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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E04869 it is the complementary color #1FB796. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E04869. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E04869 shade: #E54864, #F65A77, #FF6C8A, #FF7E9D and #FF90B0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E04869. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E04869 shade: #E04869, #CF3656, #BE2443, #AD1230 and #9C001D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E04869 shade: #DF4768 and #DF4747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E04869 shade: #DF4768, #DF4791, #DF47BA, #DB47DF and #B247DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E04869 shade matches the following richer shades: #DF4768 and #F1365F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E04869 shade: #DF4768, #CE5972, #BD6A7C, #AB7B86 and #9A8D90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E04869 shade: #DF47BC, #DF4793, #DF476B, #DF4C47 and #DF7547

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E04869 shade: #B61E3F, #D9244C, #DF4768, #E56B85 and #EB8EA2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E04869 shade: #E04869, #DFDA47 and #47A8DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E04869 shade: #E04869, #6BDF47 and #476BDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E04869 shade: #E04869, #DFDA47, #47DFBC and #474CDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E04869 shade: #E04869, #B7DF47, #47DFBC and #7047DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 53 / 12

HEX #E04869

RGB 224 72 105

HSL 346.97, 0.71%, 0.58%

LAB 53.49, 60.9, 15.08

 

Complementary color

CMYK 83 / 0 / 18 / 28

HEX #1FB796

RGB 31 183 150

HSL 166.97, 0.71%, 0.42%

LAB 66.79, -45.28, 6.19

 

CMYK 0 / 69 / 56 / 10

HEX #E54864

RGB 229 72 100

HSL 349.3, 0.75%, 0.59%

LAB 54.25, 62.04, 19.23

 

CMYK 0 / 63 / 52 / 4

HEX #F65A77

RGB 246 90 119

HSL 348.85, 0.9%, 0.66%

LAB 60.1, 61.65, 16.52

 

CMYK 0 / 58 / 46 / 0

HEX #FF6C8A

RGB 255 108 138

HSL 347.76, 1%, 0.71%

LAB 64.82, 58.44, 12.35

 

CMYK 0 / 51 / 38 / 0

HEX #FF7E9D

RGB 255 126 157

HSL 345.58, 1%, 0.75%

LAB 68.47, 52.01, 6.75

 

CMYK 0 / 44 / 31 / 0

HEX #FF90B0

RGB 255 144 176

HSL 342.7, 1%, 0.78%

LAB 72.46, 45.37, 1.88

 

CMYK 0 / 68 / 53 / 12

HEX #E04869

RGB 224 72 105

HSL 346.97, 0.71%, 0.58%

LAB 53.49, 60.9, 15.08

 

CMYK 0 / 74 / 58 / 19

HEX #CF3656

RGB 207 54 86

HSL 347.45, 0.61%, 0.51%

LAB 47.72, 60.9, 18.18

 

CMYK 0 / 81 / 65 / 25

HEX #BE2443

RGB 190 36 67

HSL 347.92, 0.68%, 0.44%

LAB 42.18, 60.27, 21.98

 

CMYK 0 / 90 / 72 / 32

HEX #AD1230

RGB 173 18 48

HSL 348.39, 0.81%, 0.37%

LAB 36.99, 58.66, 26.64

 

CMYK 0 / 100 / 81 / 39

HEX #9C001D

RGB 156 0 29

HSL 348.85, 1%, 0.31%

LAB 32.16, 56.04, 32

 

CMYK 0 / 68 / 53 / 13

HEX #DF4768

RGB 223 71 104

HSL 346.97, 0.7%, 0.58%

LAB 53.16, 60.9, 15.19

 

CMYK 0 / 68 / 68 / 13

HEX #DF4747

RGB 223 71 71

HSL 0, 0.7%, 0.58%

LAB 52.56, 58.78, 33.88

 

CMYK 0 / 68 / 53 / 13

HEX #DF4768

RGB 223 71 104

HSL 346.97, 0.7%, 0.58%

LAB 53.16, 60.9, 15.19

 

CMYK 0 / 68 / 35 / 13

HEX #DF4791

RGB 223 71 145

HSL 330.79, 0.7%, 0.58%

LAB 54.28, 64.75, -7.64

 

CMYK 0 / 68 / 17 / 13

HEX #DF47BA

RGB 223 71 186

HSL 314.61, 0.7%, 0.58%

LAB 55.83, 69.87, -29.27

 

CMYK 2 / 68 / 0 / 13

HEX #DB47DF

RGB 219 71 223

HSL 298.42, 0.7%, 0.58%

LAB 56.97, 74.54, -48.64

 

CMYK 20 / 68 / 0 / 13

HEX #B247DF

RGB 178 71 223

HSL 282.24, 0.7%, 0.58%

LAB 51.04, 65.76, -58.46

 

CMYK 0 / 68 / 53 / 13

HEX #DF4768

RGB 223 71 104

HSL 346.97, 0.7%, 0.58%

LAB 53.16, 60.9, 15.19

 

CMYK 0 / 78 / 61 / 5

HEX #F1365F

RGB 241 54 95

HSL 346.84, 0.87%, 0.58%

LAB 54.2, 71.04, 22.52

 

CMYK 0 / 68 / 53 / 13

HEX #DF4768

RGB 223 71 104

HSL 346.97, 0.7%, 0.58%

LAB 53.16, 60.9, 15.19

 

CMYK 0 / 57 / 45 / 19

HEX #CE5972

RGB 206 89 114

HSL 347.18, 0.54%, 0.58%

LAB 53.47, 48.61, 9.26

 

