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Color name
HEX #E0C40A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0C40A it is the complementary color #1F3BF5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0C40A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E0C40A shade: #E5C405, #F6D618, #FFE82B, #FFFA3E and #FFFF51

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0C40A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E0C40A shade: #E0C40A, #CFB200, #BEA000, #AD8E00 and #9C7C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E0C40A shade: #E0C40A, #E08A0A, #E0500A, #E0170A and #E00A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E0C40A shade: #E0C40A, #C2E00A, #88E00A, #4FE00A and #15E00A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E0C40A shade matches the following richer shades: #E0C40A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E0C40A shade: #E0C40A, #CDB61D, #BAA830, #A79A43 and #948C56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E0C40A shade: #E0510A, #E08A0A, #E0C30A, #C3E00A and #8AE00A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E0C40A shade: #917F06, #B8A108, #E0C40A, #F4D81F and #F6DF46

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E0C40A shade: #E0C40A, #0AE018 and #6E0AE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E0C40A shade: #E0C40A, #0AE0C3 and #C30AE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E0C40A shade: #E0C40A, #0AE018, #0A27E0 and #E00AD1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E0C40A shade: #E0C40A, #0AE058, #0A27E0 and #E00A91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 96 / 12

HEX #E0C40A

RGB 224 196 10

HSL 52.15, 0.91%, 0.46%

LAB 79.24, -5.46, 79.38

 

Complementary color

CMYK 87 / 76 / 0 / 4

HEX #1F3BF5

RGB 31 59 245

HSL 232.15, 0.91%, 0.54%

LAB 37.86, 58.17, -92.96

 

CMYK 0 / 14 / 98 / 10

HEX #E5C405

RGB 229 196 5

HSL 51.16, 0.96%, 0.46%

LAB 79.7, -3.34, 80.41

 

CMYK 0 / 13 / 90 / 4

HEX #F6D618

RGB 246 214 24

HSL 51.35, 0.93%, 0.53%

LAB 85.88, -5.01, 83.47

 

CMYK 0 / 9 / 83 / 0

HEX #FFE82B

RGB 255 232 43

HSL 53.49, 1%, 0.58%

LAB 91.3, -9.83, 84.43

 

CMYK 0 / 2 / 76 / 0

HEX #FFFA3E

RGB 255 250 62

HSL 58.45, 1%, 0.62%

LAB 95.99, -18.02, 83.51

 

CMYK 0 / 0 / 68 / 0

HEX #FFFF51

RGB 255 255 81

HSL 60, 1%, 0.66%

LAB 97.38, -19.62, 78.71

 

CMYK 0 / 13 / 96 / 12

HEX #E0C40A

RGB 224 196 10

HSL 52.15, 0.91%, 0.46%

LAB 79.24, -5.46, 79.38

 

CMYK 0 / 14 / 100 / 19

HEX #CFB200

RGB 207 178 0

HSL 51.59, 1%, 0.41%

LAB 72.96, -3.67, 75.17

 

CMYK 0 / 16 / 100 / 25

HEX #BEA000

RGB 190 160 0

HSL 50.53, 1%, 0.37%

LAB 66.59, -1.72, 69.9

 

CMYK 0 / 18 / 100 / 32

HEX #AD8E00

RGB 173 142 0

HSL 49.25, 1%, 0.34%

LAB 60.1, 0.3, 64.54

 

CMYK 0 / 21 / 100 / 39

HEX #9C7C00

RGB 156 124 0

HSL 47.69, 1%, 0.31%

LAB 53.47, 2.42, 59.08

 

CMYK 0 / 13 / 96 / 12

HEX #E0C40A

RGB 224 196 10

HSL 52.15, 0.91%, 0.46%

LAB 79.24, -5.46, 79.38

 

CMYK 0 / 38 / 96 / 12

HEX #E08A0A

RGB 224 138 10

HSL 35.89, 0.91%, 0.46%

LAB 65, 25.2, 69.22

 

