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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E05CB5 it is the complementary color #1FA34A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E05CB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E05CB5 shade: #E55CB0, #F66EC3, #FF80D6, #FF92E9 and #FFA4FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E05CB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E05CB5 shade: #E05CB5, #CF4AA2, #BE388F, #AD267C and #9C1469

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E05CB5 shade: #DF5CB5, #DF5C91, #DF5C6D and #DF5C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E05CB5 shade: #DF5CB5, #DF5CD8, #C35CDF, #A05CDF and #7C5CDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E05CB5 shade matches the following richer shades: #DF5CB5 and #EF4CBA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E05CB5 shade: #DF5CB5, #D06BAF, #C07BAA, #B08BA4 and #A19A9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E05CB5 shade: #C35CDF, #DF5CD9, #DF5CB6, #DF5C93 and #DF5C6F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E05CB5 shade: #C42590, #D939A5, #DF5CB5, #E67EC4 and #EDA1D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E05CB5 shade: #E05CB5, #DFA05C and #5CDFD5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E05CB5 shade: #E05CB5, #B6DF5C and #5CB6DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E05CB5 shade: #E05CB5, #DFA05C, #5CDF85 and #5C9BDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E05CB5 shade: #E05CB5, #DFC75C, #5CDF85 and #5C74DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 19 / 12

HEX #E05CB5

RGB 224 92 181

HSL 319.55, 0.68%, 0.62%

LAB 58.82, 61.05, -21.75

 

Complementary color

CMYK 81 / 0 / 55 / 36

HEX #1FA34A

RGB 31 163 74

HSL 139.55, 0.68%, 0.38%

LAB 58.96, -53.5, 36.37

 

CMYK 0 / 60 / 23 / 10

HEX #E55CB0

RGB 229 92 176

HSL 323.21, 0.72%, 0.63%

LAB 59.39, 61.78, -17.95

 

CMYK 0 / 55 / 21 / 4

HEX #F66EC3

RGB 246 110 195

HSL 322.5, 0.88%, 0.7%

LAB 65.5, 61.36, -19.25

 

CMYK 0 / 50 / 16 / 0

HEX #FF80D6

RGB 255 128 214

HSL 319.37, 1%, 0.75%

LAB 70.56, 58.4, -22.06

 

CMYK 0 / 43 / 9 / 0

HEX #FF92E9

RGB 255 146 233

HSL 312.11, 1%, 0.79%

LAB 74.64, 52.6, -26.29

 

CMYK 0 / 36 / 1 / 0

HEX #FFA4FC

RGB 255 164 252

HSL 301.98, 1%, 0.82%

LAB 78.95, 46.71, -29.97

 

CMYK 0 / 59 / 19 / 12

HEX #E05CB5

RGB 224 92 181

HSL 319.55, 0.68%, 0.62%

LAB 58.82, 61.05, -21.75

 

CMYK 0 / 64 / 22 / 19

HEX #CF4AA2

RGB 207 74 162

HSL 320.3, 0.58%, 0.55%

LAB 52.7, 61.25, -20.31

 

CMYK 0 / 71 / 25 / 25

HEX #BE388F

RGB 190 56 143

HSL 321.04, 0.54%, 0.48%

LAB 46.66, 61.06, -18.51

 

CMYK 0 / 78 / 28 / 32

HEX #AD267C

RGB 173 38 124

HSL 321.78, 0.64%, 0.41%

LAB 40.78, 60.23, -16.17

 

CMYK 0 / 87 / 33 / 39

HEX #9C1469

RGB 156 20 105

HSL 322.5, 0.77%, 0.35%

LAB 35.18, 58.38, -13.07

 

CMYK 0 / 59 / 19 / 13

HEX #DF5CB5

RGB 223 92 181

HSL 319.24, 0.67%, 0.62%

LAB 58.68, 60.76, -21.99

 

