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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E3F6A1 it is the complementary color #1C095E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E3F6A1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E3F6A1 shade: #E8F69C, #F9FFAF, #FFFFC2, #FFFFD5 and #FFFFE8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E3F6A1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E3F6A1 shade: #E3F6A1, #D2E48E, #C1D27B, #B0C068 and #9FAE55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E3F6A1 shade: #E3F6A1, #F6F2A1, #F6DBA1, #F6C4A1 and #F6ADA1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E3F6A1 shade: #E3F6A1, #CCF6A1, #B5F6A1, #A1F6A4 and #A1F6BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E3F6A1 shade matches the following richer shades: #E3F6A1 and #E7FE99

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E3F6A1 shade: #E3F6A1, #DEEEA9, #DAE5B2, #D5DDBA and #D1D5C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E3F6A1 shade: #F6DBA1, #F6F2A1, #E3F6A1, #CDF6A1 and #B6F6A1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E3F6A1 shade: #CDEF56, #D8F27B, #E3F6A1, #EEF9C7 and #F9FDED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E3F6A1 shade: #E3F6A1, #A1F6C4 and #E6A1F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E3F6A1 shade: #E3F6A1, #A1E3F6 and #F6A1E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E3F6A1 shade: #E3F6A1, #A1F6C4, #B4A1F6 and #F6A1D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E3F6A1 shade: #E3F6A1, #A1F6DE, #B4A1F6 and #F6A1B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 35 / 4

HEX #E3F6A1

RGB 227 246 161

HSL 73.41, 0.83%, 0.8%

LAB 93.8, -19.47, 38.87

 

Complementary color

CMYK 70 / 90 / 0 / 63

HEX #1C095E

RGB 28 9 94

HSL 253.41, 0.83%, 0.2%

LAB 10.92, 34.54, -45.86

 

CMYK 6 / 0 / 37 / 4

HEX #E8F69C

RGB 232 246 156

HSL 69.33, 0.83%, 0.79%

LAB 94.08, -18.21, 41.78

 

CMYK 2 / 0 / 31 / 0

HEX #F9FFAF

RGB 249 255 175

HSL 64.5, 1%, 0.84%

LAB 97.94, -14.02, 37.65

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC2

RGB 255 255 194

HSL 60, 1%, 0.88%

LAB 98.7, -9.41, 29.25

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD5

RGB 255 255 213

HSL 60, 1%, 0.92%

LAB 99.06, -6.76, 20.12

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE8

RGB 255 255 232

HSL 60, 1%, 0.95%

LAB 99.46, -3.85, 10.99

 

CMYK 8 / 0 / 35 / 4

HEX #E3F6A1

RGB 227 246 161

HSL 73.41, 0.83%, 0.8%

LAB 93.8, -19.47, 38.87

 

CMYK 8 / 0 / 38 / 11

HEX #D2E48E

RGB 210 228 142

HSL 72.56, 0.61%, 0.73%

LAB 87.55, -19.34, 39.99

 

CMYK 8 / 0 / 41 / 18

HEX #C1D27B

RGB 193 210 123

HSL 71.72, 0.49%, 0.65%

LAB 81.21, -19.17, 41.13

 

CMYK 8 / 0 / 46 / 25

HEX #B0C068

RGB 176 192 104

HSL 70.91, 0.41%, 0.58%

LAB 74.78, -18.95, 42.3

 

CMYK 9 / 0 / 51 / 32

HEX #9FAE55

RGB 159 174 85

HSL 70.11, 0.35%, 0.51%

LAB 68.24, -18.66, 43.46

 

CMYK 8 / 0 / 35 / 4

HEX #E3F6A1

RGB 227 246 161

HSL 73.41, 0.83%, 0.8%

LAB 93.8, -19.47, 38.87

 

CMYK 0 / 2 / 35 / 4

HEX #F6F2A1

RGB 246 242 161

HSL 57.18, 0.83%, 0.8%

LAB 94.17, -10.4, 39.62

 

