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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0C379 it is the complementary color #1F3C86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0C379. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E0C379 shade: #E5C374, #F6D587, #FFE79A, #FFF9AD and #FFFFC0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0C379. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E0C379 shade: #E0C379, #CFB166, #BE9F53, #AD8D40 and #9C7B2D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E0C379 shade: #DFC37A, #DFA87A, #DF8C7A and #DF7A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E0C379 shade: #DFC37A, #DFDE7A, #C5DF7A, #AADF7A and #8FDF7A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E0C379 shade matches the following richer shades: #DFC37A, #EDC96D and #FACF60

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E0C379 shade: #DFC37A, #D2BD88, #C5B795, #B8B2A2 and #ABACAF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E0C379 shade: #DF8D7A, #DFA87A, #DFC37A, #DFDE7A and #C6DF7A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E0C379 shade: #D0A537, #D8B459, #DFC37A, #E7D29C and #EFE1BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E0C379 shade: #E0C379, #83DF7A and #9A7ADF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E0C379 shade: #E0C379, #7ADFC3 and #C37ADF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E0C379 shade: #E0C379, #83DF7A, #7A97DF and #D77ADF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E0C379 shade: #E0C379, #7ADF90, #7A97DF and #DF7ACA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 46 / 12

HEX #E0C379

RGB 224 195 121

HSL 43.11, 0.62%, 0.68%

LAB 79.76, 0.6, 40.84

 

Complementary color

CMYK 77 / 55 / 0 / 47

HEX #1F3C86

RGB 31 60 134

HSL 223.11, 0.62%, 0.32%

LAB 27.42, 17.15, -44.64

 

CMYK 0 / 15 / 49 / 10

HEX #E5C374

RGB 229 195 116

HSL 41.95, 0.68%, 0.68%

LAB 80.15, 2.16, 43.94

 

CMYK 0 / 13 / 45 / 4

HEX #F6D587

RGB 246 213 135

HSL 42.16, 0.86%, 0.75%

LAB 86.47, 1.47, 42.68

 

CMYK 0 / 9 / 40 / 0

HEX #FFE79A

RGB 255 231 154

HSL 45.74, 1%, 0.8%

LAB 92.02, -2.23, 40.45

 

CMYK 0 / 2 / 32 / 0

HEX #FFF9AD

RGB 255 249 173

HSL 55.61, 1%, 0.84%

LAB 96.83, -9.09, 37.27

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFC0

RGB 255 255 192

HSL 60, 1%, 0.88%

LAB 98.66, -9.68, 30.2

 

CMYK 0 / 13 / 46 / 12

HEX #E0C379

RGB 224 195 121

HSL 43.11, 0.62%, 0.68%

LAB 79.76, 0.6, 40.84

 

CMYK 0 / 14 / 51 / 19

HEX #CFB166

RGB 207 177 102

HSL 42.86, 0.52%, 0.61%

LAB 73.33, 1.31, 42.11

 

CMYK 0 / 16 / 56 / 25

HEX #BE9F53

RGB 190 159 83

HSL 42.62, 0.45%, 0.54%

LAB 66.8, 2.15, 43.4

 

CMYK 0 / 18 / 63 / 32

HEX #AD8D40

RGB 173 141 64

HSL 42.39, 0.46%, 0.46%

LAB 60.16, 3.15, 44.67

 

CMYK 0 / 21 / 71 / 39

HEX #9C7B2D

RGB 156 123 45

HSL 42.16, 0.55%, 0.39%

LAB 53.41, 4.37, 45.75

 

CMYK 0 / 13 / 45 / 13

HEX #DFC37A

RGB 223 195 122

HSL 43.37, 0.61%, 0.68%

LAB 79.68, 0.3, 40.22

 

CMYK 0 / 25 / 45 / 13

HEX #DFA87A

RGB 223 168 122

HSL 27.33, 0.61%, 0.68%

LAB 72.96, 14.59, 31.58

 

