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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E094C9 it is the complementary color #1F6B36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E094C9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E094C9 shade: #E594C4, #F6A6D7, #FFB8EA, #FFCAFD and #FFDCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E094C9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E094C9 shade: #E094C9, #CF82B6, #BE70A3, #AD5E90 and #9C4C7D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E094C9 shade: #E094C9, #E094B4, #E094A0 and #E09494

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E094C9 shade: #E094C9, #E094DD, #CE94E0, #B994E0 and #A594E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E094C9 shade matches the following richer shades: #E094C9, #EB89CD and #F67ED1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E094C9 shade: #E094C9, #D49FC4, #C9AAC0, #BEB5BB and #B3C0B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E094C9 shade: #CE94E0, #E094DD, #E094C9, #E094B5 and #E094A0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E094C9 shade: #CD54A8, #D674B8, #E094C9, #E9B4D9 and #F2D4E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E094C9 shade: #E094C9, #E0BA94 and #94E0D8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E094C9 shade: #E094C9, #C9E094 and #94C9E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E094C9 shade: #E094C9, #E0BA94, #94E0AB and #94BAE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E094C9 shade: #E094C9, #E0D094, #94E0AB and #94A3E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 10 / 12

HEX #E094C9

RGB 224 148 201

HSL 318.16, 0.55%, 0.73%

LAB 70.35, 36.42, -15.54

 

Complementary color

CMYK 71 / 0 / 50 / 58

HEX #1F6B36

RGB 31 107 54

HSL 138.16, 0.55%, 0.27%

LAB 39.7, -35.75, 23.08

 

CMYK 0 / 35 / 14 / 10

HEX #E594C4

RGB 229 148 196

HSL 324.44, 0.61%, 0.74%

LAB 70.75, 37.28, -12.1

 

CMYK 0 / 33 / 13 / 4

HEX #F6A6D7

RGB 246 166 215

HSL 323.25, 0.82%, 0.81%

LAB 77.14, 36.55, -12.77

 

CMYK 0 / 28 / 8 / 0

HEX #FFB8EA

RGB 255 184 234

HSL 317.75, 1%, 0.86%

LAB 82.64, 33.22, -14.7

 

CMYK 0 / 21 / 1 / 0

HEX #FFCAFD

RGB 255 202 253

HSL 302.26, 1%, 0.9%

LAB 87.29, 27.06, -17.83

 

CMYK 0 / 14 / 0 / 0

HEX #FFDCFF

RGB 255 220 255

HSL 300, 1%, 0.93%

LAB 91.53, 17.99, -12.51

 

CMYK 0 / 34 / 10 / 12

HEX #E094C9

RGB 224 148 201

HSL 318.16, 0.55%, 0.73%

LAB 70.35, 36.42, -15.54

 

CMYK 0 / 37 / 12 / 19

HEX #CF82B6

RGB 207 130 182

HSL 319.48, 0.45%, 0.66%

LAB 63.84, 37.17, -14.9

 

CMYK 0 / 41 / 14 / 25

HEX #BE70A3

RGB 190 112 163

HSL 320.77, 0.38%, 0.59%

LAB 57.25, 37.95, -14.19

 

CMYK 0 / 46 / 17 / 32

HEX #AD5E90

RGB 173 94 144

HSL 322.03, 0.33%, 0.52%

LAB 50.57, 38.74, -13.38

 

CMYK 0 / 51 / 20 / 39

HEX #9C4C7D

RGB 156 76 125

HSL 323.25, 0.34%, 0.45%

LAB 43.82, 39.51, -12.4

 

CMYK 0 / 34 / 10 / 12

HEX #E094C9

RGB 224 148 201

HSL 318.16, 0.55%, 0.73%

LAB 70.35, 36.42, -15.54

 

CMYK 0 / 34 / 20 / 12

HEX #E094B4

RGB 224 148 180

HSL 334.74, 0.55%, 0.73%

LAB 69.7, 33.07, -4.83

 

