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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0B5E1 it is the complementary color #1F4A1E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0B5E1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E0B5E1 shade: #E5B5DC, #F6C7EF, #FFD9FF, #FFEBFF and #FFFDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0B5E1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E0B5E1 shade: #E0B5E1, #CFA3CE, #BE91BB, #AD7FA8 and #9C6D95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E0B5E1 shade: #E0B6E1, #E1B6D6, #E1B6CB, #E1B6BF and #E1B6B6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E0B5E1 shade: #E0B6E1, #D4B6E1, #C9B6E1, #BDB6E1 and #B6B6E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E0B5E1 shade matches the following richer shades: #E0B6E1, #E8AEE9, #F0A6F1 and #F89DFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E0B5E1 shade: #E0B6E1, #D8BED9, #D0C7D0, #C8CFC8 and #C0D7C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E0B5E1 shade: #C9B6E1, #D4B6E1, #DFB6E1, #E1B6D7 and #E1B6CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E0B5E1 shade: #C77BC9, #D499D5, #E0B6E1, #ECD3ED and #F9F1F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E0B5E1 shade: #E0B5E1, #E1BDB6 and #B6E1CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E0B5E1 shade: #E0B5E1, #E1DFB6 and #B6E1DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E0B5E1 shade: #E0B5E1, #E1BDB6, #B8E1B6 and #B6DAE1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E0B5E1 shade: #E0B5E1, #E1CAB6, #B8E1B6 and #B6CDE1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 0 / 12

HEX #E0B5E1

RGB 224 181 225

HSL 298.64, 0.42%, 0.8%

LAB 78.65, 22.95, -16.15

 

Complementary color

CMYK 58 / 0 / 59 / 71

HEX #1F4A1E

RGB 31 74 30

HSL 118.64, 0.42%, 0.2%

LAB 27.53, -25.35, 21.61

 

CMYK 0 / 21 / 4 / 10

HEX #E5B5DC

RGB 229 181 220

HSL 311.25, 0.48%, 0.8%

LAB 78.97, 23.72, -12.93

 

CMYK 0 / 19 / 3 / 4

HEX #F6C7EF

RGB 246 199 239

HSL 308.94, 0.72%, 0.87%

LAB 85.34, 23.19, -13.41

 

CMYK 0 / 15 / 0 / 0

HEX #FFD9FF

RGB 255 217 255

HSL 300, 1%, 0.93%

LAB 90.83, 19.56, -13.56

 

CMYK 0 / 8 / 0 / 0

HEX #FFEBFF

RGB 255 235 255

HSL 300, 1%, 0.96%

LAB 95.12, 10.21, -7.19

 

CMYK 0 / 1 / 0 / 0

HEX #FFFDFF

RGB 255 253 255

HSL 300, 1%, 1%

LAB 99.51, 1.01, -0.73

 

CMYK 0 / 20 / 0 / 12

HEX #E0B5E1

RGB 224 181 225

HSL 298.64, 0.42%, 0.8%

LAB 78.65, 22.95, -16.15

 

CMYK 0 / 21 / 0 / 19

HEX #CFA3CE

RGB 207 163 206

HSL 301.36, 0.31%, 0.73%

LAB 72.17, 23.49, -15.72

 

CMYK 0 / 24 / 2 / 25

HEX #BE91BB

RGB 190 145 187

HSL 304, 0.26%, 0.66%

LAB 65.58, 24.08, -15.27

 

CMYK 0 / 27 / 3 / 32

HEX #AD7FA8

RGB 173 127 168

HSL 306.52, 0.22%, 0.59%

LAB 58.87, 24.71, -14.81

 

CMYK 0 / 30 / 4 / 39

HEX #9C6D95

RGB 156 109 149

HSL 308.94, 0.19%, 0.52%

LAB 52.03, 25.4, -14.32

 

CMYK 0 / 19 / 0 / 12

HEX #E0B6E1

RGB 224 182 225

HSL 298.6, 0.42%, 0.8%

LAB 78.89, 22.41, -15.79

 

CMYK 0 / 19 / 5 / 12

HEX #E1B6D6

RGB 225 182 214

HSL 315.35, 0.42%, 0.8%

LAB 78.65, 20.76, -10.2

 

