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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E08DEA it is the complementary color #1F7215. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E08DEA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E08DEA shade: #E58DE5, #F69FF8, #FFB1FF, #FFC3FF and #FFD5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E08DEA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E08DEA shade: #E08DEA, #CF7BD7, #BE69C4, #AD57B1 and #9C459E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E08DEA shade: #E08EEA, #EA8EDB, #EA8EC2, #EA8EAA and #EA8E91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E08DEA shade: #E08EEA, #C78EEA, #AF8EEA, #968EEA and #8E8EEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E08DEA shade matches the following richer shades: #E08EEA and #E984F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E08DEA shade: #E08EEA, #D899DF, #CFA4D4, #C7AFCA and #BEB9BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E08DEA shade: #AE8EEA, #C78EEA, #DF8EEA, #EA8EDC and #EA8EC4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E08DEA shade: #CD49DD, #D76CE4, #E08EEA, #EAB1F0 and #F3D4F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E08DEA shade: #E08DEA, #EA968E and #8EEABB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E08DEA shade: #E08DEA, #EADF8E and #8EEADF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E08DEA shade: #E08DEA, #EA968E, #99EA8E and #8EE2EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E08DEA shade: #E08DEA, #EAB28E, #99EA8E and #8EC7EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 40 / 0 / 8

HEX #E08DEA

RGB 224 141 234

HSL 293.55, 0.69%, 0.74%

LAB 70.06, 45.99, -34.18

 

Complementary color

CMYK 73 / 0 / 82 / 55

HEX #1F7215

RGB 31 114 21

HSL 113.55, 0.69%, 0.26%

LAB 41.81, -42.47, 41.04

 

CMYK 0 / 38 / 0 / 10

HEX #E58DE5

RGB 229 141 229

HSL 300, 0.63%, 0.73%

LAB 70.43, 46.57, -30.82

 

CMYK 1 / 36 / 0 / 3

HEX #F69FF8

RGB 246 159 248

HSL 298.65, 0.86%, 0.8%

LAB 76.78, 45.84, -31.23

 

CMYK 0 / 31 / 0 / 0

HEX #FFB1FF

RGB 255 177 255

HSL 300, 1%, 0.85%

LAB 81.8, 40.52, -27.22

 

CMYK 0 / 24 / 0 / 0

HEX #FFC3FF

RGB 255 195 255

HSL 300, 1%, 0.88%

LAB 85.76, 31.1, -21.19

 

CMYK 0 / 16 / 0 / 0

HEX #FFD5FF

RGB 255 213 255

HSL 300, 1%, 0.92%

LAB 89.89, 21.65, -14.97

 

CMYK 4 / 40 / 0 / 8

HEX #E08DEA

RGB 224 141 234

HSL 293.55, 0.69%, 0.74%

LAB 70.06, 45.99, -34.18

 

CMYK 4 / 43 / 0 / 16

HEX #CF7BD7

RGB 207 123 215

HSL 294.78, 0.53%, 0.66%

LAB 63.62, 46.74, -33.81

 

CMYK 3 / 46 / 0 / 23

HEX #BE69C4

RGB 190 105 196

HSL 296.04, 0.44%, 0.59%

LAB 57.11, 47.47, -33.37

 

CMYK 2 / 51 / 0 / 31

HEX #AD57B1

RGB 173 87 177

HSL 297.33, 0.37%, 0.52%

LAB 50.54, 48.15, -32.84

 

CMYK 1 / 56 / 0 / 38

HEX #9C459E

RGB 156 69 158

HSL 298.65, 0.39%, 0.45%

LAB 43.93, 48.7, -32.15

 

CMYK 4 / 39 / 0 / 8

HEX #E08EEA

RGB 224 142 234

HSL 293.48, 0.69%, 0.74%

LAB 70.27, 45.47, -33.86

 

CMYK 0 / 39 / 6 / 8

HEX #EA8EDB

RGB 234 142 219

HSL 309.78, 0.69%, 0.74%

LAB 70.84, 45.84, -24.64

 

