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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E3D199 it is the complementary color #1C2E66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E3D199. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E3D199 shade: #E8D194, #F9E3A7, #FFF5BA, #FFFFCD and #FFFFE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E3D199. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E3D199 shade: #E3D199, #D2BF86, #C1AD73, #B09B60 and #9F894D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E3D199 shade: #E3D19A, #E3BE9A, #E3AA9A and #E39A9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E3D199 shade: #E3D19A, #E1E39A, #CEE39A, #BAE39A and #A6E39A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E3D199 shade matches the following richer shades: #E3D19A, #EDD790 and #F8DC86

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E3D199 shade: #E3D19A, #D9CCA5, #CEC7AF, #C4C2B9 and #BABCC4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E3D199 shade: #E3AA9A, #E3BE9A, #E3D19A, #E2E39A and #CEE39A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E3D199 shade: #D1B45A, #DAC37A, #E3D19A, #ECE0BB and #F5EFDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E3D199 shade: #E3D199, #9EE39A and #B49AE3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E3D199 shade: #E3D199, #9AE3D1 and #D19AE3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E3D199 shade: #E3D199, #9EE39A, #9AADE3 and #DF9AE3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E3D199 shade: #E3D199, #9AE3AD, #9AADE3 and #E39AD1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 33 / 11

HEX #E3D199

RGB 227 209 153

HSL 45.41, 0.57%, 0.75%

LAB 84.09, -1.94, 30.09

 

Complementary color

CMYK 73 / 55 / 0 / 60

HEX #1C2E66

RGB 28 46 102

HSL 225.41, 0.57%, 0.25%

LAB 20.67, 13.7, -35.19

 

CMYK 0 / 10 / 36 / 9

HEX #E8D194

RGB 232 209 148

HSL 43.57, 0.65%, 0.75%

LAB 84.43, -0.6, 33.21

 

CMYK 0 / 9 / 33 / 2

HEX #F9E3A7

RGB 249 227 167

HSL 43.9, 0.87%, 0.82%

LAB 90.72, -1.04, 32.09

 

CMYK 0 / 4 / 27 / 0

HEX #FFF5BA

RGB 255 245 186

HSL 51.3, 1%, 0.86%

LAB 96.04, -5.5, 29.68

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCD

RGB 255 255 205

HSL 60, 1%, 0.9%

LAB 98.9, -7.91, 23.96

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE0

RGB 255 255 224

HSL 60, 1%, 0.94%

LAB 99.28, -5.1, 14.83

 

CMYK 0 / 8 / 33 / 11

HEX #E3D199

RGB 227 209 153

HSL 45.41, 0.57%, 0.75%

LAB 84.09, -1.94, 30.09

 

CMYK 0 / 9 / 36 / 18

HEX #D2BF86

RGB 210 191 134

HSL 45, 0.46%, 0.67%

LAB 77.69, -1.52, 31.23

 

CMYK 0 / 10 / 40 / 24

HEX #C1AD73

RGB 193 173 115

HSL 44.62, 0.39%, 0.6%

LAB 71.19, -1.02, 32.42

 

CMYK 0 / 12 / 45 / 31

HEX #B09B60

RGB 176 155 96

HSL 44.25, 0.34%, 0.53%

LAB 64.58, -0.44, 33.69

 

CMYK 0 / 14 / 52 / 38

HEX #9F894D

RGB 159 137 77

HSL 43.9, 0.35%, 0.46%

LAB 57.84, 0.27, 35.01

 

CMYK 0 / 8 / 32 / 11

HEX #E3D19A

RGB 227 209 154

HSL 45.21, 0.57%, 0.75%

LAB 84.1, -1.82, 29.59

 

CMYK 0 / 16 / 32 / 11

HEX #E3BE9A

RGB 227 190 154

HSL 29.59, 0.57%, 0.75%

LAB 79.32, 8.1, 23.13

 

