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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E3ED6B it is the complementary color #1C1294. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E3ED6B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E3ED6B shade: #E8ED66, #F9FF79, #FFFF8C, #FFFF9F and #FFFFB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E3ED6B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E3ED6B shade: #E3ED6B, #D2DB58, #C1C945, #B0B732 and #9FA51F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E3ED6B shade: #E2EC69, #ECD369, #ECAF69, #EC8C69 and #EC6969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E3ED6B shade: #E2EC69, #BEEC69, #9BEC69, #78EC69 and #69EC7D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E3ED6B shade matches the following richer shades: #E2EC69 and #EDFA5B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E3ED6B shade: #E2EC69, #D6DE76, #CBD184, #BFC392 and #B4B69F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E3ED6B shade: #ECAF69, #ECD269, #E3EC69, #C0EC69 and #9DEC69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E3ED6B shade: #D4E31F, #DBE744, #E2EC69, #E9F18D and #F0F5B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E3ED6B shade: #E3ED6B, #69EC8C and #C069EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E3ED6B shade: #E3ED6B, #69E3EC and #EC69E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E3ED6B shade: #E3ED6B, #69EC8C, #7169EC and #EC69C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E3ED6B shade: #E3ED6B, #69ECB3, #7169EC and #EC69A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 55 / 7

HEX #E3ED6B

RGB 227 237 107

HSL 64.62, 0.78%, 0.67%

LAB 90.76, -20.53, 60.71

 

Complementary color

CMYK 81 / 88 / 0 / 42

HEX #1C1294

RGB 28 18 148

HSL 244.62, 0.78%, 0.33%

LAB 19.3, 47.39, -66.69

 

CMYK 2 / 0 / 57 / 7

HEX #E8ED66

RGB 232 237 102

HSL 62.22, 0.79%, 0.66%

LAB 91.09, -18.92, 63.36

 

CMYK 2 / 0 / 53 / 0

HEX #F9FF79

RGB 249 255 121

HSL 62.69, 1%, 0.74%

LAB 97.24, -19.45, 62.38

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8C

RGB 255 255 140

HSL 60, 1%, 0.77%

LAB 97.9, -15.49, 54.62

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9F

RGB 255 255 159

HSL 60, 1%, 0.81%

LAB 98.15, -13.6, 45.86

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB2

RGB 255 255 178

HSL 60, 1%, 0.85%

LAB 98.43, -11.44, 36.89

 

CMYK 4 / 0 / 55 / 7

HEX #E3ED6B

RGB 227 237 107

HSL 64.62, 0.78%, 0.67%

LAB 90.76, -20.53, 60.71

 

CMYK 4 / 0 / 60 / 14

HEX #D2DB58

RGB 210 219 88

HSL 64.12, 0.65%, 0.6%

LAB 84.52, -20, 61.62

 

CMYK 4 / 0 / 66 / 21

HEX #C1C945

RGB 193 201 69

HSL 63.64, 0.55%, 0.53%

LAB 78.19, -19.35, 62.31

 

CMYK 4 / 0 / 73 / 28

HEX #B0B732

RGB 176 183 50

HSL 63.16, 0.57%, 0.46%

LAB 71.78, -18.56, 62.59

 

CMYK 4 / 0 / 81 / 35

HEX #9FA51F

RGB 159 165 31

HSL 62.69, 0.68%, 0.38%

LAB 65.26, -17.58, 62.12

 

CMYK 4 / 0 / 56 / 7

HEX #E2EC69

RGB 226 236 105

HSL 64.58, 0.78%, 0.67%

LAB 90.4, -20.6, 61.16

 

CMYK 0 / 11 / 56 / 7

HEX #ECD369

RGB 236 211 105

HSL 48.55, 0.78%, 0.67%

LAB 84.71, -4.14, 54.86

 