CMYK 0 / 39 / 17 / 8

HEX #EA8EC2

RGB 234 142 194

HSL 326.09, 0.69%, 0.74%

LAB 69.99, 41.79, -12.07

 

CMYK 0 / 39 / 27 / 8

HEX #EA8EAA

RGB 234 142 170

HSL 341.74, 0.69%, 0.74%

LAB 69.28, 38.32, 0.28

 

CMYK 0 / 39 / 38 / 8

HEX #EA8E91

RGB 234 142 145

HSL 358.04, 0.69%, 0.74%

LAB 68.67, 35.2, 13.39

 

CMYK 4 / 39 / 0 / 8

HEX #E08EEA

RGB 224 142 234

HSL 293.48, 0.69%, 0.74%

LAB 70.27, 45.47, -33.86

 

CMYK 15 / 39 / 0 / 8

HEX #C78EEA

RGB 199 142 234

HSL 277.17, 0.69%, 0.74%

LAB 67.6, 38.05, -38.22

 

CMYK 25 / 39 / 0 / 8

HEX #AF8EEA

RGB 175 142 234

HSL 261.52, 0.69%, 0.74%

LAB 65.28, 31.11, -42.02

 

CMYK 36 / 39 / 0 / 8

HEX #968EEA

RGB 150 142 234

HSL 245.22, 0.69%, 0.74%

LAB 63.15, 24.24, -45.51

 

CMYK 39 / 39 / 0 / 8

HEX #8E8EEA

RGB 142 142 234

HSL 240, 0.69%, 0.74%

LAB 62.54, 22.16, -46.51

 

CMYK 4 / 39 / 0 / 8

HEX #E08EEA

RGB 224 142 234

HSL 293.48, 0.69%, 0.74%

LAB 70.27, 45.47, -33.86

 

CMYK 5 / 46 / 0 / 4

HEX #E984F5

RGB 233 132 245

HSL 293.63, 0.85%, 0.74%

LAB 69.77, 55.23, -40.59

 

CMYK 4 / 39 / 0 / 8

HEX #E08EEA

RGB 224 142 234

HSL 293.48, 0.69%, 0.74%

LAB 70.27, 45.47, -33.86

 

CMYK 3 / 31 / 0 / 13

HEX #D899DF

RGB 216 153 223

HSL 294, 0.52%, 0.74%

LAB 71.36, 35.08, -26.22

 

CMYK 2 / 23 / 0 / 17

HEX #CFA4D4

RGB 207 164 212

HSL 293.75, 0.36%, 0.74%

LAB 72.61, 24.08, -18.36

 

CMYK 1 / 13 / 0 / 21

HEX #C7AFCA

RGB 199 175 202

HSL 293.33, 0.2%, 0.74%

LAB 74.23, 13.46, -10.51

 

CMYK 1 / 3 / 0 / 25

HEX #BEB9BF

RGB 190 185 191

HSL 290, 0.04%, 0.74%

LAB 75.7, 2.87, -2.41

 

CMYK 26 / 39 / 0 / 8

HEX #AE8EEA

RGB 174 142 234

HSL 260.87, 0.69%, 0.74%

LAB 65.19, 30.83, -42.16

 

CMYK 15 / 39 / 0 / 8

HEX #C78EEA

RGB 199 142 234

HSL 277.17, 0.69%, 0.74%

LAB 67.6, 38.05, -38.22

 

CMYK 5 / 39 / 0 / 8

HEX #DF8EEA

RGB 223 142 234

HSL 292.83, 0.69%, 0.74%

LAB 70.16, 45.17, -34.04

 

CMYK 0 / 39 / 6 / 8

HEX #EA8EDC

RGB 234 142 220

HSL 309.13, 0.69%, 0.74%

LAB 70.87, 46.01, -25.13

 

CMYK 0 / 39 / 16 / 8

HEX #EA8EC4

RGB 234 142 196

HSL 324.78, 0.69%, 0.74%

LAB 70.05, 42.09, -13.09

 