CMYK 0 / 25 / 32 / 11

HEX #E3AA9A

RGB 227 170 154

HSL 13.15, 0.57%, 0.75%

LAB 74.45, 18.75, 16.4

 

CMYK 0 / 32 / 32 / 11

HEX #E39A9A

RGB 227 154 154

HSL 0, 0.57%, 0.75%

LAB 70.72, 27.33, 11.15

 

CMYK 0 / 8 / 32 / 11

HEX #E3D19A

RGB 227 209 154

HSL 45.21, 0.57%, 0.75%

LAB 84.1, -1.82, 29.59

 

CMYK 1 / 0 / 32 / 11

HEX #E1E39A

RGB 225 227 154

HSL 61.64, 0.57%, 0.75%

LAB 88.58, -11.73, 35.51

 

CMYK 9 / 0 / 32 / 11

HEX #CEE39A

RGB 206 227 154

HSL 77.26, 0.57%, 0.75%

LAB 87.19, -18.85, 33.42

 

CMYK 18 / 0 / 32 / 11

HEX #BAE39A

RGB 186 227 154

HSL 93.7, 0.57%, 0.75%

LAB 85.86, -26.09, 31.41

 

CMYK 27 / 0 / 32 / 11

HEX #A6E39A

RGB 166 227 154

HSL 110.14, 0.57%, 0.75%

LAB 84.68, -32.96, 29.62

 

CMYK 0 / 8 / 32 / 11

HEX #E3D19A

RGB 227 209 154

HSL 45.21, 0.57%, 0.75%

LAB 84.1, -1.82, 29.59

 

CMYK 0 / 9 / 39 / 7

HEX #EDD790

RGB 237 215 144

HSL 45.81, 0.72%, 0.75%

LAB 86.32, -2.18, 37.8

 

CMYK 0 / 11 / 46 / 3

HEX #F8DC86

RGB 248 220 134

HSL 45.26, 0.89%, 0.75%

LAB 88.38, -1.41, 45.62

 

CMYK 0 / 8 / 32 / 11

HEX #E3D19A

RGB 227 209 154

HSL 45.21, 0.57%, 0.75%

LAB 84.1, -1.82, 29.59

 

CMYK 0 / 6 / 24 / 15

HEX #D9CCA5

RGB 217 204 165

HSL 45, 0.41%, 0.75%

LAB 82.19, -1.6, 21.1

 

CMYK 0 / 3 / 15 / 19

HEX #CEC7AF

RGB 206 199 175

HSL 46.45, 0.24%, 0.75%

LAB 80.22, -1.59, 12.89

 

CMYK 0 / 1 / 6 / 23

HEX #C4C2B9

RGB 196 194 185

HSL 49.09, 0.09%, 0.75%

LAB 78.36, -0.91, 4.76

 

CMYK 5 / 4 / 0 / 23

HEX #BABCC4

RGB 186 188 196

HSL 228, 0.08%, 0.75%

LAB 76.31, 0.83, -4.28

 

CMYK 0 / 25 / 32 / 11

HEX #E3AA9A

RGB 227 170 154

HSL 13.15, 0.57%, 0.75%

LAB 74.45, 18.75, 16.4

 

CMYK 0 / 16 / 32 / 11

HEX #E3BE9A

RGB 227 190 154

HSL 29.59, 0.57%, 0.75%

LAB 79.32, 8.1, 23.13

 

CMYK 0 / 8 / 32 / 11

HEX #E3D19A

RGB 227 209 154

HSL 45.21, 0.57%, 0.75%

LAB 84.1, -1.82, 29.59

 

CMYK 0 / 0 / 32 / 11

HEX #E2E39A

RGB 226 227 154

HSL 60.82, 0.57%, 0.75%

LAB 88.66, -11.35, 35.62

 

CMYK 9 / 0 / 32 / 11

HEX #CEE39A

RGB 206 227 154

HSL 77.26, 0.57%, 0.75%

LAB 87.19, -18.85, 33.42

 

