 89

HSL 51.24, 0.7%, 0.62%

LAB 82.4, -6.86, 59.24

 

CMYK 0 / 8 / 51 / 17

HEX #D3C368

RGB 211 195 104

HSL 51.03, 0.55%, 0.62%

LAB 78.39, -6.27, 47.34

 

CMYK 0 / 6 / 38 / 24

HEX #C3B878

RGB 195 184 120

HSL 51.2, 0.38%, 0.62%

LAB 74.34, -5.46, 33.92

 

CMYK 0 / 3 / 24 / 30

HEX #B3AD88

RGB 179 173 136

HSL 51.63, 0.22%, 0.62%

LAB 70.35, -3.93, 19.83

 

CMYK 0 / 1 / 7 / 36

HEX #A4A298

RGB 164 162 152

HSL 50, 0.06%, 0.62%

LAB 66.52, -1.11, 5.44

 

CMYK 0 / 42 / 61 / 11

HEX #E28459

RGB 226 132 89

HSL 18.83, 0.7%, 0.62%

LAB 64.48, 32.19, 38.5

 

CMYK 0 / 25 / 61 / 11

HEX #E2A959

RGB 226 169 89

HSL 35.04, 0.7%, 0.62%

LAB 73.07, 12.47, 48.7

 

CMYK 0 / 9 / 61 / 11

HEX #E2CE59

RGB 226 206 89

HSL 51.24, 0.7%, 0.62%

LAB 82.4, -6.86, 59.24

 

CMYK 7 / 0 / 61 / 11

HEX #D2E259

RGB 210 226 89

HSL 67.01, 0.7%, 0.62%

LAB 86.41, -23.32, 63.26

 

CMYK 23 / 0 / 61 / 11

HEX #AEE259

RGB 174 226 89

HSL 82.77, 0.7%, 0.62%

LAB 84.02, -37.29, 59.96

 

CMYK 0 / 12 / 83 / 22

HEX #C7AF21

RGB 199 175 33

HSL 51.33, 0.72%, 0.45%

LAB 71.5, -5.09, 68.3

 

CMYK 0 / 11 / 75 / 14

HEX #DCC436

RGB 220 196 54

HSL 51.33, 0.7%, 0.54%

LAB 79.02, -6.15, 69.38

 

CMYK 0 / 9 / 61 / 11

HEX #E2CE59

RGB 226 206 89

HSL 51.24, 0.7%, 0.62%

LAB 82.4, -6.86, 59.24

 

CMYK 0 / 6 / 47 / 9

HEX #E8D97C

RGB 232 217 124

HSL 51.67, 0.7%, 0.7%

LAB 86.12, -7.19, 47.42

 

CMYK 0 / 5 / 33 / 7

HEX #EEE39F

RGB 238 227 159

HSL 51.65, 0.7%, 0.78%

LAB 89.68, -6.18, 34.62

 

CMYK 0 / 9 / 61 / 11

HEX #E3CF59

RGB 227 207 89

HSL 51.3, 0.71%, 0.62%

LAB 82.74, -6.96, 59.64

 

CMYK 61 / 0 / 58 / 11

HEX #59E260

RGB 89 226 96

HSL 123.07, 0.7%, 0.62%

LAB 80.38, -62.51, 51.78

 

CMYK 33 / 61 / 0 / 11

HEX #9759E2

RGB 151 89 226

HSL 267.15, 0.7%, 0.62%

LAB 50.94, 52.14, -60.49

 

CMYK 0 / 9 / 61 / 11

HEX #E3CF59

RGB 227 207 89

HSL 51.3, 0.71%, 0.62%

LAB 82.74, -6.96, 59.64

 

CMYK 61 / 0 / 9 / 11

HEX #59E2CE

RGB 89 226 206

HSL 171.24, 0.7%, 0.62%

LAB 82.36, -41.77, -1.3

 

CMYK 9 / 61 / 0 / 11

HEX #CE59E2

RGB 206 89 226

HSL 291.24, 0.7%, 0.62%

LAB 57.81, 64.97, -49.12

 

CMYK 0 / 9 / 61 / 11

HEX #E3CF59

RGB 227 207 89

HSL 51.3, 0.71%, 0.62%

LAB 82.74, -6.96, 59.64

 

CMYK 61 / 0 / 58 / 11

HEX #59E260

RGB 89 226 96

HSL 123.07, 0.7%, 0.62%

LAB 80.38, -62.51, 51.78

 

CMYK 61 / 52 / 0 / 11

HEX #596DE2

RGB 89 109 226

HSL 231.24, 0.7%, 0.62%

LAB 50.16, 27.83, -62.01

 

CMYK 0 / 61 / 3 / 11

HEX #E259DC

RGB 226 89 220

HSL 302.63, 0.7%, 0.62%

LAB 60.32, 68.8, -41.59

 

CMYK 0 / 9 / 61 / 11

HEX #E3CF59

RGB 227 207 89

HSL 51.3, 0.71%, 0.62%

LAB 82.74, -6.96, 59.64

 

CMYK 61 / 0 / 39 / 11

HEX #59E289

RGB 89 226 137

HSL 141.02, 0.7%, 0.62%

LAB 80.92, -56.55, 32.71

 

CMYK 61 / 52 / 0 / 11

HEX #596DE2

RGB 89 109 226

HSL 231.24, 0.7%, 0.62%

LAB 50.16, 27.83, -62.01

 

CMYK 0 / 61 / 21 / 11

HEX #E259B2

RGB 226 89 178

HSL 321.02, 0.7%, 0.62%

LAB 58.53, 62.48, -20.44

 

Description

Color code: HEX #E3CF59 | qconv.com Color code: HEX #E3CF59 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 207 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 207 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 61 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 61% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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