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Color name
HEX #E0C592

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0C592 it is the complementary color #1F3A6D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0C592. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E0C592 shade: #E5C58D, #F6D7A0, #FFE9B3, #FFFBC6 and #FFFFD9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0C592. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E0C592 shade: #E0C592, #CFB37F, #BEA16C, #AD8F59 and #9C7D46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E0C592 shade: #E0C693, #E0B193, #E09C93 and #E09393

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E0C592 shade: #E0C693, #E0DA93, #D1E093, #BDE093 and #A8E093

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E0C592 shade matches the following richer shades: #E0C693, #EBC988 and #F6CC7D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E0C592 shade: #E0C693, #D5C29E, #CABFA9, #BFBBB5 and #B4B8C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E0C592 shade: #E09C93, #E0B193, #E0C593, #E0DA93 and #D2E093

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E0C592 shade: #CEA353, #D7B473, #E0C693, #E9D7B3 and #F2E8D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E0C592 shade: #E0C592, #9FE093 and #A693E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E0C592 shade: #E0C592, #93E0C5 and #C593E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E0C592 shade: #E0C592, #9FE093, #93AEE0 and #D593E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E0C592 shade: #E0C592, #93E09F, #93AEE0 and #E093D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 35 / 12

HEX #E0C592

RGB 224 197 146

HSL 39.23, 0.56%, 0.73%

LAB 80.66, 2.27, 29.11

 

Complementary color

CMYK 72 / 47 / 0 / 57

HEX #1F3A6D

RGB 31 58 109

HSL 219.23, 0.56%, 0.27%

LAB 25.02, 8.5, -32.72

 

CMYK 0 / 14 / 38 / 10

HEX #E5C58D

RGB 229 197 141

HSL 38.18, 0.63%, 0.73%

LAB 81.02, 3.66, 32.28

 

CMYK 0 / 13 / 35 / 4

HEX #F6D7A0

RGB 246 215 160

HSL 38.37, 0.83%, 0.8%

LAB 87.35, 3.12, 31.13

 

CMYK 0 / 9 / 30 / 0

HEX #FFE9B3

RGB 255 233 179

HSL 42.63, 1%, 0.85%

LAB 92.92, -0.35, 29.01

 

CMYK 0 / 2 / 22 / 0

HEX #FFFBC6

RGB 255 251 198

HSL 55.79, 1%, 0.89%

LAB 97.77, -6.89, 25.95

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD9

RGB 255 255 217

HSL 60, 1%, 0.93%

LAB 99.14, -6.17, 18.19

 

CMYK 0 / 12 / 35 / 12

HEX #E0C592

RGB 224 197 146

HSL 39.23, 0.56%, 0.73%

LAB 80.66, 2.27, 29.11

 

CMYK 0 / 14 / 39 / 19

HEX #CFB37F

RGB 207 179 127

HSL 39, 0.45%, 0.65%

LAB 74.21, 2.81, 30.28

 

CMYK 0 / 15 / 43 / 25

HEX #BEA16C

RGB 190 161 108

HSL 38.78, 0.39%, 0.58%

LAB 67.67, 3.42, 31.52

 

CMYK 0 / 17 / 49 / 32

HEX #AD8F59

RGB 173 143 89

HSL 38.57, 0.34%, 0.51%

LAB 61, 4.16, 32.85

 

CMYK 0 / 20 / 55 / 39

HEX #9C7D46

RGB 156 125 70

HSL 38.37, 0.38%, 0.44%

LAB 54.21, 5.04, 34.24

 

CMYK 0 / 12 / 34 / 12

HEX #E0C693

RGB 224 198 147

HSL 39.74, 0.55%, 0.73%

LAB 80.93, 1.87, 28.95

 

CMYK 0 / 21 / 34 / 12

HEX #E0B193

RGB 224 177 147

HSL 23.38, 0.55%, 0.73%

LAB 75.7, 12.98, 21.87

 

