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Color name
HEX #E08E9D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E08E9D it is the complementary color #1F7162. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E08E9D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E08E9D shade: #E58E98, #F6A0AB, #FFB2BE, #FFC4D1 and #FFD6E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E08E9D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E08E9D shade: #E08E9D, #CF7C8A, #BE6A77, #AD5864 and #9C4651

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E08E9D shade: #E08E9D and #E08E8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E08E9D shade: #E08E9D, #E08EB3, #E08EC9, #E08EDF and #CA8EE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E08E9D shade matches the following richer shades: #E08E9D, #EB8396 and #F7778F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E08E9D shade: #E08E9D, #D49AA5, #C9A6AC, #BDB1B3 and #B2BDBB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E08E9D shade: #E08EC9, #E08EB3, #E08E9D, #E0958E and #E0AB8E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E08E9D shade: #CE4E65, #D76E81, #E08E9D, #E9AFB9 and #F2CFD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E08E9D shade: #E08E9D, #DEE08E and #8EBEE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E08E9D shade: #E08E9D, #9DE08E and #8E9DE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E08E9D shade: #E08E9D, #DEE08E, #8EE0D1 and #908EE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E08E9D shade: #E08E9D, #C6E08E, #8EE0D1 and #A88EE0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 30 / 12

HEX #E08E9D

RGB 224 142 157

HSL 349.02, 0.57%, 0.72%

LAB 67.75, 33.01, 5.19

 

Complementary color

CMYK 73 / 0 / 13 / 56

HEX #1F7162

RGB 31 113 98

HSL 169.02, 0.57%, 0.28%

LAB 42.74, -28.06, 1.29

 

CMYK 0 / 38 / 34 / 10

HEX #E58E98

RGB 229 142 152

HSL 353.1, 0.63%, 0.73%

LAB 68.22, 34.2, 8.75

 

CMYK 0 / 35 / 30 / 4

HEX #F6A0AB

RGB 246 160 171

HSL 352.33, 0.83%, 0.8%

LAB 74.62, 33.32, 7.62

 

CMYK 0 / 30 / 25 / 0

HEX #FFB2BE

RGB 255 178 190

HSL 350.65, 1%, 0.85%

LAB 80.08, 29.65, 5.24

 

CMYK 0 / 23 / 18 / 0

HEX #FFC4D1

RGB 255 196 209

HSL 346.78, 1%, 0.88%

LAB 84.66, 22.94, 1.67

 

CMYK 0 / 16 / 11 / 0

HEX #FFD6E4

RGB 255 214 228

HSL 339.51, 1%, 0.92%

LAB 89.37, 16.5, -1.53

 

CMYK 0 / 37 / 30 / 12

HEX #E08E9D

RGB 224 142 157

HSL 349.02, 0.57%, 0.72%

LAB 67.75, 33.01, 5.19

 

CMYK 0 / 40 / 33 / 19

HEX #CF7C8A

RGB 207 124 138

HSL 349.88, 0.46%, 0.65%

LAB 61.23, 33.9, 6.34

 

CMYK 0 / 44 / 37 / 25

HEX #BE6A77

RGB 190 106 119

HSL 350.71, 0.39%, 0.58%

LAB 54.64, 34.86, 7.65

 

CMYK 0 / 49 / 42 / 32

HEX #AD5864

RGB 173 88 100

HSL 351.53, 0.34%, 0.51%

LAB 47.99, 35.88, 9.18

 

CMYK 0 / 55 / 48 / 39

HEX #9C4651

RGB 156 70 81

HSL 352.33, 0.38%, 0.44%

LAB 41.28, 36.92, 11.03

 

CMYK 0 / 37 / 30 / 12

HEX #E08E9D

RGB 224 142 157

HSL 349.02, 0.57%, 0.72%

LAB 67.75, 33.01, 5.19

 

CMYK 0 / 37 / 37 / 12

HEX #E08E8E

RGB 224 142 142

HSL 0, 0.57%, 0.72%

LAB 67.39, 31.13, 13.09

 

CMYK 0 / 37 / 30 / 12

HEX #E08E9D

RGB 224 142 157

HSL 349.02, 0.57%, 0.72%

LAB 67.75, 33.01, 5.19

 

CMYK 0 / 37 / 20 / 12

HEX #E08EB3

RGB 224 142 179

HSL 332.93, 0.57%, 0.72%

LAB 68.35, 36.11, -6.27

 

CMYK 0 / 37 / 10 / 12

HEX #E08EC9

RGB 224 142 201

HSL 316.83, 0.57%, 0.72%

LAB 69.05, 39.6, -17.5

 

CMYK 0 / 37 / 0 / 12

HEX #E08EDF

RGB 224 142 223

HSL 300.73, 0.57%, 0.72%

LAB 69.84, 43.44, -28.48

 

CMYK 10 / 37 / 0 / 12

HEX #CA8EE0

RGB 202 142 224

HSL 283.9, 0.57%, 0.72%

LAB 67.49, 36.87, -32.85

 

CMYK 0 / 37 / 30 / 12

HEX #E08E9D

RGB 224 142 157

HSL 349.02, 0.57%, 0.72%

LAB 67.75, 33.01, 5.19

 

CMYK 0 / 44 / 36 / 8

HEX #EB8396

RGB 235 131 150

HSL 349.04, 0.72%, 0.72%

LAB 66.59, 41.84, 7.66

 

CMYK 0 / 52 / 42 / 3

HEX #F7778F

RGB 247 119 143

HSL 348.75, 0.89%, 0.72%

LAB 65.71, 51.19, 10.59

 

CMYK 0 / 37 / 30 / 12

HEX #E08E9D

RGB 224 142 157

HSL 349.02, 0.57%, 0.72%

LAB 67.75, 33.01, 5.19

 

