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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0C64C it is the complementary color #1F39B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0C64C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E0C64C shade: #E5C647, #F6D85A, #FFEA6D, #FFFC80 and #FFFF93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0C64C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E0C64C shade: #E0C64C, #CFB439, #BEA226, #AD9013 and #9C7E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E0C64C shade: #DFC54D, #DF9E4D, #DF764D, #DF4F4D and #DF4D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E0C64C shade: #DFC54D, #D1DF4D, #AADF4D, #82DF4D and #5BDF4D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E0C64C shade matches the following richer shades: #DFC54D and #F0D03C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E0C64C shade: #DFC54D, #CEBA5E, #BDAF6F, #ACA580 and #9B9A90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E0C64C shade: #DF764D, #DF9D4D, #DFC44D, #D3DF4D and #ACDF4D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E0C64C shade: #B99E20, #D9BA2A, #DFC54D, #E5D170 and #ECDC93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E0C64C shade: #E0C64C, #4DDF4F and #8A4DDF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E0C64C shade: #E0C64C, #4DDFC4 and #C44DDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E0C64C shade: #E0C64C, #4DDF4F, #4D68DF and #DF4DDD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E0C64C shade: #E0C64C, #4DDF7B, #4D68DF and #DF4DB1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 66 / 12

HEX #E0C64C

RGB 224 198 76

HSL 49.46, 0.7%, 0.59%

LAB 80.04, -4.41, 62.21

 

Complementary color

CMYK 83 / 68 / 0 / 30

HEX #1F39B3

RGB 31 57 179

HSL 229.46, 0.7%, 0.41%

LAB 30.57, 36.58, -66.84

 

CMYK 0 / 14 / 69 / 10

HEX #E5C647

RGB 229 198 71

HSL 48.23, 0.75%, 0.59%

LAB 80.46, -2.57, 64.81

 

CMYK 0 / 12 / 63 / 4

HEX #F6D85A

RGB 246 216 90

HSL 48.46, 0.9%, 0.66%

LAB 86.72, -3.6, 64.02

 

CMYK 0 / 8 / 57 / 0

HEX #FFEA6D

RGB 255 234 109

HSL 51.37, 1%, 0.71%

LAB 92.22, -7.71, 62.08

 

CMYK 0 / 1 / 50 / 0

HEX #FFFC80

RGB 255 252 128

HSL 58.58, 1%, 0.75%

LAB 97, -15.09, 59.07

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF93

RGB 255 255 147

HSL 60, 1%, 0.79%

LAB 97.99, -14.83, 51.43

 

CMYK 0 / 12 / 66 / 12

HEX #E0C64C

RGB 224 198 76

HSL 49.46, 0.7%, 0.59%

LAB 80.04, -4.41, 62.21

 

CMYK 0 / 13 / 72 / 19

HEX #CFB439

RGB 207 180 57

HSL 49.2, 0.61%, 0.52%

LAB 73.68, -3.32, 62.8

 

CMYK 0 / 15 / 80 / 25

HEX #BEA226

RGB 190 162 38

HSL 48.95, 0.67%, 0.45%

LAB 67.22, -2.03, 62.83

 

CMYK 0 / 17 / 89 / 32

HEX #AD9013

RGB 173 144 19

HSL 48.7, 0.8%, 0.38%

LAB 60.67, -0.49, 61.79

 

CMYK 0 / 19 / 100 / 39

HEX #9C7E00

RGB 156 126 0

HSL 48.46, 1%, 0.31%

LAB 54.02, 1.3, 59.46

 

CMYK 0 / 12 / 65 / 13

HEX #DFC54D

RGB 223 197 77

HSL 49.32, 0.7%, 0.59%

LAB 79.7, -4.26, 61.41

 

CMYK 0 / 29 / 65 / 13

HEX #DF9E4D

RGB 223 158 77

HSL 33.29, 0.7%, 0.59%

LAB 69.95, 16.31, 50.85

 

