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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E09542 it is the complementary color #1F6ABD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E09542. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E09542 shade: #E5953D, #F6A750, #FFB963, #FFCB76 and #FFDD89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E09542. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E09542 shade: #E09542, #CF832F, #BE711C, #AD5F09 and #9C4D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E09542 shade: #E09542, #E06A42 and #E04242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E09542 shade: #E09542, #E0BF42, #D6E042, #ABE042 and #80E042

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E09542 shade matches the following richer shades: #E09542 and #F29630

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E09542 shade: #E09542, #CE9454, #BC9365, #AB9277 and #999189

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E09542 shade: #E04245, #E06942, #E09342, #E0BE42 and #D8E042

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E09542 shade: #B36B1D, #D68122, #E09542, #E6A965 and #EBBD89

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E09542 shade: #E09542, #6FE042 and #5442E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E09542 shade: #E09542, #42E093 and #9342E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E09542 shade: #E09542, #6FE042, #428EE0 and #B342E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E09542 shade: #E09542, #42E045, #428EE0 and #E042DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 71 / 12

HEX #E09542

RGB 224 149 66

HSL 31.52, 0.72%, 0.57%

LAB 67.83, 20.94, 53.69

 

Complementary color

CMYK 84 / 44 / 0 / 26

HEX #1F6ABD

RGB 31 106 189

HSL 211.52, 0.72%, 0.43%

LAB 44.62, 8.32, -49.9

 

CMYK 0 / 35 / 73 / 10

HEX #E5953D

RGB 229 149 61

HSL 31.43, 0.76%, 0.57%

LAB 68.38, 22.8, 56.68

 

CMYK 0 / 32 / 67 / 4

HEX #F6A750

RGB 246 167 80

HSL 31.45, 0.9%, 0.64%

LAB 74.7, 21.28, 55.42

 

CMYK 0 / 27 / 61 / 0

HEX #FFB963

RGB 255 185 99

HSL 33.08, 1%, 0.69%

LAB 80.1, 16.69, 52.82

 

CMYK 0 / 20 / 54 / 0

HEX #FFCB76

RGB 255 203 118

HSL 37.23, 1%, 0.73%

LAB 84.63, 8.72, 48.99

 

CMYK 0 / 13 / 46 / 0

HEX #FFDD89

RGB 255 221 137

HSL 42.71, 1%, 0.77%

LAB 89.29, 1.14, 45.41

 

CMYK 0 / 33 / 71 / 12

HEX #E09542

RGB 224 149 66

HSL 31.52, 0.72%, 0.57%

LAB 67.83, 20.94, 53.69

 

CMYK 0 / 37 / 77 / 19

HEX #CF832F

RGB 207 131 47

HSL 31.5, 0.63%, 0.5%

LAB 61.4, 22.58, 54.83

 

CMYK 0 / 41 / 85 / 25

HEX #BE711C

RGB 190 113 28

HSL 31.48, 0.74%, 0.43%

LAB 54.91, 24.46, 55.41

 

CMYK 0 / 45 / 95 / 32

HEX #AD5F09

RGB 173 95 9

HSL 31.46, 0.9%, 0.36%

LAB 48.37, 26.6, 54.67

 

CMYK 0 / 51 / 100 / 39

HEX #9C4D00

RGB 156 77 0

HSL 29.62, 1%, 0.31%

LAB 41.81, 28.99, 51.44

 

CMYK 0 / 33 / 71 / 12

HEX #E09542

RGB 224 149 66

HSL 31.52, 0.72%, 0.57%

LAB 67.83, 20.94, 53.69

 

CMYK 0 / 53 / 71 / 12

HEX #E06A42

RGB 224 106 66

HSL 15.19, 0.72%, 0.57%

LAB 58.55, 43.33, 43.62

 

CMYK 0 / 71 / 71 / 12

HEX #E04242

RGB 224 66 66

HSL 0, 0.72%, 0.57%

LAB 51.99, 60.72, 36.1

 

CMYK 0 / 33 / 71 / 12

HEX #E09542

RGB 224 149 66

HSL 31.52, 0.72%, 0.57%

LAB 67.83, 20.94, 53.69

 

CMYK 0 / 15 / 71 / 12

HEX #E0BF42

RGB 224 191 66

HSL 47.47, 0.72%, 0.57%

LAB 78.17, -1.33, 64.32

 

CMYK 4 / 0 / 71 / 12

HEX #D6E042

RGB 214 224 66

HSL 63.8, 0.72%, 0.57%

LAB 86.01, -22.09, 71.76

 

CMYK 24 / 0 / 71 / 12

HEX #ABE042

RGB 171 224 66

HSL 80.13, 0.72%, 0.57%

LAB 83.11, -39.12, 67.93

 

CMYK 43 / 0 / 71 / 12

HEX #80E042

RGB 128 224 66

HSL 96.46, 0.72%, 0.57%

LAB 80.9, -54.11, 64.99

 

CMYK 0 / 33 / 71 / 12

HEX #E09542

RGB 224 149 66

HSL 31.52, 0.72%, 0.57%

LAB 67.83, 20.94, 53.69

 

CMYK 0 / 38 / 80 / 5

HEX #F29630

RGB 242 150 48

HSL 31.55, 0.88%, 0.57%

LAB 70.11, 27.18, 64.15

 

CMYK 0 / 33 / 71 / 12

HEX #E09542

RGB 224 149 66

HSL 31.52, 0.72%, 0.57%

LAB 67.83, 20.94, 53.69

 

