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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E03C6B it is the complementary color #1FC394. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E03C6B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E03C6B shade: #E53C66, #F64E79, #FF608C, #FF729F and #FF84B2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E03C6B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E03C6B shade: #E03C6B, #CF2A58, #BE1845, #AD0632 and #9C001F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E03C6B shade: #E03C6B, #E03C3F and #E03C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E03C6B shade: #E03C6B, #E03C98, #E03CC4, #D13CE0 and #A43CE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E03C6B shade matches the following richer shades: #E03C6B and #F22A64

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E03C6B shade: #E03C6B, #CE4F73, #BC617B, #AA7383 and #98858A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E03C6B shade: #E03CC5, #E03C99, #E03C6E, #E03C42 and #E0633C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E03C6B shade: #AF1B45, #D32054, #E03C6B, #E66086 and #EB84A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E03C6B shade: #E03C6B, #E0D03C and #3CAFE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E03C6B shade: #E03C6B, #6EE03C and #3C6EE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E03C6B shade: #E03C6B, #E0D03C, #3CE0AF and #3C4DE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E03C6B shade: #E03C6B, #BFE03C, #3CE0AF and #5D3CE0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 52 / 12

HEX #E03C6B

RGB 224 60 107

HSL 342.8, 0.73%, 0.56%

LAB 52, 65.33, 11.8

 

Complementary color

CMYK 84 / 0 / 24 / 24

HEX #1FC394

RGB 31 195 148

HSL 162.8, 0.73%, 0.44%

LAB 70.5, -50.66, 12.55

 

CMYK 0 / 74 / 55 / 10

HEX #E53C66

RGB 229 60 102

HSL 345.09, 0.76%, 0.57%

LAB 52.78, 66.37, 16.04

 

CMYK 0 / 68 / 51 / 4

HEX #F64E79

RGB 246 78 121

HSL 344.64, 0.9%, 0.64%

LAB 58.44, 66.48, 13.04

 

CMYK 0 / 62 / 45 / 0

HEX #FF608C

RGB 255 96 140

HSL 343.4, 1%, 0.69%

LAB 62.94, 63.77, 8.55

 

CMYK 0 / 55 / 38 / 0

HEX #FF729F

RGB 255 114 159

HSL 340.85, 1%, 0.72%

LAB 66.37, 57.85, 2.58

 

CMYK 0 / 48 / 30 / 0

HEX #FF84B2

RGB 255 132 178

HSL 337.56, 1%, 0.76%

LAB 70.16, 51.56, -2.6

 

CMYK 0 / 73 / 52 / 12

HEX #E03C6B

RGB 224 60 107

HSL 342.8, 0.73%, 0.56%

LAB 52, 65.33, 11.8

 

CMYK 0 / 80 / 57 / 19

HEX #CF2A58

RGB 207 42 88

HSL 343.27, 0.66%, 0.49%

LAB 46.48, 64.65, 15.27

 

CMYK 0 / 87 / 64 / 25

HEX #BE1845

RGB 190 24 69

HSL 343.73, 0.78%, 0.42%

LAB 41.26, 63.1, 19.54

 

CMYK 0 / 97 / 71 / 32

HEX #AD0632

RGB 173 6 50

HSL 344.19, 0.93%, 0.35%

LAB 36.45, 60.38, 24.73

 

CMYK 0 / 100 / 80 / 39

HEX #9C001F

RGB 156 0 31

HSL 348.08, 1%, 0.31%

LAB 32.18, 56.1, 30.8

 

CMYK 0 / 73 / 52 / 12

HEX #E03C6B

RGB 224 60 107

HSL 342.8, 0.73%, 0.56%

LAB 52, 65.33, 11.8

 

CMYK 0 / 73 / 72 / 12

HEX #E03C3F

RGB 224 60 63

HSL 358.9, 0.73%, 0.56%

LAB 51.2, 62.68, 36.89

 

CMYK 0 / 73 / 73 / 12

HEX #E03C3C

RGB 224 60 60

HSL 0, 0.73%, 0.56%

LAB 51.16, 62.56, 38.55

 

CMYK 0 / 73 / 52 / 12

HEX #E03C6B

RGB 224 60 107

HSL 342.8, 0.73%, 0.56%

LAB 52, 65.33, 11.8

 

CMYK 0 / 73 / 32 / 12

HEX #E03C98

RGB 224 60 152

HSL 326.34, 0.73%, 0.56%

LAB 53.33, 69.6, -13.2

 

CMYK 0 / 73 / 13 / 12

HEX #E03CC4

RGB 224 60 196

HSL 310.24, 0.73%, 0.56%

LAB 55.14, 75.17, -36.09

 

CMYK 7 / 73 / 0 / 12

HEX #D13CE0

RGB 209 60 224

HSL 294.51, 0.73%, 0.56%

LAB 54.21, 76.3, -53.7

 

CMYK 27 / 73 / 0 / 12

HEX #A43CE0

RGB 164 60 224

HSL 278.05, 0.73%, 0.56%

LAB 47.63, 67.59, -64.62

 

CMYK 0 / 73 / 52 / 12

HEX #E03C6B

RGB 224 60 107

HSL 342.8, 0.73%, 0.56%

LAB 52, 65.33, 11.8

 

CMYK 0 / 83 / 59 / 5

HEX #F22A64

RGB 242 42 100

HSL 342.6, 0.88%, 0.56%

LAB 53.44, 74.58, 18.54

 

CMYK 0 / 73 / 52 / 12

HEX #E03C6B

RGB 224 60 107

HSL 342.8, 0.73%, 0.56%

LAB 52, 65.33, 11.8

 

