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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E3EC92 it is the complementary color #1C136D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E3EC92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E3EC92 shade: #E8EC8D, #F9FEA0, #FFFFB3, #FFFFC6 and #FFFFD9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E3EC92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E3EC92 shade: #E3EC92, #D2DA7F, #C1C86C, #B0B659 and #9FA446

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E3EC92 shade: #E2EB92, #EBDC92, #EBC492, #EBAC92 and #EB9492

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E3EC92 shade: #E2EB92, #CAEB92, #B2EB92, #9AEB92 and #92EBA2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E3EC92 shade matches the following richer shades: #E2EB92 and #EBF688

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E3EC92 shade: #E2EB92, #DAE19C, #D2D7A7, #CACCB1 and #C1C2BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E3EC92 shade: #EBC592, #EBDD92, #E2EB92, #CBEB92 and #B3EB92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E3EC92 shade: #D0DF4C, #D9E56F, #E2EB92, #ECF2B5 and #F5F8D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E3EC92 shade: #E3EC92, #92EBAD and #D192EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E3EC92 shade: #E3EC92, #92E2EB and #EB92E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E3EC92 shade: #E3EC92, #92EBAD, #9B92EB and #EB92D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E3EC92 shade: #E3EC92, #92EBC8, #9B92EB and #EB92B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 38 / 7

HEX #E3EC92

RGB 227 236 146

HSL 66, 0.7%, 0.75%

LAB 90.96, -16.35, 42.62

 

Complementary color

CMYK 74 / 83 / 0 / 57

HEX #1C136D

RGB 28 19 109

HSL 246, 0.7%, 0.25%

LAB 14.49, 34.46, -49.87

 

CMYK 2 / 0 / 40 / 7

HEX #E8EC8D

RGB 232 236 141

HSL 62.53, 0.71%, 0.74%

LAB 91.27, -14.98, 45.54

 

CMYK 2 / 0 / 37 / 0

HEX #F9FEA0

RGB 249 254 160

HSL 63.19, 0.98%, 0.81%

LAB 97.45, -15.27, 44.4

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB3

RGB 255 255 179

HSL 60, 1%, 0.85%

LAB 98.45, -11.32, 36.42

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC6

RGB 255 255 198

HSL 60, 1%, 0.89%

LAB 98.77, -8.88, 27.33

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD9

RGB 255 255 217

HSL 60, 1%, 0.93%

LAB 99.14, -6.17, 18.19

 

CMYK 4 / 0 / 38 / 7

HEX #E3EC92

RGB 227 236 146

HSL 66, 0.7%, 0.75%

LAB 90.96, -16.35, 42.62

 

CMYK 4 / 0 / 42 / 15

HEX #D2DA7F

RGB 210 218 127

HSL 65.27, 0.55%, 0.68%

LAB 84.68, -16.09, 43.77

 

CMYK 4 / 0 / 46 / 22

HEX #C1C86C

RGB 193 200 108

HSL 64.57, 0.46%, 0.6%

LAB 78.3, -15.76, 44.94

 

CMYK 3 / 0 / 51 / 29

HEX #B0B659

RGB 176 182 89

HSL 63.87, 0.39%, 0.53%

LAB 71.83, -15.36, 46.09

 

CMYK 3 / 0 / 57 / 36

HEX #9FA446

RGB 159 164 70

HSL 63.19, 0.4%, 0.46%

LAB 65.25, -14.86, 47.18

 

CMYK 4 / 0 / 38 / 8

HEX #E2EB92

RGB 226 235 146

HSL 66.07, 0.69%, 0.75%

LAB 90.62, -16.24, 42.18

 

CMYK 0 / 6 / 38 / 8

HEX #EBDC92

RGB 235 220 146

HSL 49.89, 0.69%, 0.75%

LAB 87.45, -5.28, 38.22

 

