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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E04B32 it is the complementary color #1FB4CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E04B32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E04B32 shade: #E54B2D, #F65D40, #FF6F53, #FF8166 and #FF9379

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E04B32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E04B32 shade: #E04B32, #CF391F, #BE270C, #AD1500 and #9C0300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E04B32 shade: #E04B32 and #E03232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E04B32 shade: #E04B32, #E07A32, #E0A932, #E0D832 and #B9E032

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E04B32 shade matches the following richer shades: #E04B32 and #F33E1F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E04B32 shade: #E04B32, #CD5945, #BA6658, #A7746B and #94817E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E04B32 shade: #E03278, #E0324A, #E04A32, #E07832 and #E0A632

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E04B32 shade: #A72D19, #CB371E, #E04B32, #E56B56 and #EB8A7A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E04B32 shade: #E04B32, #A6E032 and #3261E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E04B32 shade: #E04B32, #32E04A and #4A32E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E04B32 shade: #E04B32, #A6E032, #32C9E0 and #6C32E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E04B32 shade: #E04B32, #72E032, #32C9E0 and #A032E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 78 / 12

HEX #E04B32

RGB 224 75 50

HSL 8.62, 0.74%, 0.54%

LAB 53.07, 56.64, 46.02

 

Complementary color

CMYK 85 / 12 / 0 / 20

HEX #1FB4CD

RGB 31 180 205

HSL 188.62, 0.74%, 0.46%

LAB 67.53, -27.73, -23.07

 

CMYK 0 / 67 / 80 / 10

HEX #E54B2D

RGB 229 75 45

HSL 9.78, 0.78%, 0.54%

LAB 53.9, 58.12, 49.64

 

CMYK 0 / 62 / 74 / 4

HEX #F65D40

RGB 246 93 64

HSL 9.56, 0.91%, 0.61%

LAB 59.7, 57.08, 46.9

 

CMYK 0 / 56 / 67 / 0

HEX #FF6F53

RGB 255 111 83

HSL 9.77, 1%, 0.66%

LAB 64.37, 53.11, 42.55

 

CMYK 0 / 49 / 60 / 0

HEX #FF8166

RGB 255 129 102

HSL 10.59, 1%, 0.7%

LAB 67.96, 45.69, 36.7

 

CMYK 0 / 42 / 53 / 0

HEX #FF9379

RGB 255 147 121

HSL 11.64, 1%, 0.74%

LAB 71.9, 38.1, 31.44

 

CMYK 0 / 67 / 78 / 12

HEX #E04B32

RGB 224 75 50

HSL 8.62, 0.74%, 0.54%

LAB 53.07, 56.64, 46.02

 

CMYK 0 / 72 / 85 / 19

HEX #CF391F

RGB 207 57 31

HSL 8.86, 0.74%, 0.47%

LAB 47.35, 57.39, 48.86

 

CMYK 0 / 79 / 94 / 25

HEX #BE270C

RGB 190 39 12

HSL 9.1, 0.88%, 0.4%

LAB 41.88, 57.62, 50.96

 

CMYK 0 / 88 / 100 / 32

HEX #AD1500

RGB 173 21 0

HSL 7.28, 1%, 0.34%

LAB 36.78, 56.95, 50.6

 

CMYK 0 / 98 / 100 / 39

HEX #9C0300

RGB 156 3 0

HSL 1.15, 1%, 0.31%

LAB 32.11, 55.07, 46.03

 

CMYK 0 / 67 / 78 / 12

HEX #E04B32

RGB 224 75 50

HSL 8.62, 0.74%, 0.54%

LAB 53.07, 56.64, 46.02

 

CMYK 0 / 78 / 78 / 12

HEX #E03232

RGB 224 50 50

HSL 0, 0.74%, 0.54%

LAB 49.93, 65.31, 42.77

 

CMYK 0 / 67 / 78 / 12

HEX #E04B32

RGB 224 75 50

HSL 8.62, 0.74%, 0.54%

LAB 53.07, 56.64, 46.02

 

CMYK 0 / 46 / 78 / 12

HEX #E07A32

RGB 224 122 50

HSL 24.83, 0.74%, 0.54%

LAB 61.65, 34.53, 54.57

 

CMYK 0 / 25 / 78 / 12

HEX #E0A932

RGB 224 169 50

HSL 41.03, 0.74%, 0.54%

LAB 72.53, 9.55, 64.88

 

CMYK 0 / 4 / 78 / 12

HEX #E0D832

RGB 224 216 50

HSL 57.24, 0.74%, 0.54%

LAB 84.58, -14.69, 75.81

 

CMYK 17 / 0 / 78 / 12

HEX #B9E032

RGB 185 224 50

HSL 73.45, 0.74%, 0.54%

LAB 83.89, -34.51, 74.12

 

CMYK 0 / 67 / 78 / 12

HEX #E04B32

RGB 224 75 50

HSL 8.62, 0.74%, 0.54%

LAB 53.07, 56.64, 46.02

 

CMYK 0 / 74 / 87 / 5

HEX #F33E1F

RGB 243 62 31

HSL 8.77, 0.9%, 0.54%

LAB 54.66, 66.77, 57.59

 

CMYK 0 / 67 / 78 / 12

HEX #E04B32

RGB 224 75 50

HSL 8.62, 0.74%, 0.54%

LAB 53.07, 56.64, 46.02

 

CMYK 0 / 57 / 66 / 20

HEX #CD5945

RGB 205 89 69

HSL 8.82, 0.58%, 0.54%

LAB 52.46, 44.69, 34.17

 

