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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E00F40 it is the complementary color #1FF0BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E00F40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E00F40 shade: #E50F3B, #F6214E, #FF3361, #FF4574 and #FF5787

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E00F40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E00F40 shade: #E00F40, #CF002D, #BE001A, #AD0007 and #9C0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E00F40 shade: #E00F40 and #E00F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E00F40 shade: #E00F40, #E00F78, #E00FB0, #D70FE0 and #9E0FE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E00F40 shade matches the following richer shades: #E00F40

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E00F40 shade: #E00F40, #CC224A, #B93655, #A5495F and #925D69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E00F40 shade: #E00FB2, #E00F7B, #E00F43, #E0130F and #E04A0F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E00F40 shade: #920A2A, #B90C35, #E00F40, #F02857 and #F24F75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E00F40 shade: #E00F40, #E0D50F and #0F97E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E00F40 shade: #E00F40, #43E00F and #0F43E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E00F40 shade: #E00F40, #E0D50F, #0FE0AB and #0F1AE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E00F40 shade: #E00F40, #ABE00F, #0FE0AB and #430FE0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 71 / 12

HEX #E00F40

RGB 224 15 64

HSL 345.93, 0.87%, 0.47%

LAB 47.7, 72.68, 32.19

 

Complementary color

CMYK 87 / 0 / 20 / 6

HEX #1FF0BF

RGB 31 240 191

HSL 165.93, 0.87%, 0.53%

LAB 85.19, -57.96, 10.55

 

CMYK 0 / 93 / 74 / 10

HEX #E50F3B

RGB 229 15 59

HSL 347.66, 0.88%, 0.48%

LAB 48.66, 73.7, 36.54

 

CMYK 0 / 87 / 68 / 4

HEX #F6214E

RGB 246 33 78

HSL 347.32, 0.92%, 0.55%

LAB 53.2, 76.18, 31.55

 

CMYK 0 / 80 / 62 / 0

HEX #FF3361

RGB 255 51 97

HSL 346.47, 1%, 0.6%

LAB 56.58, 75.66, 24.94

 

CMYK 0 / 73 / 55 / 0

HEX #FF4574

RGB 255 69 116

HSL 344.84, 1%, 0.64%

LAB 58.77, 71.76, 16.68

 

CMYK 0 / 66 / 47 / 0

HEX #FF5787

RGB 255 87 135

HSL 342.86, 1%, 0.67%

LAB 61.5, 66.91, 9.4

 

CMYK 0 / 93 / 71 / 12

HEX #E00F40

RGB 224 15 64

HSL 345.93, 0.87%, 0.47%

LAB 47.7, 72.68, 32.19

 

CMYK 0 / 100 / 78 / 19

HEX #CF002D

RGB 207 0 45

HSL 346.96, 1%, 0.41%

LAB 43.44, 69.22, 37.71

 

CMYK 0 / 100 / 86 / 25

HEX #BE001A

RGB 190 0 26

HSL 351.79, 1%, 0.37%

LAB 39.62, 64.55, 43.34

 

CMYK 0 / 100 / 96 / 32

HEX #AD0007

RGB 173 0 7

HSL 357.57, 1%, 0.34%

LAB 35.79, 59.97, 47.29

 

CMYK 0 / 100 / 100 / 39

HEX #9C0000

RGB 156 0 0

HSL 0, 1%, 0.31%

LAB 31.96, 55.5, 45.93

 

CMYK 0 / 93 / 71 / 12

HEX #E00F40

RGB 224 15 64

HSL 345.93, 0.87%, 0.47%

LAB 47.7, 72.68, 32.19

 

CMYK 0 / 93 / 93 / 12

HEX #E00F0F

RGB 224 15 15

HSL 0, 0.87%, 0.47%

LAB 47.27, 71.47, 56.76

 

CMYK 0 / 93 / 71 / 12

HEX #E00F40

RGB 224 15 64

HSL 345.93, 0.87%, 0.47%

LAB 47.7, 72.68, 32.19

 

CMYK 0 / 93 / 46 / 12

HEX #E00F78

RGB 224 15 120

HSL 329.86, 0.87%, 0.47%

LAB 48.94, 76.07, -0.48

 

CMYK 0 / 93 / 21 / 12

HEX #E00FB0

RGB 224 15 176

HSL 313.78, 0.87%, 0.47%

LAB 51.06, 81.68, -30.84

 

CMYK 4 / 93 / 0 / 12

HEX #D70FE0

RGB 215 15 224

HSL 297.42, 0.87%, 0.47%

LAB 52.03, 86.55, -57.13

 

CMYK 29 / 93 / 0 / 12

HEX #9E0FE0

RGB 158 15 224

HSL 281.05, 0.87%, 0.47%

LAB 42.75, 78.36, -72.6

 

CMYK 0 / 93 / 71 / 12

HEX #E00F40

RGB 224 15 64

HSL 345.93, 0.87%, 0.47%

LAB 47.7, 72.68, 32.19

 

CMYK 0 / 93 / 71 / 12

HEX #E00F40

RGB 224 15 64

HSL 345.93, 0.87%, 0.47%

LAB 47.7, 72.68, 32.19

 

CMYK 0 / 83 / 64 / 20

HEX #CC224A

RGB 204 34 74

HSL 345.88, 0.71%, 0.47%

LAB 44.91, 64.97, 21.72

 

