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Color name
HEX #E0C575

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0C575 it is the complementary color #1F3A8A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0C575. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E0C575 shade: #E5C570, #F6D783, #FFE996, #FFFBA9 and #FFFFBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0C575. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E0C575 shade: #E0C575, #CFB362, #BEA14F, #AD8F3C and #9C7D29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E0C575 shade: #DFC575, #DFA875, #DF8B75 and #DF7575

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E0C575 shade: #DFC575, #DEDF75, #C1DF75, #A4DF75 and #88DF75

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E0C575 shade matches the following richer shades: #DFC575, #EDCB68 and #FBD25A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E0C575 shade: #DFC575, #D2BE83, #C4B791, #B7B09E and #A9AAAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E0C575 shade: #DF8B75, #DFA775, #DFC375, #DFDF75 and #C3DF75

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E0C575 shade: #D0A832, #D8B654, #DFC575, #E7D397 and #EFE1B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E0C575 shade: #E0C575, #7CDF75 and #9975DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E0C575 shade: #E0C575, #75DFC3 and #C375DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E0C575 shade: #E0C575, #7CDF75, #7592DF and #D875DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E0C575 shade: #E0C575, #75DF8E, #7592DF and #DF75C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 48 / 12

HEX #E0C575

RGB 224 197 117

HSL 44.86, 0.63%, 0.67%

LAB 80.22, -0.82, 43.42

 

Complementary color

CMYK 78 / 58 / 0 / 46

HEX #1F3A8A

RGB 31 58 138

HSL 224.86, 0.63%, 0.33%

LAB 27.16, 20.14, -47.53

 

CMYK 0 / 14 / 51 / 10

HEX #E5C570

RGB 229 197 112

HSL 43.59, 0.69%, 0.67%

LAB 80.61, 0.77, 46.48

 

CMYK 0 / 13 / 47 / 4

HEX #F6D783

RGB 246 215 131

HSL 43.83, 0.86%, 0.74%

LAB 86.91, 0.07, 45.23

 

CMYK 0 / 9 / 41 / 0

HEX #FFE996

RGB 255 233 150

HSL 47.43, 1%, 0.79%

LAB 92.46, -3.65, 43.01

 

CMYK 0 / 2 / 34 / 0

HEX #FFFBA9

RGB 255 251 169

HSL 57.21, 1%, 0.83%

LAB 97.28, -10.54, 39.84

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBC

RGB 255 255 188

HSL 60, 1%, 0.87%

LAB 98.6, -10.2, 32.12

 

CMYK 0 / 12 / 48 / 12

HEX #E0C575

RGB 224 197 117

HSL 44.86, 0.63%, 0.67%

LAB 80.22, -0.82, 43.42

 

CMYK 0 / 14 / 53 / 19

HEX #CFB362

RGB 207 179 98

HSL 44.59, 0.53%, 0.6%

LAB 73.8, -0.1, 44.68

 

CMYK 0 / 15 / 58 / 25

HEX #BEA14F

RGB 190 161 79

HSL 44.32, 0.46%, 0.53%

LAB 67.28, 0.76, 45.93

 

CMYK 0 / 17 / 65 / 32

HEX #AD8F3C

RGB 173 143 60

HSL 44.07, 0.48%, 0.46%

LAB 60.65, 1.78, 47.1

 

CMYK 0 / 20 / 74 / 39

HEX #9C7D29

RGB 156 125 41

HSL 43.83, 0.58%, 0.39%

LAB 53.92, 3.03, 48.01

 

CMYK 0 / 12 / 48 / 13

HEX #DFC575

RGB 223 197 117

HSL 45.28, 0.62%, 0.67%

LAB 80.13, -1.22, 43.29

 

CMYK 0 / 25 / 48 / 13

HEX #DFA875

RGB 223 168 117

HSL 28.87, 0.62%, 0.67%

LAB 72.88, 14.1, 34.13

 

