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Color name
HEX #E06E28

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E06E28 it is the complementary color #1F91D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E06E28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E06E28 shade: #E56E23, #F68036, #FF9249, #FFA45C and #FFB66F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E06E28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E06E28 shade: #E06E28, #CF5C15, #BE4A02, #AD3800 and #9C2600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E06E28 shade: #E06E28, #E03D28 and #E02828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E06E28 shade: #E06E28, #E0A028, #E0D128, #BDE028 and #8CE028

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E06E28 shade matches the following richer shades: #E06E28 and #F46914

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E06E28 shade: #E06E28, #CC733C, #B87850, #A47C64 and #918178

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E06E28 shade: #E02847, #E03B28, #E06C28, #E09D28 and #E0CE28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E06E28 shade: #9F4A16, #C35B1B, #E06E28, #E5864C and #EA9F71

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E06E28 shade: #E06E28, #78E028 and #282EE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E06E28 shade: #E06E28, #28E06C and #6C28E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E06E28 shade: #E06E28, #78E028, #289DE0 and #9028E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E06E28 shade: #E06E28, #41E028, #289DE0 and #C728E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 82 / 12

HEX #E06E28

RGB 224 110 40

HSL 22.83, 0.75%, 0.52%

LAB 59.12, 40.32, 56.42

 

Complementary color

CMYK 86 / 33 / 0 / 16

HEX #1F91D7

RGB 31 145 215

HSL 202.83, 0.75%, 0.48%

LAB 57.51, -5.47, -44.21

 

CMYK 0 / 52 / 85 / 10

HEX #E56E23

RGB 229 110 35

HSL 23.2, 0.79%, 0.52%

LAB 59.83, 42.12, 59.27

 

CMYK 0 / 48 / 78 / 4

HEX #F68036

RGB 246 128 54

HSL 23.13, 0.91%, 0.59%

LAB 65.98, 40.31, 58.08

 

CMYK 0 / 43 / 71 / 0

HEX #FF9249

RGB 255 146 73

HSL 24.07, 1%, 0.64%

LAB 71.08, 35.49, 55.08

 

CMYK 0 / 36 / 64 / 0

HEX #FFA45C

RGB 255 164 92

HSL 26.5, 1%, 0.68%

LAB 75.19, 27.21, 50.54

 

CMYK 0 / 29 / 56 / 0

HEX #FFB66F

RGB 255 182 111

HSL 29.58, 1%, 0.72%

LAB 79.54, 19.11, 46.27

 

CMYK 0 / 51 / 82 / 12

HEX #E06E28

RGB 224 110 40

HSL 22.83, 0.75%, 0.52%

LAB 59.12, 40.32, 56.42

 

CMYK 0 / 56 / 90 / 19

HEX #CF5C15

RGB 207 92 21

HSL 22.9, 0.82%, 0.45%

LAB 52.92, 42.2, 57.16

 

CMYK 0 / 61 / 99 / 25

HEX #BE4A02

RGB 190 74 2

HSL 22.98, 0.98%, 0.38%

LAB 46.78, 44.1, 56.65

 

CMYK 0 / 68 / 100 / 32

HEX #AD3800

RGB 173 56 0

HSL 19.42, 1%, 0.34%

LAB 40.76, 45.9, 52.4

 

CMYK 0 / 76 / 100 / 39

HEX #9C2600

RGB 156 38 0

HSL 14.62, 1%, 0.31%

LAB 34.91, 47.13, 47.71

 

CMYK 0 / 51 / 82 / 12

HEX #E06E28

RGB 224 110 40

HSL 22.83, 0.75%, 0.52%

LAB 59.12, 40.32, 56.42

 

CMYK 0 / 73 / 82 / 12

HEX #E03D28

RGB 224 61 40

HSL 6.85, 0.75%, 0.52%

LAB 51.08, 61.54, 49.1

 

CMYK 0 / 82 / 82 / 12

HEX #E02828

RGB 224 40 40

HSL 0, 0.75%, 0.52%

LAB 48.91, 67.64, 47.08

 

CMYK 0 / 51 / 82 / 12

HEX #E06E28

RGB 224 110 40

HSL 22.83, 0.75%, 0.52%

LAB 59.12, 40.32, 56.42

 

CMYK 0 / 29 / 82 / 12

HEX #E0A028

RGB 224 160 40

HSL 39.13, 0.75%, 0.52%

LAB 70.28, 14.02, 66.24

 

CMYK 0 / 7 / 82 / 12

HEX #E0D128

RGB 224 209 40

HSL 55.11, 0.75%, 0.52%

LAB 82.7, -11.51, 76.87

 

CMYK 16 / 0 / 82 / 12

HEX #BDE028

RGB 189 224 40

HSL 71.41, 0.75%, 0.52%

LAB 84.11, -33.28, 77.03

 

CMYK 38 / 0 / 82 / 12

HEX #8CE028

RGB 140 224 40

HSL 87.39, 0.75%, 0.52%

LAB 81.31, -51.59, 73.5

 

CMYK 0 / 51 / 82 / 12

HEX #E06E28

RGB 224 110 40

HSL 22.83, 0.75%, 0.52%

LAB 59.12, 40.32, 56.42

 

CMYK 0 / 57 / 92 / 4

HEX #F46914

RGB 244 105 20

HSL 22.77, 0.91%, 0.52%

LAB 61.12, 49.88, 65.96

 

CMYK 0 / 51 / 82 / 12

HEX #E06E28

RGB 224 110 40

HSL 22.83, 0.75%, 0.52%

LAB 59.12, 40.32, 56.42

 

