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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E3ECA6 it is the complementary color #1C1359. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E3ECA6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E3ECA6 shade: #E8ECA1, #F9FEB4, #FFFFC7, #FFFFDA and #FFFFED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E3ECA6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E3ECA6 shade: #E3ECA6, #D2DA93, #C1C880, #B0B66D and #9FA45A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E3ECA6 shade: #E3ECA6, #ECE2A6, #ECCFA6, #ECBCA6 and #ECAAA6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E3ECA6 shade: #E3ECA6, #D0ECA6, #BDECA6, #AAECA6 and #A6ECB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E3ECA6 shade matches the following richer shades: #E3ECA6, #E9F49D and #F0FD95

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E3ECA6 shade: #E3ECA6, #DCE3AF, #D6DAB7, #CFD2C0 and #C9C9C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E3ECA6 shade: #ECCFA6, #ECE1A6, #E4ECA6, #D1ECA6 and #BFECA6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E3ECA6 shade: #CDDD62, #D8E584, #E3ECA6, #EDF3C8 and #F8FAEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E3ECA6 shade: #E3ECA6, #A6ECBC and #D8A6EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E3ECA6 shade: #E3ECA6, #A6E4EC and #ECA6E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E3ECA6 shade: #E3ECA6, #A6ECBC, #AEA6EC and #ECA6D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E3ECA6 shade: #E3ECA6, #A6ECD1, #AEA6EC and #ECA6C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 30 / 7

HEX #E3ECA6

RGB 227 236 166

HSL 67.71, 0.65%, 0.79%

LAB 91.27, -13.95, 33.02

 

Complementary color

CMYK 69 / 79 / 0 / 65

HEX #1C1359

RGB 28 19 89

HSL 247.71, 0.65%, 0.21%

LAB 12.18, 27.52, -40.41

 

CMYK 2 / 0 / 32 / 7

HEX #E8ECA1

RGB 232 236 161

HSL 63.2, 0.66%, 0.78%

LAB 91.56, -12.71, 36

 

CMYK 2 / 0 / 29 / 0

HEX #F9FEB4

RGB 249 254 180

HSL 64.05, 0.97%, 0.85%

LAB 97.76, -12.92, 34.93

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC7

RGB 255 255 199

HSL 60, 1%, 0.89%

LAB 98.79, -8.74, 26.85

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFDA

RGB 255 255 218

HSL 60, 1%, 0.93%

LAB 99.16, -6.02, 17.71

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFED

RGB 255 255 237

HSL 60, 1%, 0.96%

LAB 99.57, -3.04, 8.59

 

CMYK 4 / 0 / 30 / 7

HEX #E3ECA6

RGB 227 236 166

HSL 67.71, 0.65%, 0.79%

LAB 91.27, -13.95, 33.02

 

CMYK 4 / 0 / 33 / 15

HEX #D2DA93

RGB 210 218 147

HSL 66.76, 0.49%, 0.72%

LAB 84.97, -13.78, 34.11

 

CMYK 4 / 0 / 36 / 22

HEX #C1C880

RGB 193 200 128

HSL 65.83, 0.4%, 0.64%

LAB 78.58, -13.57, 35.24

 

CMYK 3 / 0 / 40 / 29

HEX #B0B66D

RGB 176 182 109

HSL 64.93, 0.33%, 0.57%

LAB 72.09, -13.32, 36.42

 

CMYK 3 / 0 / 45 / 36

HEX #9FA45A

RGB 159 164 90

HSL 64.05, 0.29%, 0.5%

LAB 65.48, -13, 37.63

 

CMYK 4 / 0 / 30 / 7

HEX #E3ECA6

RGB 227 236 166

HSL 67.71, 0.65%, 0.79%

LAB 91.27, -13.95, 33.02

 

CMYK 0 / 4 / 30 / 7

HEX #ECE2A6

RGB 236 226 166

HSL 51.43, 0.65%, 0.79%

LAB 89.38, -5.58, 30.62

 

