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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0919B it is the complementary color #1F6E64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0919B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E0919B shade: #E59196, #F6A3A9, #FFB5BC, #FFC7CF and #FFD9E2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0919B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E0919B shade: #E0919B, #CF7F88, #BE6D75, #AD5B62 and #9C494F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E0919B shade: #DF8F99 and #DF8F8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E0919B shade: #DF8F99, #DF8FAF, #DF8FC4, #DF8FDA and #CF8FDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E0919B shade matches the following richer shades: #DF8F99, #EB8491 and #F67888

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E0919B shade: #DF8F99, #D49BA2, #C8A6AA, #BCB2B3 and #B1BDBC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E0919B shade: #DF8FC4, #DF8FAF, #DF8F9A, #DF9A8F and #DFAF8F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E0919B shade: #CD4F5F, #D66F7C, #DF8F99, #E8AFB6 and #F1CFD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E0919B shade: #E0919B, #DADF8F and #8FBADF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E0919B shade: #E0919B, #9ADF8F and #8F9ADF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E0919B shade: #E0919B, #DADF8F, #8FDFD4 and #948FDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E0919B shade: #E0919B, #C2DF8F, #8FDFD4 and #AC8FDF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 31 / 12

HEX #E0919B

RGB 224 145 155

HSL 352.41, 0.56%, 0.72%

LAB 68.36, 31.15, 7.19

 

Complementary color

CMYK 72 / 0 / 9 / 57

HEX #1F6E64

RGB 31 110 100

HSL 172.41, 0.56%, 0.28%

LAB 41.79, -26.01, -1.31

 

CMYK 0 / 37 / 34 / 10

HEX #E59196

RGB 229 145 150

HSL 356.43, 0.62%, 0.73%

LAB 68.83, 32.36, 10.74

 

CMYK 0 / 34 / 31 / 4

HEX #F6A3A9

RGB 246 163 169

HSL 355.66, 0.82%, 0.8%

LAB 75.23, 31.49, 9.6

 

CMYK 0 / 29 / 26 / 0

HEX #FFB5BC

RGB 255 181 188

HSL 354.32, 1%, 0.85%

LAB 80.7, 27.81, 7.22

 

CMYK 0 / 22 / 19 / 0

HEX #FFC7CF

RGB 255 199 207

HSL 351.43, 1%, 0.89%

LAB 85.31, 21.07, 3.68

 

CMYK 0 / 15 / 11 / 0

HEX #FFD9E2

RGB 255 217 226

HSL 345.79, 1%, 0.93%

LAB 90.03, 14.61, 0.49

 

CMYK 0 / 35 / 31 / 12

HEX #E0919B

RGB 224 145 155

HSL 352.41, 0.56%, 0.72%

LAB 68.36, 31.15, 7.19

 

CMYK 0 / 39 / 34 / 19

HEX #CF7F88

RGB 207 127 136

HSL 353.25, 0.45%, 0.65%

LAB 61.85, 32.04, 8.36

 

CMYK 0 / 43 / 38 / 25

HEX #BE6D75

RGB 190 109 117

HSL 354.07, 0.38%, 0.59%

LAB 55.25, 33.02, 9.67

 

CMYK 0 / 47 / 43 / 32

HEX #AD5B62

RGB 173 91 98

HSL 354.88, 0.33%, 0.52%

LAB 48.57, 34.06, 11.2

 

CMYK 0 / 53 / 49 / 39

HEX #9C494F

RGB 156 73 79

HSL 355.66, 0.36%, 0.45%

LAB 41.84, 35.16, 13.03

 

CMYK 0 / 36 / 31 / 13

HEX #DF8F99

RGB 223 143 153

HSL 352.5, 0.56%, 0.72%

LAB 67.75, 31.59, 7.42

 

CMYK 0 / 36 / 36 / 13

HEX #DF8F8F

RGB 223 143 143

HSL 0, 0.56%, 0.72%

LAB 67.51, 30.34, 12.69

 

CMYK 0 / 36 / 31 / 13

HEX #DF8F99

RGB 223 143 153

HSL 352.5, 0.56%, 0.72%

LAB 67.75, 31.59, 7.42

 

CMYK 0 / 36 / 22 / 13

HEX #DF8FAF

RGB 223 143 175

HSL 336, 0.56%, 0.72%

LAB 68.33, 34.64, -4.06

 

CMYK 0 / 36 / 12 / 13

HEX #DF8FC4

RGB 223 143 196

HSL 320.25, 0.56%, 0.72%

LAB 68.98, 37.91, -14.83

 

CMYK 0 / 36 / 2 / 13

HEX #DF8FDA

RGB 223 143 218

HSL 303.75, 0.56%, 0.72%

LAB 69.75, 41.7, -25.86

 

CMYK 7 / 36 / 0 / 13

HEX #CF8FDF

RGB 207 143 223

HSL 288, 0.56%, 0.72%

LAB 68.2, 37.66, -31.16

 

CMYK 0 / 36 / 31 / 13

HEX #DF8F99

RGB 223 143 153

HSL 352.5, 0.56%, 0.72%

LAB 67.75, 31.59, 7.42

 

CMYK 0 / 44 / 38 / 8

HEX #EB8491

RGB 235 132 145

HSL 352.43, 0.72%, 0.72%

LAB 66.68, 40.75, 10.6

 

CMYK 0 / 51 / 45 / 4

HEX #F67888

RGB 246 120 136

HSL 352.38, 0.88%, 0.72%

LAB 65.6, 49.67, 14.38

 

CMYK 0 / 36 / 31 / 13

HEX #DF8F99

RGB 223 143 153

HSL 352.5, 0.56%, 0.72%

LAB 67.75, 31.59, 7.42

 

