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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E06928 it is the complementary color #1F96D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E06928. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E06928 shade: #E56923, #F67B36, #FF8D49, #FF9F5C and #FFB16F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E06928. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E06928 shade: #E06928, #CF5715, #BE4502, #AD3300 and #9C2100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E06928 shade: #E06928, #E03828 and #E02828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E06928 shade: #E06928, #E09B28, #E0CC28, #C2E028 and #91E028

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E06928 shade matches the following richer shades: #E06928 and #F46314

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E06928 shade: #E06928, #CC6F3C, #B87550, #A47B64 and #918078

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E06928 shade: #E0284A, #E03828, #E06928, #E09A28 and #E0CA28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E06928 shade: #9F4716, #C3571B, #E06928, #E5824C and #EA9C71

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E06928 shade: #E06928, #7BE028 and #2831E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E06928 shade: #E06928, #28E069 and #6928E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E06928 shade: #E06928, #7BE028, #28A0E0 and #8D28E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E06928 shade: #E06928, #44E028, #28A0E0 and #C428E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 82 / 12

HEX #E06928

RGB 224 105 40

HSL 21.2, 0.75%, 0.52%

LAB 58.14, 42.8, 55.54

 

Complementary color

CMYK 86 / 30 / 0 / 16

HEX #1F96D7

RGB 31 150 215

HSL 201.2, 0.75%, 0.48%

LAB 58.98, -8.33, -41.88

 

CMYK 0 / 54 / 85 / 10

HEX #E56923

RGB 229 105 35

HSL 21.65, 0.79%, 0.52%

LAB 58.87, 44.57, 58.46

 

CMYK 0 / 50 / 78 / 4

HEX #F67B36

RGB 246 123 54

HSL 21.56, 0.91%, 0.59%

LAB 64.98, 42.8, 57.11

 

CMYK 0 / 45 / 71 / 0

HEX #FF8D49

RGB 255 141 73

HSL 22.42, 1%, 0.64%

LAB 70.03, 38.04, 53.96

 

CMYK 0 / 38 / 64 / 0

HEX #FF9F5C

RGB 255 159 92

HSL 24.66, 1%, 0.68%

LAB 74.08, 29.81, 49.26

 

CMYK 0 / 31 / 56 / 0

HEX #FFB16F

RGB 255 177 111

HSL 27.5, 1%, 0.72%

LAB 78.38, 21.73, 44.86

 

CMYK 0 / 53 / 82 / 12

HEX #E06928

RGB 224 105 40

HSL 21.2, 0.75%, 0.52%

LAB 58.14, 42.8, 55.54

 

CMYK 0 / 58 / 90 / 19

HEX #CF5715

RGB 207 87 21

HSL 21.29, 0.82%, 0.45%

LAB 51.99, 44.61, 56.46

 

CMYK 0 / 64 / 99 / 25

HEX #BE4502

RGB 190 69 2

HSL 21.38, 0.98%, 0.38%

LAB 45.92, 46.37, 56.18

 

CMYK 0 / 71 / 100 / 32

HEX #AD3300

RGB 173 51 0

HSL 17.69, 1%, 0.34%

LAB 40, 47.95, 52.03

 

CMYK 0 / 79 / 100 / 39

HEX #9C2100

RGB 156 33 0

HSL 12.69, 1%, 0.31%

LAB 34.3, 48.82, 47.38

 

CMYK 0 / 53 / 82 / 12

HEX #E06928

RGB 224 105 40

HSL 21.2, 0.75%, 0.52%

LAB 58.14, 42.8, 55.54

 

CMYK 0 / 75 / 82 / 12

HEX #E03828

RGB 224 56 40

HSL 5.22, 0.75%, 0.52%

LAB 50.49, 63.19, 48.55

 

CMYK 0 / 82 / 82 / 12

HEX #E02828

RGB 224 40 40

HSL 0, 0.75%, 0.52%

LAB 48.91, 67.64, 47.08

 

CMYK 0 / 53 / 82 / 12

HEX #E06928

RGB 224 105 40

HSL 21.2, 0.75%, 0.52%

LAB 58.14, 42.8, 55.54

 

CMYK 0 / 31 / 82 / 12

HEX #E09B28

RGB 224 155 40

HSL 37.5, 0.75%, 0.52%

LAB 69.07, 16.69, 65.19

 

CMYK 0 / 9 / 82 / 12

HEX #E0CC28

RGB 224 204 40

HSL 53.48, 0.75%, 0.52%

LAB 81.39, -8.99, 75.76

 

CMYK 13 / 0 / 82 / 12

HEX #C2E028

RGB 194 224 40

HSL 69.78, 0.75%, 0.52%

LAB 84.45, -31.27, 77.45

 

CMYK 35 / 0 / 82 / 12

HEX #91E028

RGB 145 224 40

HSL 85.76, 0.75%, 0.52%

LAB 81.56, -49.86, 73.8

 

CMYK 0 / 53 / 82 / 12

HEX #E06928

RGB 224 105 40

HSL 21.2, 0.75%, 0.52%

LAB 58.14, 42.8, 55.54

 

CMYK 0 / 59 / 92 / 4

HEX #F46314

RGB 244 99 20

HSL 21.16, 0.91%, 0.52%

LAB 60.08, 52.61, 65.25

 

CMYK 0 / 53 / 82 / 12

HEX #E06928

RGB 224 105 40

HSL 21.2, 0.75%, 0.52%

LAB 58.14, 42.8, 55.54

 