CMYK 0 / 38 / 48 / 13

HEX #DF8B75

RGB 223 139 117

HSL 12.45, 0.62%, 0.67%

LAB 66.09, 29.64, 25.23

 

CMYK 0 / 48 / 48 / 13

HEX #DF7575

RGB 223 117 117

HSL 0, 0.62%, 0.67%

LAB 61.39, 41.13, 18.89

 

CMYK 0 / 12 / 48 / 13

HEX #DFC575

RGB 223 197 117

HSL 45.28, 0.62%, 0.67%

LAB 80.13, -1.22, 43.29

 

CMYK 0 / 0 / 48 / 13

HEX #DEDF75

RGB 222 223 117

HSL 60.57, 0.62%, 0.67%

LAB 86.8, -14.83, 51.41

 

CMYK 13 / 0 / 48 / 13

HEX #C1DF75

RGB 193 223 117

HSL 76.98, 0.62%, 0.67%

LAB 84.69, -26.14, 48.36

 

CMYK 26 / 0 / 48 / 13

HEX #A4DF75

RGB 164 223 117

HSL 93.4, 0.62%, 0.67%

LAB 82.89, -36.81, 45.75

 

CMYK 39 / 0 / 48 / 13

HEX #88DF75

RGB 136 223 117

HSL 109.25, 0.62%, 0.67%

LAB 81.45, -46.14, 43.66

 

CMYK 0 / 12 / 48 / 13

HEX #DFC575

RGB 223 197 117

HSL 45.28, 0.62%, 0.67%

LAB 80.13, -1.22, 43.29

 

CMYK 0 / 14 / 56 / 7

HEX #EDCB68

RGB 237 203 104

HSL 44.66, 0.79%, 0.67%

LAB 82.76, 0.29, 53.08

 

CMYK 0 / 16 / 64 / 2

HEX #FBD25A

RGB 251 210 90

HSL 44.72, 0.95%, 0.67%

LAB 85.68, 1.53, 63.03

 

CMYK 0 / 12 / 48 / 13

HEX #DFC575

RGB 223 197 117

HSL 45.28, 0.62%, 0.67%

LAB 80.13, -1.22, 43.29

 

CMYK 0 / 10 / 38 / 18

HEX #D2BE83

RGB 210 190 131

HSL 44.81, 0.47%, 0.67%

LAB 77.38, -1.34, 32.39

 

CMYK 0 / 7 / 26 / 23

HEX #C4B791

RGB 196 183 145

HSL 44.71, 0.3%, 0.67%

LAB 74.6, -1.38, 21.03

 

CMYK 0 / 4 / 14 / 28

HEX #B7B09E

RGB 183 176 158

HSL 43.2, 0.15%, 0.67%

LAB 71.95, -0.62, 10.11

 

CMYK 2 / 1 / 0 / 33

HEX #A9AAAC

RGB 169 170 172

HSL 220, 0.02%, 0.67%

LAB 69.59, 0.03, -1.16

 

CMYK 0 / 38 / 48 / 13

HEX #DF8B75

RGB 223 139 117

HSL 12.45, 0.62%, 0.67%

LAB 66.09, 29.64, 25.23

 

CMYK 0 / 25 / 48 / 13

HEX #DFA775

RGB 223 167 117

HSL 28.3, 0.62%, 0.67%

LAB 72.63, 14.63, 33.81

 

CMYK 0 / 13 / 48 / 13

HEX #DFC375

RGB 223 195 117

HSL 44.15, 0.62%, 0.67%

LAB 79.62, -0.18, 42.65

 

CMYK 0 / 0 / 48 / 13

HEX #DFDF75

RGB 223 223 117

HSL 60, 0.62%, 0.67%

LAB 86.87, -14.43, 51.52

 

CMYK 13 / 0 / 48 / 13

HEX #C3DF75

RGB 195 223 117

HSL 75.85, 0.62%, 0.67%

LAB 84.82, -25.37, 48.56

 

