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Color name
HEX #E04C89

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E04C89 it is the complementary color #1FB376. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E04C89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E04C89 shade: #E54C84, #F65E97, #FF70AA, #FF82BD and #FF94D0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E04C89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E04C89 shade: #E04C89, #CF3A76, #BE2863, #AD1650 and #9C043D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E04C89 shade: #DF4D89, #DF4D62 and #DF4D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E04C89 shade: #DF4D89, #DF4DB1, #DF4DD8, #BF4DDF and #974DDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E04C89 shade matches the following richer shades: #DF4D89 and #F03C86

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E04C89 shade: #DF4D89, #CE5E8C, #BD6F8F, #AC8092 and #9B9095

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E04C89 shade: #DF4DD8, #DF4DB1, #DF4D8A, #DF4D63 and #DF5E4D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E04C89 shade: #B9205F, #D92A72, #DF4D89, #E570A0 and #EC93B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E04C89 shade: #E04C89, #DFBF4D and #4DC4DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E04C89 shade: #E04C89, #8ADF4D and #4D8ADF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E04C89 shade: #E04C89, #DFBF4D, #4DDFA2 and #4D6CDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E04C89 shade: #E04C89, #D3DF4D, #4DDFA2 and #594DDF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 39 / 12

HEX #E04C89

RGB 224 76 137

HSL 335.27, 0.7%, 0.59%

LAB 54.89, 62.27, -1.98

 

Complementary color

CMYK 83 / 0 / 34 / 30

HEX #1FB376

RGB 31 179 118

HSL 155.27, 0.7%, 0.41%

LAB 64.83, -51.25, 20.92

 

CMYK 0 / 67 / 42 / 10

HEX #E54C84

RGB 229 76 132

HSL 338.04, 0.75%, 0.6%

LAB 55.58, 63.22, 2.08

 

CMYK 0 / 62 / 39 / 4

HEX #F65E97

RGB 246 94 151

HSL 337.5, 0.89%, 0.67%

LAB 61.51, 62.96, -0.06

 

CMYK 0 / 56 / 33 / 0

HEX #FF70AA

RGB 255 112 170

HSL 335.66, 1%, 0.72%

LAB 66.33, 59.99, -3.72

 

CMYK 0 / 49 / 26 / 0

HEX #FF82BD

RGB 255 130 189

HSL 331.68, 1%, 0.75%

LAB 70.11, 53.95, -8.83

 

CMYK 0 / 42 / 18 / 0

HEX #FF94D0

RGB 255 148 208

HSL 326.36, 1%, 0.79%

LAB 74.19, 47.71, -13.27

 

CMYK 0 / 66 / 39 / 12

HEX #E04C89

RGB 224 76 137

HSL 335.27, 0.7%, 0.59%

LAB 54.89, 62.27, -1.98

 

CMYK 0 / 72 / 43 / 19

HEX #CF3A76

RGB 207 58 118

HSL 335.84, 0.61%, 0.52%

LAB 49.01, 62.17, 0.46

 

CMYK 0 / 79 / 48 / 25

HEX #BE2863

RGB 190 40 99

HSL 336.4, 0.65%, 0.45%

LAB 43.31, 61.46, 3.51

 

CMYK 0 / 87 / 54 / 32

HEX #AD1650

RGB 173 22 80

HSL 336.95, 0.77%, 0.38%

LAB 37.91, 59.82, 7.38

 

CMYK 0 / 97 / 61 / 39

HEX #9C043D

RGB 156 4 61

HSL 337.5, 0.95%, 0.31%

LAB 32.9, 56.97, 12.26

 

CMYK 0 / 65 / 39 / 13

HEX #DF4D89

RGB 223 77 137

HSL 335.34, 0.7%, 0.59%

LAB 54.87, 61.58, -2.03

 

CMYK 0 / 65 / 56 / 13

HEX #DF4D62

RGB 223 77 98

HSL 351.37, 0.7%, 0.59%

LAB 53.9, 58.09, 19.76

 

CMYK 0 / 65 / 65 / 13

HEX #DF4D4D

RGB 223 77 77

HSL 0, 0.7%, 0.59%

LAB 53.53, 56.73, 31.6

 

CMYK 0 / 65 / 39 / 13

HEX #DF4D89

RGB 223 77 137

HSL 335.34, 0.7%, 0.59%

LAB 54.87, 61.58, -2.03

 

CMYK 0 / 65 / 21 / 13

HEX #DF4DB1

RGB 223 77 177

HSL 318.9, 0.7%, 0.59%

LAB 56.26, 66.4, -23.39

 

CMYK 0 / 65 / 3 / 13

HEX #DF4DD8

RGB 223 77 216

HSL 302.88, 0.7%, 0.59%

LAB 57.99, 72.14, -43.03

 

CMYK 14 / 65 / 0 / 13

HEX #BF4DDF

RGB 191 77 223

HSL 286.85, 0.7%, 0.59%

LAB 53.72, 66.07, -54.06

 

CMYK 32 / 65 / 0 / 13

HEX #974DDF

RGB 151 77 223

HSL 270.41, 0.7%, 0.59%

LAB 48.53, 57.44, -62.68

 

CMYK 0 / 65 / 39 / 13

HEX #DF4D89

RGB 223 77 137

HSL 335.34, 0.7%, 0.59%

LAB 54.87, 61.58, -2.03

 

CMYK 0 / 75 / 44 / 6

HEX #F03C86

RGB 240 60 134

HSL 335.33, 0.86%, 0.59%

LAB 55.56, 71.94, 1.11

 

CMYK 0 / 65 / 39 / 13

HEX #DF4D89

RGB 223 77 137

HSL 335.34, 0.7%, 0.59%

LAB 54.87, 61.58, -2.03

 

