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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0C473 it is the complementary color #1F3B8C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0C473. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E0C473 shade: #E5C46E, #F6D681, #FFE894, #FFFAA7 and #FFFFBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0C473. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E0C473 shade: #E0C473, #CFB260, #BEA04D, #AD8E3A and #9C7C27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E0C473 shade: #DFC370, #DFA570, #DF8770 and #DF7070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E0C473 shade: #DFC370, #DEDF70, #C0DF70, #A2DF70 and #84DF70

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E0C473 shade matches the following richer shades: #DFC370, #EDCA62 and #FBD054

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E0C473 shade: #DFC370, #D1BC7E, #C3B58C, #B5AE9A and #A7A7A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E0C473 shade: #DF8770, #DFA470, #DFC270, #DFDF70 and #C2DF70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E0C473 shade: #D0A62D, #D8B54E, #DFC370, #E7D192 and #EEDFB4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E0C473 shade: #E0C473, #78DF70 and #9570DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E0C473 shade: #E0C473, #70DFC2 and #C270DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E0C473 shade: #E0C473, #78DF70, #708EDF and #D870DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E0C473 shade: #E0C473, #70DF8A, #708EDF and #DF70C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 49 / 12

HEX #E0C473

RGB 224 196 115

HSL 44.59, 0.64%, 0.66%

LAB 79.93, -0.48, 44.07

 

Complementary color

CMYK 78 / 58 / 0 / 45

HEX #1F3B8C

RGB 31 59 140

HSL 224.59, 0.64%, 0.34%

LAB 27.61, 20.24, -48.05

 

CMYK 0 / 14 / 52 / 10

HEX #E5C46E

RGB 229 196 110

HSL 43.36, 0.7%, 0.66%

LAB 80.33, 1.12, 47.12

 

CMYK 0 / 13 / 48 / 4

HEX #F6D681

RGB 246 214 129

HSL 43.59, 0.87%, 0.74%

LAB 86.64, 0.39, 45.87

 

CMYK 0 / 9 / 42 / 0

HEX #FFE894

RGB 255 232 148

HSL 47.1, 1%, 0.79%

LAB 92.18, -3.35, 43.64

 

CMYK 0 / 2 / 35 / 0

HEX #FFFAA7

RGB 255 250 167

HSL 56.59, 1%, 0.83%

LAB 96.99, -10.27, 40.46

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFBA

RGB 255 255 186

HSL 60, 1%, 0.86%

LAB 98.56, -10.45, 33.08

 

CMYK 0 / 13 / 49 / 12

HEX #E0C473

RGB 224 196 115

HSL 44.59, 0.64%, 0.66%

LAB 79.93, -0.48, 44.07

 

CMYK 0 / 14 / 54 / 19

HEX #CFB260

RGB 207 178 96

HSL 44.32, 0.54%, 0.59%

LAB 73.51, 0.26, 45.33

 

CMYK 0 / 16 / 59 / 25

HEX #BEA04D

RGB 190 160 77

HSL 44.07, 0.47%, 0.52%

LAB 66.99, 1.14, 46.57

 

CMYK 0 / 18 / 66 / 32

HEX #AD8E3A

RGB 173 142 58

HSL 43.83, 0.5%, 0.45%

LAB 60.37, 2.2, 47.72

 

CMYK 0 / 21 / 75 / 39

HEX #9C7C27

RGB 156 124 39

HSL 43.59, 0.6%, 0.38%

LAB 53.63, 3.49, 48.57

 

CMYK 0 / 13 / 50 / 13

HEX #DFC370

RGB 223 195 112

HSL 44.86, 0.63%, 0.66%

LAB 79.55, -0.64, 45.06

 

CMYK 0 / 26 / 50 / 13

HEX #DFA570

RGB 223 165 112

HSL 28.65, 0.63%, 0.66%

LAB 72.07, 15.23, 35.73

 

