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Color name
HEX #E0A42C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0A42C it is the complementary color #1F5BD3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0A42C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E0A42C shade: #E5A427, #F6B63A, #FFC84D, #FFDA60 and #FFEC73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0A42C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E0A42C shade: #E0A42C, #CF9219, #BE8006, #AD6E00 and #9C5C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E0A42C shade: #DFA42E, #DF742E, #DF452E and #DF2E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E0A42C shade: #DFA42E, #DFD42E, #BBDF2E, #8BDF2E and #5BDF2E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E0A42C shade matches the following richer shades: #DFA42E and #F3AB1B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E0A42C shade: #DFA42E, #CC9E41, #B99755, #A59168 and #928A7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E0A42C shade: #DF462E, #DF752E, #DFA42E, #DFD42E and #BCDF2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E0A42C shade: #A37518, #C78E1D, #DFA42E, #E5B452 and #EAC376

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E0A42C shade: #E0A42C, #46DF2E and #5D2EDF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E0A42C shade: #E0A42C, #2EDFA4 and #A42EDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E0A42C shade: #E0A42C, #46DF2E, #2E69DF and #C82EDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E0A42C shade: #E0A42C, #2EDF4C, #2E69DF and #DF2EC2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 80 / 12

HEX #E0A42C

RGB 224 164 44

HSL 40, 0.74%, 0.53%

LAB 71.27, 12, 65.81

 

Complementary color

CMYK 85 / 57 / 0 / 17

HEX #1F5BD3

RGB 31 91 211

HSL 220, 0.74%, 0.47%

LAB 41.96, 26.6, -66.89

 

CMYK 0 / 28 / 83 / 10

HEX #E5A427

RGB 229 164 39

HSL 39.47, 0.79%, 0.53%

LAB 71.8, 14.01, 68.08

 

CMYK 0 / 26 / 76 / 4

HEX #F6B63A

RGB 246 182 58

HSL 39.57, 0.91%, 0.6%

LAB 78.08, 12.38, 68.01

 

CMYK 0 / 22 / 70 / 0

HEX #FFC84D

RGB 255 200 77

HSL 41.46, 1%, 0.65%

LAB 83.5, 7.62, 66.3

 

CMYK 0 / 15 / 62 / 0

HEX #FFDA60

RGB 255 218 96

HSL 46.04, 1%, 0.69%

LAB 88.09, -0.54, 63.17

 

CMYK 0 / 7 / 55 / 0

HEX #FFEC73

RGB 255 236 115

HSL 51.86, 1%, 0.73%

LAB 92.79, -8.27, 60.05

 

CMYK 0 / 27 / 80 / 12

HEX #E0A42C

RGB 224 164 44

HSL 40, 0.74%, 0.53%

LAB 71.27, 12, 65.81

 

CMYK 0 / 29 / 88 / 19

HEX #CF9219

RGB 207 146 25

HSL 39.89, 0.78%, 0.45%

LAB 64.88, 13.78, 65.27

 

CMYK 0 / 33 / 97 / 25

HEX #BE8006

RGB 190 128 6

HSL 39.78, 0.94%, 0.38%

LAB 58.41, 15.81, 63.29

 

CMYK 0 / 36 / 100 / 32

HEX #AD6E00

RGB 173 110 0

HSL 38.15, 1%, 0.34%

LAB 51.88, 18.14, 58.96

 

CMYK 0 / 41 / 100 / 39

HEX #9C5C00

RGB 156 92 0

HSL 35.38, 1%, 0.31%

LAB 45.25, 20.64, 53.57

 

CMYK 0 / 26 / 79 / 13

HEX #DFA42E

RGB 223 164 46

HSL 40, 0.73%, 0.53%

LAB 71.17, 11.64, 65

 

CMYK 0 / 48 / 79 / 13

HEX #DF742E

RGB 223 116 46

HSL 23.73, 0.73%, 0.53%

LAB 60.23, 37.08, 54.89

 

CMYK 0 / 69 / 79 / 13

HEX #DF452E

RGB 223 69 46

HSL 7.8, 0.73%, 0.53%

LAB 52, 58.52, 46.93

 

CMYK 0 / 79 / 79 / 13

HEX #DF2E2E

RGB 223 46 46

HSL 0, 0.73%, 0.53%

LAB 49.3, 66.01, 44.23

 

CMYK 0 / 26 / 79 / 13

HEX #DFA42E

RGB 223 164 46

HSL 40, 0.73%, 0.53%

LAB 71.17, 11.64, 65

 

CMYK 0 / 5 / 79 / 13

HEX #DFD42E

RGB 223 212 46

HSL 56.27, 0.73%, 0.53%

LAB 83.43, -13.26, 75.89

 

CMYK 16 / 0 / 79 / 13

HEX #BBDF2E

RGB 187 223 46

HSL 72.2, 0.73%, 0.53%

LAB 83.72, -33.41, 75.12

 

CMYK 38 / 0 / 79 / 13

HEX #8BDF2E

RGB 139 223 46

HSL 88.47, 0.73%, 0.53%

LAB 80.99, -51.27, 71.63

 

CMYK 59 / 0 / 79 / 13

HEX #5BDF2E

RGB 91 223 46

HSL 104.75, 0.73%, 0.53%

LAB 79.15, -65.25, 69.26

 

CMYK 0 / 26 / 79 / 13

HEX #DFA42E

RGB 223 164 46

HSL 40, 0.73%, 0.53%

LAB 71.17, 11.64, 65

 

CMYK 0 / 30 / 89 / 5

HEX #F3AB1B

RGB 243 171 27

HSL 40, 0.9%, 0.53%

LAB 74.99, 16.02, 74.44

 