CMYK 0 / 45 / 53 / 27

HEX #BA6658

RGB 186 102 88

HSL 8.57, 0.42%, 0.54%

LAB 52.56, 32.2, 22.83

 

CMYK 0 / 31 / 36 / 35

HEX #A7746B

RGB 167 116 107

HSL 9, 0.25%, 0.54%

LAB 53.78, 18.88, 13.03

 

CMYK 0 / 13 / 15 / 42

HEX #94817E

RGB 148 129 126

HSL 8.18, 0.09%, 0.54%

LAB 55.59, 6.71, 4.28

 

CMYK 0 / 78 / 46 / 12

HEX #E03278

RGB 224 50 120

HSL 335.86, 0.74%, 0.54%

LAB 51.25, 69.44, 2.88

 

CMYK 0 / 78 / 67 / 12

HEX #E0324A

RGB 224 50 74

HSL 351.72, 0.74%, 0.54%

LAB 50.24, 66.31, 29.32

 

CMYK 0 / 67 / 78 / 12

HEX #E04A32

RGB 224 74 50

HSL 8.28, 0.74%, 0.54%

LAB 52.92, 57.04, 45.87

 

CMYK 0 / 46 / 78 / 12

HEX #E07832

RGB 224 120 50

HSL 24.14, 0.74%, 0.54%

LAB 61.23, 35.56, 54.16

 

CMYK 0 / 26 / 78 / 12

HEX #E0A632

RGB 224 166 50

HSL 40, 0.74%, 0.54%

LAB 71.79, 11.15, 64.19

 

CMYK 0 / 73 / 85 / 35

HEX #A72D19

RGB 167 45 25

HSL 8.45, 0.74%, 0.38%

LAB 38.13, 48.66, 40.72

 

CMYK 0 / 73 / 85 / 20

HEX #CB371E

RGB 203 55 30

HSL 8.67, 0.74%, 0.46%

LAB 46.34, 56.81, 48.16

 

CMYK 0 / 67 / 78 / 12

HEX #E04B32

RGB 224 75 50

HSL 8.62, 0.74%, 0.54%

LAB 53.07, 56.64, 46.02

 

CMYK 0 / 53 / 62 / 10

HEX #E56B56

RGB 229 107 86

HSL 8.81, 0.73%, 0.62%

LAB 59.75, 45.84, 34.42

 

CMYK 0 / 41 / 48 / 8

HEX #EB8A7A

RGB 235 138 122

HSL 8.5, 0.74%, 0.7%

LAB 67.46, 35.26, 24.56

 

CMYK 0 / 67 / 78 / 12

HEX #E04B32

RGB 224 75 50

HSL 8.62, 0.74%, 0.54%

LAB 53.07, 56.64, 46.02

 

CMYK 26 / 0 / 78 / 12

HEX #A6E032

RGB 166 224 50

HSL 80, 0.74%, 0.54%

LAB 82.73, -41.83, 72.62

 

CMYK 78 / 57 / 0 / 12

HEX #3261E0

RGB 50 97 224

HSL 223.79, 0.74%, 0.54%

LAB 45.09, 29.24, -69.18

 

CMYK 0 / 67 / 78 / 12

HEX #E04B32

RGB 224 75 50

HSL 8.62, 0.74%, 0.54%

LAB 53.07, 56.64, 46.02

 

CMYK 78 / 0 / 67 / 12

HEX #32E04A

RGB 50 224 74

HSL 128.28, 0.74%, 0.54%

LAB 78.74, -70.97, 59.02

 

CMYK 67 / 78 / 0 / 12

HEX #4A32E0

RGB 74 50 224

HSL 248.28, 0.74%, 0.54%

LAB 36.21, 58.96, -83.71

 

CMYK 0 / 67 / 78 / 12

HEX #E04B32

RGB 224 75 50

HSL 8.62, 0.74%, 0.54%

LAB 53.07, 56.64, 46.02

 

CMYK 26 / 0 / 78 / 12

HEX #A6E032

RGB 166 224 50

HSL 80, 0.74%, 0.54%

LAB 82.73, -41.83, 72.62

 

CMYK 78 / 10 / 0 / 12

HEX #32C9E0

RGB 50 201 224

HSL 187.93, 0.74%, 0.54%

LAB 74.72, -30.42, -22.44

 

CMYK 52 / 78 / 0 / 12

HEX #6C32E0

RGB 108 50 224

HSL 260, 0.74%, 0.54%

LAB 39.33, 62.72, -78.46

 

CMYK 0 / 67 / 78 / 12

HEX #E04B32

RGB 224 75 50

HSL 8.62, 0.74%, 0.54%

LAB 53.07, 56.64, 46.02

 

CMYK 49 / 0 / 78 / 12

HEX #72E032

RGB 114 224 50

HSL 97.93, 0.74%, 0.54%

LAB 80.25, -59.33, 69.41

 

CMYK 78 / 10 / 0 / 12

HEX #32C9E0

RGB 50 201 224

HSL 187.93, 0.74%, 0.54%

LAB 74.72, -30.42, -22.44

 

CMYK 29 / 78 / 0 / 12

HEX #A032E0

RGB 160 50 224

HSL 277.93, 0.74%, 0.54%

LAB 45.82, 70.5, -67.58

 

Description

Color code: HEX #E04B32 | qconv.com Color code: HEX #E04B32 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 75 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 75 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 78 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 78% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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