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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0A242 it is the complementary color #1F5DBD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0A242. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E0A242 shade: #E5A23D, #F6B450, #FFC663, #FFD876 and #FFEA89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0A242. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E0A242 shade: #E0A242, #CF902F, #BE7E1C, #AD6C09 and #9C5A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E0A242 shade: #E0A242, #E07742, #E04D42 and #E04242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E0A242 shade: #E0A242, #E0CC42, #C9E042, #9EE042 and #73E042

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E0A242 shade matches the following richer shades: #E0A242 and #F2A630

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E0A242 shade: #E0A242, #CE9E54, #BC9A65, #AB9677 and #999389

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E0A242 shade: #E04C42, #E07742, #E0A142, #E0CB42 and #CBE042

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E0A242 shade: #B3781D, #D69022, #E0A242, #E6B365 and #EBC589

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E0A242 shade: #E0A242, #61E042 and #6142E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E0A242 shade: #E0A242, #42E0A1 and #A142E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E0A242 shade: #E0A242, #61E042, #4281E0 and #C042E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E0A242 shade: #E0A242, #42E052, #4281E0 and #E042D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 71 / 12

HEX #E0A242

RGB 224 162 66

HSL 36.46, 0.72%, 0.57%

LAB 70.93, 13.98, 56.94

 

Complementary color

CMYK 84 / 51 / 0 / 26

HEX #1F5DBD

RGB 31 93 189

HSL 216.46, 0.72%, 0.43%

LAB 40.89, 16.73, -55.91

 

CMYK 0 / 29 / 73 / 10

HEX #E5A23D

RGB 229 162 61

HSL 36.07, 0.76%, 0.57%

LAB 71.44, 15.87, 59.77

 

CMYK 0 / 27 / 67 / 4

HEX #F6B450

RGB 246 180 80

HSL 36.14, 0.9%, 0.64%

LAB 77.77, 14.44, 58.73

 

CMYK 0 / 22 / 61 / 0

HEX #FFC663

RGB 255 198 99

HSL 38.08, 1%, 0.69%

LAB 83.2, 9.92, 56.37

 

CMYK 0 / 15 / 54 / 0

HEX #FFD876

RGB 255 216 118

HSL 42.92, 1%, 0.73%

LAB 87.81, 2.04, 52.82

 

CMYK 0 / 8 / 46 / 0

HEX #FFEA89

RGB 255 234 137

HSL 49.32, 1%, 0.77%

LAB 92.54, -5.42, 49.46

 

CMYK 0 / 28 / 71 / 12

HEX #E0A242

RGB 224 162 66

HSL 36.46, 0.72%, 0.57%

LAB 70.93, 13.98, 56.94

 

CMYK 0 / 30 / 77 / 19

HEX #CF902F

RGB 207 144 47

HSL 36.38, 0.63%, 0.5%

LAB 64.5, 15.52, 57.8

 

CMYK 0 / 34 / 85 / 25

HEX #BE7E1C

RGB 190 126 28

HSL 36.3, 0.74%, 0.43%

LAB 57.99, 17.31, 57.99

 

CMYK 0 / 38 / 95 / 32

HEX #AD6C09

RGB 173 108 9

HSL 36.22, 0.9%, 0.36%

LAB 51.42, 19.39, 56.83

 

CMYK 0 / 42 / 100 / 39

HEX #9C5A00

RGB 156 90 0

HSL 34.62, 1%, 0.31%

LAB 44.77, 21.77, 53.27

 

CMYK 0 / 28 / 71 / 12

HEX #E0A242

RGB 224 162 66

HSL 36.46, 0.72%, 0.57%

LAB 70.93, 13.98, 56.94

 

CMYK 0 / 47 / 71 / 12

HEX #E07742

RGB 224 119 66

HSL 20.13, 0.72%, 0.57%

LAB 61.16, 36.78, 46.52

 

CMYK 0 / 66 / 71 / 12

HEX #E04D42

RGB 224 77 66

HSL 4.18, 0.72%, 0.57%

LAB 53.54, 56.48, 37.91

 

CMYK 0 / 71 / 71 / 12

HEX #E04242

RGB 224 66 66

HSL 0, 0.72%, 0.57%

LAB 51.99, 60.72, 36.1

 

CMYK 0 / 28 / 71 / 12

HEX #E0A242

RGB 224 162 66

HSL 36.46, 0.72%, 0.57%

LAB 70.93, 13.98, 56.94

 

CMYK 0 / 9 / 71 / 12

HEX #E0CC42

RGB 224 204 66

HSL 52.41, 0.72%, 0.57%

LAB 81.53, -8.01, 67.65

 

CMYK 10 / 0 / 71 / 12

HEX #C9E042

RGB 201 224 66

HSL 68.73, 0.72%, 0.57%

LAB 85.06, -27.38, 70.51

 

CMYK 29 / 0 / 71 / 12

HEX #9EE042

RGB 158 224 66

HSL 85.06, 0.72%, 0.57%

LAB 82.36, -43.94, 66.94

 

CMYK 49 / 0 / 71 / 12

HEX #73E042

RGB 115 224 66

HSL 101.39, 0.72%, 0.57%

LAB 80.38, -58.03, 64.28

 

CMYK 0 / 28 / 71 / 12

HEX #E0A242

RGB 224 162 66

HSL 36.46, 0.72%, 0.57%

LAB 70.93, 13.98, 56.94

 

CMYK 0 / 31 / 80 / 5

HEX #F2A630

RGB 242 166 48

HSL 36.49, 0.88%, 0.57%

LAB 73.78, 18.75, 67.45

 