CMYK 0 / 26 / 79 / 13

HEX #DFA42E

RGB 223 164 46

HSL 40, 0.73%, 0.53%

LAB 71.17, 11.64, 65

 

CMYK 0 / 23 / 68 / 20

HEX #CC9E41

RGB 204 158 65

HSL 40.14, 0.58%, 0.53%

LAB 67.78, 7.49, 53.42

 

CMYK 0 / 18 / 54 / 27

HEX #B99755

RGB 185 151 85

HSL 39.6, 0.42%, 0.53%

LAB 64.24, 4.52, 39.22

 

CMYK 0 / 12 / 37 / 35

HEX #A59168

RGB 165 145 104

HSL 40.33, 0.25%, 0.53%

LAB 61, 1.35, 24.52

 

CMYK 0 / 5 / 15 / 43

HEX #928A7C

RGB 146 138 124

HSL 38.18, 0.09%, 0.53%

LAB 57.79, 0.49, 8.56

 

CMYK 0 / 69 / 79 / 13

HEX #DF462E

RGB 223 70 46

HSL 8.14, 0.73%, 0.53%

LAB 52.14, 58.14, 47.07

 

CMYK 0 / 48 / 79 / 13

HEX #DF752E

RGB 223 117 46

HSL 24.07, 0.73%, 0.53%

LAB 60.43, 36.56, 55.08

 

CMYK 0 / 26 / 79 / 13

HEX #DFA42E

RGB 223 164 46

HSL 40, 0.73%, 0.53%

LAB 71.17, 11.64, 65

 

CMYK 0 / 5 / 79 / 13

HEX #DFD42E

RGB 223 212 46

HSL 56.27, 0.73%, 0.53%

LAB 83.43, -13.26, 75.89

 

CMYK 16 / 0 / 79 / 13

HEX #BCDF2E

RGB 188 223 46

HSL 71.86, 0.73%, 0.53%

LAB 83.79, -33.01, 75.21

 

CMYK 0 / 28 / 85 / 36

HEX #A37518

RGB 163 117 24

HSL 40.14, 0.74%, 0.37%

LAB 52.48, 10.09, 53.32

 

CMYK 0 / 29 / 85 / 22

HEX #C78E1D

RGB 199 142 29

HSL 39.88, 0.75%, 0.45%

LAB 62.99, 12.52, 62.29

 

CMYK 0 / 26 / 79 / 13

HEX #DFA42E

RGB 223 164 46

HSL 40, 0.73%, 0.53%

LAB 71.17, 11.64, 65

 

CMYK 0 / 21 / 64 / 10

HEX #E5B452

RGB 229 180 82

HSL 40, 0.74%, 0.61%

LAB 76.01, 7.44, 55.41

 

CMYK 0 / 17 / 50 / 8

HEX #EAC376

RGB 234 195 118

HSL 39.83, 0.73%, 0.69%

LAB 80.64, 4.38, 43.65

 

CMYK 0 / 27 / 80 / 12

HEX #E0A42C

RGB 224 164 44

HSL 40, 0.74%, 0.53%

LAB 71.27, 12, 65.81

 

CMYK 69 / 0 / 79 / 13

HEX #46DF2E

RGB 70 223 46

HSL 111.86, 0.73%, 0.53%

LAB 78.62, -69.68, 68.57

 

CMYK 58 / 79 / 0 / 13

HEX #5D2EDF

RGB 93 46 223

HSL 255.93, 0.73%, 0.53%

LAB 37.13, 62.37, -81.56

 

CMYK 0 / 27 / 80 / 12

HEX #E0A42C

RGB 224 164 44

HSL 40, 0.74%, 0.53%

LAB 71.27, 12, 65.81

 

CMYK 79 / 0 / 26 / 13

HEX #2EDFA4

RGB 46 223 164

HSL 160, 0.73%, 0.53%

LAB 79.63, -56.53, 16.87

 

CMYK 26 / 79 / 0 / 13

HEX #A42EDF

RGB 164 46 223

HSL 280, 0.73%, 0.53%

LAB 45.87, 72.25, -66.9

 

CMYK 0 / 27 / 80 / 12

HEX #E0A42C

RGB 224 164 44

HSL 40, 0.74%, 0.53%

LAB 71.27, 12, 65.81

 

CMYK 69 / 0 / 79 / 13

HEX #46DF2E

RGB 70 223 46

HSL 111.86, 0.73%, 0.53%

LAB 78.62, -69.68, 68.57

 

CMYK 79 / 53 / 0 / 13

HEX #2E69DF

RGB 46 105 223

HSL 220, 0.73%, 0.53%

LAB 46.99, 23.38, -65.54

 

CMYK 10 / 79 / 0 / 13

HEX #C82EDF

RGB 200 46 223

HSL 292.2, 0.73%, 0.53%

LAB 51.34, 78.47, -57.8

 

CMYK 0 / 27 / 80 / 12

HEX #E0A42C

RGB 224 164 44

HSL 40, 0.74%, 0.53%

LAB 71.27, 12, 65.81

 

CMYK 79 / 0 / 66 / 13

HEX #2EDF4C

RGB 46 223 76

HSL 130.17, 0.73%, 0.53%

LAB 78.39, -70.95, 57.83

 

CMYK 79 / 53 / 0 / 13

HEX #2E69DF

RGB 46 105 223

HSL 220, 0.73%, 0.53%

LAB 46.99, 23.38, -65.54

 

CMYK 0 / 79 / 13 / 13

HEX #DF2EC2

RGB 223 46 194

HSL 309.83, 0.73%, 0.53%

LAB 53.53, 78.53, -37.47

 

Description

Color code: HEX #E0A42C | qconv.com Color code: HEX #E0A42C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 164 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 164 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 80 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 80% 12% C M Y K

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Provide designers and agencies with accurate color values.

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