CMYK 0 / 44 / 34 / 26

HEX #BD6A7C

RGB 189 106 124

HSL 346.99, 0.39%, 0.58%

LAB 54.64, 35.11, 4.69

 

CMYK 0 / 28 / 22 / 33

HEX #AB7B86

RGB 171 123 134

HSL 346.25, 0.22%, 0.58%

LAB 56.63, 20.35, 1.45

 

CMYK 0 / 8 / 6 / 40

HEX #9A8D90

RGB 154 141 144

HSL 346.15, 0.06%, 0.58%

LAB 59.83, 5.39, 0.15

 

CMYK 0 / 68 / 16 / 13

HEX #DF47BC

RGB 223 71 188

HSL 313.82, 0.7%, 0.58%

LAB 55.91, 70.15, -30.29

 

CMYK 0 / 68 / 34 / 13

HEX #DF4793

RGB 223 71 147

HSL 330, 0.7%, 0.58%

LAB 54.34, 64.97, -8.72

 

CMYK 0 / 68 / 52 / 13

HEX #DF476B

RGB 223 71 107

HSL 345.79, 0.7%, 0.58%

LAB 53.23, 61.14, 13.49

 

CMYK 0 / 66 / 68 / 13

HEX #DF4C47

RGB 223 76 71

HSL 1.97, 0.7%, 0.58%

LAB 53.29, 56.81, 34.75

 

CMYK 0 / 48 / 68 / 13

HEX #DF7547

RGB 223 117 71

HSL 18.16, 0.7%, 0.58%

LAB 60.66, 37.67, 43.37

 

CMYK 0 / 84 / 65 / 29

HEX #B61E3F

RGB 182 30 63

HSL 346.97, 0.72%, 0.42%

LAB 39.97, 59.35, 21.32

 

CMYK 0 / 83 / 65 / 15

HEX #D9244C

RGB 217 36 76

HSL 346.74, 0.72%, 0.5%

LAB 47.67, 68.07, 24.57

 

CMYK 0 / 68 / 53 / 13

HEX #DF4768

RGB 223 71 104

HSL 346.97, 0.7%, 0.58%

LAB 53.16, 60.9, 15.19

 

CMYK 0 / 53 / 42 / 10

HEX #E56B85

RGB 229 107 133

HSL 347.21, 0.7%, 0.66%

LAB 60.66, 49.8, 8.81

 

CMYK 0 / 40 / 31 / 8

HEX #EB8EA2

RGB 235 142 162

HSL 347.1, 0.7%, 0.74%

LAB 69.2, 37.63, 4.65

 

CMYK 0 / 68 / 53 / 12

HEX #E04869

RGB 224 72 105

HSL 346.97, 0.71%, 0.58%

LAB 53.49, 60.9, 15.08

 

CMYK 0 / 2 / 68 / 13

HEX #DFDA47

RGB 223 218 71

HSL 58.03, 0.7%, 0.58%

LAB 85.14, -15.2, 69.35

 

CMYK 68 / 25 / 0 / 13

HEX #47A8DF

RGB 71 168 223

HSL 201.71, 0.7%, 0.58%

LAB 65.49, -11.13, -36.07

 

CMYK 0 / 68 / 53 / 12

HEX #E04869

RGB 224 72 105

HSL 346.97, 0.71%, 0.58%

LAB 53.49, 60.9, 15.08

 

CMYK 52 / 0 / 68 / 13

HEX #6BDF47

RGB 107 223 71

HSL 105.79, 0.7%, 0.58%

LAB 79.82, -59.5, 61.75

 

CMYK 68 / 52 / 0 / 13

HEX #476BDF

RGB 71 107 223

HSL 225.79, 0.7%, 0.58%

LAB 48.49, 25.14, -63.06

 

CMYK 0 / 68 / 53 / 12

HEX #E04869

RGB 224 72 105

HSL 346.97, 0.71%, 0.58%

LAB 53.49, 60.9, 15.08

 

CMYK 0 / 2 / 68 / 13

HEX #DFDA47

RGB 223 218 71

HSL 58.03, 0.7%, 0.58%

LAB 85.14, -15.2, 69.35

 

CMYK 68 / 0 / 16 / 13

HEX #47DFBC

RGB 71 223 188

HSL 166.18, 0.7%, 0.58%

LAB 80.6, -47.82, 5.63

 

CMYK 68 / 66 / 0 / 13

HEX #474CDF

RGB 71 76 223

HSL 238.03, 0.7%, 0.58%

LAB 40.95, 44.28, -75.33

 

CMYK 0 / 68 / 53 / 12

HEX #E04869

RGB 224 72 105

HSL 346.97, 0.71%, 0.58%

LAB 53.49, 60.9, 15.08

 

CMYK 18 / 0 / 68 / 13

HEX #B7DF47

RGB 183 223 71

HSL 75.79, 0.7%, 0.58%

LAB 83.6, -33.77, 66.85

 

CMYK 68 / 0 / 16 / 13

HEX #47DFBC

RGB 71 223 188

HSL 166.18, 0.7%, 0.58%

LAB 80.6, -47.82, 5.63

 

CMYK 50 / 68 / 0 / 13

HEX #7047DF

RGB 112 71 223

HSL 256.18, 0.7%, 0.58%

LAB 43.18, 53.09, -71.56

 

Description

Color code: HEX #E04869 | qconv.com Color code: HEX #E04869 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 72 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 72 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 53 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 53% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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