CMYK 0 / 64 / 96 / 12

HEX #E0500A

RGB 224 80 10

HSL 19.63, 0.91%, 0.46%

LAB 53.61, 53.73, 61.81

 

CMYK 0 / 90 / 96 / 12

HEX #E0170A

RGB 224 23 10

HSL 3.64, 0.91%, 0.46%

LAB 47.6, 70.41, 58.43

 

CMYK 0 / 96 / 96 / 12

HEX #E00A0A

RGB 224 10 10

HSL 0, 0.91%, 0.46%

LAB 47.09, 71.89, 58.17

 

CMYK 0 / 13 / 96 / 12

HEX #E0C40A

RGB 224 196 10

HSL 52.15, 0.91%, 0.46%

LAB 79.24, -5.46, 79.38

 

CMYK 13 / 0 / 96 / 12

HEX #C2E00A

RGB 194 224 10

HSL 68.41, 0.91%, 0.46%

LAB 84.38, -31.88, 82.2

 

CMYK 39 / 0 / 96 / 12

HEX #88E00A

RGB 136 224 10

HSL 84.67, 0.91%, 0.46%

LAB 81.05, -53.7, 78.17

 

CMYK 65 / 0 / 96 / 12

HEX #4FE00A

RGB 79 224 10

HSL 100.65, 0.91%, 0.46%

LAB 79.04, -69.46, 75.7

 

CMYK 91 / 0 / 96 / 12

HEX #15E00A

RGB 21 224 10

HSL 116.92, 0.91%, 0.46%

LAB 78.16, -77.12, 74.63

 

CMYK 0 / 13 / 96 / 12

HEX #E0C40A

RGB 224 196 10

HSL 52.15, 0.91%, 0.46%

LAB 79.24, -5.46, 79.38

 

CMYK 0 / 13 / 96 / 12

HEX #E0C40A

RGB 224 196 10

HSL 52.15, 0.91%, 0.46%

LAB 79.24, -5.46, 79.38

 

CMYK 0 / 11 / 86 / 20

HEX #CDB61D

RGB 205 182 29

HSL 52.16, 0.75%, 0.46%

LAB 73.88, -6.21, 71.48

 

CMYK 0 / 10 / 74 / 27

HEX #BAA830

RGB 186 168 48

HSL 52.17, 0.59%, 0.46%

LAB 68.5, -6.59, 60.47

 

CMYK 0 / 8 / 60 / 35

HEX #A79A43

RGB 167 154 67

HSL 52.2, 0.43%, 0.46%

LAB 63.12, -6.36, 46.38

 

CMYK 0 / 5 / 42 / 42

HEX #948C56

RGB 148 140 86

HSL 52.26, 0.26%, 0.46%

LAB 57.77, -5.2, 29.88

 

CMYK 0 / 64 / 96 / 12

HEX #E0510A

RGB 224 81 10

HSL 19.91, 0.91%, 0.46%

LAB 53.77, 53.31, 61.91

 

CMYK 0 / 38 / 96 / 12

HEX #E08A0A

RGB 224 138 10

HSL 35.89, 0.91%, 0.46%

LAB 65, 25.2, 69.22

 

CMYK 0 / 13 / 96 / 12

HEX #E0C30A

RGB 224 195 10

HSL 51.87, 0.91%, 0.46%

LAB 78.98, -4.95, 79.19

 

CMYK 13 / 0 / 96 / 12

HEX #C3E00A

RGB 195 224 10

HSL 68.13, 0.91%, 0.46%

LAB 84.45, -31.47, 82.28

 

CMYK 38 / 0 / 96 / 12

HEX #8AE00A

RGB 138 224 10

HSL 84.11, 0.91%, 0.46%

LAB 81.15, -53.02, 78.28

 