CMYK 0 / 59 / 35 / 13

HEX #DF5C91

RGB 223 92 145

HSL 335.73, 0.67%, 0.62%

LAB 57.45, 56.12, -2.94

 

CMYK 0 / 59 / 51 / 13

HEX #DF5C6D

RGB 223 92 109

HSL 352.21, 0.67%, 0.62%

LAB 56.53, 52.51, 16.87

 

CMYK 0 / 59 / 59 / 13

HEX #DF5C5C

RGB 223 92 92

HSL 0, 0.67%, 0.62%

LAB 56.2, 51.18, 26.33

 

CMYK 0 / 59 / 19 / 13

HEX #DF5CB5

RGB 223 92 181

HSL 319.24, 0.67%, 0.62%

LAB 58.68, 60.76, -21.99

 

CMYK 0 / 59 / 3 / 13

HEX #DF5CD8

RGB 223 92 216

HSL 303.21, 0.67%, 0.62%

LAB 60.16, 66.14, -39.62

 

CMYK 13 / 59 / 0 / 13

HEX #C35CDF

RGB 195 92 223

HSL 287.18, 0.67%, 0.62%

LAB 56.67, 60.38, -49.33

 

CMYK 28 / 59 / 0 / 13

HEX #A05CDF

RGB 160 92 223

HSL 271.15, 0.67%, 0.62%

LAB 52.35, 51.93, -56.47

 

CMYK 44 / 59 / 0 / 13

HEX #7C5CDF

RGB 124 92 223

HSL 254.66, 0.67%, 0.62%

LAB 48.59, 43.88, -62.71

 

CMYK 0 / 59 / 19 / 13

HEX #DF5CB5

RGB 223 92 181

HSL 319.24, 0.67%, 0.62%

LAB 58.68, 60.76, -21.99

 

CMYK 0 / 68 / 22 / 6

HEX #EF4CBA

RGB 239 76 186

HSL 319.51, 0.84%, 0.62%

LAB 59.03, 72.09, -24.1

 

CMYK 0 / 59 / 19 / 13

HEX #DF5CB5

RGB 223 92 181

HSL 319.24, 0.67%, 0.62%

LAB 58.68, 60.76, -21.99

 

CMYK 0 / 49 / 16 / 18

HEX #D06BAF

RGB 208 107 175

HSL 319.6, 0.52%, 0.62%

LAB 58.99, 48.32, -18.25

 

CMYK 0 / 36 / 11 / 25

HEX #C07BAA

RGB 192 123 170

HSL 319.13, 0.35%, 0.62%

LAB 60.14, 33.85, -13.84

 

CMYK 0 / 21 / 7 / 31

HEX #B08BA4

RGB 176 139 164

HSL 319.46, 0.19%, 0.62%

LAB 61.98, 18.26, -7.84

 

CMYK 0 / 4 / 1 / 37

HEX #A19A9F

RGB 161 154 159

HSL 317.14, 0.04%, 0.62%

LAB 64.32, 3.49, -1.71

 

CMYK 13 / 59 / 0 / 13

HEX #C35CDF

RGB 195 92 223

HSL 287.18, 0.67%, 0.62%

LAB 56.67, 60.38, -49.33

 

CMYK 0 / 59 / 3 / 13

HEX #DF5CD9

RGB 223 92 217

HSL 302.75, 0.67%, 0.62%

LAB 60.21, 66.31, -40.11

 

CMYK 0 / 59 / 18 / 13

HEX #DF5CB6

RGB 223 92 182

HSL 318.78, 0.67%, 0.62%

LAB 58.71, 60.91, -22.51

 

CMYK 0 / 59 / 34 / 13

HEX #DF5C93

RGB 223 92 147

HSL 334.81, 0.67%, 0.62%

LAB 57.51, 56.35, -4.02

 

CMYK 0 / 59 / 50 / 13

HEX #DF5C6F

RGB 223 92 111

HSL 351.3, 0.67%, 0.62%

LAB 56.58, 52.68, 15.75

 