CMYK 0 / 26 / 56 / 7

HEX #ECAF69

RGB 236 175 105

HSL 32.06, 0.78%, 0.67%

LAB 75.77, 14.62, 44.24

 

CMYK 0 / 41 / 56 / 7

HEX #EC8C69

RGB 236 140 105

HSL 16.03, 0.78%, 0.67%

LAB 67.73, 33.13, 34.25

 

CMYK 0 / 56 / 56 / 7

HEX #EC6969

RGB 236 105 105

HSL 0, 0.78%, 0.67%

LAB 60.74, 50.63, 25.19

 

CMYK 4 / 0 / 56 / 7

HEX #E2EC69

RGB 226 236 105

HSL 64.58, 0.78%, 0.67%

LAB 90.4, -20.6, 61.16

 

CMYK 19 / 0 / 56 / 7

HEX #BEEC69

RGB 190 236 105

HSL 81.07, 0.78%, 0.67%

LAB 87.95, -34.5, 57.71

 

CMYK 34 / 0 / 56 / 7

HEX #9BEC69

RGB 155 236 105

HSL 97.1, 0.78%, 0.67%

LAB 86, -46.9, 54.94

 

CMYK 49 / 0 / 56 / 7

HEX #78EC69

RGB 120 236 105

HSL 113.13, 0.78%, 0.67%

LAB 84.49, -57.53, 52.79

 

CMYK 56 / 0 / 47 / 7

HEX #69EC7D

RGB 105 236 125

HSL 129.16, 0.78%, 0.67%

LAB 84.21, -58.75, 42.98

 

CMYK 4 / 0 / 56 / 7

HEX #E2EC69

RGB 226 236 105

HSL 64.58, 0.78%, 0.67%

LAB 90.4, -20.6, 61.16

 

CMYK 5 / 0 / 64 / 2

HEX #EDFA5B

RGB 237 250 91

HSL 64.91, 0.94%, 0.67%

LAB 94.79, -23.89, 71.96

 

CMYK 4 / 0 / 56 / 7

HEX #E2EC69

RGB 226 236 105

HSL 64.58, 0.78%, 0.67%

LAB 90.4, -20.6, 61.16

 

CMYK 4 / 0 / 47 / 13

HEX #D6DE76

RGB 214 222 118

HSL 64.62, 0.61%, 0.67%

LAB 85.93, -17.4, 49.74

 

CMYK 3 / 0 / 37 / 18

HEX #CBD184

RGB 203 209 132

HSL 64.68, 0.46%, 0.67%

LAB 81.82, -13.76, 37.53

 

CMYK 2 / 0 / 25 / 24

HEX #BFC392

RGB 191 195 146

HSL 64.9, 0.29%, 0.67%

LAB 77.39, -9.44, 24.23

 

CMYK 1 / 0 / 13 / 29

HEX #B4B69F

RGB 180 182 159

HSL 65.22, 0.14%, 0.67%

LAB 73.33, -4.77, 11.48

 

CMYK 0 / 26 / 56 / 7

HEX #ECAF69

RGB 236 175 105

HSL 32.06, 0.78%, 0.67%

LAB 75.77, 14.62, 44.24

 

CMYK 0 / 11 / 56 / 7

HEX #ECD269

RGB 236 210 105

HSL 48.09, 0.78%, 0.67%

LAB 84.46, -3.63, 54.56

 

CMYK 4 / 0 / 56 / 7

HEX #E3EC69

RGB 227 236 105

HSL 64.12, 0.78%, 0.67%

LAB 90.48, -20.2, 61.27

 

CMYK 19 / 0 / 56 / 7

HEX #C0EC69

RGB 192 236 105

HSL 80.15, 0.78%, 0.67%

LAB 88.07, -33.75, 57.88

 

CMYK 33 / 0 / 56 / 7

HEX #9DEC69

RGB 157 236 105

HSL 96.18, 0.78%, 0.67%

LAB 86.1, -46.23, 55.09

 