CMYK 0 / 12 / 30 / 7

HEX #ECCFA6

RGB 236 207 166

HSL 35.14, 0.65%, 0.79%

LAB 84.59, 4.17, 24.13

 

CMYK 0 / 20 / 30 / 7

HEX #ECBCA6

RGB 236 188 166

HSL 18.86, 0.65%, 0.79%

LAB 79.93, 14.14, 17.69

 

CMYK 0 / 28 / 30 / 7

HEX #ECAAA6

RGB 236 170 166

HSL 3.43, 0.65%, 0.79%

LAB 75.66, 23.71, 11.69

 

CMYK 4 / 0 / 30 / 7

HEX #E3ECA6

RGB 227 236 166

HSL 67.71, 0.65%, 0.79%

LAB 91.27, -13.95, 33.02

 

CMYK 12 / 0 / 30 / 7

HEX #D0ECA6

RGB 208 236 166

HSL 84, 0.65%, 0.79%

LAB 89.93, -20.9, 31

 

CMYK 20 / 0 / 30 / 7

HEX #BDECA6

RGB 189 236 166

HSL 100.29, 0.65%, 0.79%

LAB 88.72, -27.59, 29.15

 

CMYK 28 / 0 / 30 / 7

HEX #AAECA6

RGB 170 236 166

HSL 116.57, 0.65%, 0.79%

LAB 87.63, -33.94, 27.49

 

CMYK 30 / 0 / 23 / 7

HEX #A6ECB5

RGB 166 236 181

HSL 132.86, 0.65%, 0.79%

LAB 87.7, -32.69, 19.84

 

CMYK 4 / 0 / 30 / 7

HEX #E3ECA6

RGB 227 236 166

HSL 67.71, 0.65%, 0.79%

LAB 91.27, -13.95, 33.02

 

CMYK 5 / 0 / 36 / 4

HEX #E9F49D

RGB 233 244 157

HSL 67.59, 0.8%, 0.79%

LAB 93.65, -16.75, 40.74

 

CMYK 5 / 0 / 41 / 1

HEX #F0FD95

RGB 240 253 149

HSL 67.5, 0.96%, 0.79%

LAB 96.39, -19.36, 48.23

 

CMYK 4 / 0 / 30 / 7

HEX #E3ECA6

RGB 227 236 166

HSL 67.71, 0.65%, 0.79%

LAB 91.27, -13.95, 33.02

 

CMYK 3 / 0 / 23 / 11

HEX #DCE3AF

RGB 220 227 175

HSL 68.08, 0.48%, 0.79%

LAB 88.57, -10.83, 24.68

 

CMYK 2 / 0 / 16 / 15

HEX #D6DAB7

RGB 214 218 183

HSL 66.86, 0.32%, 0.79%

LAB 85.94, -7.26, 16.79

 

CMYK 1 / 0 / 9 / 18

HEX #CFD2C0

RGB 207 210 192

HSL 70, 0.17%, 0.79%

LAB 83.53, -4.19, 8.56

 

CMYK 0 / 0 / 0 / 21

HEX #C9C9C9

RGB 201 201 201

HSL 0, 0%, 0.79%

LAB 80.97, 0, -0.01

 

CMYK 0 / 12 / 30 / 7

HEX #ECCFA6

RGB 236 207 166

HSL 35.14, 0.65%, 0.79%

LAB 84.59, 4.17, 24.13

 

CMYK 0 / 5 / 30 / 7

HEX #ECE1A6

RGB 236 225 166

HSL 50.57, 0.65%, 0.79%

LAB 89.13, -5.07, 30.28

 

CMYK 3 / 0 / 30 / 7

HEX #E4ECA6

RGB 228 236 166

HSL 66.86, 0.65%, 0.79%

LAB 91.34, -13.58, 33.13

 

CMYK 11 / 0 / 30 / 7

HEX #D1ECA6

RGB 209 236 166

HSL 83.14, 0.65%, 0.79%

LAB 90, -20.54, 31.1

 

CMYK 19 / 0 / 30 / 7

HEX #BFECA6

RGB 191 236 166

HSL 98.57, 0.65%, 0.79%

LAB 88.84, -26.9, 29.34

 