CMYK 0 / 46 / 71 / 20

HEX #CC6F3C

RGB 204 111 60

HSL 21.25, 0.59%, 0.52%

LAB 56.62, 32.65, 43.75

 

CMYK 0 / 36 / 57 / 28

HEX #B87550

RGB 184 117 80

HSL 21.35, 0.42%, 0.52%

LAB 55.58, 22.49, 31.2

 

CMYK 0 / 25 / 39 / 36

HEX #A47B64

RGB 164 123 100

HSL 21.56, 0.26%, 0.52%

LAB 55.05, 12.79, 18.77

 

CMYK 0 / 12 / 17 / 43

HEX #918078

RGB 145 128 120

HSL 19.2, 0.1%, 0.52%

LAB 54.88, 5.09, 6.71

 

CMYK 0 / 82 / 67 / 12

HEX #E0284A

RGB 224 40 74

HSL 348.91, 0.75%, 0.52%

LAB 49.32, 68.91, 28.17

 

CMYK 0 / 75 / 82 / 12

HEX #E03828

RGB 224 56 40

HSL 5.22, 0.75%, 0.52%

LAB 50.49, 63.19, 48.55

 

CMYK 0 / 53 / 82 / 12

HEX #E06928

RGB 224 105 40

HSL 21.2, 0.75%, 0.52%

LAB 58.14, 42.8, 55.54

 

CMYK 0 / 31 / 82 / 12

HEX #E09A28

RGB 224 154 40

HSL 37.17, 0.75%, 0.52%

LAB 68.83, 17.22, 64.99

 

CMYK 0 / 10 / 82 / 12

HEX #E0CA28

RGB 224 202 40

HSL 52.83, 0.75%, 0.52%

LAB 80.87, -7.98, 75.32

 

CMYK 0 / 55 / 86 / 38

HEX #9F4716

RGB 159 71 22

HSL 21.46, 0.76%, 0.35%

LAB 41.11, 33.85, 44.14

 

CMYK 0 / 55 / 86 / 24

HEX #C3571B

RGB 195 87 27

HSL 21.43, 0.76%, 0.44%

LAB 50.09, 40.15, 52.04

 

CMYK 0 / 53 / 82 / 12

HEX #E06928

RGB 224 105 40

HSL 21.2, 0.75%, 0.52%

LAB 58.14, 42.8, 55.54

 

CMYK 0 / 43 / 67 / 10

HEX #E5824C

RGB 229 130 76

HSL 21.18, 0.75%, 0.6%

LAB 64.28, 33.6, 45.14

 

CMYK 0 / 33 / 52 / 8

HEX #EA9C71

RGB 234 156 113

HSL 21.32, 0.74%, 0.68%

LAB 71.19, 24.56, 34.32

 

CMYK 0 / 53 / 82 / 12

HEX #E06928

RGB 224 105 40

HSL 21.2, 0.75%, 0.52%

LAB 58.14, 42.8, 55.54

 

CMYK 45 / 0 / 82 / 12

HEX #7BE028

RGB 123 224 40

HSL 92.93, 0.75%, 0.52%

LAB 80.56, -57.11, 72.54

 

CMYK 82 / 78 / 0 / 12

HEX #2831E0

RGB 40 49 224

HSL 237.07, 0.75%, 0.52%

LAB 34.04, 57.04, -87.36

 

CMYK 0 / 53 / 82 / 12

HEX #E06928

RGB 224 105 40

HSL 21.2, 0.75%, 0.52%

LAB 58.14, 42.8, 55.54

 

CMYK 82 / 0 / 53 / 12

HEX #28E069

RGB 40 224 105

HSL 141.2, 0.75%, 0.52%

LAB 78.92, -68.38, 45.66

 

CMYK 53 / 82 / 0 / 12

HEX #6928E0

RGB 105 40 224

HSL 261.2, 0.75%, 0.52%

LAB 37.67, 66.26, -81.21

 

CMYK 0 / 53 / 82 / 12

HEX #E06928

RGB 224 105 40

HSL 21.2, 0.75%, 0.52%

LAB 58.14, 42.8, 55.54

 

CMYK 45 / 0 / 82 / 12

HEX #7BE028

RGB 123 224 40

HSL 92.93, 0.75%, 0.52%

LAB 80.56, -57.11, 72.54

 

CMYK 82 / 29 / 0 / 12

HEX #28A0E0

RGB 40 160 224

HSL 200.87, 0.75%, 0.52%

LAB 62.49, -10.02, -41.37

 

CMYK 37 / 82 / 0 / 12

HEX #8D28E0

RGB 141 40 224

HSL 272.93, 0.75%, 0.52%

LAB 42.1, 70.79, -73.77

 

CMYK 0 / 53 / 82 / 12

HEX #E06928

RGB 224 105 40

HSL 21.2, 0.75%, 0.52%

LAB 58.14, 42.8, 55.54

 

CMYK 70 / 0 / 82 / 12

HEX #44E028

RGB 68 224 40

HSL 110.87, 0.75%, 0.52%

LAB 78.86, -70.66, 70.37

 

CMYK 82 / 29 / 0 / 12

HEX #28A0E0

RGB 40 160 224

HSL 200.87, 0.75%, 0.52%

LAB 62.49, -10.02, -41.37

 

CMYK 13 / 82 / 0 / 12

HEX #C428E0

RGB 196 40 224

HSL 290.87, 0.75%, 0.52%

LAB 50.26, 79.42, -60.14

 

Description

Color code: HEX #E06928 | qconv.com Color code: HEX #E06928 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 105 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 105 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 82 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 82% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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