CMYK 0 / 12 / 96 / 43

HEX #917F06

RGB 145 127 6

HSL 52.23, 0.92%, 0.3%

LAB 53.18, -4.31, 57.24

 

CMYK 0 / 13 / 96 / 28

HEX #B8A108

RGB 184 161 8

HSL 52.16, 0.92%, 0.38%

LAB 66.29, -4.85, 68.38

 

CMYK 0 / 13 / 96 / 12

HEX #E0C40A

RGB 224 196 10

HSL 52.15, 0.91%, 0.46%

LAB 79.24, -5.46, 79.38

 

CMYK 0 / 11 / 87 / 4

HEX #F4D81F

RGB 244 216 31

HSL 52.11, 0.91%, 0.54%

LAB 86.23, -6.75, 82.45

 

CMYK 0 / 9 / 72 / 4

HEX #F6DF46

RGB 246 223 70

HSL 52.16, 0.91%, 0.62%

LAB 88.36, -8.17, 73.52

 

CMYK 0 / 13 / 96 / 12

HEX #E0C40A

RGB 224 196 10

HSL 52.15, 0.91%, 0.46%

LAB 79.24, -5.46, 79.38

 

CMYK 96 / 0 / 89 / 12

HEX #0AE018

RGB 10 224 24

HSL 123.93, 0.91%, 0.46%

LAB 78.14, -77.29, 72.8

 

CMYK 51 / 96 / 0 / 12

HEX #6E0AE0

RGB 110 10 224

HSL 268.04, 0.91%, 0.46%

LAB 35.82, 74.01, -84.24

 

CMYK 0 / 13 / 96 / 12

HEX #E0C40A

RGB 224 196 10

HSL 52.15, 0.91%, 0.46%

LAB 79.24, -5.46, 79.38

 

CMYK 96 / 0 / 13 / 12

HEX #0AE0C3

RGB 10 224 195

HSL 171.87, 0.91%, 0.46%

LAB 80.36, -51.47, 1.47

 

CMYK 13 / 96 / 0 / 12

HEX #C30AE0

RGB 195 10 224

HSL 291.87, 0.91%, 0.46%

LAB 48.51, 83.92, -62.97

 

CMYK 0 / 13 / 96 / 12

HEX #E0C40A

RGB 224 196 10

HSL 52.15, 0.91%, 0.46%

LAB 79.24, -5.46, 79.38

 

CMYK 96 / 0 / 89 / 12

HEX #0AE018

RGB 10 224 24

HSL 123.93, 0.91%, 0.46%

LAB 78.14, -77.29, 72.8

 

CMYK 96 / 83 / 0 / 12

HEX #0A27E0

RGB 10 39 224

HSL 231.87, 0.91%, 0.46%

LAB 31.57, 60.91, -91.49

 

CMYK 0 / 96 / 7 / 12

HEX #E00AD1

RGB 224 10 209

HSL 304.21, 0.91%, 0.46%

LAB 52.58, 86.3, -47.59

 

CMYK 0 / 13 / 96 / 12

HEX #E0C40A

RGB 224 196 10

HSL 52.15, 0.91%, 0.46%

LAB 79.24, -5.46, 79.38

 

CMYK 96 / 0 / 61 / 12

HEX #0AE058

RGB 10 224 88

HSL 141.87, 0.91%, 0.46%

LAB 78.51, -72.54, 52.84

 

CMYK 96 / 83 / 0 / 12

HEX #0A27E0

RGB 10 39 224

HSL 231.87, 0.91%, 0.46%

LAB 31.57, 60.91, -91.49

 

CMYK 0 / 96 / 35 / 12

HEX #E00A91

RGB 224 10 145

HSL 322.15, 0.91%, 0.46%

LAB 49.63, 78.75, -14.62

 

Description

Color code: HEX #E0C40A | qconv.com Color code: HEX #E0C40A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 196 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 196 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 96 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 96% 12% C M Y K

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