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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E09ABE it is the complementary color #1F6541. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E09ABE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E09ABE shade: #E59AB9, #F6ACCC, #FFBEDF, #FFD0F2 and #FFE2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E09ABE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E09ABE shade: #E09ABE, #CF88AB, #BE7698, #AD6485 and #9C5272

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E09ABE shade: #DF99BD, #DF99AA and #DF9999

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E09ABE shade: #DF99BD, #DF99D0, #DC99DF, #C999DF and #B699DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E09ABE shade matches the following richer shades: #DF99BD, #EA8EBE and #F584BE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E09ABE shade: #DF99BD, #D5A4BD, #CAAFBD, #BFB9BC and #B4C4BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E09ABE shade: #DC99DF, #DF99D0, #DF99BD, #DF99AB and #DF9A99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E09ABE shade: #CC5A95, #D679A9, #DF99BD, #E9B9D2 and #F3D8E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E09ABE shade: #E09ABE, #DFC999 and #99D9DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E09ABE shade: #E09ABE, #BDDF99 and #99BDDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E09ABE shade: #E09ABE, #DFC999, #99DFBB and #99AFDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E09ABE shade: #E09ABE, #DFDE99, #99DFBB and #999ADF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 15 / 12

HEX #E09ABE

RGB 224 154 190

HSL 329.14, 0.53%, 0.74%

LAB 71.33, 31.42, -7.96

 

Complementary color

CMYK 69 / 0 / 36 / 60

HEX #1F6541

RGB 31 101 65

HSL 149.14, 0.53%, 0.26%

LAB 37.81, -30.95, 14.2

 

CMYK 0 / 33 / 19 / 10

HEX #E59AB9

RGB 229 154 185

HSL 335.2, 0.59%, 0.75%

LAB 71.74, 32.39, -4.53

 

CMYK 0 / 30 / 17 / 4

HEX #F6ACCC

RGB 246 172 204

HSL 334.05, 0.8%, 0.82%

LAB 78.14, 31.67, -5.29

 

CMYK 0 / 25 / 13 / 0

HEX #FFBEDF

RGB 255 190 223

HSL 329.54, 1%, 0.87%

LAB 83.66, 28.27, -7.28

 

CMYK 0 / 18 / 5 / 0

HEX #FFD0F2

RGB 255 208 242

HSL 316.6, 1%, 0.91%

LAB 88.34, 21.98, -10.43

 

CMYK 0 / 11 / 0 / 0

HEX #FFE2FF

RGB 255 226 255

HSL 300, 1%, 0.94%

LAB 92.96, 14.86, -10.39

 

CMYK 0 / 31 / 15 / 12

HEX #E09ABE

RGB 224 154 190

HSL 329.14, 0.53%, 0.74%

LAB 71.33, 31.42, -7.96

 

CMYK 0 / 34 / 17 / 19

HEX #CF88AB

RGB 207 136 171

HSL 330.42, 0.43%, 0.67%

LAB 64.81, 32.16, -7.22

 

CMYK 0 / 38 / 20 / 25

HEX #BE7698

RGB 190 118 152

HSL 331.67, 0.36%, 0.6%

LAB 58.2, 32.95, -6.41

 

CMYK 0 / 42 / 23 / 32

HEX #AD6485

RGB 173 100 133

HSL 332.88, 0.31%, 0.54%

LAB 51.49, 33.78, -5.49

 

CMYK 0 / 47 / 27 / 39

HEX #9C5272

RGB 156 82 114

HSL 334.05, 0.31%, 0.47%

LAB 44.68, 34.65, -4.4

 

CMYK 0 / 31 / 15 / 13

HEX #DF99BD

RGB 223 153 189

HSL 329.14, 0.52%, 0.74%

LAB 70.97, 31.45, -7.96

 

CMYK 0 / 31 / 24 / 13

HEX #DF99AA

RGB 223 153 170

HSL 345.43, 0.52%, 0.74%

LAB 70.44, 28.56, 1.81

 

