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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E3ECDF it is the complementary color #1C1320. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E3ECDF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E3ECDF shade: #E8ECDA and #F9FEED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E3ECDF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E3ECDF shade: #E3ECDF, #D2DACC, #C1C8B9, #B0B6A6 and #9FA493

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E3ECDF shade: #E3EBDF, #E6EBDF, #E9EBDF, #EBEADF and #EBE6DF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E3ECDF shade: #E3EBDF, #DFEBDF, #DFEBE2, #DFEBE5 and #DFEBE8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E3ECDF shade matches the following richer shades: #E3EBDF, #E1F0DA, #DFF4D6, #DEF8D2 and #DCFCCE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E3ECDF shade: #E3EBDF, #E4E7E3, #E6E3E7, #E7DFEB and #E9DBEF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E3ECDF shade: #E9EBDF, #E6EBDF, #E3EBDF, #DFEBDF and #DFEBE1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E3ECDF shade: #B5CCAB, #CCDCC5, #E3EBDF and #F9FBF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E3ECDF shade: #E3ECDF, #DFEBEA and #EBDFE8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E3ECDF shade: #E3ECDF, #DFE3EB and #EBDFE3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E3ECDF shade: #E3ECDF, #DFEBEA, #E7DFEB and #EBDFE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E3ECDF shade: #E3ECDF, #DFE9EB, #E7DFEB and #EBE1DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 6 / 7

HEX #E3ECDF

RGB 227 236 223

HSL 101.54, 0.25%, 0.9%

LAB 92.42, -5.3, 5.25

 

Complementary color

CMYK 13 / 41 / 0 / 87

HEX #1C1320

RGB 28 19 32

HSL 281.54, 0.25%, 0.1%

LAB 7.38, 7.77, -7.35

 

CMYK 2 / 0 / 8 / 7

HEX #E8ECDA

RGB 232 236 218

HSL 73.33, 0.32%, 0.89%

LAB 92.67, -4.45, 8.25

 

CMYK 2 / 0 / 7 / 0

HEX #F9FEED

RGB 249 254 237

HSL 77.65, 0.89%, 0.96%

LAB 98.88, -4.57, 7.54

 

CMYK 4 / 0 / 6 / 7

HEX #E3ECDF

RGB 227 236 223

HSL 101.54, 0.25%, 0.9%

LAB 92.42, -5.3, 5.25

 

CMYK 4 / 0 / 6 / 15

HEX #D2DACC

RGB 210 218 204

HSL 94.29, 0.16%, 0.83%

LAB 86.11, -5.21, 5.94

 

CMYK 4 / 0 / 8 / 22

HEX #C1C8B9

RGB 193 200 185

HSL 88, 0.12%, 0.75%

LAB 79.7, -5.12, 6.66

 

CMYK 3 / 0 / 9 / 29

HEX #B0B6A6

RGB 176 182 166

HSL 82.5, 0.1%, 0.68%

LAB 73.18, -5.03, 7.41

 

CMYK 3 / 0 / 10 / 36

HEX #9FA493

RGB 159 164 147

HSL 77.65, 0.09%, 0.61%

LAB 66.54, -4.93, 8.21

 

CMYK 3 / 0 / 5 / 8

HEX #E3EBDF

RGB 227 235 223

HSL 100, 0.23%, 0.9%

LAB 92.17, -4.8, 4.88

 

CMYK 2 / 0 / 5 / 8

HEX #E6EBDF

RGB 230 235 223

HSL 85, 0.23%, 0.9%

LAB 92.38, -3.78, 5.23

 

CMYK 1 / 0 / 5 / 8

HEX #E9EBDF

RGB 233 235 223

HSL 70, 0.23%, 0.9%

LAB 92.6, -2.76, 5.57

 

CMYK 0 / 0 / 5 / 8

HEX #EBEADF

RGB 235 234 223

HSL 55, 0.23%, 0.9%

LAB 92.5, -1.57, 5.44

 