CMYK 0 / 19 / 10 / 12

HEX #E1B6CB

RGB 225 182 203

HSL 330.7, 0.42%, 0.8%

LAB 78.33, 18.86, -4.71

 

CMYK 0 / 19 / 15 / 12

HEX #E1B6BF

RGB 225 182 191

HSL 347.44, 0.42%, 0.8%

LAB 78.01, 16.89, 1.32

 

CMYK 0 / 19 / 19 / 12

HEX #E1B6B6

RGB 225 182 182

HSL 0, 0.42%, 0.8%

LAB 77.78, 15.49, 5.87

 

CMYK 0 / 19 / 0 / 12

HEX #E0B6E1

RGB 224 182 225

HSL 298.6, 0.42%, 0.8%

LAB 78.89, 22.41, -15.79

 

CMYK 6 / 19 / 0 / 12

HEX #D4B6E1

RGB 212 182 225

HSL 281.86, 0.42%, 0.8%

LAB 77.81, 18.45, -17.53

 

CMYK 11 / 19 / 0 / 12

HEX #C9B6E1

RGB 201 182 225

HSL 266.51, 0.42%, 0.8%

LAB 76.87, 14.87, -19.05

 

CMYK 16 / 19 / 0 / 12

HEX #BDB6E1

RGB 189 182 225

HSL 249.77, 0.42%, 0.8%

LAB 75.89, 11.02, -20.62

 

CMYK 19 / 19 / 0 / 12

HEX #B6B6E1

RGB 182 182 225

HSL 240, 0.42%, 0.8%

LAB 75.35, 8.83, -21.49

 

CMYK 0 / 19 / 0 / 12

HEX #E0B6E1

RGB 224 182 225

HSL 298.6, 0.42%, 0.8%

LAB 78.89, 22.41, -15.79

 

CMYK 0 / 25 / 0 / 9

HEX #E8AEE9

RGB 232 174 233

HSL 298.98, 0.57%, 0.8%

LAB 78.06, 30.81, -21.3

 

CMYK 0 / 31 / 0 / 5

HEX #F0A6F1

RGB 240 166 241

HSL 299.2, 0.73%, 0.8%

LAB 77.37, 39.07, -26.6

 

CMYK 1 / 37 / 0 / 2

HEX #F89DFA

RGB 248 157 250

HSL 298.71, 0.9%, 0.8%

LAB 76.66, 47.84, -32.48

 

CMYK 0 / 19 / 0 / 12

HEX #E0B6E1

RGB 224 182 225

HSL 298.6, 0.42%, 0.8%

LAB 78.89, 22.41, -15.79

 

CMYK 0 / 12 / 0 / 15

HEX #D8BED9

RGB 216 190 217

HSL 297.78, 0.26%, 0.8%

LAB 79.86, 13.95, -10.1

 

CMYK 0 / 4 / 0 / 18

HEX #D0C7D0

RGB 208 199 208

HSL 300, 0.09%, 0.8%

LAB 81.19, 4.75, -3.37

 

CMYK 3 / 0 / 3 / 19

HEX #C8CFC8

RGB 200 207 200

HSL 120, 0.07%, 0.8%

LAB 82.42, -3.67, 2.63

 

CMYK 11 / 0 / 11 / 16

HEX #C0D7C0

RGB 192 215 192

HSL 120, 0.22%, 0.8%

LAB 83.76, -11.97, 8.75

 

CMYK 11 / 19 / 0 / 12

HEX #C9B6E1

RGB 201 182 225

HSL 266.51, 0.42%, 0.8%

LAB 76.87, 14.87, -19.05

 

CMYK 6 / 19 / 0 / 12

HEX #D4B6E1

RGB 212 182 225

HSL 281.86, 0.42%, 0.8%

LAB 77.81, 18.45, -17.53

 

CMYK 1 / 19 / 0 / 12

HEX #DFB6E1

RGB 223 182 225

HSL 297.21, 0.42%, 0.8%

LAB 78.8, 22.08, -15.94

 

CMYK 0 / 19 / 4 / 12

HEX #E1B6D7

RGB 225 182 215

HSL 313.95, 0.42%, 0.8%

LAB 78.68, 20.94, -10.7

 