CMYK 0 / 11 / 35 / 4

HEX #F6DBA1

RGB 246 219 161

HSL 40.94, 0.83%, 0.8%

LAB 88.37, 1.19, 31.97

 

CMYK 0 / 20 / 35 / 4

HEX #F6C4A1

RGB 246 196 161

HSL 24.71, 0.83%, 0.8%

LAB 82.72, 13.12, 24.36

 

CMYK 0 / 30 / 35 / 4

HEX #F6ADA1

RGB 246 173 161

HSL 8.47, 0.83%, 0.8%

LAB 77.31, 25.23, 16.89

 

CMYK 8 / 0 / 35 / 4

HEX #E3F6A1

RGB 227 246 161

HSL 73.41, 0.83%, 0.8%

LAB 93.8, -19.47, 38.87

 

CMYK 17 / 0 / 35 / 4

HEX #CCF6A1

RGB 204 246 161

HSL 89.65, 0.83%, 0.8%

LAB 92.27, -27.79, 36.58

 

CMYK 26 / 0 / 35 / 4

HEX #B5F6A1

RGB 181 246 161

HSL 105.88, 0.83%, 0.8%

LAB 90.92, -35.68, 34.54

 

CMYK 35 / 0 / 33 / 4

HEX #A1F6A4

RGB 161 246 164

HSL 122.12, 0.83%, 0.8%

LAB 89.94, -41.61, 31.54

 

CMYK 35 / 0 / 24 / 4

HEX #A1F6BB

RGB 161 246 187

HSL 138.35, 0.83%, 0.8%

LAB 90.36, -37.72, 20.41

 

CMYK 8 / 0 / 35 / 4

HEX #E3F6A1

RGB 227 246 161

HSL 73.41, 0.83%, 0.8%

LAB 93.8, -19.47, 38.87

 

CMYK 9 / 0 / 40 / 0

HEX #E7FE99

RGB 231 254 153

HSL 73.66, 0.98%, 0.8%

LAB 96.07, -22.77, 45.77

 

CMYK 8 / 0 / 35 / 4

HEX #E3F6A1

RGB 227 246 161

HSL 73.41, 0.83%, 0.8%

LAB 93.8, -19.47, 38.87

 

CMYK 7 / 0 / 29 / 7

HEX #DEEEA9

RGB 222 238 169

HSL 73.91, 0.67%, 0.8%

LAB 91.48, -16.39, 31.72

 

CMYK 5 / 0 / 22 / 10

HEX #DAE5B2

RGB 218 229 178

HSL 72.94, 0.5%, 0.8%

LAB 89, -12.13, 23.69

 

CMYK 4 / 0 / 16 / 13

HEX #D5DDBA

RGB 213 221 186

HSL 73.71, 0.34%, 0.8%

LAB 86.7, -8.68, 16.29

 

CMYK 2 / 0 / 9 / 16

HEX #D1D5C2

RGB 209 213 194

HSL 72.63, 0.18%, 0.8%

LAB 84.5, -4.7, 8.91

 

CMYK 0 / 11 / 35 / 4

HEX #F6DBA1

RGB 246 219 161

HSL 40.94, 0.83%, 0.8%

LAB 88.37, 1.19, 31.97

 

CMYK 0 / 2 / 35 / 4

HEX #F6F2A1

RGB 246 242 161

HSL 57.18, 0.83%, 0.8%

LAB 94.17, -10.4, 39.62

 

CMYK 8 / 0 / 35 / 4

HEX #E3F6A1

RGB 227 246 161

HSL 73.41, 0.83%, 0.8%

LAB 93.8, -19.47, 38.87

 

CMYK 17 / 0 / 35 / 4

HEX #CDF6A1

RGB 205 246 161

HSL 88.94, 0.83%, 0.8%

LAB 92.34, -27.44, 36.68

 

CMYK 26 / 0 / 35 / 4

HEX #B6F6A1

RGB 182 246 161

HSL 105.18, 0.83%, 0.8%

LAB 90.98, -35.35, 34.63

 

