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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0BF18 it is the complementary color #1F40E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0BF18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E0BF18 shade: #E5BF13, #F6D126, #FFE339, #FFF54C and #FFFF5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0BF18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E0BF18 shade: #E0BF18, #CFAD05, #BE9B00, #AD8900 and #9C7700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E0BF18 shade: #E2C017, #E28A17, #E25317, #E21D17 and #E21717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E0BF18 shade: #E2C017, #CCE217, #96E217, #5FE217 and #29E217

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E0BF18 shade matches the following richer shades: #E2C017 and #F6CE03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E0BF18 shade: #E2C017, #CDB32B, #B9A540, #A59854 and #918A68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E0BF18 shade: #E25417, #E28A17, #E2C017, #CDE217 and #97E217

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E0BF18 shade: #97810F, #BCA013, #E2C017, #EACC38 and #EED65E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E0BF18 shade: #E0BF18, #17E21E and #6F17E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E0BF18 shade: #E0BF18, #17E2C0 and #C017E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E0BF18 shade: #E0BF18, #17E21E, #1739E2 and #E217DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E0BF18 shade: #E0BF18, #17E25B, #1739E2 and #E2179E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 89 / 12

HEX #E0BF18

RGB 224 191 24

HSL 50.1, 0.81%, 0.49%

LAB 77.98, -2.7, 76.5

 

Complementary color

CMYK 87 / 72 / 0 / 9

HEX #1F40E7

RGB 31 64 231

HSL 230.1, 0.81%, 0.51%

LAB 37.35, 50.77, -85.89

 

CMYK 0 / 17 / 92 / 10

HEX #E5BF13

RGB 229 191 19

HSL 49.14, 0.85%, 0.49%

LAB 78.44, -0.62, 77.89

 

CMYK 0 / 15 / 85 / 4

HEX #F6D126

RGB 246 209 38

HSL 49.33, 0.92%, 0.56%

LAB 84.66, -2.2, 79.78

 

CMYK 0 / 11 / 78 / 0

HEX #FFE339

RGB 255 227 57

HSL 51.52, 1%, 0.61%

LAB 90.09, -6.93, 79.67

 

CMYK 0 / 4 / 70 / 0

HEX #FFF54C

RGB 255 245 76

HSL 56.65, 1%, 0.65%

LAB 94.78, -15.04, 77.9

 

CMYK 0 / 0 / 63 / 0

HEX #FFFF5F

RGB 255 255 95

HSL 60, 1%, 0.69%

LAB 97.47, -18.87, 73.62

 

CMYK 0 / 15 / 89 / 12

HEX #E0BF18

RGB 224 191 24

HSL 50.1, 0.81%, 0.49%

LAB 77.98, -2.7, 76.5

 

CMYK 0 / 16 / 98 / 19

HEX #CFAD05

RGB 207 173 5

HSL 49.9, 0.95%, 0.42%

LAB 71.67, -0.99, 73.67

 

CMYK 0 / 18 / 100 / 25

HEX #BE9B00

RGB 190 155 0

HSL 48.95, 1%, 0.37%

LAB 65.27, 0.96, 68.98

 

CMYK 0 / 21 / 100 / 32

HEX #AD8900

RGB 173 137 0

HSL 47.51, 1%, 0.34%

LAB 58.77, 3.05, 63.61

 

CMYK 0 / 24 / 100 / 39

HEX #9C7700

RGB 156 119 0

HSL 45.77, 1%, 0.31%

LAB 52.13, 5.24, 58.15

 

CMYK 0 / 15 / 90 / 11

HEX #E2C017

RGB 226 192 23

HSL 49.95, 0.82%, 0.49%

LAB 78.42, -2.37, 77.1

 

CMYK 0 / 39 / 90 / 11

HEX #E28A17

RGB 226 138 23

HSL 33.99, 0.82%, 0.49%

LAB 65.28, 26.22, 67.07

 