CMYK 0 / 19 / 9 / 12

HEX #E1B6CC

RGB 225 182 204

HSL 329.3, 0.42%, 0.8%

LAB 78.36, 19.03, -5.22

 

CMYK 1 / 39 / 0 / 21

HEX #C77BC9

RGB 199 123 201

HSL 298.46, 0.42%, 0.64%

LAB 62.1, 41.68, -28.37

 

CMYK 0 / 28 / 0 / 16

HEX #D499D5

RGB 212 153 213

HSL 299, 0.42%, 0.72%

LAB 70.58, 31.91, -21.94

 

CMYK 0 / 19 / 0 / 12

HEX #E0B6E1

RGB 224 182 225

HSL 298.6, 0.42%, 0.8%

LAB 78.89, 22.41, -15.79

 

CMYK 0 / 11 / 0 / 7

HEX #ECD3ED

RGB 236 211 237

HSL 297.69, 0.42%, 0.88%

LAB 87.26, 13.17, -9.58

 

CMYK 0 / 3 / 0 / 2

HEX #F9F1F9

RGB 249 241 249

HSL 300, 0.4%, 0.96%

LAB 95.95, 4.08, -2.9

 

CMYK 0 / 20 / 0 / 12

HEX #E0B5E1

RGB 224 181 225

HSL 298.64, 0.42%, 0.8%

LAB 78.65, 22.95, -16.15

 

CMYK 0 / 16 / 19 / 12

HEX #E1BDB6

RGB 225 189 182

HSL 9.77, 0.42%, 0.8%

LAB 79.49, 11.76, 8.32

 

CMYK 19 / 0 / 8 / 12

HEX #B6E1CE

RGB 182 225 206

HSL 153.49, 0.42%, 0.8%

LAB 86.13, -17.7, 4.68

 

CMYK 0 / 20 / 0 / 12

HEX #E0B5E1

RGB 224 181 225

HSL 298.64, 0.42%, 0.8%

LAB 78.65, 22.95, -16.15

 

CMYK 0 / 1 / 19 / 12

HEX #E1DFB6

RGB 225 223 182

HSL 57.21, 0.42%, 0.8%

LAB 88.05, -5.97, 20.39

 

CMYK 19 / 0 / 1 / 12

HEX #B6E1DF

RGB 182 225 223

HSL 177.21, 0.42%, 0.8%

LAB 86.57, -14.28, -3.65

 

CMYK 0 / 20 / 0 / 12

HEX #E0B5E1

RGB 224 181 225

HSL 298.64, 0.42%, 0.8%

LAB 78.65, 22.95, -16.15

 

CMYK 0 / 16 / 19 / 12

HEX #E1BDB6

RGB 225 189 182

HSL 9.77, 0.42%, 0.8%

LAB 79.49, 11.76, 8.32

 

CMYK 18 / 0 / 19 / 12

HEX #B8E1B6

RGB 184 225 182

HSL 117.21, 0.42%, 0.8%

LAB 85.71, -21.43, 16.71

 

CMYK 19 / 3 / 0 / 12

HEX #B6DAE1

RGB 182 218 225

HSL 189.77, 0.42%, 0.8%

LAB 84.75, -10.3, -7.38

 

CMYK 0 / 20 / 0 / 12

HEX #E0B5E1

RGB 224 181 225

HSL 298.64, 0.42%, 0.8%

LAB 78.65, 22.95, -16.15

 

CMYK 0 / 10 / 19 / 12

HEX #E1CAB6

RGB 225 202 182

HSL 27.91, 0.42%, 0.8%

LAB 82.71, 4.89, 12.91

 

CMYK 18 / 0 / 19 / 12

HEX #B8E1B6

RGB 184 225 182

HSL 117.21, 0.42%, 0.8%

LAB 85.71, -21.43, 16.71

 

CMYK 19 / 9 / 0 / 12

HEX #B6CDE1

RGB 182 205 225

HSL 207.91, 0.42%, 0.8%

LAB 81.32, -3.53, -12.49

 

Description

Color code: HEX #E0B5E1 | qconv.com Color code: HEX #E0B5E1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 181 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 181 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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