CMYK 0 / 17 / 38 / 8

HEX #EBC492

RGB 235 196 146

HSL 33.71, 0.69%, 0.75%

LAB 81.41, 7.1, 30.29

 

CMYK 0 / 27 / 38 / 8

HEX #EBAC92

RGB 235 172 146

HSL 17.53, 0.69%, 0.75%

LAB 75.6, 19.79, 22.46

 

CMYK 0 / 37 / 38 / 8

HEX #EB9492

RGB 235 148 146

HSL 1.35, 0.69%, 0.75%

LAB 70.12, 32.53, 14.88

 

CMYK 4 / 0 / 38 / 8

HEX #E2EB92

RGB 226 235 146

HSL 66.07, 0.69%, 0.75%

LAB 90.62, -16.24, 42.18

 

CMYK 14 / 0 / 38 / 8

HEX #CAEB92

RGB 202 235 146

HSL 82.25, 0.69%, 0.75%

LAB 88.95, -25.22, 39.68

 

CMYK 24 / 0 / 38 / 8

HEX #B2EB92

RGB 178 235 146

HSL 98.43, 0.69%, 0.75%

LAB 87.46, -33.76, 37.47

 

CMYK 34 / 0 / 38 / 8

HEX #9AEB92

RGB 154 235 146

HSL 114.61, 0.69%, 0.75%

LAB 86.19, -41.67, 35.56

 

CMYK 38 / 0 / 31 / 8

HEX #92EBA2

RGB 146 235 162

HSL 130.79, 0.69%, 0.75%

LAB 86.07, -41.57, 27.24

 

CMYK 4 / 0 / 38 / 8

HEX #E2EB92

RGB 226 235 146

HSL 66.07, 0.69%, 0.75%

LAB 90.62, -16.24, 42.18

 

CMYK 4 / 0 / 45 / 4

HEX #EBF688

RGB 235 246 136

HSL 66, 0.86%, 0.75%

LAB 94.03, -19.21, 51.43

 

CMYK 4 / 0 / 38 / 8

HEX #E2EB92

RGB 226 235 146

HSL 66.07, 0.69%, 0.75%

LAB 90.62, -16.24, 42.18

 

CMYK 3 / 0 / 31 / 12

HEX #DAE19C

RGB 218 225 156

HSL 66.09, 0.53%, 0.75%

LAB 87.56, -13.13, 33.05

 

CMYK 2 / 0 / 22 / 16

HEX #D2D7A7

RGB 210 215 167

HSL 66.25, 0.38%, 0.75%

LAB 84.53, -9.58, 23.18

 

CMYK 1 / 0 / 13 / 20

HEX #CACCB1

RGB 202 204 177

HSL 64.44, 0.21%, 0.75%

LAB 81.25, -5.34, 13.23

 

CMYK 1 / 0 / 4 / 24

HEX #C1C2BB

RGB 193 194 187

HSL 68.57, 0.05%, 0.75%

LAB 78.17, -1.62, 3.39

 

CMYK 0 / 16 / 38 / 8

HEX #EBC592

RGB 235 197 146

HSL 34.38, 0.69%, 0.75%

LAB 81.66, 6.58, 30.62

 

CMYK 0 / 6 / 38 / 8

HEX #EBDD92

RGB 235 221 146

HSL 50.56, 0.69%, 0.75%

LAB 87.7, -5.79, 38.55

 

CMYK 4 / 0 / 38 / 8

HEX #E2EB92

RGB 226 235 146

HSL 66.07, 0.69%, 0.75%

LAB 90.62, -16.24, 42.18

 

CMYK 14 / 0 / 38 / 8

HEX #CBEB92

RGB 203 235 146

HSL 81.57, 0.69%, 0.75%

LAB 89.01, -24.85, 39.78

 

CMYK 24 / 0 / 38 / 8

HEX #B3EB92

RGB 179 235 146

HSL 97.75, 0.69%, 0.75%

LAB 87.52, -33.41, 37.56

 