CMYK 0 / 30 / 34 / 12

HEX #E09C93

RGB 224 156 147

HSL 7.01, 0.55%, 0.73%

LAB 70.68, 24.24, 14.93

 

CMYK 0 / 34 / 34 / 12

HEX #E09393

RGB 224 147 147

HSL 0, 0.55%, 0.73%

LAB 68.62, 29.06, 12.03

 

CMYK 0 / 12 / 34 / 12

HEX #E0C693

RGB 224 198 147

HSL 39.74, 0.55%, 0.73%

LAB 80.93, 1.87, 28.95

 

CMYK 0 / 3 / 34 / 12

HEX #E0DA93

RGB 224 218 147

HSL 55.32, 0.55%, 0.73%

LAB 86.05, -8.42, 35.73

 

CMYK 7 / 0 / 34 / 12

HEX #D1E093

RGB 209 224 147

HSL 71.69, 0.55%, 0.73%

LAB 86.49, -17.14, 36.08

 

CMYK 16 / 0 / 34 / 12

HEX #BDE093

RGB 189 224 147

HSL 87.27, 0.55%, 0.73%

LAB 85.12, -24.54, 34.02

 

CMYK 25 / 0 / 34 / 12

HEX #A8E093

RGB 168 224 147

HSL 103.64, 0.55%, 0.73%

LAB 83.83, -31.94, 32.09

 

CMYK 0 / 12 / 34 / 12

HEX #E0C693

RGB 224 198 147

HSL 39.74, 0.55%, 0.73%

LAB 80.93, 1.87, 28.95

 

CMYK 0 / 14 / 42 / 8

HEX #EBC988

RGB 235 201 136

HSL 39.39, 0.71%, 0.73%

LAB 82.49, 3.4, 36.89

 

CMYK 0 / 17 / 49 / 4

HEX #F6CC7D

RGB 246 204 125

HSL 39.17, 0.87%, 0.73%

LAB 84.1, 5.17, 44.7

 

CMYK 0 / 12 / 34 / 12

HEX #E0C693

RGB 224 198 147

HSL 39.74, 0.55%, 0.73%

LAB 80.93, 1.87, 28.95

 

CMYK 0 / 9 / 26 / 16

HEX #D5C29E

RGB 213 194 158

HSL 39.27, 0.4%, 0.73%

LAB 79.16, 1.14, 20.57

 

CMYK 0 / 5 / 16 / 21

HEX #CABFA9

RGB 202 191 169

HSL 40, 0.24%, 0.73%

LAB 77.69, 0.2, 12.49

 

CMYK 0 / 2 / 5 / 25

HEX #BFBBB5

RGB 191 187 181

HSL 36, 0.07%, 0.73%

LAB 76.04, 0.33, 3.52

 

CMYK 6 / 4 / 0 / 25

HEX #B4B8C0

RGB 180 184 192

HSL 220, 0.09%, 0.73%

LAB 74.69, 0.16, -4.54

 

CMYK 0 / 30 / 34 / 12

HEX #E09C93

RGB 224 156 147

HSL 7.01, 0.55%, 0.73%

LAB 70.68, 24.24, 14.93

 

CMYK 0 / 21 / 34 / 12

HEX #E0B193

RGB 224 177 147

HSL 23.38, 0.55%, 0.73%

LAB 75.7, 12.98, 21.87

 

CMYK 0 / 12 / 34 / 12

HEX #E0C593

RGB 224 197 147

HSL 38.96, 0.55%, 0.73%

LAB 80.68, 2.39, 28.61

 

CMYK 0 / 3 / 34 / 12

HEX #E0DA93

RGB 224 218 147

HSL 55.32, 0.55%, 0.73%

LAB 86.05, -8.42, 35.73

 

CMYK 6 / 0 / 34 / 12

HEX #D2E093

RGB 210 224 147

HSL 70.91, 0.55%, 0.73%

LAB 86.56, -16.77, 36.19

 