CMYK 0 / 37 / 45 / 13

HEX #DF8C7A

RGB 223 140 122

HSL 10.69, 0.61%, 0.68%

LAB 66.4, 29.6, 22.88

 

CMYK 0 / 45 / 45 / 13

HEX #DF7A7A

RGB 223 122 122

HSL 0, 0.61%, 0.68%

LAB 62.52, 39.06, 17.59

 

CMYK 0 / 13 / 45 / 13

HEX #DFC37A

RGB 223 195 122

HSL 43.37, 0.61%, 0.68%

LAB 79.68, 0.3, 40.22

 

CMYK 0 / 0 / 45 / 13

HEX #DFDE7A

RGB 223 222 122

HSL 59.41, 0.61%, 0.68%

LAB 86.67, -13.47, 48.89

 

CMYK 12 / 0 / 45 / 13

HEX #C5DF7A

RGB 197 223 122

HSL 75.45, 0.61%, 0.68%

LAB 85.02, -24.09, 46.43

 

CMYK 24 / 0 / 45 / 13

HEX #AADF7A

RGB 170 223 122

HSL 91.49, 0.61%, 0.68%

LAB 83.3, -34.09, 43.91

 

CMYK 36 / 0 / 45 / 13

HEX #8FDF7A

RGB 143 223 122

HSL 107.52, 0.61%, 0.68%

LAB 81.85, -43.27, 41.79

 

CMYK 0 / 13 / 45 / 13

HEX #DFC37A

RGB 223 195 122

HSL 43.37, 0.61%, 0.68%

LAB 79.68, 0.3, 40.22

 

CMYK 0 / 15 / 54 / 7

HEX #EDC96D

RGB 237 201 109

HSL 43.13, 0.78%, 0.68%

LAB 82.32, 1.72, 50.17

 

CMYK 0 / 17 / 62 / 2

HEX #FACF60

RGB 250 207 96

HSL 43.25, 0.94%, 0.68%

LAB 84.89, 3.02, 59.51

 

CMYK 0 / 13 / 45 / 13

HEX #DFC37A

RGB 223 195 122

HSL 43.37, 0.61%, 0.68%

LAB 79.68, 0.3, 40.22

 

CMYK 0 / 10 / 35 / 18

HEX #D2BD88

RGB 210 189 136

HSL 42.97, 0.45%, 0.68%

LAB 77.21, -0.23, 29.54

 

CMYK 0 / 7 / 24 / 23

HEX #C5B795

RGB 197 183 149

HSL 42.5, 0.29%, 0.68%

LAB 74.77, -0.43, 19.11

 

CMYK 0 / 3 / 12 / 28

HEX #B8B2A2

RGB 184 178 162

HSL 43.64, 0.13%, 0.68%

LAB 72.65, -0.66, 8.93

HEX #B8B2A2

CMYK 2 / 2 / 0 / 31

HEX #ABACAF

RGB 171 172 175

HSL 225, 0.02%, 0.68%

LAB 70.36, 0.22, -1.67

HEX #ABACAF

CMYK 0 / 37 / 45 / 13

HEX #DF8D7A

RGB 223 141 122

HSL 11.29, 0.61%, 0.68%

LAB 66.63, 29.07, 23.18

 

CMYK 0 / 25 / 45 / 13

HEX #DFA87A

RGB 223 168 122

HSL 27.33, 0.61%, 0.68%

LAB 72.96, 14.59, 31.58

 

CMYK 0 / 13 / 45 / 13

HEX #DFC37A

RGB 223 195 122

HSL 43.37, 0.61%, 0.68%

LAB 79.68, 0.3, 40.22

 

CMYK 0 / 0 / 45 / 13

HEX #DFDE7A

RGB 223 222 122

HSL 59.41, 0.61%, 0.68%

LAB 86.67, -13.47, 48.89

 

CMYK 11 / 0 / 45 / 13

HEX #C6DF7A

RGB 198 223 122

HSL 74.85, 0.61%, 0.68%

LAB 85.09, -23.71, 46.53

 