CMYK 0 / 62 / 44 / 19

HEX #CE4F73

RGB 206 79 115

HSL 342.99, 0.56%, 0.56%

LAB 51.78, 53.28, 6.26

 

CMYK 0 / 48 / 35 / 26

HEX #BC617B

RGB 188 97 123

HSL 342.86, 0.4%, 0.56%

LAB 52.59, 39.37, 2.29

 

CMYK 0 / 32 / 23 / 33

HEX #AA7383

RGB 170 115 131

HSL 342.55, 0.24%, 0.56%

LAB 54.5, 24.02, 0.08

 

CMYK 0 / 13 / 9 / 40

HEX #98858A

RGB 152 133 138

HSL 344.21, 0.08%, 0.56%

LAB 57.35, 8.08, -0.04

 

CMYK 0 / 73 / 12 / 12

HEX #E03CC5

RGB 224 60 197

HSL 309.88, 0.73%, 0.56%

LAB 55.19, 75.31, -36.59

 

CMYK 0 / 73 / 32 / 12

HEX #E03C99

RGB 224 60 153

HSL 325.98, 0.73%, 0.56%

LAB 53.36, 69.71, -13.74

 

CMYK 0 / 73 / 51 / 12

HEX #E03C6E

RGB 224 60 110

HSL 341.71, 0.73%, 0.56%

LAB 52.07, 65.57, 10.09

 

CMYK 0 / 73 / 71 / 12

HEX #E03C42

RGB 224 60 66

HSL 357.8, 0.73%, 0.56%

LAB 51.24, 62.82, 35.21

 

CMYK 0 / 56 / 73 / 12

HEX #E0633C

RGB 224 99 60

HSL 14.27, 0.73%, 0.56%

LAB 57.17, 46.44, 45.2

 

CMYK 0 / 85 / 61 / 31

HEX #AF1B45

RGB 175 27 69

HSL 342.97, 0.73%, 0.4%

LAB 38.42, 58.51, 15.21

 

CMYK 0 / 85 / 60 / 17

HEX #D32054

RGB 211 32 84

HSL 342.57, 0.74%, 0.48%

LAB 46.34, 67.82, 17.68

 

CMYK 0 / 73 / 52 / 12

HEX #E03C6B

RGB 224 60 107

HSL 342.8, 0.73%, 0.56%

LAB 52, 65.33, 11.8

 

CMYK 0 / 58 / 42 / 10

HEX #E66086

RGB 230 96 134

HSL 342.99, 0.73%, 0.64%

LAB 58.89, 55.35, 5.71

 

CMYK 0 / 44 / 31 / 8

HEX #EB84A1

RGB 235 132 161

HSL 343.11, 0.72%, 0.72%

LAB 67.08, 42.67, 2.15

 

CMYK 0 / 73 / 52 / 12

HEX #E03C6B

RGB 224 60 107

HSL 342.8, 0.73%, 0.56%

LAB 52, 65.33, 11.8

 

CMYK 0 / 7 / 73 / 12

HEX #E0D03C

RGB 224 208 60

HSL 54.15, 0.73%, 0.56%

LAB 82.53, -10.3, 70.77

 

CMYK 73 / 22 / 0 / 12

HEX #3CAFE0

RGB 60 175 224

HSL 197.93, 0.73%, 0.56%

LAB 67.28, -16.09, -33.86

 

CMYK 0 / 73 / 52 / 12

HEX #E03C6B

RGB 224 60 107

HSL 342.8, 0.73%, 0.56%

LAB 52, 65.33, 11.8

 

CMYK 51 / 0 / 73 / 12

HEX #6EE03C

RGB 110 224 60

HSL 101.71, 0.73%, 0.56%

LAB 80.15, -59.86, 66.1

 

CMYK 73 / 51 / 0 / 12

HEX #3C6EE0

RGB 60 110 224

HSL 221.71, 0.73%, 0.56%

LAB 48.88, 22.12, -63.03

 

CMYK 0 / 73 / 52 / 12

HEX #E03C6B

RGB 224 60 107

HSL 342.8, 0.73%, 0.56%

LAB 52, 65.33, 11.8

 

CMYK 0 / 7 / 73 / 12

HEX #E0D03C

RGB 224 208 60

HSL 54.15, 0.73%, 0.56%

LAB 82.53, -10.3, 70.77

 

CMYK 73 / 0 / 22 / 12

HEX #3CE0AF

RGB 60 224 175

HSL 162.07, 0.73%, 0.56%

LAB 80.39, -52.83, 12.17

 

CMYK 73 / 66 / 0 / 12

HEX #3C4DE0

RGB 60 77 224

HSL 233.78, 0.73%, 0.56%

LAB 40.65, 42.78, -76.42

 

CMYK 0 / 73 / 52 / 12

HEX #E03C6B

RGB 224 60 107

HSL 342.8, 0.73%, 0.56%

LAB 52, 65.33, 11.8

 

CMYK 15 / 0 / 73 / 12

HEX #BFE03C

RGB 191 224 60

HSL 72.07, 0.73%, 0.56%

LAB 84.34, -31.68, 71.6

 

CMYK 73 / 0 / 22 / 12

HEX #3CE0AF

RGB 60 224 175

HSL 162.07, 0.73%, 0.56%

LAB 80.39, -52.83, 12.17

 

CMYK 58 / 73 / 0 / 12

HEX #5D3CE0

RGB 93 60 224

HSL 252.07, 0.73%, 0.56%

LAB 39.48, 56.18, -78.26

 

Description

Color code: HEX #E03C6B | qconv.com Color code: HEX #E03C6B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 60 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 60 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 52 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 52% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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