CMYK 0 / 21 / 60 / 19

HEX #CEA353

RGB 206 163 83

HSL 39.02, 0.56%, 0.57%

LAB 69.43, 6.82, 46.88

 

CMYK 0 / 16 / 47 / 16

HEX #D7B473

RGB 215 180 115

HSL 39, 0.56%, 0.65%

LAB 75.03, 4.24, 37.76

 

CMYK 0 / 12 / 34 / 12

HEX #E0C693

RGB 224 198 147

HSL 39.74, 0.55%, 0.73%

LAB 80.93, 1.87, 28.95

 

CMYK 0 / 8 / 23 / 9

HEX #E9D7B3

RGB 233 215 179

HSL 40, 0.55%, 0.81%

LAB 86.59, 0.65, 20.03

 

CMYK 0 / 4 / 13 / 5

HEX #F2E8D3

RGB 242 232 211

HSL 40.65, 0.54%, 0.89%

LAB 92.26, -0.07, 11.41

 

CMYK 0 / 12 / 35 / 12

HEX #E0C592

RGB 224 197 146

HSL 39.23, 0.56%, 0.73%

LAB 80.66, 2.27, 29.11

 

CMYK 29 / 0 / 34 / 12

HEX #9FE093

RGB 159 224 147

HSL 110.65, 0.55%, 0.73%

LAB 83.33, -34.96, 31.34

 

CMYK 26 / 34 / 0 / 12

HEX #A693E0

RGB 166 147 224

HSL 254.81, 0.55%, 0.73%

LAB 65.24, 23.29, -36.6

 

CMYK 0 / 12 / 35 / 12

HEX #E0C592

RGB 224 197 146

HSL 39.23, 0.56%, 0.73%

LAB 80.66, 2.27, 29.11

 

CMYK 34 / 0 / 12 / 12

HEX #93E0C5

RGB 147 224 197

HSL 158.96, 0.55%, 0.73%

LAB 83.73, -29.58, 5.71

 

CMYK 12 / 34 / 0 / 12

HEX #C593E0

RGB 197 147 224

HSL 278.96, 0.55%, 0.73%

LAB 68.11, 32.61, -31.93

 

CMYK 0 / 12 / 35 / 12

HEX #E0C592

RGB 224 197 146

HSL 39.23, 0.56%, 0.73%

LAB 80.66, 2.27, 29.11

 

CMYK 29 / 0 / 34 / 12

HEX #9FE093

RGB 159 224 147

HSL 110.65, 0.55%, 0.73%

LAB 83.33, -34.96, 31.34

 

CMYK 34 / 22 / 0 / 12

HEX #93AEE0

RGB 147 174 224

HSL 218.96, 0.55%, 0.73%

LAB 70.77, 2.61, -28.16

 

CMYK 5 / 34 / 0 / 12

HEX #D593E0

RGB 213 147 224

HSL 291.43, 0.55%, 0.73%

LAB 69.75, 37.56, -29.26

 

CMYK 0 / 12 / 35 / 12

HEX #E0C592

RGB 224 197 146

HSL 39.23, 0.56%, 0.73%

LAB 80.66, 2.27, 29.11

 

CMYK 34 / 0 / 29 / 12

HEX #93E09F

RGB 147 224 159

HSL 129.35, 0.55%, 0.73%

LAB 82.92, -36.85, 24.5

 

CMYK 34 / 22 / 0 / 12

HEX #93AEE0

RGB 147 174 224

HSL 218.96, 0.55%, 0.73%

LAB 70.77, 2.61, -28.16

 

CMYK 0 / 34 / 5 / 12

HEX #E093D5

RGB 224 147 213

HSL 308.57, 0.55%, 0.73%

LAB 70.54, 39.01, -21.89

 

Description

Color code: HEX #E0C592 | qconv.com Color code: HEX #E0C592 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 197 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 197 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 35 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 35% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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