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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E09051 it is the complementary color #1F6FAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E09051. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E09051 shade: #E5904C, #F6A25F, #FFB472, #FFC685 and #FFD898

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E09051. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E09051 shade: #E09051, #CF7E3E, #BE6C2B, #AD5A18 and #9C4805

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E09051 shade: #E09051, #E06951 and #E05151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E09051 shade: #E09051, #E0B751, #E0DD51, #BCE051 and #96E051

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E09051 shade matches the following richer shades: #E09051 and #F08E41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E09051 shade: #E09051, #CF9262, #BF9472, #AE9683 and #9E9893

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E09051 shade: #E0515F, #E06951, #E08F51, #E0B551 and #E0DB51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E09051 shade: #BD6621, #DA7A2E, #E09051, #E6A674 and #ECBD97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E09051 shade: #E09051, #85E051 and #5651E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E09051 shade: #E09051, #51E08F and #8F51E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E09051 shade: #E09051, #85E051, #51A2E0 and #AC51E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E09051 shade: #E09051, #5BE051, #51A2E0 and #D651E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 64 / 12

HEX #E09051

RGB 224 144 81

HSL 26.43, 0.7%, 0.6%

LAB 66.82, 24.48, 45.36

 

Complementary color

CMYK 82 / 36 / 0 / 32

HEX #1F6FAE

RGB 31 111 174

HSL 206.43, 0.7%, 0.4%

LAB 45.24, -0.62, -40.17

 

CMYK 0 / 37 / 67 / 10

HEX #E5904C

RGB 229 144 76

HSL 26.67, 0.75%, 0.6%

LAB 67.37, 26.23, 48.64

 

CMYK 0 / 34 / 61 / 4

HEX #F6A25F

RGB 246 162 95

HSL 26.62, 0.89%, 0.67%

LAB 73.71, 24.83, 47.06

 

CMYK 0 / 29 / 55 / 0

HEX #FFB472

RGB 255 180 114

HSL 28.09, 1%, 0.72%

LAB 79.11, 20.39, 44.24

 

CMYK 0 / 22 / 48 / 0

HEX #FFC685

RGB 255 198 133

HSL 31.97, 1%, 0.76%

LAB 83.62, 12.61, 40.25

 

CMYK 0 / 15 / 40 / 0

HEX #FFD898

RGB 255 216 152

HSL 37.28, 1%, 0.8%

LAB 88.28, 5.2, 36.59

 

CMYK 0 / 36 / 64 / 12

HEX #E09051

RGB 224 144 81

HSL 26.43, 0.7%, 0.6%

LAB 66.82, 24.48, 45.36

 

CMYK 0 / 39 / 70 / 19

HEX #CF7E3E

RGB 207 126 62

HSL 26.48, 0.6%, 0.53%

LAB 60.37, 25.98, 46.97

 

CMYK 0 / 43 / 77 / 25

HEX #BE6C2B

RGB 190 108 43

HSL 26.53, 0.63%, 0.46%

LAB 53.86, 27.68, 48.47

 

CMYK 0 / 48 / 86 / 32

HEX #AD5A18

RGB 173 90 24

HSL 26.58, 0.76%, 0.39%

LAB 47.32, 29.61, 49.48

 

CMYK 0 / 54 / 97 / 39

HEX #9C4805

RGB 156 72 5

HSL 26.62, 0.94%, 0.32%

LAB 40.76, 31.75, 49.3

 

CMYK 0 / 36 / 64 / 12

HEX #E09051

RGB 224 144 81

HSL 26.43, 0.7%, 0.6%

LAB 66.82, 24.48, 45.36

 

CMYK 0 / 53 / 64 / 12

HEX #E06951

RGB 224 105 81

HSL 10.07, 0.7%, 0.6%

LAB 58.55, 44.65, 35.55

 

CMYK 0 / 64 / 64 / 12

HEX #E05151

RGB 224 81 81

HSL 0, 0.7%, 0.6%

LAB 54.37, 55.63, 30.38

 

CMYK 0 / 36 / 64 / 12

HEX #E09051

RGB 224 144 81

HSL 26.43, 0.7%, 0.6%

LAB 66.82, 24.48, 45.36

 

CMYK 0 / 18 / 64 / 12

HEX #E0B751

RGB 224 183 81

HSL 42.8, 0.7%, 0.6%

LAB 76.26, 3.69, 55.99

 

CMYK 0 / 1 / 64 / 12

HEX #E0DD51

RGB 224 221 81

HSL 58.74, 0.7%, 0.6%

LAB 86.08, -15.72, 66.49

 

CMYK 16 / 0 / 64 / 12

HEX #BCE051

RGB 188 224 81

HSL 75.1, 0.7%, 0.6%

LAB 84.28, -31.63, 63.78

 

CMYK 33 / 0 / 64 / 12

HEX #96E051

RGB 150 224 81

HSL 91.05, 0.7%, 0.6%

LAB 82.05, -45.7, 60.74

 

CMYK 0 / 36 / 64 / 12

HEX #E09051

RGB 224 144 81

HSL 26.43, 0.7%, 0.6%

LAB 66.82, 24.48, 45.36

 

CMYK 0 / 41 / 73 / 6

HEX #F08E41

RGB 240 142 65

HSL 26.4, 0.85%, 0.6%

LAB 68.21, 31.2, 55.16

 

CMYK 0 / 36 / 64 / 12

HEX #E09051

RGB 224 144 81

HSL 26.43, 0.7%, 0.6%

LAB 66.82, 24.48, 45.36

 