CMYK 7 / 0 / 56 / 13

HEX #CDDD62

RGB 205 221 98

HSL 67.8, 0.64%, 0.63%

LAB 84.78, -22.23, 57.46

 

CMYK 6 / 0 / 42 / 10

HEX #D8E584

RGB 216 229 132

HSL 68.04, 0.65%, 0.71%

LAB 88.11, -18.66, 45.71

 

CMYK 4 / 0 / 30 / 7

HEX #E3ECA6

RGB 227 236 166

HSL 67.71, 0.65%, 0.79%

LAB 91.27, -13.95, 33.02

 

CMYK 2 / 0 / 18 / 5

HEX #EDF3C8

RGB 237 243 200

HSL 68.37, 0.64%, 0.87%

LAB 94.43, -9.08, 20.1

 

CMYK 1 / 0 / 6 / 2

HEX #F8FAEA

RGB 248 250 234

HSL 67.5, 0.62%, 0.95%

LAB 97.74, -3.4, 7.43

 

CMYK 4 / 0 / 30 / 7

HEX #E3ECA6

RGB 227 236 166

HSL 67.71, 0.65%, 0.79%

LAB 91.27, -13.95, 33.02

 

CMYK 30 / 0 / 20 / 7

HEX #A6ECBC

RGB 166 236 188

HSL 138.86, 0.65%, 0.79%

LAB 87.84, -31.43, 16.41

 

CMYK 8 / 30 / 0 / 7

HEX #D8A6EC

RGB 216 166 236

HSL 282.86, 0.65%, 0.79%

LAB 74.78, 30.59, -28.07

 

CMYK 4 / 0 / 30 / 7

HEX #E3ECA6

RGB 227 236 166

HSL 67.71, 0.65%, 0.79%

LAB 91.27, -13.95, 33.02

 

CMYK 30 / 3 / 0 / 7

HEX #A6E4EC

RGB 166 228 236

HSL 186.86, 0.65%, 0.79%

LAB 86.82, -17.63, -10.21

 

CMYK 0 / 30 / 3 / 7

HEX #ECA6E4

RGB 236 166 228

HSL 306.86, 0.65%, 0.79%

LAB 76.5, 35.46, -20.92

 

CMYK 4 / 0 / 30 / 7

HEX #E3ECA6

RGB 227 236 166

HSL 67.71, 0.65%, 0.79%

LAB 91.27, -13.95, 33.02

 

CMYK 30 / 0 / 20 / 7

HEX #A6ECBC

RGB 166 236 188

HSL 138.86, 0.65%, 0.79%

LAB 87.84, -31.43, 16.41

 

CMYK 26 / 30 / 0 / 7

HEX #AEA6EC

RGB 174 166 236

HSL 246.86, 0.65%, 0.79%

LAB 71.1, 17.81, -34.05

 

CMYK 0 / 30 / 9 / 7

HEX #ECA6D6

RGB 236 166 214

HSL 318.86, 0.65%, 0.79%

LAB 76.04, 33.04, -13.98

 

CMYK 4 / 0 / 30 / 7

HEX #E3ECA6

RGB 227 236 166

HSL 67.71, 0.65%, 0.79%

LAB 91.27, -13.95, 33.02

 

CMYK 30 / 0 / 11 / 7

HEX #A6ECD1

RGB 166 236 209

HSL 156.86, 0.65%, 0.79%

LAB 88.31, -27.38, 6.13

 

CMYK 26 / 30 / 0 / 7

HEX #AEA6EC

RGB 174 166 236

HSL 246.86, 0.65%, 0.79%

LAB 71.1, 17.81, -34.05

 

CMYK 0 / 30 / 18 / 7

HEX #ECA6C1

RGB 236 166 193

HSL 336.86, 0.65%, 0.79%

LAB 75.42, 29.67, -3.42

 

Description

Color code: HEX #E3ECA6 | qconv.com Color code: HEX #E3ECA6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 236 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 236 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 30 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 30% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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