CMYK 0 / 39 / 50 / 13

HEX #DF8770

RGB 223 135 112

HSL 12.43, 0.63%, 0.66%

LAB 65.11, 31.29, 26.7

 

CMYK 0 / 50 / 50 / 13

HEX #DF7070

RGB 223 112 112

HSL 0, 0.63%, 0.66%

LAB 60.29, 43.19, 20.25

 

CMYK 0 / 13 / 50 / 13

HEX #DFC370

RGB 223 195 112

HSL 44.86, 0.63%, 0.66%

LAB 79.55, -0.64, 45.06

 

CMYK 0 / 0 / 50 / 13

HEX #DEDF70

RGB 222 223 112

HSL 60.54, 0.63%, 0.66%

LAB 86.74, -15.27, 53.68

 

CMYK 14 / 0 / 50 / 13

HEX #C0DF70

RGB 192 223 112

HSL 76.76, 0.63%, 0.66%

LAB 84.56, -27.02, 50.57

 

CMYK 27 / 0 / 50 / 13

HEX #A2DF70

RGB 162 223 112

HSL 92.97, 0.63%, 0.66%

LAB 82.71, -38.08, 47.9

 

CMYK 41 / 0 / 50 / 13

HEX #84DF70

RGB 132 223 112

HSL 109.19, 0.63%, 0.66%

LAB 81.21, -48.01, 45.72

 

CMYK 0 / 13 / 50 / 13

HEX #DFC370

RGB 223 195 112

HSL 44.86, 0.63%, 0.66%

LAB 79.55, -0.64, 45.06

 

CMYK 0 / 15 / 59 / 7

HEX #EDCA62

RGB 237 202 98

HSL 44.89, 0.79%, 0.66%

LAB 82.45, 0.37, 55.51

 

CMYK 0 / 17 / 67 / 2

HEX #FBD054

RGB 251 208 84

HSL 44.55, 0.95%, 0.66%

LAB 85.13, 2.21, 64.99

 

CMYK 0 / 13 / 50 / 13

HEX #DFC370

RGB 223 195 112

HSL 44.86, 0.63%, 0.66%

LAB 79.55, -0.64, 45.06

 

CMYK 0 / 10 / 40 / 18

HEX #D1BC7E

RGB 209 188 126

HSL 44.82, 0.47%, 0.66%

LAB 76.7, -1.26, 34.08

 

CMYK 0 / 7 / 28 / 24

HEX #C3B58C

RGB 195 181 140

HSL 44.73, 0.31%, 0.66%

LAB 73.9, -1.39, 22.74

 

CMYK 0 / 4 / 15 / 29

HEX #B5AE9A

RGB 181 174 154

HSL 44.44, 0.15%, 0.66%

LAB 71.17, -0.94, 11.16

 

CMYK 1 / 1 / 0 / 34

HEX #A7A7A8

RGB 167 167 168

HSL 240, 0.01%, 0.66%

LAB 68.52, 0.19, -0.52

 

CMYK 0 / 39 / 50 / 13

HEX #DF8770

RGB 223 135 112

HSL 12.43, 0.63%, 0.66%

LAB 65.11, 31.29, 26.7

 

CMYK 0 / 26 / 50 / 13

HEX #DFA470

RGB 223 164 112

HSL 28.11, 0.63%, 0.66%

LAB 71.83, 15.77, 35.42

 

CMYK 0 / 13 / 50 / 13

HEX #DFC270

RGB 223 194 112

HSL 44.32, 0.63%, 0.66%

LAB 79.29, -0.12, 44.75

 

CMYK 0 / 0 / 50 / 13

HEX #DFDF70

RGB 223 223 112

HSL 60, 0.63%, 0.66%

LAB 86.82, -14.87, 53.8

 

CMYK 13 / 0 / 50 / 13

HEX #C2DF70

RGB 194 223 112

HSL 75.68, 0.63%, 0.66%

LAB 84.7, -26.26, 50.76

 