CMYK 0 / 29 / 53 / 19

HEX #CF9262

RGB 207 146 98

HSL 26.42, 0.53%, 0.6%

LAB 65.52, 17.67, 34.48

 

CMYK 0 / 23 / 40 / 25

HEX #BF9472

RGB 191 148 114

HSL 26.49, 0.38%, 0.6%

LAB 64.54, 11.61, 24.18

 

CMYK 0 / 14 / 25 / 32

HEX #AE9683

RGB 174 150 131

HSL 26.51, 0.21%, 0.6%

LAB 63.71, 5.9, 13.32

 

CMYK 0 / 4 / 7 / 38

HEX #9E9893

RGB 158 152 147

HSL 27.27, 0.05%, 0.6%

LAB 63.2, 1.27, 3.4

 

CMYK 0 / 64 / 58 / 12

HEX #E0515F

RGB 224 81 95

HSL 354.13, 0.7%, 0.6%

LAB 54.61, 56.55, 22.52

 

CMYK 0 / 53 / 64 / 12

HEX #E06951

RGB 224 105 81

HSL 10.07, 0.7%, 0.6%

LAB 58.55, 44.65, 35.55

 

CMYK 0 / 36 / 64 / 12

HEX #E08F51

RGB 224 143 81

HSL 26.01, 0.7%, 0.6%

LAB 66.59, 25.01, 45.1

 

CMYK 0 / 19 / 64 / 12

HEX #E0B551

RGB 224 181 81

HSL 41.96, 0.7%, 0.6%

LAB 75.75, 4.74, 55.44

 

CMYK 0 / 2 / 64 / 12

HEX #E0DB51

RGB 224 219 81

HSL 57.9, 0.7%, 0.6%

LAB 85.56, -14.73, 65.94

 

CMYK 0 / 46 / 83 / 26

HEX #BD6621

RGB 189 102 33

HSL 26.54, 0.7%, 0.44%

LAB 52.32, 30.14, 51.25

 

CMYK 0 / 44 / 79 / 15

HEX #DA7A2E

RGB 218 122 46

HSL 26.51, 0.7%, 0.52%

LAB 60.8, 31.95, 55.18

 

CMYK 0 / 36 / 64 / 12

HEX #E09051

RGB 224 144 81

HSL 26.43, 0.7%, 0.6%

LAB 66.82, 24.48, 45.36

 

CMYK 0 / 28 / 50 / 10

HEX #E6A674

RGB 230 166 116

HSL 26.32, 0.7%, 0.68%

LAB 73.13, 17.9, 35.12

 

CMYK 0 / 20 / 36 / 7

HEX #ECBD97

RGB 236 189 151

HSL 26.82, 0.69%, 0.76%

LAB 79.88, 11.75, 25.61

 

CMYK 0 / 36 / 64 / 12

HEX #E09051

RGB 224 144 81

HSL 26.43, 0.7%, 0.6%

LAB 66.82, 24.48, 45.36

 

CMYK 41 / 0 / 64 / 12

HEX #85E051

RGB 133 224 81

HSL 98.18, 0.7%, 0.6%

LAB 81.23, -51.36, 59.61

 

CMYK 62 / 64 / 0 / 12

HEX #5651E0

RGB 86 81 224

HSL 242.1, 0.7%, 0.6%

LAB 43.13, 43.68, -72.3

 

CMYK 0 / 36 / 64 / 12

HEX #E09051

RGB 224 144 81

HSL 26.43, 0.7%, 0.6%

LAB 66.82, 24.48, 45.36

 

CMYK 64 / 0 / 36 / 12

HEX #51E08F

RGB 81 224 143

HSL 146.01, 0.7%, 0.6%

LAB 80.2, -56.27, 28.67

 

CMYK 36 / 64 / 0 / 12

HEX #8F51E0

RGB 143 81 224

HSL 266.01, 0.7%, 0.6%

LAB 48.39, 54.04, -63.51

 

CMYK 0 / 36 / 64 / 12

HEX #E09051

RGB 224 144 81

HSL 26.43, 0.7%, 0.6%

LAB 66.82, 24.48, 45.36

 

CMYK 41 / 0 / 64 / 12

HEX #85E051

RGB 133 224 81

HSL 98.18, 0.7%, 0.6%

LAB 81.23, -51.36, 59.61

 

CMYK 64 / 28 / 0 / 12

HEX #51A2E0

RGB 81 162 224

HSL 206.01, 0.7%, 0.6%

LAB 64.14, -5.87, -38.71

 

CMYK 23 / 64 / 0 / 12

HEX #AC51E0

RGB 172 81 224

HSL 278.18, 0.7%, 0.6%

LAB 51.88, 60.29, -57.71

 

CMYK 0 / 36 / 64 / 12

HEX #E09051

RGB 224 144 81

HSL 26.43, 0.7%, 0.6%

LAB 66.82, 24.48, 45.36

 

CMYK 59 / 0 / 64 / 12

HEX #5BE051

RGB 91 224 81

HSL 115.8, 0.7%, 0.6%

LAB 79.69, -62.97, 57.48

 

CMYK 64 / 28 / 0 / 12

HEX #51A2E0

RGB 81 162 224

HSL 206.01, 0.7%, 0.6%

LAB 64.14, -5.87, -38.71

 

CMYK 4 / 64 / 0 / 12

HEX #D651E0

RGB 214 81 224

HSL 295.8, 0.7%, 0.6%

LAB 57.62, 69.84, -48.22

 

Description

Color code: HEX #E09051 | qconv.com Color code: HEX #E09051 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 144 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 144 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 64 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 64% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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