CMYK 0 / 27 / 24 / 17

HEX #D49BA2

RGB 212 155 162

HSL 352.63, 0.4%, 0.72%

LAB 69.5, 22.28, 4.76

 

CMYK 0 / 17 / 15 / 22

HEX #C8A6AA

RGB 200 166 170

HSL 352.94, 0.24%, 0.72%

LAB 71.18, 13.07, 2.6

 

CMYK 0 / 5 / 5 / 26

HEX #BCB2B3

RGB 188 178 179

HSL 354, 0.07%, 0.72%

LAB 73.41, 3.73, 0.76

 

CMYK 6 / 0 / 1 / 26

HEX #B1BDBC

RGB 177 189 188

HSL 175, 0.08%, 0.72%

LAB 75.68, -4.32, -0.93

 

CMYK 0 / 36 / 12 / 13

HEX #DF8FC4

RGB 223 143 196

HSL 320.25, 0.56%, 0.72%

LAB 68.98, 37.91, -14.83

 

CMYK 0 / 36 / 22 / 13

HEX #DF8FAF

RGB 223 143 175

HSL 336, 0.56%, 0.72%

LAB 68.33, 34.64, -4.06

 

CMYK 0 / 36 / 31 / 13

HEX #DF8F9A

RGB 223 143 154

HSL 351.75, 0.56%, 0.72%

LAB 67.77, 31.72, 6.9

 

CMYK 0 / 31 / 36 / 13

HEX #DF9A8F

RGB 223 154 143

HSL 8.25, 0.56%, 0.72%

LAB 70.02, 24.44, 16.2

 

CMYK 0 / 22 / 36 / 13

HEX #DFAF8F

RGB 223 175 143

HSL 24, 0.56%, 0.72%

LAB 75.03, 13.17, 23.1

 

CMYK 0 / 61 / 54 / 20

HEX #CD4F5F

RGB 205 79 95

HSL 352.38, 0.56%, 0.56%

LAB 51.15, 51.14, 17.32

 

CMYK 0 / 48 / 42 / 16

HEX #D66F7C

RGB 214 111 124

HSL 352.43, 0.56%, 0.64%

LAB 59.09, 41.62, 11.48

 

CMYK 0 / 36 / 31 / 13

HEX #DF8F99

RGB 223 143 153

HSL 352.5, 0.56%, 0.72%

LAB 67.75, 31.59, 7.42

 

CMYK 0 / 25 / 22 / 9

HEX #E8AFB6

RGB 232 175 182

HSL 352.63, 0.55%, 0.8%

LAB 76.8, 21.79, 4.54

 

CMYK 0 / 14 / 12 / 5

HEX #F1CFD4

RGB 241 207 212

HSL 351.18, 0.55%, 0.88%

LAB 86.05, 12.69, 1.93

 

CMYK 0 / 35 / 31 / 12

HEX #E0919B

RGB 224 145 155

HSL 352.41, 0.56%, 0.72%

LAB 68.36, 31.15, 7.19

 

CMYK 2 / 0 / 36 / 13

HEX #DADF8F

RGB 218 223 143

HSL 63.75, 0.56%, 0.72%

LAB 86.83, -13.71, 38.67

 

CMYK 36 / 17 / 0 / 13

HEX #8FBADF

RGB 143 186 223

HSL 207.75, 0.56%, 0.72%

LAB 73.73, -5.31, -23.11

 

CMYK 0 / 35 / 31 / 12

HEX #E0919B

RGB 224 145 155

HSL 352.41, 0.56%, 0.72%

LAB 68.36, 31.15, 7.19

 

CMYK 31 / 0 / 36 / 13

HEX #9ADF8F

RGB 154 223 143

HSL 111.75, 0.56%, 0.72%

LAB 82.72, -36.75, 32.51

 

CMYK 36 / 31 / 0 / 13

HEX #8F9ADF

RGB 143 154 223

HSL 231.75, 0.56%, 0.72%

LAB 65.18, 12.51, -36.28

 

CMYK 0 / 35 / 31 / 12

HEX #E0919B

RGB 224 145 155

HSL 352.41, 0.56%, 0.72%

LAB 68.36, 31.15, 7.19

 

CMYK 2 / 0 / 36 / 13

HEX #DADF8F

RGB 218 223 143

HSL 63.75, 0.56%, 0.72%

LAB 86.83, -13.71, 38.67

 

CMYK 36 / 0 / 5 / 13

HEX #8FDFD4

RGB 143 223 212

HSL 171.75, 0.56%, 0.72%

LAB 83.64, -26.92, -2.38

 

CMYK 34 / 36 / 0 / 13

HEX #948FDF

RGB 148 143 223

HSL 243.75, 0.56%, 0.72%

LAB 62.73, 20.22, -40.08

 

CMYK 0 / 35 / 31 / 12

HEX #E0919B

RGB 224 145 155

HSL 352.41, 0.56%, 0.72%

LAB 68.36, 31.15, 7.19

 

CMYK 13 / 0 / 36 / 13

HEX #C2DF8F

RGB 194 223 143

HSL 81.75, 0.56%, 0.72%

LAB 85.11, -22.76, 36.11

 

CMYK 36 / 0 / 5 / 13

HEX #8FDFD4

RGB 143 223 212

HSL 171.75, 0.56%, 0.72%

LAB 83.64, -26.92, -2.38

 

CMYK 23 / 36 / 0 / 13

HEX #AC8FDF

RGB 172 143 223

HSL 261.75, 0.56%, 0.72%

LAB 64.76, 27.08, -36.77

 

Description

Color code: HEX #E0919B | qconv.com Color code: HEX #E0919B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 145 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 145 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 31 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 31% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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