CMYK 0 / 31 / 31 / 13

HEX #DF9999

RGB 223 153 153

HSL 0, 0.52%, 0.74%

LAB 70.01, 26.23, 10.65

 

CMYK 0 / 31 / 15 / 13

HEX #DF99BD

RGB 223 153 189

HSL 329.14, 0.52%, 0.74%

LAB 70.97, 31.45, -7.96

 

CMYK 0 / 31 / 7 / 13

HEX #DF99D0

RGB 223 153 208

HSL 312.86, 0.52%, 0.74%

LAB 71.57, 34.62, -17.57

 

CMYK 1 / 31 / 0 / 13

HEX #DC99DF

RGB 220 153 223

HSL 297.43, 0.52%, 0.74%

LAB 71.78, 36.35, -25.54

 

CMYK 10 / 31 / 0 / 13

HEX #C999DF

RGB 201 153 223

HSL 281.14, 0.52%, 0.74%

LAB 69.84, 30.35, -28.67

 

CMYK 18 / 31 / 0 / 13

HEX #B699DF

RGB 182 153 223

HSL 264.86, 0.52%, 0.74%

LAB 68.06, 24.46, -31.57

 

CMYK 0 / 31 / 15 / 13

HEX #DF99BD

RGB 223 153 189

HSL 329.14, 0.52%, 0.74%

LAB 70.97, 31.45, -7.96

 

CMYK 0 / 39 / 19 / 8

HEX #EA8EBE

RGB 234 142 190

HSL 328.7, 0.69%, 0.74%

LAB 69.86, 41.18, -10.03

 

CMYK 0 / 46 / 22 / 4

HEX #F584BE

RGB 245 132 190

HSL 329.2, 0.85%, 0.74%

LAB 69.21, 49.89, -10.87

 

CMYK 0 / 31 / 15 / 13

HEX #DF99BD

RGB 223 153 189

HSL 329.14, 0.52%, 0.74%

LAB 70.97, 31.45, -7.96

 

CMYK 0 / 23 / 11 / 16

HEX #D5A4BD

RGB 213 164 189

HSL 329.39, 0.37%, 0.74%

LAB 72.48, 22, -5.84

 

CMYK 0 / 13 / 6 / 21

HEX #CAAFBD

RGB 202 175 189

HSL 328.89, 0.2%, 0.74%

LAB 74.12, 12.12, -3.53

 

CMYK 0 / 3 / 2 / 25

HEX #BFB9BC

RGB 191 185 188

HSL 330, 0.04%, 0.74%

LAB 75.7, 2.66, -0.77

 

CMYK 8 / 0 / 4 / 23

HEX #B4C4BC

RGB 180 196 188

HSL 150, 0.12%, 0.74%

LAB 77.77, -6.99, 2.13

 

CMYK 1 / 31 / 0 / 13

HEX #DC99DF

RGB 220 153 223

HSL 297.43, 0.52%, 0.74%

LAB 71.78, 36.35, -25.54

 

CMYK 0 / 31 / 7 / 13

HEX #DF99D0

RGB 223 153 208

HSL 312.86, 0.52%, 0.74%

LAB 71.57, 34.62, -17.57

 

CMYK 0 / 31 / 15 / 13

HEX #DF99BD

RGB 223 153 189

HSL 329.14, 0.52%, 0.74%

LAB 70.97, 31.45, -7.96

 

CMYK 0 / 31 / 23 / 13

HEX #DF99AB

RGB 223 153 171

HSL 344.57, 0.52%, 0.74%

LAB 70.46, 28.71, 1.29

 

CMYK 0 / 31 / 31 / 13

HEX #DF9A99

RGB 223 154 153

HSL 0.86, 0.52%, 0.74%

LAB 70.25, 25.7, 10.98

 