CMYK 0 / 20 / 78 / 18

HEX #D0A62D

RGB 208 166 45

HSL 44.54, 0.64%, 0.5%

LAB 70.09, 4.02, 63.77

 

CMYK 0 / 16 / 64 / 15

HEX #D8B54E

RGB 216 181 78

HSL 44.78, 0.64%, 0.58%

LAB 74.95, 1.16, 55.68

 

CMYK 0 / 13 / 50 / 13

HEX #DFC370

RGB 223 195 112

HSL 44.86, 0.63%, 0.66%

LAB 79.55, -0.64, 45.06

 

CMYK 0 / 10 / 37 / 9

HEX #E7D192

RGB 231 209 146

HSL 44.47, 0.64%, 0.74%

LAB 84.31, -1.22, 34.06

 

CMYK 0 / 6 / 24 / 7

HEX #EEDFB4

RGB 238 223 180

HSL 44.48, 0.63%, 0.82%

LAB 89.04, -1.47, 22.96

 

CMYK 0 / 13 / 49 / 12

HEX #E0C473

RGB 224 196 115

HSL 44.59, 0.64%, 0.66%

LAB 79.93, -0.48, 44.07

 

CMYK 46 / 0 / 50 / 13

HEX #78DF70

RGB 120 223 112

HSL 115.68, 0.63%, 0.66%

LAB 80.7, -51.56, 44.99

 

CMYK 33 / 50 / 0 / 13

HEX #9570DF

RGB 149 112 223

HSL 260, 0.63%, 0.66%

LAB 55.39, 38.35, -51.69

 

CMYK 0 / 13 / 49 / 12

HEX #E0C473

RGB 224 196 115

HSL 44.59, 0.64%, 0.66%

LAB 79.93, -0.48, 44.07

 

CMYK 50 / 0 / 13 / 13

HEX #70DFC2

RGB 112 223 194

HSL 164.32, 0.63%, 0.66%

LAB 81.9, -38.72, 4.47

 

CMYK 13 / 50 / 0 / 13

HEX #C270DF

RGB 194 112 223

HSL 284.32, 0.63%, 0.66%

LAB 60.24, 50.3, -43.69

 

CMYK 0 / 13 / 49 / 12

HEX #E0C473

RGB 224 196 115

HSL 44.59, 0.64%, 0.66%

LAB 79.93, -0.48, 44.07

 

CMYK 46 / 0 / 50 / 13

HEX #78DF70

RGB 120 223 112

HSL 115.68, 0.63%, 0.66%

LAB 80.7, -51.56, 44.99

 

CMYK 50 / 36 / 0 / 13

HEX #708EDF

RGB 112 142 223

HSL 223.78, 0.63%, 0.66%

LAB 60, 11.63, -44.56

 

CMYK 3 / 50 / 0 / 13

HEX #D870DF

RGB 216 112 223

HSL 296.22, 0.63%, 0.66%

LAB 62.94, 56.34, -39.26

 

CMYK 0 / 13 / 49 / 12

HEX #E0C473

RGB 224 196 115

HSL 44.59, 0.64%, 0.66%

LAB 79.93, -0.48, 44.07

 

CMYK 50 / 0 / 38 / 13

HEX #70DF8A

RGB 112 223 138

HSL 134.05, 0.63%, 0.66%

LAB 80.77, -49.88, 32.14

 

CMYK 50 / 36 / 0 / 13

HEX #708EDF

RGB 112 142 223

HSL 223.78, 0.63%, 0.66%

LAB 60, 11.63, -44.56

 

CMYK 0 / 50 / 12 / 13

HEX #DF70C5

RGB 223 112 197

HSL 314.05, 0.63%, 0.66%

LAB 62.77, 53.91, -24.84

 

Description

Color code: HEX #E0C473 | qconv.com Color code: HEX #E0C473 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 196 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 196 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 49 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 49% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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