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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E07878 it is the complementary color #1F8787. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E07878. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E07878 shade: #E57873, #F68A86, #FF9C99, #FFAEAC and #FFC0BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E07878. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E07878 shade: #E07878, #CF6665, #BE5452, #AD423F and #9C302C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E07878 shade: #DF7575

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E07878 shade: #DF7575, #DF9275, #DFAF75, #DFCB75 and #D7DF75

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E07878 shade matches the following richer shades: #DF7575, #ED6868 and #FB5A5A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E07878 shade: #DF7575, #D28383, #C49191, #B79E9E and #A9ACAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E07878 shade: #DF75AE, #DF7592, #DF7575, #DF9275 and #DFAE75

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E07878 shade: #D03232, #D85454, #DF7575, #E79797 and #EFB9B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E07878 shade: #E07878, #CADF75 and #75A0DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E07878 shade: #E07878, #75DF75 and #7575DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E07878 shade: #E07878, #CADF75, #75DFDF and #8B75DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E07878 shade: #E07878, #AADF75, #75DFDF and #AA75DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 46 / 12

HEX #E07878

RGB 224 120 120

HSL 0, 0.63%, 0.67%

LAB 62.2, 40.25, 18.31

 

Complementary color

CMYK 77 / 0 / 0 / 47

HEX #1F8787

RGB 31 135 135

HSL 180, 0.63%, 0.33%

LAB 51.12, -27.76, -8.27

 

CMYK 0 / 48 / 50 / 10

HEX #E57873

RGB 229 120 115

HSL 2.63, 0.69%, 0.67%

LAB 62.78, 41.63, 22.06

 

CMYK 0 / 44 / 46 / 4

HEX #F68A86

RGB 246 138 134

HSL 2.14, 0.86%, 0.75%

LAB 69.11, 40.52, 20.36

 

CMYK 0 / 39 / 40 / 0

HEX #FF9C99

RGB 255 156 153

HSL 1.76, 1%, 0.8%

LAB 74.4, 36.55, 17.36

 

CMYK 0 / 32 / 33 / 0

HEX #FFAEAC

RGB 255 174 172

HSL 1.45, 1%, 0.84%

LAB 78.76, 29.4, 13.1

 

CMYK 0 / 25 / 25 / 0

HEX #FFC0BF

RGB 255 192 191

HSL 0.94, 1%, 0.87%

LAB 83.3, 22.44, 9.32

 

CMYK 0 / 46 / 46 / 12

HEX #E07878

RGB 224 120 120

HSL 0, 0.63%, 0.67%

LAB 62.2, 40.25, 18.31

 

CMYK 0 / 51 / 51 / 19

HEX #CF6665

RGB 207 102 101

HSL 0.57, 0.52%, 0.6%

LAB 55.79, 41.37, 20.13

 

CMYK 0 / 56 / 57 / 25

HEX #BE5452

RGB 190 84 82

HSL 1.11, 0.45%, 0.53%

LAB 49.37, 42.51, 22.26

 

CMYK 0 / 62 / 64 / 32

HEX #AD423F

RGB 173 66 63

HSL 1.64, 0.47%, 0.46%

LAB 42.97, 43.59, 24.81

 

CMYK 0 / 69 / 72 / 39

HEX #9C302C

RGB 156 48 44

HSL 2.14, 0.56%, 0.39%

LAB 36.68, 44.48, 27.91

 

CMYK 0 / 48 / 48 / 13

HEX #DF7575

RGB 223 117 117

HSL 0, 0.62%, 0.67%

LAB 61.39, 41.13, 18.89

 

CMYK 0 / 48 / 48 / 13

HEX #DF7575

RGB 223 117 117

HSL 0, 0.62%, 0.67%

LAB 61.39, 41.13, 18.89

 

CMYK 0 / 35 / 48 / 13

HEX #DF9275

RGB 223 146 117

HSL 16.42, 0.62%, 0.67%

LAB 67.67, 25.9, 27.33

 

CMYK 0 / 22 / 48 / 13

HEX #DFAF75

RGB 223 175 117

HSL 32.83, 0.62%, 0.67%

LAB 74.59, 10.36, 36.32

 

CMYK 0 / 9 / 48 / 13

HEX #DFCB75

RGB 223 203 117

HSL 48.68, 0.62%, 0.67%

LAB 81.67, -4.32, 45.19

 

CMYK 4 / 0 / 48 / 13

HEX #D7DF75

RGB 215 223 117

HSL 64.53, 0.62%, 0.67%

LAB 86.26, -17.6, 50.63

 

CMYK 0 / 48 / 48 / 13

HEX #DF7575

RGB 223 117 117

HSL 0, 0.62%, 0.67%

LAB 61.39, 41.13, 18.89

 

CMYK 0 / 56 / 56 / 7

HEX #ED6868

RGB 237 104 104

HSL 0, 0.79%, 0.67%

LAB 60.7, 51.37, 25.73

 

CMYK 0 / 64 / 64 / 2

HEX #FB5A5A

RGB 251 90 90

HSL 0, 0.95%, 0.67%

LAB 60.39, 61.25, 33.74

 

CMYK 0 / 48 / 48 / 13

HEX #DF7575

RGB 223 117 117

HSL 0, 0.62%, 0.67%

LAB 61.39, 41.13, 18.89

 

CMYK 0 / 38 / 38 / 18

HEX #D28383

RGB 210 131 131

HSL 0, 0.47%, 0.67%

LAB 62.99, 30.41, 12.87

 

