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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E09300 it is the complementary color #1F6CFF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E09300. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E09300 shade: #E59300, #F6A50E, #FFB721, #FFC934 and #FFDB47

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E09300. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E09300 shade: #E09300, #CF8100, #BE6F00, #AD5D00 and #9C4B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E09300 shade: #E09300, #E05600, #E01A00 and #E00000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E09300 shade: #E09300, #E0CF00, #B4E000, #77E000 and #3BE000

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E09300 shade matches the following richer shades: #E09300

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E09300 shade: #E09300, #CE8D12, #BC8724, #A98236 and #977C48

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E09300 shade: #E01A00, #E05600, #E09100, #E0CD00 and #B7E000

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E09300 shade: #8D5D00, #B77800, #E09300, #FFAB0A and #FFB933

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E09300 shade: #E09300, #21E000 and #3800E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E09300 shade: #E09300, #00E091 and #9100E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E09300 shade: #E09300, #21E000, #004EE0 and #BE00E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E09300 shade: #E09300, #00E021, #004EE0 and #E000BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 100 / 12

HEX #E09300

RGB 224 147 0

HSL 39.38, 1%, 0.44%

LAB 67.06, 20.3, 71.99

 

Complementary color

CMYK 88 / 58 / 0 / 0

HEX #1F6CFF

RGB 31 108 255

HSL 219.38, 1%, 0.56%

LAB 49.78, 32.39, -78.94

 

CMYK 0 / 36 / 100 / 10

HEX #E59300

RGB 229 147 0

HSL 38.52, 1%, 0.45%

LAB 67.67, 22.44, 72.68

 

CMYK 0 / 33 / 94 / 4

HEX #F6A50E

RGB 246 165 14

HSL 39.05, 0.93%, 0.51%

LAB 73.89, 20.27, 76.1

 

CMYK 0 / 28 / 87 / 0

HEX #FFB721

RGB 255 183 33

HSL 40.54, 1%, 0.56%

LAB 79.18, 14.94, 76.91

 

CMYK 0 / 21 / 80 / 0

HEX #FFC934

RGB 255 201 52

HSL 44.04, 1%, 0.6%

LAB 83.59, 6.1, 75.4

 

CMYK 0 / 14 / 72 / 0

HEX #FFDB47

RGB 255 219 71

HSL 48.26, 1%, 0.64%

LAB 88.15, -2.37, 73.24

 

CMYK 0 / 34 / 100 / 12

HEX #E09300

RGB 224 147 0

HSL 39.38, 1%, 0.44%

LAB 67.06, 20.3, 71.99

 

CMYK 0 / 38 / 100 / 19

HEX #CF8100

RGB 207 129 0

HSL 37.39, 1%, 0.41%

LAB 60.75, 22.65, 66.85

 

CMYK 0 / 42 / 100 / 25

HEX #BE6F00

RGB 190 111 0

HSL 35.05, 1%, 0.37%

LAB 54.36, 25.08, 61.66

 

CMYK 0 / 46 / 100 / 32

HEX #AD5D00

RGB 173 93 0

HSL 32.25, 1%, 0.34%

LAB 47.9, 27.56, 56.43

 

CMYK 0 / 52 / 100 / 39

HEX #9C4B00

RGB 156 75 0

HSL 28.85, 1%, 0.31%

LAB 41.37, 30.07, 51.19

 

CMYK 0 / 34 / 100 / 12

HEX #E09300

RGB 224 147 0

HSL 39.38, 1%, 0.44%

LAB 67.06, 20.3, 71.99

 

CMYK 0 / 62 / 100 / 12

HEX #E05600

RGB 224 86 0

HSL 23.04, 1%, 0.44%

LAB 54.56, 51.05, 64.44

 

CMYK 0 / 88 / 100 / 12

HEX #E01A00

RGB 224 26 0

HSL 6.96, 1%, 0.44%

LAB 47.73, 69.86, 61.29

 

CMYK 0 / 100 / 100 / 12

HEX #E00000

RGB 224 0 0

HSL 0, 1%, 0.44%

LAB 46.77, 72.64, 60.95

 

CMYK 0 / 34 / 100 / 12

HEX #E09300

RGB 224 147 0

HSL 39.38, 1%, 0.44%

LAB 67.06, 20.3, 71.99

 

CMYK 0 / 8 / 100 / 12

HEX #E0CF00

RGB 224 207 0

HSL 55.45, 1%, 0.44%

LAB 82.09, -11.14, 82.41

 

CMYK 20 / 0 / 100 / 12

HEX #B4E000

RGB 180 224 0

HSL 71.79, 1%, 0.44%

LAB 83.45, -37.59, 81.94

 

CMYK 47 / 0 / 100 / 12

HEX #77E000

RGB 119 224 0

HSL 88.13, 1%, 0.44%

LAB 80.31, -59.28, 78.16

 

CMYK 74 / 0 / 100 / 12

HEX #3BE000

RGB 59 224 0

HSL 104.2, 1%, 0.44%

LAB 78.6, -73.27, 76.08

 

CMYK 0 / 34 / 100 / 12

HEX #E09300

RGB 224 147 0

HSL 39.38, 1%, 0.44%

LAB 67.06, 20.3, 71.99

 

CMYK 0 / 34 / 100 / 12

HEX #E09300

RGB 224 147 0

HSL 39.38, 1%, 0.44%

LAB 67.06, 20.3, 71.99

 

