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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E066CC it is the complementary color #1F9933. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E066CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E066CC shade: #E566C7, #F678DA, #FF8AED, #FF9CFF and #FFAEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E066CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E066CC shade: #E066CC, #CF54B9, #BE42A6, #AD3093 and #9C1E80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E066CC shade: #DF66CB, #DF66AB, #DF668A, #DF6669 and #DF6666

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E066CC shade: #DF66CB, #D266DF, #B266DF, #9166DF and #7066DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E066CC shade matches the following richer shades: #DF66CB, #EE57D5 and #FD48DF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E066CC shade: #DF66CB, #D075C1, #C284B7, #B393AD and #A4A2A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E066CC shade: #B166DF, #D166DF, #DF66CD, #DF66AD and #DF668C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E066CC shade: #CA29B0, #D844C0, #DF66CB, #E688D7 and #EDABE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E066CC shade: #E066CC, #DF9166 and #66DFC1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E066CC shade: #E066CC, #CDDF66 and #66CDDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E066CC shade: #E066CC, #DF9166, #66DF78 and #66B5DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E066CC shade: #E066CC, #DFB566, #66DF78 and #6691DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 9 / 12

HEX #E066CC

RGB 224 102 204

HSL 309.84, 0.66%, 0.64%

LAB 61.4, 60.04, -30.89

 

Complementary color

CMYK 80 / 0 / 67 / 40

HEX #1F9933

RGB 31 153 51

HSL 129.84, 0.66%, 0.36%

LAB 55.39, -53.09, 43.09

 

CMYK 0 / 55 / 13 / 10

HEX #E566C7

RGB 229 102 199

HSL 314.17, 0.71%, 0.65%

LAB 61.9, 60.66, -27.24

 

CMYK 0 / 51 / 11 / 4

HEX #F678DA

RGB 246 120 218

HSL 313.33, 0.88%, 0.72%

LAB 68.09, 60.14, -28.18

 

CMYK 0 / 46 / 7 / 0

HEX #FF8AED

RGB 255 138 237

HSL 309.23, 1%, 0.77%

LAB 73.25, 57.19, -30.6

 

CMYK 0 / 39 / 0 / 0

HEX #FF9CFF

RGB 255 156 255

HSL 300, 1%, 0.81%

LAB 77.43, 51.32, -33.92

 

CMYK 0 / 32 / 0 / 0

HEX #FFAEFF

RGB 255 174 255

HSL 300, 1%, 0.84%

LAB 81.16, 42.08, -28.2

 

CMYK 0 / 54 / 9 / 12

HEX #E066CC

RGB 224 102 204

HSL 309.84, 0.66%, 0.64%

LAB 61.4, 60.04, -30.89

 

CMYK 0 / 59 / 11 / 19

HEX #CF54B9

RGB 207 84 185

HSL 310.73, 0.56%, 0.57%

LAB 55.18, 60.41, -29.88

 

CMYK 0 / 65 / 13 / 25

HEX #BE42A6

RGB 190 66 166

HSL 311.61, 0.49%, 0.5%

LAB 49, 60.5, -28.6

 

CMYK 0 / 72 / 15 / 32

HEX #AD3093

RGB 173 48 147

HSL 312.48, 0.57%, 0.43%

LAB 42.92, 60.1, -26.93

 

CMYK 0 / 81 / 18 / 39

HEX #9C1E80

RGB 156 30 128

HSL 313.33, 0.68%, 0.36%

LAB 37.03, 58.92, -24.69

 

CMYK 0 / 54 / 9 / 13

HEX #DF66CB

RGB 223 102 203

HSL 309.92, 0.65%, 0.64%

LAB 61.22, 59.6, -30.62

 

CMYK 0 / 54 / 23 / 13

HEX #DF66AB

RGB 223 102 171

HSL 325.79, 0.65%, 0.64%

LAB 60.01, 54.83, -14.21

 

