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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0B20F it is the complementary color #1F4DF0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0B20F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E0B20F shade: #E5B20A, #F6C41D, #FFD630, #FFE843 and #FFFA56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0B20F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E0B20F shade: #E0B20F, #CFA000, #BE8E00, #AD7C00 and #9C6A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E0B20F shade: #E0B20F, #E0790F, #E0410F and #E00F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E0B20F shade: #E0B20F, #D5E00F, #9DE00F, #65E00F and #2DE00F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E0B20F shade matches the following richer shades: #E0B20F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E0B20F shade: #E0B20F, #CCA722, #B99C36, #A59149 and #92865D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E0B20F shade: #E0400F, #E0770F, #E0AF0F, #D9E00F and #A1E00F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E0B20F shade: #92740A, #B9930C, #E0B20F, #F0C428 and #F2CE4F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E0B20F shade: #E0B20F, #16E00F and #5C0FE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E0B20F shade: #E0B20F, #0FE0AF and #AF0FE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E0B20F shade: #E0B20F, #16E00F, #0F40E0 and #D90FE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E0B20F shade: #E0B20F, #0FE047, #0F40E0 and #E00FA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 93 / 12

HEX #E0B20F

RGB 224 178 15

HSL 46.79, 0.87%, 0.47%

LAB 74.65, 3.95, 75.42

 

Complementary color

CMYK 87 / 68 / 0 / 6

HEX #1F4DF0

RGB 31 77 240

HSL 226.79, 0.87%, 0.53%

LAB 41.04, 46.21, -84.89

 

CMYK 0 / 22 / 96 / 10

HEX #E5B20A

RGB 229 178 10

HSL 46.03, 0.92%, 0.47%

LAB 75.15, 6.07, 76.63

 

CMYK 0 / 20 / 88 / 4

HEX #F6C41D

RGB 246 196 29

HSL 46.18, 0.92%, 0.54%

LAB 81.38, 4.28, 79.11

 

CMYK 0 / 16 / 81 / 0

HEX #FFD630

RGB 255 214 48

HSL 48.12, 1%, 0.59%

LAB 86.78, -0.67, 79.35

 

CMYK 0 / 9 / 74 / 0

HEX #FFE843

RGB 255 232 67

HSL 52.66, 1%, 0.63%

LAB 91.41, -9.05, 77.73

 

CMYK 0 / 2 / 66 / 0

HEX #FFFA56

RGB 255 250 86

HSL 58.22, 1%, 0.67%

LAB 96.12, -16.96, 75.65

 

CMYK 0 / 21 / 93 / 12

HEX #E0B20F

RGB 224 178 15

HSL 46.79, 0.87%, 0.47%

LAB 74.65, 3.95, 75.42

 

CMYK 0 / 23 / 100 / 19

HEX #CFA000

RGB 207 160 0

HSL 46.38, 1%, 0.41%

LAB 68.32, 5.87, 71.92

 

CMYK 0 / 25 / 100 / 25

HEX #BE8E00

RGB 190 142 0

HSL 44.84, 1%, 0.37%

LAB 61.91, 8.03, 66.65

 

CMYK 0 / 28 / 100 / 32

HEX #AD7C00

RGB 173 124 0

HSL 43.01, 1%, 0.34%

LAB 55.38, 10.28, 61.29

 

CMYK 0 / 32 / 100 / 39

HEX #9C6A00

RGB 156 106 0

HSL 40.77, 1%, 0.31%

LAB 48.73, 12.65, 55.84

 

CMYK 0 / 21 / 93 / 12

HEX #E0B20F

RGB 224 178 15

HSL 46.79, 0.87%, 0.47%

LAB 74.65, 3.95, 75.42

 

CMYK 0 / 46 / 93 / 12

HEX #E0790F

RGB 224 121 15

HSL 30.43, 0.87%, 0.47%

LAB 61.27, 34.19, 65.8

 

CMYK 0 / 71 / 93 / 12

HEX #E0410F

RGB 224 65 15

HSL 14.35, 0.87%, 0.47%

LAB 51.45, 59.67, 59.28

 

CMYK 0 / 93 / 93 / 12

HEX #E00F0F

RGB 224 15 15

HSL 0, 0.87%, 0.47%

LAB 47.27, 71.47, 56.76

 

CMYK 0 / 21 / 93 / 12

HEX #E0B20F

RGB 224 178 15

HSL 46.79, 0.87%, 0.47%

LAB 74.65, 3.95, 75.42

 

CMYK 5 / 0 / 93 / 12

HEX #D5E00F

RGB 213 224 15

HSL 63.16, 0.87%, 0.47%

LAB 85.75, -24, 83.36

 

CMYK 30 / 0 / 93 / 12

HEX #9DE00F

RGB 157 224 15

HSL 79.23, 0.87%, 0.47%

LAB 82.12, -46.21, 78.96

 

CMYK 55 / 0 / 93 / 12

HEX #65E00F

RGB 101 224 15

HSL 95.31, 0.87%, 0.47%

LAB 79.68, -64.18, 75.98

 

CMYK 80 / 0 / 93 / 12

HEX #2DE00F

RGB 45 224 15

HSL 111.39, 0.87%, 0.47%

LAB 78.41, -74.93, 74.41

 

CMYK 0 / 21 / 93 / 12

HEX #E0B20F

RGB 224 178 15

HSL 46.79, 0.87%, 0.47%

LAB 74.65, 3.95, 75.42

 

CMYK 0 / 21 / 93 / 12

HEX #E0B20F

RGB 224 178 15

HSL 46.79, 0.87%, 0.47%

LAB 74.65, 3.95, 75.42

 