CMYK 0 / 44 / 71 / 20

HEX #CC733C

RGB 204 115 60

HSL 22.92, 0.59%, 0.52%

LAB 57.49, 30.53, 44.7

 

CMYK 0 / 35 / 57 / 28

HEX #B87850

RGB 184 120 80

HSL 23.08, 0.42%, 0.52%

LAB 56.29, 20.83, 32.09

 

CMYK 0 / 24 / 39 / 36

HEX #A47C64

RGB 164 124 100

HSL 22.5, 0.26%, 0.52%

LAB 55.31, 12.22, 19.12

 

CMYK 0 / 11 / 17 / 43

HEX #918178

RGB 145 129 120

HSL 21.6, 0.1%, 0.52%

LAB 55.15, 4.52, 7.09

 

CMYK 0 / 82 / 68 / 12

HEX #E02847

RGB 224 40 71

HSL 349.89, 0.75%, 0.52%

LAB 49.28, 68.76, 29.91

 

CMYK 0 / 74 / 82 / 12

HEX #E03B28

RGB 224 59 40

HSL 6.2, 0.75%, 0.52%

LAB 50.84, 62.22, 48.88

 

CMYK 0 / 52 / 82 / 12

HEX #E06C28

RGB 224 108 40

HSL 22.17, 0.75%, 0.52%

LAB 58.72, 41.32, 56.06

 

CMYK 0 / 30 / 82 / 12

HEX #E09D28

RGB 224 157 40

HSL 38.15, 0.75%, 0.52%

LAB 69.55, 15.62, 65.61

 

CMYK 0 / 8 / 82 / 12

HEX #E0CE28

RGB 224 206 40

HSL 54.13, 0.75%, 0.52%

LAB 81.92, -10, 76.2

 

CMYK 0 / 53 / 86 / 38

HEX #9F4A16

RGB 159 74 22

HSL 22.77, 0.76%, 0.35%

LAB 41.73, 32.28, 44.67

 

CMYK 0 / 53 / 86 / 24

HEX #C35B1B

RGB 195 91 27

HSL 22.86, 0.76%, 0.44%

LAB 50.88, 38.15, 52.69

 

CMYK 0 / 51 / 82 / 12

HEX #E06E28

RGB 224 110 40

HSL 22.83, 0.75%, 0.52%

LAB 59.12, 40.32, 56.42

 

CMYK 0 / 41 / 67 / 10

HEX #E5864C

RGB 229 134 76

HSL 22.75, 0.75%, 0.6%

LAB 65.14, 31.51, 46.13

 

CMYK 0 / 32 / 52 / 8

HEX #EA9F71

RGB 234 159 113

HSL 22.81, 0.74%, 0.68%

LAB 71.88, 22.97, 35.21

 

CMYK 0 / 51 / 82 / 12

HEX #E06E28

RGB 224 110 40

HSL 22.83, 0.75%, 0.52%

LAB 59.12, 40.32, 56.42

 

CMYK 46 / 0 / 82 / 12

HEX #78E028

RGB 120 224 40

HSL 93.91, 0.75%, 0.52%

LAB 80.44, -58.03, 72.38

 

CMYK 82 / 79 / 0 / 12

HEX #282EE0

RGB 40 46 224

HSL 238.04, 0.75%, 0.52%

LAB 33.54, 58.52, -88.2

 

CMYK 0 / 51 / 82 / 12

HEX #E06E28

RGB 224 110 40

HSL 22.83, 0.75%, 0.52%

LAB 59.12, 40.32, 56.42

 

CMYK 82 / 0 / 52 / 12

HEX #28E06C

RGB 40 224 108

HSL 142.17, 0.75%, 0.52%

LAB 78.95, -67.95, 44.29

 

CMYK 52 / 82 / 0 / 12

HEX #6C28E0

RGB 108 40 224

HSL 262.17, 0.75%, 0.52%

LAB 38, 66.6, -80.65

 

CMYK 0 / 51 / 82 / 12

HEX #E06E28

RGB 224 110 40

HSL 22.83, 0.75%, 0.52%

LAB 59.12, 40.32, 56.42

 

CMYK 46 / 0 / 82 / 12

HEX #78E028

RGB 120 224 40

HSL 93.91, 0.75%, 0.52%

LAB 80.44, -58.03, 72.38

 

CMYK 82 / 30 / 0 / 12

HEX #289DE0

RGB 40 157 224

HSL 201.85, 0.75%, 0.52%

LAB 61.61, -8.34, -42.75

 

CMYK 36 / 82 / 0 / 12

HEX #9028E0

RGB 144 40 224

HSL 273.91, 0.75%, 0.52%

LAB 42.5, 71.21, -73.08

 

CMYK 0 / 51 / 82 / 12

HEX #E06E28

RGB 224 110 40

HSL 22.83, 0.75%, 0.52%

LAB 59.12, 40.32, 56.42

 

CMYK 71 / 0 / 82 / 12

HEX #41E028

RGB 65 224 40

HSL 111.85, 0.75%, 0.52%

LAB 78.8, -71.19, 70.29

 

CMYK 82 / 30 / 0 / 12

HEX #289DE0

RGB 40 157 224

HSL 201.85, 0.75%, 0.52%

LAB 61.61, -8.34, -42.75

 

CMYK 11 / 82 / 0 / 12

HEX #C728E0

RGB 199 40 224

HSL 291.85, 0.75%, 0.52%

LAB 50.74, 79.93, -59.35

 

Description

Color code: HEX #E06E28 | qconv.com Color code: HEX #E06E28 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 110 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 110 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 82 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 82% 12% C M Y K

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