CMYK 0 / 34 / 29 / 12

HEX #E094A0

RGB 224 148 160

HSL 350.53, 0.55%, 0.73%

LAB 69.16, 30.21, 5.54

 

CMYK 0 / 34 / 34 / 12

HEX #E09494

RGB 224 148 148

HSL 0, 0.55%, 0.73%

LAB 68.87, 28.65, 11.83

 

CMYK 0 / 34 / 10 / 12

HEX #E094C9

RGB 224 148 201

HSL 318.16, 0.55%, 0.73%

LAB 70.35, 36.42, -15.54

 

CMYK 0 / 34 / 1 / 12

HEX #E094DD

RGB 224 148 221

HSL 302.37, 0.55%, 0.73%

LAB 71.04, 39.91, -25.53

 

CMYK 8 / 34 / 0 / 12

HEX #CE94E0

RGB 206 148 224

HSL 285.79, 0.55%, 0.73%

LAB 69.24, 34.84, -30.11

 

CMYK 17 / 34 / 0 / 12

HEX #B994E0

RGB 185 148 224

HSL 269.21, 0.55%, 0.73%

LAB 67.18, 28.39, -33.46

 

CMYK 26 / 34 / 0 / 12

HEX #A594E0

RGB 165 148 224

HSL 253.42, 0.55%, 0.73%

LAB 65.41, 22.43, -36.36

 

CMYK 0 / 34 / 10 / 12

HEX #E094C9

RGB 224 148 201

HSL 318.16, 0.55%, 0.73%

LAB 70.35, 36.42, -15.54

 

CMYK 0 / 42 / 13 / 8

HEX #EB89CD

RGB 235 137 205

HSL 318.37, 0.71%, 0.73%

LAB 69.44, 46.41, -19

 

CMYK 0 / 49 / 15 / 4

HEX #F67ED1

RGB 246 126 209

HSL 318.5, 0.87%, 0.73%

LAB 68.84, 55.91, -22.02

 

CMYK 0 / 34 / 10 / 12

HEX #E094C9

RGB 224 148 201

HSL 318.16, 0.55%, 0.73%

LAB 70.35, 36.42, -15.54

 

CMYK 0 / 25 / 8 / 17

HEX #D49FC4

RGB 212 159 196

HSL 318.11, 0.38%, 0.73%

LAB 71.4, 25.57, -11.31

 

CMYK 0 / 15 / 4 / 21

HEX #C9AAC0

RGB 201 170 192

HSL 317.42, 0.22%, 0.73%

LAB 72.87, 15.03, -7.03

 

CMYK 0 / 5 / 2 / 25

HEX #BEB5BB

RGB 190 181 187

HSL 320, 0.06%, 0.73%

LAB 74.56, 4.28, -1.91

 

CMYK 7 / 0 / 5 / 25

HEX #B3C0B7

RGB 179 192 183

HSL 138.46, 0.09%, 0.73%

LAB 76.5, -6.17, 2.99

 

CMYK 8 / 34 / 0 / 12

HEX #CE94E0

RGB 206 148 224

HSL 285.79, 0.55%, 0.73%

LAB 69.24, 34.84, -30.11

 

CMYK 0 / 34 / 1 / 12

HEX #E094DD

RGB 224 148 221

HSL 302.37, 0.55%, 0.73%

LAB 71.04, 39.91, -25.53

 

CMYK 0 / 34 / 10 / 12

HEX #E094C9

RGB 224 148 201

HSL 318.16, 0.55%, 0.73%

LAB 70.35, 36.42, -15.54

 

CMYK 0 / 34 / 19 / 12

HEX #E094B5

RGB 224 148 181

HSL 333.95, 0.55%, 0.73%

LAB 69.73, 33.22, -5.34

 

CMYK 0 / 34 / 29 / 12

HEX #E094A0

RGB 224 148 160

HSL 350.53, 0.55%, 0.73%

LAB 69.16, 30.21, 5.54

 