CMYK 0 / 47 / 65 / 13

HEX #DF764D

RGB 223 118 77

HSL 16.85, 0.7%, 0.59%

LAB 60.94, 37.51, 40.54

 

CMYK 0 / 65 / 65 / 13

HEX #DF4F4D

RGB 223 79 77

HSL 0.82, 0.7%, 0.59%

LAB 53.83, 55.9, 31.97

 

CMYK 0 / 65 / 65 / 13

HEX #DF4D4D

RGB 223 77 77

HSL 0, 0.7%, 0.59%

LAB 53.53, 56.73, 31.6

 

CMYK 0 / 12 / 65 / 13

HEX #DFC54D

RGB 223 197 77

HSL 49.32, 0.7%, 0.59%

LAB 79.7, -4.26, 61.41

 

CMYK 6 / 0 / 65 / 13

HEX #D1DF4D

RGB 209 223 77

HSL 65.75, 0.7%, 0.59%

LAB 85.44, -23.05, 67.03

 

CMYK 24 / 0 / 65 / 13

HEX #AADF4D

RGB 170 223 77

HSL 81.78, 0.7%, 0.59%

LAB 82.84, -38.34, 63.51

 

CMYK 42 / 0 / 65 / 13

HEX #82DF4D

RGB 130 223 77

HSL 98.22, 0.7%, 0.59%

LAB 80.77, -52.25, 60.69

 

CMYK 59 / 0 / 65 / 13

HEX #5BDF4D

RGB 91 223 77

HSL 114.25, 0.7%, 0.59%

LAB 79.35, -63, 58.74

 

CMYK 0 / 12 / 65 / 13

HEX #DFC54D

RGB 223 197 77

HSL 49.32, 0.7%, 0.59%

LAB 79.7, -4.26, 61.41

 

CMYK 0 / 13 / 75 / 6

HEX #F0D03C

RGB 240 208 60

HSL 49.33, 0.86%, 0.59%

LAB 83.95, -3.54, 72.6

 

CMYK 0 / 12 / 65 / 13

HEX #DFC54D

RGB 223 197 77

HSL 49.32, 0.7%, 0.59%

LAB 79.7, -4.26, 61.41

 

CMYK 0 / 10 / 54 / 19

HEX #CEBA5E

RGB 206 186 94

HSL 49.29, 0.53%, 0.59%

LAB 75.48, -4.52, 48.61

 

CMYK 0 / 7 / 41 / 26

HEX #BDAF6F

RGB 189 175 111

HSL 49.23, 0.37%, 0.59%

LAB 71.3, -4.16, 34.6

 

CMYK 0 / 4 / 26 / 33

HEX #ACA580

RGB 172 165 128

HSL 50.45, 0.21%, 0.59%

LAB 67.46, -3.52, 20.13

 

CMYK 0 / 1 / 7 / 39

HEX #9B9A90

RGB 155 154 144

HSL 54.55, 0.05%, 0.59%

LAB 63.42, -1.49, 5.37

 

CMYK 0 / 47 / 65 / 13

HEX #DF764D

RGB 223 118 77

HSL 16.85, 0.7%, 0.59%

LAB 60.94, 37.51, 40.54

 

CMYK 0 / 30 / 65 / 13

HEX #DF9D4D

RGB 223 157 77

HSL 32.88, 0.7%, 0.59%

LAB 69.71, 16.85, 50.58

 

CMYK 0 / 12 / 65 / 13

HEX #DFC44D

RGB 223 196 77

HSL 48.9, 0.7%, 0.59%

LAB 79.44, -3.75, 61.13

 

CMYK 5 / 0 / 65 / 13

HEX #D3DF4D

RGB 211 223 77

HSL 64.93, 0.7%, 0.59%

LAB 85.58, -22.24, 67.23

 

CMYK 23 / 0 / 65 / 13

HEX #ACDF4D

RGB 172 223 77

HSL 80.96, 0.7%, 0.59%

LAB 82.96, -37.59, 63.67

 

