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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0C571 it is the complementary color #1F3A8E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0C571. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E0C571 shade: #E5C56C, #F6D77F, #FFE992, #FFFBA5 and #FFFFB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0C571. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E0C571 shade: #E0C571, #CFB35E, #BEA14B, #AD8F38 and #9C7D25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E0C571 shade: #DFC470, #DFA670, #DF8870 and #DF7070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E0C571 shade: #DFC470, #DCDF70, #BEDF70, #A0DF70 and #83DF70

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E0C571 shade matches the following richer shades: #DFC470, #EDCC62 and #FBD354

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E0C571 shade: #DFC470, #D1BD7E, #C3B68C, #B5AF9A and #A7A7A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E0C571 shade: #DF8870, #DFA670, #DFC470, #DDDF70 and #C0DF70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E0C571 shade: #D0A82D, #D8B64E, #DFC470, #E7D292 and #EEE0B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E0C571 shade: #E0C571, #76DF70 and #9770DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E0C571 shade: #E0C571, #70DFC4 and #C470DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E0C571 shade: #E0C571, #76DF70, #708CDF and #DA70DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E0C571 shade: #E0C571, #70DF8C, #708CDF and #DF70C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 50 / 12

HEX #E0C571

RGB 224 197 113

HSL 45.41, 0.64%, 0.66%

LAB 80.16, -1.18, 45.34

 

Complementary color

CMYK 78 / 59 / 0 / 44

HEX #1F3A8E

RGB 31 58 142

HSL 225.41, 0.64%, 0.34%

LAB 27.49, 21.73, -49.48

 

CMYK 0 / 14 / 53 / 10

HEX #E5C56C

RGB 229 197 108

HSL 44.13, 0.7%, 0.66%

LAB 80.56, 0.43, 48.37

 

CMYK 0 / 13 / 48 / 4

HEX #F6D77F

RGB 246 215 127

HSL 44.37, 0.87%, 0.73%

LAB 86.86, -0.3, 47.13

 

CMYK 0 / 9 / 43 / 0

HEX #FFE992

RGB 255 233 146

HSL 47.89, 1%, 0.79%

LAB 92.4, -4.06, 44.91

 

CMYK 0 / 2 / 35 / 0

HEX #FFFBA5

RGB 255 251 165

HSL 57.33, 1%, 0.82%

LAB 97.22, -10.99, 41.73

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFB8

RGB 255 255 184

HSL 60, 1%, 0.86%

LAB 98.53, -10.7, 34.03

 

CMYK 0 / 12 / 50 / 12

HEX #E0C571

RGB 224 197 113

HSL 45.41, 0.64%, 0.66%

LAB 80.16, -1.18, 45.34

 

CMYK 0 / 14 / 55 / 19

HEX #CFB35E

RGB 207 179 94

HSL 45.13, 0.54%, 0.59%

LAB 73.75, -0.43, 46.59

 

CMYK 0 / 15 / 61 / 25

HEX #BEA14B

RGB 190 161 75

HSL 44.87, 0.47%, 0.52%

LAB 67.24, 0.46, 47.81

 

CMYK 0 / 17 / 68 / 32

HEX #AD8F38

RGB 173 143 56

HSL 44.62, 0.51%, 0.45%

LAB 60.62, 1.53, 48.9

 

CMYK 0 / 20 / 76 / 39

HEX #9C7D25

RGB 156 125 37

HSL 44.37, 0.62%, 0.38%

LAB 53.89, 2.83, 49.63

 

CMYK 0 / 12 / 50 / 13

HEX #DFC470

RGB 223 196 112

HSL 45.41, 0.63%, 0.66%

LAB 79.81, -1.16, 45.38

 

CMYK 0 / 26 / 50 / 13

HEX #DFA670

RGB 223 166 112

HSL 29.19, 0.63%, 0.66%

LAB 72.32, 14.7, 36.04

 