CMYK 0 / 27 / 22 / 17

HEX #D49AA5

RGB 212 154 165

HSL 348.62, 0.4%, 0.72%

LAB 69.34, 23.27, 2.86

 

CMYK 0 / 17 / 14 / 21

HEX #C9A6AC

RGB 201 166 172

HSL 349.71, 0.24%, 0.72%

LAB 71.33, 13.77, 1.72

 

CMYK 0 / 6 / 5 / 26

HEX #BDB1B3

RGB 189 177 179

HSL 350, 0.08%, 0.72%

LAB 73.23, 4.63, 0.51

 

CMYK 6 / 0 / 1 / 26

HEX #B2BDBB

RGB 178 189 187

HSL 169.09, 0.08%, 0.72%

LAB 75.73, -4.17, -0.31

 

CMYK 0 / 37 / 10 / 12

HEX #E08EC9

RGB 224 142 201

HSL 316.83, 0.57%, 0.72%

LAB 69.05, 39.6, -17.5

 

CMYK 0 / 37 / 20 / 12

HEX #E08EB3

RGB 224 142 179

HSL 332.93, 0.57%, 0.72%

LAB 68.35, 36.11, -6.27

 

CMYK 0 / 37 / 30 / 12

HEX #E08E9D

RGB 224 142 157

HSL 349.02, 0.57%, 0.72%

LAB 67.75, 33.01, 5.19

 

CMYK 0 / 33 / 37 / 12

HEX #E0958E

RGB 224 149 142

HSL 5.12, 0.57%, 0.72%

LAB 68.96, 27.39, 15.3

 

CMYK 0 / 24 / 37 / 12

HEX #E0AB8E

RGB 224 171 142

HSL 21.22, 0.57%, 0.72%

LAB 74.14, 15.58, 22.44

 

CMYK 0 / 62 / 51 / 19

HEX #CE4E65

RGB 206 78 101

HSL 349.22, 0.57%, 0.56%

LAB 51.28, 52.42, 13.94

 

CMYK 0 / 49 / 40 / 16

HEX #D76E81

RGB 215 110 129

HSL 349.14, 0.57%, 0.64%

LAB 59.14, 43.03, 8.69

 

CMYK 0 / 37 / 30 / 12

HEX #E08E9D

RGB 224 142 157

HSL 349.02, 0.57%, 0.72%

LAB 67.75, 33.01, 5.19

 

CMYK 0 / 25 / 21 / 9

HEX #E9AFB9

RGB 233 175 185

HSL 349.66, 0.57%, 0.8%

LAB 76.97, 22.6, 3.17

 

CMYK 0 / 14 / 12 / 5

HEX #F2CFD5

RGB 242 207 213

HSL 349.71, 0.57%, 0.88%

LAB 86.16, 13.2, 1.58

 

CMYK 0 / 37 / 30 / 12

HEX #E08E9D

RGB 224 142 157

HSL 349.02, 0.57%, 0.72%

LAB 67.75, 33.01, 5.19

 

CMYK 1 / 0 / 37 / 12

HEX #DEE08E

RGB 222 224 142

HSL 61.46, 0.57%, 0.72%

LAB 87.38, -12.78, 39.95

 

CMYK 37 / 15 / 0 / 12

HEX #8EBEE0

RGB 142 190 224

HSL 204.88, 0.57%, 0.72%

LAB 74.8, -7.47, -22.03

 

CMYK 0 / 37 / 30 / 12

HEX #E08E9D

RGB 224 142 157

HSL 349.02, 0.57%, 0.72%

LAB 67.75, 33.01, 5.19

 

CMYK 30 / 0 / 37 / 12

HEX #9DE08E

RGB 157 224 142

HSL 109.02, 0.57%, 0.72%

LAB 83.14, -36.37, 33.61

 

CMYK 37 / 30 / 0 / 12

HEX #8E9DE0

RGB 142 157 224

HSL 229.02, 0.57%, 0.72%

LAB 65.94, 10.79, -35.66

 

CMYK 0 / 37 / 30 / 12

HEX #E08E9D

RGB 224 142 157

HSL 349.02, 0.57%, 0.72%

LAB 67.75, 33.01, 5.19

 

CMYK 1 / 0 / 37 / 12

HEX #DEE08E

RGB 222 224 142

HSL 61.46, 0.57%, 0.72%

LAB 87.38, -12.78, 39.95

 

CMYK 37 / 0 / 7 / 12

HEX #8EE0D1

RGB 142 224 209

HSL 169.02, 0.57%, 0.72%

LAB 83.79, -28.35, -0.57

 

CMYK 36 / 37 / 0 / 12

HEX #908EE0

RGB 144 142 224

HSL 241.46, 0.57%, 0.72%

LAB 62.22, 19.97, -41.47

 

CMYK 0 / 37 / 30 / 12

HEX #E08E9D

RGB 224 142 157

HSL 349.02, 0.57%, 0.72%

LAB 67.75, 33.01, 5.19

 

CMYK 12 / 0 / 37 / 12

HEX #C6E08E

RGB 198 224 142

HSL 79.02, 0.57%, 0.72%

LAB 85.64, -21.89, 37.35

 

CMYK 37 / 0 / 7 / 12

HEX #8EE0D1

RGB 142 224 209

HSL 169.02, 0.57%, 0.72%

LAB 83.79, -28.35, -0.57

 

CMYK 25 / 37 / 0 / 12

HEX #A88EE0

RGB 168 142 224

HSL 259.02, 0.57%, 0.72%

LAB 64.2, 26.72, -38.21

 

Description

Color code: HEX #E08E9D | qconv.com Color code: HEX #E08E9D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 142 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 142 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 30 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 30% 12% C M Y K

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Provide designers and agencies with accurate color values.

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