CMYK 0 / 15 / 83 / 27

HEX #B99E20

RGB 185 158 32

HSL 49.41, 0.71%, 0.43%

LAB 65.65, -2.32, 63.07

 

CMYK 0 / 14 / 81 / 15

HEX #D9BA2A

RGB 217 186 42

HSL 49.37, 0.7%, 0.51%

LAB 76.09, -2.71, 70.41

 

CMYK 0 / 12 / 65 / 13

HEX #DFC54D

RGB 223 197 77

HSL 49.32, 0.7%, 0.59%

LAB 79.7, -4.26, 61.41

 

CMYK 0 / 9 / 51 / 10

HEX #E5D170

RGB 229 209 112

HSL 49.74, 0.69%, 0.67%

LAB 83.67, -5.41, 50.17

 

CMYK 0 / 7 / 38 / 7

HEX #ECDC93

RGB 236 220 147

HSL 49.21, 0.7%, 0.75%

LAB 87.55, -4.79, 37.86

 

CMYK 0 / 12 / 66 / 12

HEX #E0C64C

RGB 224 198 76

HSL 49.46, 0.7%, 0.59%

LAB 80.04, -4.41, 62.21

 

CMYK 65 / 0 / 65 / 13

HEX #4DDF4F

RGB 77 223 79

HSL 120.82, 0.7%, 0.59%

LAB 78.99, -65.8, 57.43

 

CMYK 38 / 65 / 0 / 13

HEX #8A4DDF

RGB 138 77 223

HSL 265.07, 0.7%, 0.59%

LAB 47.03, 54.79, -65.18

 

CMYK 0 / 12 / 66 / 12

HEX #E0C64C

RGB 224 198 76

HSL 49.46, 0.7%, 0.59%

LAB 80.04, -4.41, 62.21

 

CMYK 65 / 0 / 12 / 13

HEX #4DDFC4

RGB 77 223 196

HSL 168.9, 0.7%, 0.59%

LAB 80.93, -44.94, 1.87

 

CMYK 12 / 65 / 0 / 13

HEX #C44DDF

RGB 196 77 223

HSL 288.9, 0.7%, 0.59%

LAB 54.42, 67.18, -52.9

 

CMYK 0 / 12 / 66 / 12

HEX #E0C64C

RGB 224 198 76

HSL 49.46, 0.7%, 0.59%

LAB 80.04, -4.41, 62.21

 

CMYK 65 / 0 / 65 / 13

HEX #4DDF4F

RGB 77 223 79

HSL 120.82, 0.7%, 0.59%

LAB 78.99, -65.8, 57.43

 

CMYK 65 / 53 / 0 / 13

HEX #4D68DF

RGB 77 104 223

HSL 228.9, 0.7%, 0.59%

LAB 48.01, 27.92, -63.82

 

CMYK 0 / 65 / 1 / 13

HEX #DF4DDD

RGB 223 77 221

HSL 300.82, 0.7%, 0.59%

LAB 58.24, 72.94, -45.46

 

CMYK 0 / 12 / 66 / 12

HEX #E0C64C

RGB 224 198 76

HSL 49.46, 0.7%, 0.59%

LAB 80.04, -4.41, 62.21

 

CMYK 65 / 0 / 45 / 13

HEX #4DDF7B

RGB 77 223 123

HSL 138.9, 0.7%, 0.59%

LAB 79.49, -60.09, 37.81

 

CMYK 65 / 53 / 0 / 13

HEX #4D68DF

RGB 77 104 223

HSL 228.9, 0.7%, 0.59%

LAB 48.01, 27.92, -63.82

 

CMYK 0 / 65 / 21 / 13

HEX #DF4DB1

RGB 223 77 177

HSL 318.9, 0.7%, 0.59%

LAB 56.26, 66.4, -23.39

 

Description

Color code: HEX #E0C64C | qconv.com Color code: HEX #E0C64C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 198 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 198 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 66 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 66% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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