CMYK 0 / 39 / 50 / 13

HEX #DF8870

RGB 223 136 112

HSL 12.97, 0.63%, 0.66%

LAB 65.33, 30.76, 26.99

 

CMYK 0 / 50 / 50 / 13

HEX #DF7070

RGB 223 112 112

HSL 0, 0.63%, 0.66%

LAB 60.29, 43.19, 20.25

 

CMYK 0 / 12 / 50 / 13

HEX #DFC470

RGB 223 196 112

HSL 45.41, 0.63%, 0.66%

LAB 79.81, -1.16, 45.38

 

CMYK 1 / 0 / 50 / 13

HEX #DCDF70

RGB 220 223 112

HSL 61.62, 0.63%, 0.66%

LAB 86.58, -16.07, 53.46

 

CMYK 15 / 0 / 50 / 13

HEX #BEDF70

RGB 190 223 112

HSL 77.84, 0.63%, 0.66%

LAB 84.43, -27.79, 50.37

 

CMYK 28 / 0 / 50 / 13

HEX #A0DF70

RGB 160 223 112

HSL 94.05, 0.63%, 0.66%

LAB 82.6, -38.78, 47.74

 

CMYK 41 / 0 / 50 / 13

HEX #83DF70

RGB 131 223 112

HSL 109.73, 0.63%, 0.66%

LAB 81.17, -48.31, 45.66

 

CMYK 0 / 12 / 50 / 13

HEX #DFC470

RGB 223 196 112

HSL 45.41, 0.63%, 0.66%

LAB 79.81, -1.16, 45.38

 

CMYK 0 / 14 / 59 / 7

HEX #EDCC62

RGB 237 204 98

HSL 45.76, 0.79%, 0.66%

LAB 82.95, -0.66, 56.09

 

CMYK 0 / 16 / 67 / 2

HEX #FBD354

RGB 251 211 84

HSL 45.63, 0.95%, 0.66%

LAB 85.88, 0.67, 65.77

 

CMYK 0 / 12 / 50 / 13

HEX #DFC470

RGB 223 196 112

HSL 45.41, 0.63%, 0.66%

LAB 79.81, -1.16, 45.38

 

CMYK 0 / 10 / 40 / 18

HEX #D1BD7E

RGB 209 189 126

HSL 45.54, 0.47%, 0.66%

LAB 76.95, -1.78, 34.42

 

CMYK 0 / 7 / 28 / 24

HEX #C3B68C

RGB 195 182 140

HSL 45.82, 0.31%, 0.66%

LAB 74.16, -1.92, 23.09

 

CMYK 0 / 3 / 15 / 29

HEX #B5AF9A

RGB 181 175 154

HSL 46.67, 0.15%, 0.66%

LAB 71.43, -1.48, 11.53

 

CMYK 1 / 1 / 0 / 34

HEX #A7A7A8

RGB 167 167 168

HSL 240, 0.01%, 0.66%

LAB 68.52, 0.19, -0.52

 

CMYK 0 / 39 / 50 / 13

HEX #DF8870

RGB 223 136 112

HSL 12.97, 0.63%, 0.66%

LAB 65.33, 30.76, 26.99

 

CMYK 0 / 26 / 50 / 13

HEX #DFA670

RGB 223 166 112

HSL 29.19, 0.63%, 0.66%

LAB 72.32, 14.7, 36.04

 

CMYK 0 / 12 / 50 / 13

HEX #DFC470

RGB 223 196 112

HSL 45.41, 0.63%, 0.66%

LAB 79.81, -1.16, 45.38

 

CMYK 1 / 0 / 50 / 13

HEX #DDDF70

RGB 221 223 112

HSL 61.08, 0.63%, 0.66%

LAB 86.66, -15.67, 53.57

 

CMYK 14 / 0 / 50 / 13

HEX #C0DF70

RGB 192 223 112

HSL 76.76, 0.63%, 0.66%

LAB 84.56, -27.02, 50.57

 