CMYK 14 / 0 / 64 / 6

HEX #CDEF56

RGB 205 239 86

HSL 73.33, 0.83%, 0.64%

LAB 89.57, -31.63, 67.74

 

CMYK 11 / 0 / 49 / 5

HEX #D8F27B

RGB 216 242 123

HSL 73.11, 0.82%, 0.72%

LAB 91.48, -25.82, 54.1

 

CMYK 8 / 0 / 35 / 4

HEX #E3F6A1

RGB 227 246 161

HSL 73.41, 0.83%, 0.8%

LAB 93.8, -19.47, 38.87

 

CMYK 4 / 0 / 20 / 2

HEX #EEF9C7

RGB 238 249 199

HSL 73.2, 0.81%, 0.88%

LAB 96.02, -11.85, 22.83

 

CMYK 2 / 0 / 6 / 1

HEX #F9FDED

RGB 249 253 237

HSL 75, 0.8%, 0.96%

LAB 98.63, -4.07, 7.18

 

CMYK 8 / 0 / 35 / 4

HEX #E3F6A1

RGB 227 246 161

HSL 73.41, 0.83%, 0.8%

LAB 93.8, -19.47, 38.87

 

CMYK 35 / 0 / 20 / 4

HEX #A1F6C4

RGB 161 246 196

HSL 144.71, 0.83%, 0.8%

LAB 90.54, -36.06, 16.03

 

CMYK 7 / 35 / 0 / 4

HEX #E6A1F6

RGB 230 161 246

HSL 288.71, 0.83%, 0.8%

LAB 75.43, 39.56, -32.37

 

CMYK 8 / 0 / 35 / 4

HEX #E3F6A1

RGB 227 246 161

HSL 73.41, 0.83%, 0.8%

LAB 93.8, -19.47, 38.87

 

CMYK 35 / 8 / 0 / 4

HEX #A1E3F6

RGB 161 227 246

HSL 193.41, 0.83%, 0.8%

LAB 86.59, -16.15, -15.86

 

CMYK 0 / 35 / 8 / 4

HEX #F6A1E3

RGB 246 161 227

HSL 313.41, 0.83%, 0.8%

LAB 76.45, 41.14, -20.34

 

CMYK 8 / 0 / 35 / 4

HEX #E3F6A1

RGB 227 246 161

HSL 73.41, 0.83%, 0.8%

LAB 93.8, -19.47, 38.87

 

CMYK 35 / 0 / 20 / 4

HEX #A1F6C4

RGB 161 246 196

HSL 144.71, 0.83%, 0.8%

LAB 90.54, -36.06, 16.03

 

CMYK 27 / 35 / 0 / 4

HEX #B4A1F6

RGB 180 161 246

HSL 253.41, 0.83%, 0.8%

LAB 70.77, 24.74, -39.98

 

CMYK 0 / 35 / 14 / 4

HEX #F6A1D3

RGB 246 161 211

HSL 324.71, 0.83%, 0.8%

LAB 75.94, 38.53, -12.39

 

CMYK 8 / 0 / 35 / 4

HEX #E3F6A1

RGB 227 246 161

HSL 73.41, 0.83%, 0.8%

LAB 93.8, -19.47, 38.87

 

CMYK 35 / 0 / 10 / 4

HEX #A1F6DE

RGB 161 246 222

HSL 163.06, 0.83%, 0.8%

LAB 91.13, -30.85, 3.4

 

CMYK 27 / 35 / 0 / 4

HEX #B4A1F6

RGB 180 161 246

HSL 253.41, 0.83%, 0.8%

LAB 70.77, 24.74, -39.98

 

CMYK 0 / 35 / 25 / 4

HEX #F6A1B9

RGB 246 161 185

HSL 343.06, 0.83%, 0.8%

LAB 75.19, 34.67, 0.76

 

Description

Color code: HEX #E3F6A1 | qconv.com Color code: HEX #E3F6A1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 246 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 246 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 35 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 35% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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