CMYK 0 / 54 / 32 / 19

HEX #CE5E8C

RGB 206 94 140

HSL 335.36, 0.53%, 0.59%

LAB 55.09, 49.16, -3.77

 

CMYK 0 / 41 / 24 / 26

HEX #BD6F8F

RGB 189 111 143

HSL 335.38, 0.37%, 0.59%

LAB 56.26, 35.03, -4.07

 

CMYK 0 / 26 / 15 / 33

HEX #AC8092

RGB 172 128 146

HSL 335.45, 0.21%, 0.59%

LAB 58.31, 19.85, -3.02

 

CMYK 0 / 7 / 4 / 39

HEX #9B9095

RGB 155 144 149

HSL 332.73, 0.05%, 0.59%

LAB 60.86, 5, -1.18

 

CMYK 0 / 65 / 3 / 13

HEX #DF4DD8

RGB 223 77 216

HSL 302.88, 0.7%, 0.59%

LAB 57.99, 72.14, -43.03

 

CMYK 0 / 65 / 21 / 13

HEX #DF4DB1

RGB 223 77 177

HSL 318.9, 0.7%, 0.59%

LAB 56.26, 66.4, -23.39

 

CMYK 0 / 65 / 38 / 13

HEX #DF4D8A

RGB 223 77 138

HSL 334.93, 0.7%, 0.59%

LAB 54.9, 61.69, -2.58

 

CMYK 0 / 65 / 56 / 13

HEX #DF4D63

RGB 223 77 99

HSL 350.96, 0.7%, 0.59%

LAB 53.92, 58.16, 19.2

 

CMYK 0 / 58 / 65 / 13

HEX #DF5E4D

RGB 223 94 77

HSL 6.99, 0.7%, 0.59%

LAB 56.32, 49.29, 35.02

 

CMYK 0 / 83 / 49 / 27

HEX #B9205F

RGB 185 32 95

HSL 335.29, 0.71%, 0.43%

LAB 41.49, 61.91, 3.27

 

CMYK 0 / 81 / 47 / 15

HEX #D92A72

RGB 217 42 114

HSL 335.31, 0.7%, 0.51%

LAB 49.04, 69.24, 3.16

 

CMYK 0 / 65 / 39 / 13

HEX #DF4D89

RGB 223 77 137

HSL 335.34, 0.7%, 0.59%

LAB 54.87, 61.58, -2.03

 

CMYK 0 / 51 / 30 / 10

HEX #E570A0

RGB 229 112 160

HSL 335.38, 0.69%, 0.67%

LAB 62.33, 50.5, -4.34

 

CMYK 0 / 38 / 22 / 7

HEX #EC93B7

RGB 236 147 183

HSL 335.73, 0.7%, 0.75%

LAB 70.95, 38.22, -4.49

 

CMYK 0 / 66 / 39 / 12

HEX #E04C89

RGB 224 76 137

HSL 335.27, 0.7%, 0.59%

LAB 54.89, 62.27, -1.98

 

CMYK 0 / 14 / 65 / 13

HEX #DFBF4D

RGB 223 191 77

HSL 46.85, 0.7%, 0.59%

LAB 78.16, -1.16, 59.77

 

CMYK 65 / 12 / 0 / 13

HEX #4DC4DF

RGB 77 196 223

HSL 191.1, 0.7%, 0.59%

LAB 73.79, -24.88, -23.26

 

CMYK 0 / 66 / 39 / 12

HEX #E04C89

RGB 224 76 137

HSL 335.27, 0.7%, 0.59%

LAB 54.89, 62.27, -1.98

 

CMYK 38 / 0 / 65 / 13

HEX #8ADF4D

RGB 138 223 77

HSL 94.93, 0.7%, 0.59%

LAB 81.13, -49.67, 61.19

 

CMYK 65 / 38 / 0 / 13

HEX #4D8ADF

RGB 77 138 223

HSL 214.93, 0.7%, 0.59%

LAB 57.16, 7.02, -49.16

 

CMYK 0 / 66 / 39 / 12

HEX #E04C89

RGB 224 76 137

HSL 335.27, 0.7%, 0.59%

LAB 54.89, 62.27, -1.98

 

CMYK 0 / 14 / 65 / 13

HEX #DFBF4D

RGB 223 191 77

HSL 46.85, 0.7%, 0.59%

LAB 78.16, -1.16, 59.77

 

CMYK 65 / 0 / 27 / 13

HEX #4DDFA2

RGB 77 223 162

HSL 154.93, 0.7%, 0.59%

LAB 80.16, -52.81, 18.74

 

CMYK 65 / 52 / 0 / 13

HEX #4D6CDF

RGB 77 108 223

HSL 227.26, 0.7%, 0.59%

LAB 49.04, 25.43, -62.15

 

CMYK 0 / 66 / 39 / 12

HEX #E04C89

RGB 224 76 137

HSL 335.27, 0.7%, 0.59%

LAB 54.89, 62.27, -1.98

 

CMYK 5 / 0 / 65 / 13

HEX #D3DF4D

RGB 211 223 77

HSL 64.93, 0.7%, 0.59%

LAB 85.58, -22.24, 67.23

 

CMYK 65 / 0 / 27 / 13

HEX #4DDFA2

RGB 77 223 162

HSL 154.93, 0.7%, 0.59%

LAB 80.16, -52.81, 18.74

 

CMYK 60 / 65 / 0 / 13

HEX #594DDF

RGB 89 77 223

HSL 244.93, 0.7%, 0.59%

LAB 42.4, 46.14, -72.92

 

Description

Color code: HEX #E04C89 | qconv.com Color code: HEX #E04C89 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 76 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 76 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 39 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 39% 12% C M Y K

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Provide designers and agencies with accurate color values.

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