CMYK 7 / 67 / 0 / 13

HEX #CD49DD

RGB 205 73 221

HSL 293.51, 0.69%, 0.58%

LAB 55.04, 70.4, -50.71

 

CMYK 6 / 53 / 0 / 11

HEX #D76CE4

RGB 215 108 228

HSL 293.5, 0.69%, 0.66%

LAB 62.32, 58.91, -43.04

 

CMYK 4 / 39 / 0 / 8

HEX #E08EEA

RGB 224 142 234

HSL 293.48, 0.69%, 0.74%

LAB 70.27, 45.47, -33.86

 

CMYK 3 / 26 / 0 / 6

HEX #EAB1F0

RGB 234 177 240

HSL 294.29, 0.68%, 0.82%

LAB 79.17, 31.15, -23.36

 

CMYK 2 / 14 / 0 / 3

HEX #F3D4F7

RGB 243 212 247

HSL 293.14, 0.69%, 0.9%

LAB 88.38, 16.79, -13.13

 

CMYK 4 / 40 / 0 / 8

HEX #E08DEA

RGB 224 141 234

HSL 293.55, 0.69%, 0.74%

LAB 70.06, 45.99, -34.18

 

CMYK 0 / 36 / 39 / 8

HEX #EA968E

RGB 234 150 142

HSL 5.22, 0.69%, 0.74%

LAB 70.36, 30.65, 17.41

 

CMYK 39 / 0 / 20 / 8

HEX #8EEABB

RGB 142 234 187

HSL 149.35, 0.69%, 0.74%

LAB 86.1, -37.67, 14.31

 

CMYK 4 / 40 / 0 / 8

HEX #E08DEA

RGB 224 141 234

HSL 293.55, 0.69%, 0.74%

LAB 70.06, 45.99, -34.18

 

CMYK 0 / 5 / 39 / 8

HEX #EADF8E

RGB 234 223 142

HSL 52.83, 0.69%, 0.74%

LAB 88.07, -7.63, 41.02

 

CMYK 39 / 0 / 5 / 8

HEX #8EEADF

RGB 142 234 223

HSL 172.83, 0.69%, 0.74%

LAB 86.96, -29.94, -3.31

 

CMYK 4 / 40 / 0 / 8

HEX #E08DEA

RGB 224 141 234

HSL 293.55, 0.69%, 0.74%

LAB 70.06, 45.99, -34.18

 

CMYK 0 / 36 / 39 / 8

HEX #EA968E

RGB 234 150 142

HSL 5.22, 0.69%, 0.74%

LAB 70.36, 30.65, 17.41

 

CMYK 35 / 0 / 39 / 8

HEX #99EA8E

RGB 153 234 142

HSL 112.83, 0.69%, 0.74%

LAB 85.79, -42.13, 37.04

 

CMYK 39 / 3 / 0 / 8

HEX #8EE2EA

RGB 142 226 234

HSL 185.22, 0.69%, 0.74%

LAB 85.04, -23.45, -11.94

 

CMYK 4 / 40 / 0 / 8

HEX #E08DEA

RGB 224 141 234

HSL 293.55, 0.69%, 0.74%

LAB 70.06, 45.99, -34.18

 

CMYK 0 / 24 / 39 / 8

HEX #EAB28E

RGB 234 178 142

HSL 23.48, 0.69%, 0.74%

LAB 76.85, 15.76, 26.28

 

CMYK 35 / 0 / 39 / 8

HEX #99EA8E

RGB 153 234 142

HSL 112.83, 0.69%, 0.74%

LAB 85.79, -42.13, 37.04

 

CMYK 39 / 15 / 0 / 8

HEX #8EC7EA

RGB 142 199 234

HSL 202.83, 0.69%, 0.74%

LAB 77.6, -9.67, -23.16

 

Description

Color code: HEX #E08DEA | qconv.com Color code: HEX #E08DEA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 141 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 141 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 40 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 40% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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