CMYK 0 / 19 / 78 / 18

HEX #D0A82D

RGB 208 168 45

HSL 45.28, 0.64%, 0.5%

LAB 70.6, 2.95, 64.24

 

CMYK 0 / 16 / 64 / 15

HEX #D8B64E

RGB 216 182 78

HSL 45.22, 0.64%, 0.58%

LAB 75.2, 0.64, 55.96

 

CMYK 0 / 12 / 50 / 13

HEX #DFC470

RGB 223 196 112

HSL 45.41, 0.63%, 0.66%

LAB 79.81, -1.16, 45.38

 

CMYK 0 / 9 / 37 / 9

HEX #E7D292

RGB 231 210 146

HSL 45.18, 0.64%, 0.74%

LAB 84.56, -1.73, 34.4

 

CMYK 0 / 6 / 24 / 7

HEX #EEE0B4

RGB 238 224 180

HSL 45.52, 0.63%, 0.82%

LAB 89.29, -1.98, 23.31

 

CMYK 0 / 12 / 50 / 12

HEX #E0C571

RGB 224 197 113

HSL 45.41, 0.64%, 0.66%

LAB 80.16, -1.18, 45.34

 

CMYK 47 / 0 / 50 / 13

HEX #76DF70

RGB 118 223 112

HSL 116.76, 0.63%, 0.66%

LAB 80.63, -52.12, 44.87

 

CMYK 32 / 50 / 0 / 13

HEX #9770DF

RGB 151 112 223

HSL 261.08, 0.63%, 0.66%

LAB 55.58, 38.86, -51.37

 

CMYK 0 / 12 / 50 / 12

HEX #E0C571

RGB 224 197 113

HSL 45.41, 0.64%, 0.66%

LAB 80.16, -1.18, 45.34

 

CMYK 50 / 0 / 12 / 13

HEX #70DFC4

RGB 112 223 196

HSL 165.41, 0.63%, 0.66%

LAB 81.95, -38.26, 3.49

 

CMYK 12 / 50 / 0 / 13

HEX #C470DF

RGB 196 112 223

HSL 285.41, 0.63%, 0.66%

LAB 60.47, 50.84, -43.3

 

CMYK 0 / 12 / 50 / 12

HEX #E0C571

RGB 224 197 113

HSL 45.41, 0.64%, 0.66%

LAB 80.16, -1.18, 45.34

 

CMYK 47 / 0 / 50 / 13

HEX #76DF70

RGB 118 223 112

HSL 116.76, 0.63%, 0.66%

LAB 80.63, -52.12, 44.87

 

CMYK 50 / 37 / 0 / 13

HEX #708CDF

RGB 112 140 223

HSL 224.86, 0.63%, 0.66%

LAB 59.46, 12.81, -45.4

 

CMYK 2 / 50 / 0 / 13

HEX #DA70DF

RGB 218 112 223

HSL 297.3, 0.63%, 0.66%

LAB 63.2, 56.89, -38.84

 

CMYK 0 / 12 / 50 / 12

HEX #E0C571

RGB 224 197 113

HSL 45.41, 0.64%, 0.66%

LAB 80.16, -1.18, 45.34

 

CMYK 50 / 0 / 37 / 13

HEX #70DF8C

RGB 112 223 140

HSL 135.14, 0.63%, 0.66%

LAB 80.8, -49.54, 31.17

 

CMYK 50 / 37 / 0 / 13

HEX #708CDF

RGB 112 140 223

HSL 224.86, 0.63%, 0.66%

LAB 59.46, 12.81, -45.4

 

CMYK 0 / 50 / 12 / 13

HEX #DF70C4

RGB 223 112 196

HSL 314.59, 0.63%, 0.66%

LAB 62.73, 53.76, -24.33

 

Description

Color code: HEX #E0C571 | qconv.com Color code: HEX #E0C571 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 197 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 197 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 50 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 50% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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