CMYK 0 / 14 / 57 / 18

HEX #D1B45A

RGB 209 180 90

HSL 45.38, 0.56%, 0.59%

LAB 74.15, -0.44, 49.04

 

CMYK 0 / 11 / 44 / 15

HEX #DAC37A

RGB 218 195 122

HSL 45.63, 0.56%, 0.67%

LAB 79.24, -1.72, 39.56

 

CMYK 0 / 8 / 32 / 11

HEX #E3D19A

RGB 227 209 154

HSL 45.21, 0.57%, 0.75%

LAB 84.1, -1.82, 29.59

 

CMYK 0 / 5 / 21 / 7

HEX #ECE0BB

RGB 236 224 187

HSL 45.31, 0.56%, 0.83%

LAB 89.27, -1.74, 19.61

 

CMYK 0 / 2 / 11 / 4

HEX #F5EFDB

RGB 245 239 219

HSL 46.15, 0.57%, 0.91%

LAB 94.42, -1.32, 10.38

 

CMYK 0 / 8 / 33 / 11

HEX #E3D199

RGB 227 209 153

HSL 45.41, 0.57%, 0.75%

LAB 84.09, -1.94, 30.09

 

CMYK 30 / 0 / 32 / 11

HEX #9EE39A

RGB 158 227 154

HSL 116.71, 0.57%, 0.75%

LAB 84.25, -35.58, 28.97

 

CMYK 21 / 32 / 0 / 11

HEX #B49AE3

RGB 180 154 227

HSL 261.37, 0.57%, 0.75%

LAB 68.29, 24.2, -33.44

 

CMYK 0 / 8 / 33 / 11

HEX #E3D199

RGB 227 209 153

HSL 45.41, 0.57%, 0.75%

LAB 84.09, -1.94, 30.09

 

CMYK 32 / 0 / 8 / 11

HEX #9AE3D1

RGB 154 227 209

HSL 165.21, 0.57%, 0.75%

LAB 85.21, -26.5, 1.56

 

CMYK 8 / 32 / 0 / 11

HEX #D19AE3

RGB 209 154 227

HSL 285.21, 0.57%, 0.75%

LAB 71.02, 33.12, -29

 

CMYK 0 / 8 / 33 / 11

HEX #E3D199

RGB 227 209 153

HSL 45.41, 0.57%, 0.75%

LAB 84.09, -1.94, 30.09

 

CMYK 30 / 0 / 32 / 11

HEX #9EE39A

RGB 158 227 154

HSL 116.71, 0.57%, 0.75%

LAB 84.25, -35.58, 28.97

 

CMYK 32 / 24 / 0 / 11

HEX #9AADE3

RGB 154 173 227

HSL 224.38, 0.57%, 0.75%

LAB 71.08, 5.9, -29.29

 

CMYK 2 / 32 / 0 / 11

HEX #DF9AE3

RGB 223 154 227

HSL 296.71, 0.57%, 0.75%

LAB 72.46, 37.51, -26.66

 

CMYK 0 / 8 / 33 / 11

HEX #E3D199

RGB 227 209 153

HSL 45.41, 0.57%, 0.75%

LAB 84.09, -1.94, 30.09

 

CMYK 32 / 0 / 24 / 11

HEX #9AE3AD

RGB 154 227 173

HSL 135.62, 0.57%, 0.75%

LAB 84.39, -33.63, 19.31

 

CMYK 32 / 24 / 0 / 11

HEX #9AADE3

RGB 154 173 227

HSL 224.38, 0.57%, 0.75%

LAB 71.08, 5.9, -29.29

 

CMYK 0 / 32 / 8 / 11

HEX #E39AD1

RGB 227 154 209

HSL 314.79, 0.57%, 0.75%

LAB 72.26, 35.58, -17.04

 

Description

Color code: HEX #E3D199 | qconv.com Color code: HEX #E3D199 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 209 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 209 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 33 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 33% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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