CMYK 0 / 54 / 38 / 13

HEX #DF668A

RGB 223 102 138

HSL 342.15, 0.65%, 0.64%

LAB 59, 50.71, 3.4

 

CMYK 0 / 54 / 53 / 13

HEX #DF6669

RGB 223 102 105

HSL 358.51, 0.65%, 0.64%

LAB 58.24, 47.49, 21.51

 

CMYK 0 / 54 / 54 / 13

HEX #DF6666

RGB 223 102 102

HSL 0, 0.65%, 0.64%

LAB 58.18, 47.25, 23.16

 

CMYK 0 / 54 / 9 / 13

HEX #DF66CB

RGB 223 102 203

HSL 309.92, 0.65%, 0.64%

LAB 61.22, 59.6, -30.62

 

CMYK 6 / 54 / 0 / 13

HEX #D266DF

RGB 210 102 223

HSL 293.55, 0.65%, 0.64%

LAB 60.37, 59.52, -43.35

 

CMYK 20 / 54 / 0 / 13

HEX #B266DF

RGB 178 102 223

HSL 277.69, 0.65%, 0.64%

LAB 56.38, 51.21, -49.91

 

CMYK 35 / 54 / 0 / 13

HEX #9166DF

RGB 145 102 223

HSL 261.32, 0.65%, 0.64%

LAB 52.79, 42.99, -55.86

 

CMYK 50 / 54 / 0 / 13

HEX #7066DF

RGB 112 102 223

HSL 244.96, 0.65%, 0.64%

LAB 49.83, 35.56, -60.77

 

CMYK 0 / 54 / 9 / 13

HEX #DF66CB

RGB 223 102 203

HSL 309.92, 0.65%, 0.64%

LAB 61.22, 59.6, -30.62

 

CMYK 0 / 63 / 11 / 7

HEX #EE57D5

RGB 238 87 213

HSL 309.93, 0.82%, 0.64%

LAB 61.48, 71.48, -35.7

 

CMYK 0 / 72 / 12 / 1

HEX #FD48DF

RGB 253 72 223

HSL 309.94, 0.98%, 0.64%

LAB 62.38, 81.7, -39.76

 

CMYK 0 / 54 / 9 / 13

HEX #DF66CB

RGB 223 102 203

HSL 309.92, 0.65%, 0.64%

LAB 61.22, 59.6, -30.62

 

CMYK 0 / 44 / 7 / 18

HEX #D075C1

RGB 208 117 193

HSL 309.89, 0.49%, 0.64%

LAB 61.64, 46.18, -24.47

 

CMYK 0 / 32 / 6 / 24

HEX #C284B7

RGB 194 132 183

HSL 310.65, 0.34%, 0.64%

LAB 62.84, 31.88, -17.13

 

CMYK 0 / 18 / 3 / 30

HEX #B393AD

RGB 179 147 173

HSL 311.25, 0.17%, 0.64%

LAB 64.54, 16.5, -9.08

 

CMYK 0 / 1 / 1 / 36

HEX #A4A2A3

RGB 164 162 163

HSL 330, 0.01%, 0.64%

LAB 66.81, 0.91, -0.27

 

CMYK 21 / 54 / 0 / 13

HEX #B166DF

RGB 177 102 223

HSL 277.19, 0.65%, 0.64%

LAB 56.27, 50.95, -50.11

 

CMYK 6 / 54 / 0 / 13

HEX #D166DF

RGB 209 102 223

HSL 293.06, 0.65%, 0.64%

LAB 60.24, 59.25, -43.57

 

CMYK 0 / 54 / 8 / 13

HEX #DF66CD

RGB 223 102 205

HSL 308.93, 0.65%, 0.64%

LAB 61.31, 59.92, -31.62

 

CMYK 0 / 54 / 22 / 13

HEX #DF66AD

RGB 223 102 173

HSL 324.79, 0.65%, 0.64%

LAB 60.08, 55.1, -15.26

 

CMYK 0 / 54 / 37 / 13

HEX #DF668C

RGB 223 102 140

HSL 341.16, 0.65%, 0.64%

LAB 59.05, 50.93, 2.32

 