CMYK 0 / 28 / 59 / 19

HEX #CE9454

RGB 206 148 84

HSL 31.48, 0.55%, 0.57%

LAB 65.7, 15.02, 42.01

 

CMYK 0 / 22 / 46 / 26

HEX #BC9365

RGB 188 147 101

HSL 31.72, 0.39%, 0.57%

LAB 63.75, 9.5, 30.2

 

CMYK 0 / 15 / 30 / 33

HEX #AB9277

RGB 171 146 119

HSL 31.15, 0.24%, 0.57%

LAB 62.12, 5.21, 17.79

 

CMYK 0 / 5 / 10 / 40

HEX #999189

RGB 153 145 137

HSL 30, 0.07%, 0.57%

LAB 60.63, 1.51, 5.29

 

CMYK 0 / 71 / 69 / 12

HEX #E04245

RGB 224 66 69

HSL 358.86, 0.72%, 0.57%

LAB 52.03, 60.86, 34.43

 

CMYK 0 / 53 / 71 / 12

HEX #E06942

RGB 224 105 66

HSL 14.81, 0.72%, 0.57%

LAB 58.36, 43.82, 43.41

 

CMYK 0 / 34 / 71 / 12

HEX #E09342

RGB 224 147 66

HSL 30.76, 0.72%, 0.57%

LAB 67.36, 22.01, 53.2

 

CMYK 0 / 15 / 71 / 12

HEX #E0BE42

RGB 224 190 66

HSL 47.09, 0.72%, 0.57%

LAB 77.91, -0.81, 64.06

 

CMYK 4 / 0 / 71 / 12

HEX #D8E042

RGB 216 224 66

HSL 63.04, 0.72%, 0.57%

LAB 86.16, -21.27, 71.96

 

CMYK 0 / 40 / 84 / 30

HEX #B36B1D

RGB 179 107 29

HSL 31.2, 0.72%, 0.41%

LAB 52.05, 23.02, 52.02

 

CMYK 0 / 40 / 84 / 16

HEX #D68122

RGB 214 129 34

HSL 31.67, 0.73%, 0.49%

LAB 61.75, 26.2, 60.41

 

CMYK 0 / 33 / 71 / 12

HEX #E09542

RGB 224 149 66

HSL 31.52, 0.72%, 0.57%

LAB 67.83, 20.94, 53.69

 

CMYK 0 / 27 / 56 / 10

HEX #E6A965

RGB 230 169 101

HSL 31.63, 0.72%, 0.65%

LAB 73.64, 15.02, 43.52

 

CMYK 0 / 20 / 42 / 8

HEX #EBBD89

RGB 235 189 137

HSL 31.84, 0.71%, 0.73%

LAB 79.54, 9.79, 32.52

 

CMYK 0 / 33 / 71 / 12

HEX #E09542

RGB 224 149 66

HSL 31.52, 0.72%, 0.57%

LAB 67.83, 20.94, 53.69

 

CMYK 50 / 0 / 71 / 12

HEX #6FE042

RGB 111 224 66

HSL 102.91, 0.72%, 0.57%

LAB 80.23, -59.16, 64.08

 

CMYK 63 / 71 / 0 / 12

HEX #5442E0

RGB 84 66 224

HSL 246.84, 0.72%, 0.57%

LAB 39.85, 51.91, -77.68

 

CMYK 0 / 33 / 71 / 12

HEX #E09542

RGB 224 149 66

HSL 31.52, 0.72%, 0.57%

LAB 67.83, 20.94, 53.69

 

CMYK 71 / 0 / 34 / 12

HEX #42E093

RGB 66 224 147

HSL 150.76, 0.72%, 0.57%

LAB 79.94, -58.01, 26.2

 

CMYK 34 / 71 / 0 / 12

HEX #9342E0

RGB 147 66 224

HSL 270.76, 0.72%, 0.57%

LAB 46.29, 61.97, -66.9

 

CMYK 0 / 33 / 71 / 12

HEX #E09542

RGB 224 149 66

HSL 31.52, 0.72%, 0.57%

LAB 67.83, 20.94, 53.69

 

CMYK 50 / 0 / 71 / 12

HEX #6FE042

RGB 111 224 66

HSL 102.91, 0.72%, 0.57%

LAB 80.23, -59.16, 64.08

 

CMYK 71 / 37 / 0 / 12

HEX #428EE0

RGB 66 142 224

HSL 211.14, 0.72%, 0.57%

LAB 57.93, 3.29, -48.52

 

CMYK 20 / 71 / 0 / 12

HEX #B342E0

RGB 179 66 224

HSL 282.91, 0.72%, 0.57%

LAB 50.53, 68.17, -59.84

 

CMYK 0 / 33 / 71 / 12

HEX #E09542

RGB 224 149 66

HSL 31.52, 0.72%, 0.57%

LAB 67.83, 20.94, 53.69

 

CMYK 71 / 0 / 69 / 12

HEX #42E045

RGB 66 224 69

HSL 121.14, 0.72%, 0.57%

LAB 78.98, -69.07, 61.29

 

CMYK 71 / 37 / 0 / 12

HEX #428EE0

RGB 66 142 224

HSL 211.14, 0.72%, 0.57%

LAB 57.93, 3.29, -48.52

 

CMYK 0 / 71 / 1 / 12

HEX #E042DD

RGB 224 66 221

HSL 301.14, 0.72%, 0.57%

LAB 57.04, 76.99, -47.35

 

Description

Color code: HEX #E09542 | qconv.com Color code: HEX #E09542 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 149 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 149 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 71 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 71% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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