CMYK 0 / 28 / 71 / 12

HEX #E0A242

RGB 224 162 66

HSL 36.46, 0.72%, 0.57%

LAB 70.93, 13.98, 56.94

 

CMYK 0 / 23 / 59 / 19

HEX #CE9E54

RGB 206 158 84

HSL 36.39, 0.55%, 0.57%

LAB 68.18, 9.59, 44.93

 

CMYK 0 / 18 / 46 / 26

HEX #BC9A65

RGB 188 154 101

HSL 36.55, 0.39%, 0.57%

LAB 65.55, 5.66, 32.5

 

CMYK 0 / 12 / 30 / 33

HEX #AB9677

RGB 171 150 119

HSL 35.77, 0.24%, 0.57%

LAB 63.18, 3, 19.24

 

CMYK 0 / 4 / 10 / 40

HEX #999389

RGB 153 147 137

HSL 37.5, 0.07%, 0.57%

LAB 61.17, 0.39, 6.07

 

CMYK 0 / 66 / 71 / 12

HEX #E04C42

RGB 224 76 66

HSL 3.8, 0.72%, 0.57%

LAB 53.39, 56.89, 37.74

 

CMYK 0 / 47 / 71 / 12

HEX #E07742

RGB 224 119 66

HSL 20.13, 0.72%, 0.57%

LAB 61.16, 36.78, 46.52

 

CMYK 0 / 28 / 71 / 12

HEX #E0A142

RGB 224 161 66

HSL 36.08, 0.72%, 0.57%

LAB 70.68, 14.52, 56.69

 

CMYK 0 / 9 / 71 / 12

HEX #E0CB42

RGB 224 203 66

HSL 52.03, 0.72%, 0.57%

LAB 81.27, -7.5, 67.39

 

CMYK 9 / 0 / 71 / 12

HEX #CBE042

RGB 203 224 66

HSL 67.97, 0.72%, 0.57%

LAB 85.2, -26.57, 70.7

 

CMYK 0 / 33 / 84 / 30

HEX #B3781D

RGB 179 120 29

HSL 36.4, 0.72%, 0.41%

LAB 55.18, 15.79, 54.74

 

CMYK 0 / 33 / 84 / 16

HEX #D69022

RGB 214 144 34

HSL 36.67, 0.73%, 0.49%

LAB 65.25, 18.12, 63.37

 

CMYK 0 / 28 / 71 / 12

HEX #E0A242

RGB 224 162 66

HSL 36.46, 0.72%, 0.57%

LAB 70.93, 13.98, 56.94

 

CMYK 0 / 22 / 56 / 10

HEX #E6B365

RGB 230 179 101

HSL 36.28, 0.72%, 0.65%

LAB 76.07, 9.71, 46.45

 

CMYK 0 / 16 / 42 / 8

HEX #EBC589

RGB 235 197 137

HSL 36.73, 0.71%, 0.73%

LAB 81.51, 5.59, 35.1

 

CMYK 0 / 28 / 71 / 12

HEX #E0A242

RGB 224 162 66

HSL 36.46, 0.72%, 0.57%

LAB 70.93, 13.98, 56.94

 

CMYK 57 / 0 / 71 / 12

HEX #61E042

RGB 97 224 66

HSL 108.23, 0.72%, 0.57%

LAB 79.75, -62.85, 63.44

 

CMYK 57 / 71 / 0 / 12

HEX #6142E0

RGB 97 66 224

HSL 251.77, 0.72%, 0.57%

LAB 40.93, 53.65, -75.87

 

CMYK 0 / 28 / 71 / 12

HEX #E0A242

RGB 224 162 66

HSL 36.46, 0.72%, 0.57%

LAB 70.93, 13.98, 56.94

 

CMYK 71 / 0 / 28 / 12

HEX #42E0A1

RGB 66 224 161

HSL 156.08, 0.72%, 0.57%

LAB 80.2, -55.15, 19.29

 

CMYK 28 / 71 / 0 / 12

HEX #A142E0

RGB 161 66 224

HSL 276.08, 0.72%, 0.57%

LAB 48.08, 64.62, -63.92

 

CMYK 0 / 28 / 71 / 12

HEX #E0A242

RGB 224 162 66

HSL 36.46, 0.72%, 0.57%

LAB 70.93, 13.98, 56.94

 

CMYK 57 / 0 / 71 / 12

HEX #61E042

RGB 97 224 66

HSL 108.23, 0.72%, 0.57%

LAB 79.75, -62.85, 63.44

 

CMYK 71 / 42 / 0 / 12

HEX #4281E0

RGB 66 129 224

HSL 216.08, 0.72%, 0.57%

LAB 54.28, 11.11, -54.33

 

CMYK 14 / 71 / 0 / 12

HEX #C042E0

RGB 192 66 224

HSL 287.85, 0.72%, 0.57%

LAB 52.38, 70.8, -56.76

 

CMYK 0 / 28 / 71 / 12

HEX #E0A242

RGB 224 162 66

HSL 36.46, 0.72%, 0.57%

LAB 70.93, 13.98, 56.94

 

CMYK 71 / 0 / 63 / 12

HEX #42E052

RGB 66 224 82

HSL 126.08, 0.72%, 0.57%

LAB 79.09, -67.82, 56.23

 

CMYK 71 / 42 / 0 / 12

HEX #4281E0

RGB 66 129 224

HSL 216.08, 0.72%, 0.57%

LAB 54.28, 11.11, -54.33

 

CMYK 0 / 71 / 7 / 12

HEX #E042D0

RGB 224 66 208

HSL 306.08, 0.72%, 0.57%

LAB 56.38, 75, -41.01

 

Description

Color code: HEX #E0A242 | qconv.com Color code: HEX #E0A242 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 162 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 162 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 71 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 71% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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