CMYK 0 / 2 / 5 / 8

HEX #EBE6DF

RGB 235 230 223

HSL 35, 0.23%, 0.9%

LAB 91.5, 0.48, 3.99

 

CMYK 3 / 0 / 5 / 8

HEX #E3EBDF

RGB 227 235 223

HSL 100, 0.23%, 0.9%

LAB 92.17, -4.8, 4.88

 

CMYK 5 / 0 / 5 / 8

HEX #DFEBDF

RGB 223 235 223

HSL 120, 0.23%, 0.9%

LAB 91.88, -6.14, 4.43

 

CMYK 5 / 0 / 4 / 8

HEX #DFEBE2

RGB 223 235 226

HSL 135, 0.23%, 0.9%

LAB 91.95, -5.61, 2.97

 

CMYK 5 / 0 / 3 / 8

HEX #DFEBE5

RGB 223 235 229

HSL 150, 0.23%, 0.9%

LAB 92.03, -5.07, 1.52

 

CMYK 5 / 0 / 1 / 8

HEX #DFEBE8

RGB 223 235 232

HSL 165, 0.23%, 0.9%

LAB 92.1, -4.52, 0.06

 

CMYK 3 / 0 / 5 / 8

HEX #E3EBDF

RGB 227 235 223

HSL 100, 0.23%, 0.9%

LAB 92.17, -4.8, 4.88

 

CMYK 6 / 0 / 9 / 6

HEX #E1F0DA

RGB 225 240 218

HSL 100.91, 0.42%, 0.9%

LAB 93.18, -8.86, 8.93

 

CMYK 9 / 0 / 12 / 4

HEX #DFF4D6

RGB 223 244 214

HSL 102, 0.58%, 0.9%

LAB 93.99, -12.21, 12.13

 

CMYK 10 / 0 / 15 / 3

HEX #DEF8D2

RGB 222 248 210

HSL 101.05, 0.73%, 0.9%

LAB 94.87, -15.2, 15.43

 

CMYK 13 / 0 / 18 / 1

HEX #DCFCCE

RGB 220 252 206

HSL 101.74, 0.88%, 0.9%

LAB 95.7, -18.48, 18.63

 

CMYK 3 / 0 / 5 / 8

HEX #E3EBDF

RGB 227 235 223

HSL 100, 0.23%, 0.9%

LAB 92.17, -4.8, 4.88

 

CMYK 1 / 0 / 2 / 9

HEX #E4E7E3

RGB 228 231 227

HSL 105, 0.08%, 0.9%

LAB 91.32, -1.71, 1.58

 

CMYK 0 / 2 / 0 / 9

HEX #E6E3E7

RGB 230 227 231

HSL 285, 0.08%, 0.9%

LAB 90.57, 1.73, -1.6

 

CMYK 2 / 5 / 0 / 8

HEX #E7DFEB

RGB 231 223 235

HSL 280, 0.23%, 0.9%

LAB 89.75, 4.86, -4.89

 

CMYK 3 / 8 / 0 / 6

HEX #E9DBEF

RGB 233 219 239

HSL 282, 0.38%, 0.9%

LAB 89.03, 8.34, -8.04

 

CMYK 1 / 0 / 5 / 8

HEX #E9EBDF

RGB 233 235 223

HSL 70, 0.23%, 0.9%

LAB 92.6, -2.76, 5.57

 

CMYK 2 / 0 / 5 / 8

HEX #E6EBDF

RGB 230 235 223

HSL 85, 0.23%, 0.9%

LAB 92.38, -3.78, 5.23

 

CMYK 3 / 0 / 5 / 8

HEX #E3EBDF

RGB 227 235 223

HSL 100, 0.23%, 0.9%

LAB 92.17, -4.8, 4.88

 

CMYK 5 / 0 / 5 / 8

HEX #DFEBDF

RGB 223 235 223

HSL 120, 0.23%, 0.9%

LAB 91.88, -6.14, 4.43

 