CMYK 7 / 0 / 86 / 11

HEX #D4E31F

RGB 212 227 31

HSL 64.59, 0.78%, 0.51%

LAB 86.52, -25.58, 81.6

 

CMYK 5 / 0 / 71 / 9

HEX #DBE744

RGB 219 231 68

HSL 64.42, 0.77%, 0.59%

LAB 88.27, -23.32, 73.39

 

CMYK 4 / 0 / 56 / 7

HEX #E2EC69

RGB 226 236 105

HSL 64.58, 0.78%, 0.67%

LAB 90.4, -20.6, 61.16

 

CMYK 3 / 0 / 41 / 5

HEX #E9F18D

RGB 233 241 141

HSL 64.8, 0.78%, 0.75%

LAB 92.64, -17.05, 47.28

 

CMYK 2 / 0 / 27 / 4

HEX #F0F5B2

RGB 240 245 178

HSL 64.48, 0.77%, 0.83%

LAB 94.76, -12.05, 31.79

 

CMYK 4 / 0 / 55 / 7

HEX #E3ED6B

RGB 227 237 107

HSL 64.62, 0.78%, 0.67%

LAB 90.76, -20.53, 60.71

 

CMYK 56 / 0 / 41 / 7

HEX #69EC8C

RGB 105 236 140

HSL 136.03, 0.78%, 0.67%

LAB 84.43, -56.45, 35.89

 

CMYK 19 / 56 / 0 / 7

HEX #C069EC

RGB 192 105 236

HSL 279.85, 0.78%, 0.67%

LAB 59.31, 56.01, -52.43

 

CMYK 4 / 0 / 55 / 7

HEX #E3ED6B

RGB 227 237 107

HSL 64.62, 0.78%, 0.67%

LAB 90.76, -20.53, 60.71

 

CMYK 56 / 4 / 0 / 7

HEX #69E3EC

RGB 105 227 236

HSL 184.12, 0.78%, 0.67%

LAB 83.96, -31.51, -14.76

 

CMYK 0 / 56 / 4 / 7

HEX #EC69E3

RGB 236 105 227

HSL 304.12, 0.78%, 0.67%

LAB 64.55, 65.66, -38.78

 

CMYK 4 / 0 / 55 / 7

HEX #E3ED6B

RGB 227 237 107

HSL 64.62, 0.78%, 0.67%

LAB 90.76, -20.53, 60.71

 

CMYK 56 / 0 / 41 / 7

HEX #69EC8C

RGB 105 236 140

HSL 136.03, 0.78%, 0.67%

LAB 84.43, -56.45, 35.89

 

CMYK 52 / 56 / 0 / 7

HEX #7169EC

RGB 113 105 236

HSL 243.66, 0.78%, 0.67%

LAB 51.46, 37.91, -65.45

 

CMYK 0 / 56 / 15 / 7

HEX #EC69C9

RGB 236 105 201

HSL 316.03, 0.78%, 0.67%

LAB 63.47, 61.59, -25.87

 

CMYK 4 / 0 / 55 / 7

HEX #E3ED6B

RGB 227 237 107

HSL 64.62, 0.78%, 0.67%

LAB 90.76, -20.53, 60.71

 

CMYK 56 / 0 / 24 / 7

HEX #69ECB3

RGB 105 236 179

HSL 153.89, 0.78%, 0.67%

LAB 85.12, -49.21, 16.91

 

CMYK 52 / 56 / 0 / 7

HEX #7169EC

RGB 113 105 236

HSL 243.66, 0.78%, 0.67%

LAB 51.46, 37.91, -65.45

 

CMYK 0 / 56 / 31 / 7

HEX #EC69A2

RGB 236 105 162

HSL 333.89, 0.78%, 0.67%

LAB 62.12, 56.3, -5.68

 

Description

Color code: HEX #E3ED6B | qconv.com Color code: HEX #E3ED6B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 237 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 237 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 55 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 55% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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