CMYK 0 / 19 / 76 / 18

HEX #D0A832

RGB 208 168 50

HSL 44.81, 0.63%, 0.51%

LAB 70.63, 3.14, 62.5

 

CMYK 0 / 16 / 61 / 15

HEX #D8B654

RGB 216 182 84

HSL 44.55, 0.63%, 0.59%

LAB 75.26, 1.03, 53.31

 

CMYK 0 / 12 / 48 / 13

HEX #DFC575

RGB 223 197 117

HSL 45.28, 0.62%, 0.67%

LAB 80.13, -1.22, 43.29

 

CMYK 0 / 9 / 35 / 9

HEX #E7D397

RGB 231 211 151

HSL 45, 0.63%, 0.75%

LAB 84.9, -1.67, 32.27

 

CMYK 0 / 6 / 23 / 6

HEX #EFE1B9

RGB 239 225 185

HSL 44.44, 0.63%, 0.83%

LAB 89.72, -1.43, 21.32

 

CMYK 0 / 12 / 48 / 12

HEX #E0C575

RGB 224 197 117

HSL 44.86, 0.63%, 0.67%

LAB 80.22, -0.82, 43.42

 

CMYK 44 / 0 / 48 / 13

HEX #7CDF75

RGB 124 223 117

HSL 116.04, 0.62%, 0.67%

LAB 80.93, -49.75, 42.89

 

CMYK 31 / 48 / 0 / 13

HEX #9975DF

RGB 153 117 223

HSL 260.38, 0.62%, 0.67%

LAB 56.9, 36.54, -49.25

 

CMYK 0 / 12 / 48 / 12

HEX #E0C575

RGB 224 197 117

HSL 44.86, 0.63%, 0.67%

LAB 80.22, -0.82, 43.42

 

CMYK 48 / 0 / 13 / 13

HEX #75DFC3

RGB 117 223 195

HSL 164.15, 0.62%, 0.67%

LAB 82.11, -37.34, 4.27

 

CMYK 13 / 48 / 0 / 13

HEX #C375DF

RGB 195 117 223

HSL 284.15, 0.62%, 0.67%

LAB 61.35, 47.98, -41.93

 

CMYK 0 / 12 / 48 / 12

HEX #E0C575

RGB 224 197 117

HSL 44.86, 0.63%, 0.67%

LAB 80.22, -0.82, 43.42

 

CMYK 44 / 0 / 48 / 13

HEX #7CDF75

RGB 124 223 117

HSL 116.04, 0.62%, 0.67%

LAB 80.93, -49.75, 42.89

 

CMYK 48 / 35 / 0 / 13

HEX #7592DF

RGB 117 146 223

HSL 223.58, 0.62%, 0.67%

LAB 61.37, 10.46, -42.38

 

CMYK 3 / 48 / 0 / 13

HEX #D875DF

RGB 216 117 223

HSL 296.04, 0.62%, 0.67%

LAB 63.88, 53.88, -37.79

 

CMYK 0 / 12 / 48 / 12

HEX #E0C575

RGB 224 197 117

HSL 44.86, 0.63%, 0.67%

LAB 80.22, -0.82, 43.42

 

CMYK 48 / 0 / 36 / 13

HEX #75DF8E

RGB 117 223 142

HSL 134.15, 0.62%, 0.67%

LAB 81.02, -47.91, 30.47

 

CMYK 48 / 35 / 0 / 13

HEX #7592DF

RGB 117 146 223

HSL 223.58, 0.62%, 0.67%

LAB 61.37, 10.46, -42.38

 

CMYK 0 / 48 / 11 / 13

HEX #DF75C7

RGB 223 117 199

HSL 313.58, 0.62%, 0.67%

LAB 63.78, 51.78, -24.41

 

Description

Color code: HEX #E0C575 | qconv.com Color code: HEX #E0C575 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 197 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 197 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 48 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 48% 12% C M Y K

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Provide designers and agencies with accurate color values.

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