CMYK 0 / 18 / 83 / 20

HEX #CCA722

RGB 204 167 34

HSL 46.94, 0.71%, 0.47%

LAB 69.89, 1.37, 66.86

 

CMYK 0 / 16 / 71 / 27

HEX #B99C36

RGB 185 156 54

HSL 46.72, 0.55%, 0.47%

LAB 65.25, -0.34, 54.92

 

CMYK 0 / 12 / 56 / 35

HEX #A59149

RGB 165 145 73

HSL 46.96, 0.39%, 0.47%

LAB 60.54, -1.88, 40.45

 

CMYK 0 / 8 / 36 / 43

HEX #92865D

RGB 146 134 93

HSL 46.42, 0.22%, 0.47%

LAB 56.04, -1.88, 23.74

 

CMYK 0 / 71 / 93 / 12

HEX #E0400F

RGB 224 64 15

HSL 14.07, 0.87%, 0.47%

LAB 51.32, 60.03, 59.2

 

CMYK 0 / 47 / 93 / 12

HEX #E0770F

RGB 224 119 15

HSL 29.86, 0.87%, 0.47%

LAB 60.85, 35.23, 65.51

 

CMYK 0 / 22 / 93 / 12

HEX #E0AF0F

RGB 224 175 15

HSL 45.93, 0.87%, 0.47%

LAB 73.9, 5.53, 74.86

 

CMYK 3 / 0 / 93 / 12

HEX #D9E00F

RGB 217 224 15

HSL 62.01, 0.87%, 0.47%

LAB 86.06, -22.34, 83.73

 

CMYK 28 / 0 / 93 / 12

HEX #A1E00F

RGB 161 224 15

HSL 78.09, 0.87%, 0.47%

LAB 82.34, -44.73, 79.23

 

CMYK 0 / 21 / 93 / 43

HEX #92740A

RGB 146 116 10

HSL 46.76, 0.87%, 0.31%

LAB 50.24, 2.42, 54.31

 

CMYK 0 / 21 / 94 / 27

HEX #B9930C

RGB 185 147 12

HSL 46.82, 0.88%, 0.39%

LAB 62.68, 3.19, 65.19

 

CMYK 0 / 21 / 93 / 12

HEX #E0B20F

RGB 224 178 15

HSL 46.79, 0.87%, 0.47%

LAB 74.65, 3.95, 75.42

 

CMYK 0 / 18 / 83 / 6

HEX #F0C428

RGB 240 196 40

HSL 46.8, 0.87%, 0.55%

LAB 80.83, 1.95, 75.88

 

CMYK 0 / 15 / 67 / 5

HEX #F2CE4F

RGB 242 206 79

HSL 46.75, 0.86%, 0.63%

LAB 83.75, -0.79, 65.35

 

CMYK 0 / 21 / 93 / 12

HEX #E0B20F

RGB 224 178 15

HSL 46.79, 0.87%, 0.47%

LAB 74.65, 3.95, 75.42

 

CMYK 90 / 0 / 93 / 12

HEX #16E00F

RGB 22 224 15

HSL 117.99, 0.87%, 0.47%

LAB 78.18, -76.96, 74.13

 

CMYK 59 / 93 / 0 / 12

HEX #5C0FE0

RGB 92 15 224

HSL 262.11, 0.87%, 0.47%

LAB 33.98, 71.91, -87.35

 

CMYK 0 / 21 / 93 / 12

HEX #E0B20F

RGB 224 178 15

HSL 46.79, 0.87%, 0.47%

LAB 74.65, 3.95, 75.42

 

CMYK 93 / 0 / 22 / 12

HEX #0FE0AF

RGB 15 224 175

HSL 165.93, 0.87%, 0.47%

LAB 79.9, -56.39, 11.42

 

CMYK 22 / 93 / 0 / 12

HEX #AF0FE0

RGB 175 15 224

HSL 285.93, 0.87%, 0.47%

LAB 45.41, 80.6, -68.15

 

CMYK 0 / 21 / 93 / 12

HEX #E0B20F

RGB 224 178 15

HSL 46.79, 0.87%, 0.47%

LAB 74.65, 3.95, 75.42

 

CMYK 90 / 0 / 93 / 12

HEX #16E00F

RGB 22 224 15

HSL 117.99, 0.87%, 0.47%

LAB 78.18, -76.96, 74.13

 

CMYK 93 / 71 / 0 / 12

HEX #0F40E0

RGB 15 64 224

HSL 225.93, 0.87%, 0.47%

LAB 36.27, 47.77, -83.69

 

CMYK 3 / 93 / 0 / 12

HEX #D90FE0

RGB 217 15 224

HSL 297.99, 0.87%, 0.47%

LAB 52.37, 86.86, -56.56

 

CMYK 0 / 21 / 93 / 12

HEX #E0B20F

RGB 224 178 15

HSL 46.79, 0.87%, 0.47%

LAB 74.65, 3.95, 75.42

 

CMYK 93 / 0 / 68 / 12

HEX #0FE047

RGB 15 224 71

HSL 136.08, 0.87%, 0.47%

LAB 78.38, -74.18, 59.71

 

CMYK 93 / 71 / 0 / 12

HEX #0F40E0

RGB 15 64 224

HSL 225.93, 0.87%, 0.47%

LAB 36.27, 47.77, -83.69

 

CMYK 0 / 93 / 25 / 12

HEX #E00FA8

RGB 224 15 168

HSL 316.08, 0.87%, 0.47%

LAB 50.71, 80.75, -26.68

 

Description

Color code: HEX #E0B20F | qconv.com Color code: HEX #E0B20F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 178 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 178 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 93 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 93% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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