CMYK 0 / 59 / 18 / 20

HEX #CD54A8

RGB 205 84 168

HSL 318.35, 0.55%, 0.57%

LAB 54.18, 57.28, -21.58

 

CMYK 0 / 46 / 14 / 16

HEX #D674B8

RGB 214 116 184

HSL 318.37, 0.54%, 0.65%

LAB 61.87, 47.09, -18.95

 

CMYK 0 / 34 / 10 / 12

HEX #E094C9

RGB 224 148 201

HSL 318.16, 0.55%, 0.73%

LAB 70.35, 36.42, -15.54

 

CMYK 0 / 23 / 7 / 9

HEX #E9B4D9

RGB 233 180 217

HSL 318.11, 0.55%, 0.81%

LAB 79.03, 25.08, -11.18

 

CMYK 0 / 12 / 4 / 5

HEX #F2D4E9

RGB 242 212 233

HSL 318, 0.54%, 0.89%

LAB 87.9, 13.95, -6.47

 

CMYK 0 / 34 / 10 / 12

HEX #E094C9

RGB 224 148 201

HSL 318.16, 0.55%, 0.73%

LAB 70.35, 36.42, -15.54

 

CMYK 0 / 17 / 34 / 12

HEX #E0BA94

RGB 224 186 148

HSL 30, 0.55%, 0.73%

LAB 77.94, 8.31, 24.38

 

CMYK 34 / 0 / 4 / 12

HEX #94E0D8

RGB 148 224 216

HSL 173.68, 0.55%, 0.73%

LAB 84.26, -25.15, -3.55

 

CMYK 0 / 34 / 10 / 12

HEX #E094C9

RGB 224 148 201

HSL 318.16, 0.55%, 0.73%

LAB 70.35, 36.42, -15.54

 

CMYK 10 / 0 / 34 / 12

HEX #C9E094

RGB 201 224 148

HSL 78.16, 0.55%, 0.73%

LAB 85.94, -20.01, 34.75

 

CMYK 34 / 10 / 0 / 12

HEX #94C9E0

RGB 148 201 224

HSL 198.16, 0.55%, 0.73%

LAB 78.14, -11.65, -16.94

 

CMYK 0 / 34 / 10 / 12

HEX #E094C9

RGB 224 148 201

HSL 318.16, 0.55%, 0.73%

LAB 70.35, 36.42, -15.54

 

CMYK 0 / 17 / 34 / 12

HEX #E0BA94

RGB 224 186 148

HSL 30, 0.55%, 0.73%

LAB 77.94, 8.31, 24.38

 

CMYK 34 / 0 / 24 / 12

HEX #94E0AB

RGB 148 224 171

HSL 138.16, 0.55%, 0.73%

LAB 83.2, -34.42, 18.65

 

CMYK 34 / 17 / 0 / 12

HEX #94BAE0

RGB 148 186 224

HSL 210, 0.55%, 0.73%

LAB 74.06, -3.68, -23.12

 

CMYK 0 / 34 / 10 / 12

HEX #E094C9

RGB 224 148 201

HSL 318.16, 0.55%, 0.73%

LAB 70.35, 36.42, -15.54

 

CMYK 0 / 7 / 34 / 12

HEX #E0D094

RGB 224 208 148

HSL 47.37, 0.55%, 0.73%

LAB 83.49, -3.19, 31.84

 

CMYK 34 / 0 / 24 / 12

HEX #94E0AB

RGB 148 224 171

HSL 138.16, 0.55%, 0.73%

LAB 83.2, -34.42, 18.65

 

CMYK 34 / 27 / 0 / 12

HEX #94A3E0

RGB 148 163 224

HSL 228.16, 0.55%, 0.73%

LAB 67.93, 9.05, -32.55

 

Description

Color code: HEX #E094C9 | qconv.com Color code: HEX #E094C9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 148 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 148 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 10 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 10% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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