CMYK 0 / 21 / 74 / 18

HEX #D0A537

RGB 208 165 55

HSL 43.14, 0.62%, 0.52%

LAB 69.89, 4.96, 59.9

 

CMYK 0 / 17 / 59 / 15

HEX #D8B459

RGB 216 180 89

HSL 42.99, 0.62%, 0.6%

LAB 74.8, 2.44, 50.44

 

CMYK 0 / 13 / 45 / 13

HEX #DFC37A

RGB 223 195 122

HSL 43.37, 0.61%, 0.68%

LAB 79.68, 0.3, 40.22

 

CMYK 0 / 9 / 32 / 9

HEX #E7D29C

RGB 231 210 156

HSL 43.2, 0.61%, 0.76%

LAB 84.73, -0.55, 29.46

 

CMYK 0 / 6 / 21 / 6

HEX #EFE1BD

RGB 239 225 189

HSL 43.2, 0.61%, 0.84%

LAB 89.8, -0.87, 19.35

 

CMYK 0 / 13 / 46 / 12

HEX #E0C379

RGB 224 195 121

HSL 43.11, 0.62%, 0.68%

LAB 79.76, 0.6, 40.84

 

CMYK 41 / 0 / 45 / 13

HEX #83DF7A

RGB 131 223 122

HSL 114.65, 0.61%, 0.68%

LAB 81.29, -47, 40.97

 

CMYK 31 / 45 / 0 / 13

HEX #9A7ADF

RGB 154 122 223

HSL 259.01, 0.61%, 0.68%

LAB 58.15, 33.95, -47.27

 

CMYK 0 / 13 / 46 / 12

HEX #E0C379

RGB 224 195 121

HSL 43.11, 0.62%, 0.68%

LAB 79.76, 0.6, 40.84

 

CMYK 45 / 0 / 13 / 13

HEX #7ADFC3

RGB 122 223 195

HSL 163.37, 0.61%, 0.68%

LAB 82.3, -36.14, 4.57

 

CMYK 13 / 45 / 0 / 13

HEX #C37ADF

RGB 195 122 223

HSL 283.37, 0.61%, 0.68%

LAB 62.38, 45.35, -40.32

 

CMYK 0 / 13 / 46 / 12

HEX #E0C379

RGB 224 195 121

HSL 43.11, 0.62%, 0.68%

LAB 79.76, 0.6, 40.84

 

CMYK 41 / 0 / 45 / 13

HEX #83DF7A

RGB 131 223 122

HSL 114.65, 0.61%, 0.68%

LAB 81.29, -47, 40.97

 

CMYK 45 / 32 / 0 / 13

HEX #7A97DF

RGB 122 151 223

HSL 222.77, 0.61%, 0.68%

LAB 63.01, 8.76, -39.78

 

CMYK 4 / 45 / 0 / 13

HEX #D77ADF

RGB 215 122 223

HSL 295.25, 0.61%, 0.68%

LAB 64.72, 51.08, -36.49

 

CMYK 0 / 13 / 46 / 12

HEX #E0C379

RGB 224 195 121

HSL 43.11, 0.62%, 0.68%

LAB 79.76, 0.6, 40.84

 

CMYK 45 / 0 / 35 / 13

HEX #7ADF90

RGB 122 223 144

HSL 133.07, 0.61%, 0.68%

LAB 81.25, -46.22, 29.79

 

CMYK 45 / 32 / 0 / 13

HEX #7A97DF

RGB 122 151 223

HSL 222.77, 0.61%, 0.68%

LAB 63.01, 8.76, -39.78

 

CMYK 0 / 45 / 9 / 13

HEX #DF7ACA

RGB 223 122 202

HSL 312.48, 0.61%, 0.68%

LAB 64.86, 49.78, -24.45

 

Description

Color code: HEX #E0C379 | qconv.com Color code: HEX #E0C379 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 195 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 195 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 46 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 46% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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