CMYK 0 / 56 / 27 / 20

HEX #CC5A95

RGB 204 90 149

HSL 328.95, 0.53%, 0.58%

LAB 54.36, 51.58, -10.18

 

CMYK 0 / 43 / 21 / 16

HEX #D679A9

RGB 214 121 169

HSL 329.03, 0.53%, 0.66%

LAB 62.37, 42.23, -9.64

 

CMYK 0 / 31 / 15 / 13

HEX #DF99BD

RGB 223 153 189

HSL 329.14, 0.52%, 0.74%

LAB 70.97, 31.45, -7.96

 

CMYK 0 / 21 / 10 / 9

HEX #E9B9D2

RGB 233 185 210

HSL 328.75, 0.52%, 0.82%

LAB 80, 21.22, -5.96

 

CMYK 0 / 11 / 5 / 5

HEX #F3D8E6

RGB 243 216 230

HSL 328.89, 0.53%, 0.9%

LAB 88.87, 11.67, -3.44

 

CMYK 0 / 31 / 15 / 12

HEX #E09ABE

RGB 224 154 190

HSL 329.14, 0.53%, 0.74%

LAB 71.33, 31.42, -7.96

 

CMYK 0 / 10 / 31 / 13

HEX #DFC999

RGB 223 201 153

HSL 41.14, 0.52%, 0.74%

LAB 81.71, 0.66, 26.84

 

CMYK 31 / 3 / 0 / 13

HEX #99D9DF

RGB 153 217 223

HSL 185.14, 0.52%, 0.74%

LAB 82.77, -18.71, -9.45

 

CMYK 0 / 31 / 15 / 12

HEX #E09ABE

RGB 224 154 190

HSL 329.14, 0.53%, 0.74%

LAB 71.33, 31.42, -7.96

 

CMYK 15 / 0 / 31 / 13

HEX #BDDF99

RGB 189 223 153

HSL 89.14, 0.52%, 0.74%

LAB 84.94, -23.23, 30.73

 

CMYK 31 / 15 / 0 / 13

HEX #99BDDF

RGB 153 189 223

HSL 209.14, 0.52%, 0.74%

LAB 75.14, -4.13, -20.91

 

CMYK 0 / 31 / 15 / 12

HEX #E09ABE

RGB 224 154 190

HSL 329.14, 0.53%, 0.74%

LAB 71.33, 31.42, -7.96

 

CMYK 0 / 10 / 31 / 13

HEX #DFC999

RGB 223 201 153

HSL 41.14, 0.52%, 0.74%

LAB 81.71, 0.66, 26.84

 

CMYK 31 / 0 / 16 / 13

HEX #99DFBB

RGB 153 223 187

HSL 149.14, 0.52%, 0.74%

LAB 83.51, -29.4, 10.72

 

CMYK 31 / 22 / 0 / 13

HEX #99AFDF

RGB 153 175 223

HSL 221.14, 0.52%, 0.74%

LAB 71.39, 3.5, -26.63

 

CMYK 0 / 31 / 15 / 12

HEX #E09ABE

RGB 224 154 190

HSL 329.14, 0.53%, 0.74%

LAB 71.33, 31.42, -7.96

 

CMYK 0 / 0 / 31 / 13

HEX #DFDE99

RGB 223 222 153

HSL 59.14, 0.52%, 0.74%

LAB 87.11, -10.1, 34.05

 

CMYK 31 / 0 / 16 / 13

HEX #99DFBB

RGB 153 223 187

HSL 149.14, 0.52%, 0.74%

LAB 83.51, -29.4, 10.72

 

CMYK 31 / 31 / 0 / 13

HEX #999ADF

RGB 153 154 223

HSL 239.14, 0.52%, 0.74%

LAB 65.91, 15.31, -35.09

 

Description

Color code: HEX #E09ABE | qconv.com Color code: HEX #E09ABE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 154 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 154 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 15 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 15% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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