CMYK 0 / 32 / 91 / 19

HEX #CE8D12

RGB 206 141 18

HSL 39.26, 0.84%, 0.44%

LAB 63.52, 15.92, 65.77

 

CMYK 0 / 28 / 81 / 26

HEX #BC8724

RGB 188 135 36

HSL 39.08, 0.68%, 0.44%

LAB 60.02, 11.7, 56.98

 

CMYK 0 / 23 / 68 / 34

HEX #A98236

RGB 169 130 54

HSL 39.65, 0.52%, 0.44%

LAB 56.75, 6.83, 45.57

 

CMYK 0 / 18 / 52 / 41

HEX #977C48

RGB 151 124 72

HSL 39.49, 0.35%, 0.44%

LAB 53.45, 3.58, 32.11

 

CMYK 0 / 88 / 100 / 12

HEX #E01A00

RGB 224 26 0

HSL 6.96, 1%, 0.44%

LAB 47.73, 69.86, 61.29

 

CMYK 0 / 62 / 100 / 12

HEX #E05600

RGB 224 86 0

HSL 23.04, 1%, 0.44%

LAB 54.56, 51.05, 64.44

 

CMYK 0 / 35 / 100 / 12

HEX #E09100

RGB 224 145 0

HSL 38.84, 1%, 0.44%

LAB 66.59, 21.37, 71.69

 

CMYK 0 / 8 / 100 / 12

HEX #E0CD00

RGB 224 205 0

HSL 54.91, 1%, 0.44%

LAB 81.57, -10.13, 82.03

 

CMYK 18 / 0 / 100 / 12

HEX #B7E000

RGB 183 224 0

HSL 70.98, 1%, 0.44%

LAB 83.64, -36.4, 82.17

 

CMYK 0 / 34 / 100 / 45

HEX #8D5D00

RGB 141 93 0

HSL 39.57, 1%, 0.28%

LAB 43.49, 13.15, 51.45

 

CMYK 0 / 34 / 100 / 28

HEX #B77800

RGB 183 120 0

HSL 39.34, 1%, 0.36%

LAB 55.58, 17.04, 62.01

 

CMYK 0 / 34 / 100 / 12

HEX #E09300

RGB 224 147 0

HSL 39.38, 1%, 0.44%

LAB 67.06, 20.3, 71.99

 

CMYK 0 / 33 / 96 / 0

HEX #FFAB0A

RGB 255 171 10

HSL 39.43, 1%, 0.52%

LAB 76.32, 20.89, 78.77

 

CMYK 0 / 27 / 80 / 0

HEX #FFB933

RGB 255 185 51

HSL 39.41, 1%, 0.6%

LAB 79.73, 14.36, 72.29

 

CMYK 0 / 34 / 100 / 12

HEX #E09300

RGB 224 147 0

HSL 39.38, 1%, 0.44%

LAB 67.06, 20.3, 71.99

 

CMYK 85 / 0 / 100 / 12

HEX #21E000

RGB 33 224 0

HSL 111.16, 1%, 0.44%

LAB 78.25, -76.41, 75.65

 

CMYK 75 / 100 / 0 / 12

HEX #3800E0

RGB 56 0 224

HSL 255, 1%, 0.44%

LAB 29.97, 72.58, -94.12

 

CMYK 0 / 34 / 100 / 12

HEX #E09300

RGB 224 147 0

HSL 39.38, 1%, 0.44%

LAB 67.06, 20.3, 71.99

 

CMYK 100 / 0 / 35 / 12

HEX #00E091

RGB 0 224 145

HSL 158.84, 1%, 0.44%

LAB 79.25, -63.55, 26.18

 

CMYK 35 / 100 / 0 / 12

HEX #9100E0

RGB 145 0 224

HSL 278.84, 1%, 0.44%

LAB 40.25, 78.47, -76.77

 

CMYK 0 / 34 / 100 / 12

HEX #E09300

RGB 224 147 0

HSL 39.38, 1%, 0.44%

LAB 67.06, 20.3, 71.99

 

CMYK 85 / 0 / 100 / 12

HEX #21E000

RGB 33 224 0

HSL 111.16, 1%, 0.44%

LAB 78.25, -76.41, 75.65

 

CMYK 100 / 65 / 0 / 12

HEX #004EE0

RGB 0 78 224

HSL 219.11, 1%, 0.44%

LAB 39.29, 38.77, -78.71

 

CMYK 15 / 100 / 0 / 12

HEX #BE00E0

RGB 190 0 224

HSL 290.89, 1%, 0.44%

LAB 47.4, 84.03, -64.8

 

CMYK 0 / 34 / 100 / 12

HEX #E09300

RGB 224 147 0

HSL 39.38, 1%, 0.44%

LAB 67.06, 20.3, 71.99

 

CMYK 100 / 0 / 85 / 12

HEX #00E021

RGB 0 224 33

HSL 128.84, 1%, 0.44%

LAB 78.12, -77.3, 71.06

 

CMYK 100 / 65 / 0 / 12

HEX #004EE0

RGB 0 78 224

HSL 219.11, 1%, 0.44%

LAB 39.29, 38.77, -78.71

 

CMYK 0 / 100 / 15 / 12

HEX #E000BE

RGB 224 0 190

HSL 309.11, 1%, 0.44%

LAB 51.34, 84.54, -38.59

 

Description

Color code: HEX #E09300 | qconv.com Color code: HEX #E09300 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 147 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 147 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 100 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 100% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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