CMYK 0 / 71 / 54 / 27

HEX #B93655

RGB 185 54 85

HSL 345.8, 0.55%, 0.47%

LAB 43.67, 54.24, 12.61

 

CMYK 0 / 56 / 42 / 35

HEX #A5495F

RGB 165 73 95

HSL 345.65, 0.39%, 0.47%

LAB 43.64, 40.15, 5.89

 

CMYK 0 / 36 / 28 / 43

HEX #925D69

RGB 146 93 105

HSL 346.42, 0.22%, 0.47%

LAB 45.58, 23.39, 2.22

 

CMYK 0 / 93 / 21 / 12

HEX #E00FB2

RGB 224 15 178

HSL 313.21, 0.87%, 0.47%

LAB 51.16, 81.91, -31.87

 

CMYK 0 / 93 / 45 / 12

HEX #E00F7B

RGB 224 15 123

HSL 329, 0.87%, 0.47%

LAB 49.03, 76.32, -2.17

 

CMYK 0 / 93 / 70 / 12

HEX #E00F43

RGB 224 15 67

HSL 345.07, 0.87%, 0.47%

LAB 47.74, 72.8, 30.44

 

CMYK 0 / 92 / 93 / 12

HEX #E0130F

RGB 224 19 15

HSL 1.15, 0.87%, 0.47%

LAB 47.43, 71, 56.85

 

CMYK 0 / 67 / 93 / 12

HEX #E04A0F

RGB 224 74 15

HSL 16.94, 0.87%, 0.47%

LAB 52.71, 56.25, 60.07

 

CMYK 0 / 93 / 71 / 43

HEX #920A2A

RGB 146 10 42

HSL 345.88, 0.87%, 0.31%

LAB 30.63, 52.47, 21.42

 

CMYK 0 / 94 / 71 / 27

HEX #B90C35

RGB 185 12 53

HSL 345.78, 0.88%, 0.39%

LAB 39.3, 62.86, 26.9

 

CMYK 0 / 93 / 71 / 12

HEX #E00F40

RGB 224 15 64

HSL 345.93, 0.87%, 0.47%

LAB 47.7, 72.68, 32.19

 

CMYK 0 / 83 / 64 / 6

HEX #F02857

RGB 240 40 87

HSL 345.9, 0.87%, 0.55%

LAB 52.65, 73.75, 25.24

 

CMYK 0 / 67 / 52 / 5

HEX #F24F75

RGB 242 79 117

HSL 346.01, 0.86%, 0.63%

LAB 57.8, 64.6, 14.41

 

CMYK 0 / 93 / 71 / 12

HEX #E00F40

RGB 224 15 64

HSL 345.93, 0.87%, 0.47%

LAB 47.7, 72.68, 32.19

 

CMYK 0 / 5 / 93 / 12

HEX #E0D50F

RGB 224 213 15

HSL 56.84, 0.87%, 0.47%

LAB 83.69, -14, 82.17

 

CMYK 93 / 33 / 0 / 12

HEX #0F97E0

RGB 15 151 224

HSL 200.96, 0.87%, 0.47%

LAB 59.54, -6.46, -46.03

 

CMYK 0 / 93 / 71 / 12

HEX #E00F40

RGB 224 15 64

HSL 345.93, 0.87%, 0.47%

LAB 47.7, 72.68, 32.19

 

CMYK 70 / 0 / 93 / 12

HEX #43E00F

RGB 67 224 15

HSL 105.07, 0.87%, 0.47%

LAB 78.78, -71.69, 74.86

 

CMYK 93 / 70 / 0 / 12

HEX #0F43E0

RGB 15 67 224

HSL 225.07, 0.87%, 0.47%

LAB 36.93, 45.97, -82.61

 

CMYK 0 / 93 / 71 / 12

HEX #E00F40

RGB 224 15 64

HSL 345.93, 0.87%, 0.47%

LAB 47.7, 72.68, 32.19

 

CMYK 0 / 5 / 93 / 12

HEX #E0D50F

RGB 224 213 15

HSL 56.84, 0.87%, 0.47%

LAB 83.69, -14, 82.17

 

CMYK 93 / 0 / 24 / 12

HEX #0FE0AB

RGB 15 224 171

HSL 164.78, 0.87%, 0.47%

LAB 79.81, -57.35, 13.4

 

CMYK 93 / 88 / 0 / 12

HEX #0F1AE0

RGB 15 26 224

HSL 236.84, 0.87%, 0.47%

LAB 29.97, 66.06, -94.17

 

CMYK 0 / 93 / 71 / 12

HEX #E00F40

RGB 224 15 64

HSL 345.93, 0.87%, 0.47%

LAB 47.7, 72.68, 32.19

 

CMYK 24 / 0 / 93 / 12

HEX #ABE00F

RGB 171 224 15

HSL 75.22, 0.87%, 0.47%

LAB 82.92, -40.93, 79.93

 

CMYK 93 / 0 / 24 / 12

HEX #0FE0AB

RGB 15 224 171

HSL 164.78, 0.87%, 0.47%

LAB 79.81, -57.35, 13.4

 

CMYK 70 / 93 / 0 / 12

HEX #430FE0

RGB 67 15 224

HSL 254.93, 0.87%, 0.47%

LAB 31.62, 70.49, -91.35

 

Description

Color code: HEX #E00F40 | qconv.com Color code: HEX #E00F40 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 15 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 15 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 71 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 71% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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