CMYK 5 / 0 / 4 / 8

HEX #DFEBE1

RGB 223 235 225

HSL 130, 0.23%, 0.9%

LAB 91.93, -5.79, 3.46

 

CMYK 11 / 0 / 16 / 20

HEX #B5CCAB

RGB 181 204 171

HSL 101.82, 0.24%, 0.74%

LAB 79.59, -13.83, 13.87

 

CMYK 7 / 0 / 10 / 14

HEX #CCDCC5

RGB 204 220 197

HSL 101.74, 0.25%, 0.82%

LAB 86.03, -9.52, 9.47

 

CMYK 3 / 0 / 5 / 8

HEX #E3EBDF

RGB 227 235 223

HSL 100, 0.23%, 0.9%

LAB 92.17, -4.8, 4.88

 

CMYK 1 / 0 / 1 / 2

HEX #F9FBF8

RGB 249 251 248

HSL 100, 0.27%, 0.98%

LAB 98.4, -1.18, 1.19

 

CMYK 4 / 0 / 6 / 7

HEX #E3ECDF

RGB 227 236 223

HSL 101.54, 0.25%, 0.9%

LAB 92.42, -5.3, 5.25

 

CMYK 5 / 0 / 0 / 8

HEX #DFEBEA

RGB 223 235 234

HSL 175, 0.23%, 0.9%

LAB 92.15, -4.15, -0.9

 

CMYK 0 / 5 / 1 / 8

HEX #EBDFE8

RGB 235 223 232

HSL 315, 0.23%, 0.9%

LAB 89.98, 5.66, -2.93

 

CMYK 4 / 0 / 6 / 7

HEX #E3ECDF

RGB 227 236 223

HSL 101.54, 0.25%, 0.9%

LAB 92.42, -5.3, 5.25

 

CMYK 5 / 3 / 0 / 8

HEX #DFE3EB

RGB 223 227 235

HSL 220, 0.23%, 0.9%

LAB 90.15, 0.14, -4.37

 

CMYK 0 / 5 / 3 / 8

HEX #EBDFE3

RGB 235 223 227

HSL 340, 0.23%, 0.9%

LAB 89.85, 4.78, -0.5

 

CMYK 4 / 0 / 6 / 7

HEX #E3ECDF

RGB 227 236 223

HSL 101.54, 0.25%, 0.9%

LAB 92.42, -5.3, 5.25

 

CMYK 5 / 0 / 0 / 8

HEX #DFEBEA

RGB 223 235 234

HSL 175, 0.23%, 0.9%

LAB 92.15, -4.15, -0.9

 

CMYK 2 / 5 / 0 / 8

HEX #E7DFEB

RGB 231 223 235

HSL 280, 0.23%, 0.9%

LAB 89.75, 4.86, -4.89

 

CMYK 0 / 5 / 5 / 8

HEX #EBDFE0

RGB 235 223 224

HSL 355, 0.23%, 0.9%

LAB 89.78, 4.26, 0.97

 

CMYK 4 / 0 / 6 / 7

HEX #E3ECDF

RGB 227 236 223

HSL 101.54, 0.25%, 0.9%

LAB 92.42, -5.3, 5.25

 

CMYK 5 / 1 / 0 / 8

HEX #DFE9EB

RGB 223 233 235

HSL 190, 0.23%, 0.9%

LAB 91.67, -2.94, -2.13

 

CMYK 2 / 5 / 0 / 8

HEX #E7DFEB

RGB 231 223 235

HSL 280, 0.23%, 0.9%

LAB 89.75, 4.86, -4.89

 

CMYK 0 / 4 / 5 / 8

HEX #EBE1DF

RGB 235 225 223

HSL 10, 0.23%, 0.9%

LAB 90.25, 3.05, 2.18

 

Description

Color code: HEX #E3ECDF | qconv.com Color code: HEX #E3ECDF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 236 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 236 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 6 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 6% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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