CMYK 7 / 0 / 66 / 13

HEX #D0DF4C

RGB 208 223 76

HSL 66.12, 0.7%, 0.59%

LAB 85.36, -23.52, 67.31

 

CMYK 5 / 0 / 52 / 10

HEX #D9E56F

RGB 217 229 111

HSL 66.1, 0.69%, 0.67%

LAB 87.94, -20.28, 55.46

 

CMYK 4 / 0 / 38 / 8

HEX #E2EB92

RGB 226 235 146

HSL 66.07, 0.69%, 0.75%

LAB 90.62, -16.24, 42.18

 

CMYK 2 / 0 / 25 / 5

HEX #ECF2B5

RGB 236 242 181

HSL 65.9, 0.7%, 0.83%

LAB 93.74, -11.64, 28.85

 

CMYK 1 / 0 / 13 / 3

HEX #F5F8D8

RGB 245 248 216

HSL 65.63, 0.7%, 0.91%

LAB 96.62, -6.32, 15.05

 

CMYK 4 / 0 / 38 / 7

HEX #E3EC92

RGB 227 236 146

HSL 66, 0.7%, 0.75%

LAB 90.96, -16.35, 42.62

 

CMYK 38 / 0 / 26 / 8

HEX #92EBAD

RGB 146 235 173

HSL 138.2, 0.69%, 0.75%

LAB 86.28, -39.65, 21.86

 

CMYK 11 / 38 / 0 / 8

HEX #D192EB

RGB 209 146 235

HSL 282.47, 0.69%, 0.75%

LAB 69.55, 39.06, -35.66

 

CMYK 4 / 0 / 38 / 7

HEX #E3EC92

RGB 227 236 146

HSL 66, 0.7%, 0.75%

LAB 90.96, -16.35, 42.62

 

CMYK 38 / 4 / 0 / 8

HEX #92E2EB

RGB 146 226 235

HSL 186.07, 0.69%, 0.75%

LAB 85.25, -22.2, -12.14

 

CMYK 0 / 38 / 4 / 8

HEX #EB92E2

RGB 235 146 226

HSL 306.07, 0.69%, 0.75%

LAB 72.03, 45.29, -26.65

 

CMYK 4 / 0 / 38 / 7

HEX #E3EC92

RGB 227 236 146

HSL 66, 0.7%, 0.75%

LAB 90.96, -16.35, 42.62

 

CMYK 38 / 0 / 26 / 8

HEX #92EBAD

RGB 146 235 173

HSL 138.2, 0.69%, 0.75%

LAB 86.28, -39.65, 21.86

 

CMYK 34 / 38 / 0 / 8

HEX #9B92EB

RGB 155 146 235

HSL 246.07, 0.69%, 0.75%

LAB 64.58, 23.54, -43.78

 

CMYK 0 / 38 / 11 / 8

HEX #EB92D1

RGB 235 146 209

HSL 317.53, 0.69%, 0.75%

LAB 71.43, 42.41, -18.2

 

CMYK 4 / 0 / 38 / 7

HEX #E3EC92

RGB 227 236 146

HSL 66, 0.7%, 0.75%

LAB 90.96, -16.35, 42.62

 

CMYK 38 / 0 / 15 / 8

HEX #92EBC8

RGB 146 235 200

HSL 156.4, 0.69%, 0.75%

LAB 86.85, -34.41, 8.62

 

CMYK 34 / 38 / 0 / 8

HEX #9B92EB

RGB 155 146 235

HSL 246.07, 0.69%, 0.75%

LAB 64.58, 23.54, -43.78

 

CMYK 0 / 38 / 23 / 8

HEX #EB92B6

RGB 235 146 182

HSL 335.73, 0.69%, 0.75%

LAB 70.59, 38.26, -4.48

 

Description

Color code: HEX #E3EC92 | qconv.com Color code: HEX #E3EC92 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 236 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 236 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 38 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 38% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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