CMYK 0 / 63 / 90 / 11

HEX #E25317

RGB 226 83 23

HSL 17.73, 0.82%, 0.49%

LAB 54.47, 53.32, 59.05

 

CMYK 0 / 87 / 90 / 11

HEX #E21D17

RGB 226 29 23

HSL 1.77, 0.82%, 0.49%

LAB 48.4, 70.11, 54.73

 

CMYK 0 / 90 / 90 / 11

HEX #E21717

RGB 226 23 23

HSL 0, 0.82%, 0.49%

LAB 48.06, 71.07, 54.5

 

CMYK 0 / 15 / 90 / 11

HEX #E2C017

RGB 226 192 23

HSL 49.95, 0.82%, 0.49%

LAB 78.42, -2.37, 77.1

 

CMYK 10 / 0 / 90 / 11

HEX #CCE217

RGB 204 226 23

HSL 66.5, 0.82%, 0.49%

LAB 85.65, -28.55, 81.98

 

CMYK 34 / 0 / 90 / 11

HEX #96E217

RGB 150 226 23

HSL 82.46, 0.82%, 0.49%

LAB 82.35, -49.43, 77.94

 

CMYK 58 / 0 / 90 / 11

HEX #5FE217

RGB 95 226 23

HSL 98.72, 0.82%, 0.49%

LAB 80.12, -66.2, 75.18

 

CMYK 82 / 0 / 90 / 11

HEX #29E217

RGB 41 226 23

HSL 114.68, 0.82%, 0.49%

LAB 79, -75.74, 73.79

 

CMYK 0 / 15 / 90 / 11

HEX #E2C017

RGB 226 192 23

HSL 49.95, 0.82%, 0.49%

LAB 78.42, -2.37, 77.1

 

CMYK 0 / 16 / 99 / 4

HEX #F6CE03

RGB 246 206 3

HSL 50.12, 0.98%, 0.49%

LAB 83.83, -1.17, 84.29

 

CMYK 0 / 15 / 90 / 11

HEX #E2C017

RGB 226 192 23

HSL 49.95, 0.82%, 0.49%

LAB 78.42, -2.37, 77.1

 

CMYK 0 / 13 / 79 / 20

HEX #CDB32B

RGB 205 179 43

HSL 50.37, 0.65%, 0.49%

LAB 73.15, -4.24, 67.08

 

CMYK 0 / 11 / 65 / 27

HEX #B9A540

RGB 185 165 64

HSL 50.08, 0.49%, 0.49%

LAB 67.72, -4.58, 53.23

 

CMYK 0 / 8 / 49 / 35

HEX #A59854

RGB 165 152 84

HSL 50.37, 0.33%, 0.49%

LAB 62.59, -4.69, 37.28

 

CMYK 0 / 5 / 28 / 43

HEX #918A68

RGB 145 138 104

HSL 49.76, 0.16%, 0.49%

LAB 57.27, -3.04, 19.19

 

CMYK 0 / 63 / 90 / 11

HEX #E25417

RGB 226 84 23

HSL 18.03, 0.82%, 0.49%

LAB 54.63, 52.89, 59.17

 

CMYK 0 / 39 / 90 / 11

HEX #E28A17

RGB 226 138 23

HSL 33.99, 0.82%, 0.49%

LAB 65.28, 26.22, 67.07

 

CMYK 0 / 15 / 90 / 11

HEX #E2C017

RGB 226 192 23

HSL 49.95, 0.82%, 0.49%

LAB 78.42, -2.37, 77.1

 

CMYK 9 / 0 / 90 / 11

HEX #CDE217

RGB 205 226 23

HSL 66.21, 0.82%, 0.49%

LAB 85.72, -28.14, 82.07

 

CMYK 33 / 0 / 90 / 11

HEX #97E217

RGB 151 226 23

HSL 82.17, 0.82%, 0.49%

LAB 82.4, -49.08, 78

 