CMYK 0 / 81 / 27 / 23

HEX #C42590

RGB 196 37 144

HSL 319.62, 0.68%, 0.46%

LAB 45.73, 68.41, -20.43

 

CMYK 0 / 74 / 24 / 15

HEX #D939A5

RGB 217 57 165

HSL 319.5, 0.68%, 0.54%

LAB 52.28, 70.34, -22.58

 

CMYK 0 / 59 / 19 / 13

HEX #DF5CB5

RGB 223 92 181

HSL 319.24, 0.67%, 0.62%

LAB 58.68, 60.76, -21.99

 

CMYK 0 / 45 / 15 / 10

HEX #E67EC4

RGB 230 126 196

HSL 319.62, 0.68%, 0.7%

LAB 66.31, 48.98, -18.78

 

CMYK 0 / 32 / 11 / 7

HEX #EDA1D4

RGB 237 161 212

HSL 319.74, 0.68%, 0.78%

LAB 74.98, 35.69, -14.48

 

CMYK 0 / 59 / 19 / 12

HEX #E05CB5

RGB 224 92 181

HSL 319.55, 0.68%, 0.62%

LAB 58.82, 61.05, -21.75

 

CMYK 0 / 28 / 59 / 13

HEX #DFA05C

RGB 223 160 92

HSL 31.15, 0.67%, 0.62%

LAB 70.6, 16.25, 44.23

 

CMYK 59 / 0 / 4 / 13

HEX #5CDFD5

RGB 92 223 213

HSL 175.42, 0.67%, 0.62%

LAB 81.76, -38.1, -5.89

 

CMYK 0 / 59 / 19 / 12

HEX #E05CB5

RGB 224 92 181

HSL 319.55, 0.68%, 0.62%

LAB 58.82, 61.05, -21.75

 

CMYK 18 / 0 / 59 / 13

HEX #B6DF5C

RGB 182 223 92

HSL 78.78, 0.67%, 0.62%

LAB 83.7, -32.65, 58.45

 

CMYK 59 / 18 / 0 / 13

HEX #5CB6DF

RGB 92 182 223

HSL 198.78, 0.67%, 0.62%

LAB 70.22, -15.09, -28.7

 

CMYK 0 / 59 / 19 / 12

HEX #E05CB5

RGB 224 92 181

HSL 319.55, 0.68%, 0.62%

LAB 58.82, 61.05, -21.75

 

CMYK 0 / 28 / 59 / 13

HEX #DFA05C

RGB 223 160 92

HSL 31.15, 0.67%, 0.62%

LAB 70.6, 16.25, 44.23

 

CMYK 59 / 0 / 40 / 13

HEX #5CDF85

RGB 92 223 133

HSL 138.78, 0.67%, 0.62%

LAB 80.04, -55.44, 33.59

 

CMYK 59 / 30 / 0 / 13

HEX #5C9BDF

RGB 92 155 223

HSL 211.15, 0.67%, 0.62%

LAB 62.55, -0.21, -40.62

 

CMYK 0 / 59 / 19 / 12

HEX #E05CB5

RGB 224 92 181

HSL 319.55, 0.68%, 0.62%

LAB 58.82, 61.05, -21.75

 

CMYK 0 / 11 / 59 / 13

HEX #DFC75C

RGB 223 199 92

HSL 49.01, 0.67%, 0.62%

LAB 80.35, -4.32, 55.54

 

CMYK 59 / 0 / 40 / 13

HEX #5CDF85

RGB 92 223 133

HSL 138.78, 0.67%, 0.62%

LAB 80.04, -55.44, 33.59

 

CMYK 59 / 48 / 0 / 13

HEX #5C74DF

RGB 92 116 223

HSL 229.01, 0.67%, 0.62%

LAB 51.94, 23.08, -57.44

 

Description

Color code: HEX #E05CB5 | qconv.com Color code: HEX #E05CB5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 92 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 92 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 19 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 19% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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