CMYK 0 / 26 / 26 / 23

HEX #C49191

RGB 196 145 145

HSL 0, 0.3%, 0.67%

LAB 64.99, 19.26, 7.56

 

CMYK 0 / 14 / 14 / 28

HEX #B79E9E

RGB 183 158 158

HSL 0, 0.15%, 0.67%

LAB 67.27, 9.19, 3.39

 

CMYK 2 / 0 / 0 / 33

HEX #A9ACAC

RGB 169 172 172

HSL 180, 0.02%, 0.67%

LAB 70.12, -1.06, -0.38

 

CMYK 0 / 48 / 22 / 13

HEX #DF75AE

RGB 223 117 174

HSL 327.74, 0.62%, 0.67%

LAB 62.9, 47.97, -11.58

 

CMYK 0 / 48 / 35 / 13

HEX #DF7592

RGB 223 117 146

HSL 343.58, 0.62%, 0.67%

LAB 62.07, 44.27, 3.22

 

CMYK 0 / 48 / 48 / 13

HEX #DF7575

RGB 223 117 117

HSL 0, 0.62%, 0.67%

LAB 61.39, 41.13, 18.89

 

CMYK 0 / 35 / 48 / 13

HEX #DF9275

RGB 223 146 117

HSL 16.42, 0.62%, 0.67%

LAB 67.67, 25.9, 27.33

 

CMYK 0 / 22 / 48 / 13

HEX #DFAE75

RGB 223 174 117

HSL 32.26, 0.62%, 0.67%

LAB 74.35, 10.89, 36.01

 

CMYK 0 / 76 / 76 / 18

HEX #D03232

RGB 208 50 50

HSL 0, 0.63%, 0.51%

LAB 46.87, 60.62, 38.59

 

CMYK 0 / 61 / 61 / 15

HEX #D85454

RGB 216 84 84

HSL 0, 0.63%, 0.59%

LAB 53.58, 51.83, 27.36

 

CMYK 0 / 48 / 48 / 13

HEX #DF7575

RGB 223 117 117

HSL 0, 0.62%, 0.67%

LAB 61.39, 41.13, 18.89

 

CMYK 0 / 35 / 35 / 9

HEX #E79797

RGB 231 151 151

HSL 0, 0.63%, 0.75%

LAB 70.42, 30.05, 12.47

 

CMYK 0 / 23 / 23 / 6

HEX #EFB9B9

RGB 239 185 185

HSL 0, 0.63%, 0.83%

LAB 79.93, 19.46, 7.51

 

CMYK 0 / 46 / 46 / 12

HEX #E07878

RGB 224 120 120

HSL 0, 0.63%, 0.67%

LAB 62.2, 40.25, 18.31

 

CMYK 9 / 0 / 48 / 13

HEX #CADF75

RGB 202 223 117

HSL 71.89, 0.62%, 0.67%

LAB 85.31, -22.68, 49.26

 

CMYK 48 / 28 / 0 / 13

HEX #75A0DF

RGB 117 160 223

HSL 215.66, 0.62%, 0.67%

LAB 65.16, 2.39, -36.44

 

CMYK 0 / 46 / 46 / 12

HEX #E07878

RGB 224 120 120

HSL 0, 0.63%, 0.67%

LAB 62.2, 40.25, 18.31

 

CMYK 48 / 0 / 48 / 13

HEX #75DF75

RGB 117 223 117

HSL 120, 0.62%, 0.67%

LAB 80.65, -51.73, 42.48

 

CMYK 48 / 48 / 0 / 13

HEX #7575DF

RGB 117 117 223

HSL 240, 0.62%, 0.67%

LAB 53.85, 27.68, -54.3

 

CMYK 0 / 46 / 46 / 12

HEX #E07878

RGB 224 120 120

HSL 0, 0.63%, 0.67%

LAB 62.2, 40.25, 18.31

 

CMYK 9 / 0 / 48 / 13

HEX #CADF75

RGB 202 223 117

HSL 71.89, 0.62%, 0.67%

LAB 85.31, -22.68, 49.26

 

CMYK 48 / 0 / 0 / 13

HEX #75DFDF

RGB 117 223 223

HSL 180, 0.62%, 0.67%

LAB 82.85, -30.58, -9.49

 

CMYK 38 / 48 / 0 / 13

HEX #8B75DF

RGB 139 117 223

HSL 252.45, 0.62%, 0.67%

LAB 55.62, 32.95, -51.36

 

CMYK 0 / 46 / 46 / 12

HEX #E07878

RGB 224 120 120

HSL 0, 0.63%, 0.67%

LAB 62.2, 40.25, 18.31

 

CMYK 24 / 0 / 48 / 13

HEX #AADF75

RGB 170 223 117

HSL 90, 0.62%, 0.67%

LAB 83.23, -34.67, 46.26

 

CMYK 48 / 0 / 0 / 13

HEX #75DFDF

RGB 117 223 223

HSL 180, 0.62%, 0.67%

LAB 82.85, -30.58, -9.49

 

CMYK 24 / 48 / 0 / 13

HEX #AA75DF

RGB 170 117 223

HSL 270, 0.62%, 0.67%

LAB 58.6, 41.08, -46.45

 

Description

Color code: HEX #E07878 | qconv.com Color code: HEX #E07878 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 120 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 120 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 46 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 46% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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