CMYK 0 / 80 / 13 / 21

HEX #CA29B0

RGB 202 41 176

HSL 309.69, 0.66%, 0.48%

LAB 48.61, 72.89, -34.97

 

CMYK 0 / 69 / 11 / 15

HEX #D844C0

RGB 216 68 192

HSL 309.73, 0.65%, 0.56%

LAB 54.59, 70.1, -34.73

 

CMYK 0 / 54 / 9 / 13

HEX #DF66CB

RGB 223 102 203

HSL 309.92, 0.65%, 0.64%

LAB 61.22, 59.6, -30.62

 

CMYK 0 / 41 / 7 / 10

HEX #E688D7

RGB 230 136 215

HSL 309.57, 0.65%, 0.72%

LAB 69, 47, -25.29

 

CMYK 0 / 28 / 5 / 7

HEX #EDABE2

RGB 237 171 226

HSL 310, 0.65%, 0.8%

LAB 77.65, 32.78, -18.08

 

CMYK 0 / 54 / 9 / 12

HEX #E066CC

RGB 224 102 204

HSL 309.84, 0.66%, 0.64%

LAB 61.4, 60.04, -30.89

 

CMYK 0 / 35 / 54 / 13

HEX #DF9166

RGB 223 145 102

HSL 21.32, 0.65%, 0.64%

LAB 67.2, 25.08, 34.86

 

CMYK 54 / 0 / 13 / 13

HEX #66DFC1

RGB 102 223 193

HSL 165.12, 0.65%, 0.64%

LAB 81.54, -41.13, 4.44

 

CMYK 0 / 54 / 9 / 12

HEX #E066CC

RGB 224 102 204

HSL 309.84, 0.66%, 0.64%

LAB 61.4, 60.04, -30.89

 

CMYK 8 / 0 / 54 / 13

HEX #CDDF66

RGB 205 223 102

HSL 68.93, 0.65%, 0.64%

LAB 85.36, -22.87, 56.33

 

CMYK 54 / 8 / 0 / 13

HEX #66CDDF

RGB 102 205 223

HSL 188.93, 0.65%, 0.64%

LAB 77.17, -24.94, -18.06

 

CMYK 0 / 54 / 9 / 12

HEX #E066CC

RGB 224 102 204

HSL 309.84, 0.66%, 0.64%

LAB 61.4, 60.04, -30.89

 

CMYK 0 / 35 / 54 / 13

HEX #DF9166

RGB 223 145 102

HSL 21.32, 0.65%, 0.64%

LAB 67.2, 25.08, 34.86

 

CMYK 54 / 0 / 46 / 13

HEX #66DF78

RGB 102 223 120

HSL 128.93, 0.65%, 0.64%

LAB 80.15, -55.2, 40.28

 

CMYK 54 / 19 / 0 / 13

HEX #66B5DF

RGB 102 181 223

HSL 200.83, 0.65%, 0.64%

LAB 70.32, -12.57, -28.51

 

CMYK 0 / 54 / 9 / 12

HEX #E066CC

RGB 224 102 204

HSL 309.84, 0.66%, 0.64%

LAB 61.4, 60.04, -30.89

 

CMYK 0 / 19 / 54 / 13

HEX #DFB566

RGB 223 181 102

HSL 39.17, 0.65%, 0.64%

LAB 75.88, 5.84, 45.56

 

CMYK 54 / 0 / 46 / 13

HEX #66DF78

RGB 102 223 120

HSL 128.93, 0.65%, 0.64%

LAB 80.15, -55.2, 40.28

 

CMYK 54 / 35 / 0 / 13

HEX #6691DF

RGB 102 145 223

HSL 218.68, 0.65%, 0.64%

LAB 60.25, 7.64, -44.19

 

Description

Color code: HEX #E066CC | qconv.com Color code: HEX #E066CC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 102 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 102 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 9 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 9% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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