CMYK 0 / 15 / 90 / 41

HEX #97810F

RGB 151 129 15

HSL 50.29, 0.82%, 0.33%

LAB 54.36, -2.45, 56.71

 

CMYK 0 / 15 / 90 / 26

HEX #BCA013

RGB 188 160 19

HSL 50.06, 0.82%, 0.41%

LAB 66.43, -2.36, 66.95

 

CMYK 0 / 15 / 90 / 11

HEX #E2C017

RGB 226 192 23

HSL 49.95, 0.82%, 0.49%

LAB 78.42, -2.37, 77.1

 

CMYK 0 / 13 / 76 / 8

HEX #EACC38

RGB 234 204 56

HSL 49.89, 0.81%, 0.57%

LAB 82.36, -4.2, 72.27

 

CMYK 0 / 10 / 61 / 7

HEX #EED65E

RGB 238 214 94

HSL 50, 0.81%, 0.65%

LAB 85.54, -5.63, 60.81

 

CMYK 0 / 15 / 89 / 12

HEX #E0BF18

RGB 224 191 24

HSL 50.1, 0.81%, 0.49%

LAB 77.98, -2.7, 76.5

 

CMYK 90 / 0 / 87 / 11

HEX #17E21E

RGB 23 226 30

HSL 122.07, 0.82%, 0.49%

LAB 78.85, -77, 72.36

 

CMYK 51 / 90 / 0 / 11

HEX #6F17E2

RGB 111 23 226

HSL 266.01, 0.82%, 0.49%

LAB 36.9, 72.28, -83.6

 

CMYK 0 / 15 / 89 / 12

HEX #E0BF18

RGB 224 191 24

HSL 50.1, 0.81%, 0.49%

LAB 77.98, -2.7, 76.5

 

CMYK 90 / 0 / 15 / 11

HEX #17E2C0

RGB 23 226 192

HSL 169.95, 0.82%, 0.49%

LAB 80.95, -52.59, 3.93

 

CMYK 15 / 90 / 0 / 11

HEX #C017E2

RGB 192 23 226

HSL 289.95, 0.82%, 0.49%

LAB 48.65, 82.34, -63.91

 

CMYK 0 / 15 / 89 / 12

HEX #E0BF18

RGB 224 191 24

HSL 50.1, 0.81%, 0.49%

LAB 77.98, -2.7, 76.5

 

CMYK 90 / 0 / 87 / 11

HEX #17E21E

RGB 23 226 30

HSL 122.07, 0.82%, 0.49%

LAB 78.85, -77, 72.36

 

CMYK 90 / 75 / 0 / 11

HEX #1739E2

RGB 23 57 226

HSL 229.95, 0.82%, 0.49%

LAB 35.2, 52.73, -86.6

 

CMYK 0 / 90 / 3 / 11

HEX #E217DB

RGB 226 23 219

HSL 302.07, 0.82%, 0.49%

LAB 53.92, 86.76, -51.16

 

CMYK 0 / 15 / 89 / 12

HEX #E0BF18

RGB 224 191 24

HSL 50.1, 0.81%, 0.49%

LAB 77.98, -2.7, 76.5

 

CMYK 90 / 0 / 60 / 11

HEX #17E25B

RGB 23 226 91

HSL 140.1, 0.82%, 0.49%

LAB 79.23, -72.19, 52.38

 

CMYK 90 / 75 / 0 / 11

HEX #1739E2

RGB 23 57 226

HSL 229.95, 0.82%, 0.49%

LAB 35.2, 52.73, -86.6

 

CMYK 0 / 90 / 30 / 11

HEX #E2179E

RGB 226 23 158

HSL 320.1, 0.82%, 0.49%

LAB 50.98, 79.13, -20.3

 

Description

Color code: HEX #E0BF18 | qconv.com Color code: HEX #E0BF18 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 191 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 191 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 89 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 89% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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