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Color name
HEX #E0CDC1

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0CDC1 it is the complementary color #1F323E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0CDC1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E0CDC1 shade: #E5CDBC, #F6DFCF, #FFF1E2 and #FFFFF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0CDC1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E0CDC1 shade: #E0CDC1, #CFBBAE, #BEA99B, #AD9788 and #9C8575

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E0CDC1 shade: #E0CDC1, #E0C5C1 and #E0C1C1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E0CDC1 shade: #E0CDC1, #E0D5C1, #E0DEC1, #DAE0C1 and #D2E0C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E0CDC1 shade matches the following richer shades: #E0CDC1, #E7CCBA, #EFCAB3, #F6C8AB and #FDC6A4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E0CDC1 shade: #E0CDC1, #D8CFC9, #D1D1D0, #C9D2D8 and #C2D4DF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E0CDC1 shade: #E0C1C6, #E0C5C1, #E0CDC1, #E0D5C1 and #E0DDC1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E0CDC1 shade: #C4A18B, #D2B7A6, #E0CDC1, #EEE3DD and #FBFAF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E0CDC1 shade: #E0CDC1, #CEE0C1 and #C1C2E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E0CDC1 shade: #E0CDC1, #C1E0CD and #CDC1E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E0CDC1 shade: #E0CDC1, #CEE0C1, #C1D4E0 and #D3C1E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E0CDC1 shade: #E0CDC1, #C5E0C1, #C1D4E0 and #DCC1E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 14 / 12

HEX #E0CDC1

RGB 224 205 193

HSL 23.23, 0.33%, 0.82%

LAB 83.63, 4.65, 8.36

 

Complementary color

CMYK 50 / 19 / 0 / 76

HEX #1F323E

RGB 31 50 62

HSL 203.23, 0.33%, 0.18%

LAB 19.72, -3.8, -9.96

 

CMYK 0 / 10 / 18 / 10

HEX #E5CDBC

RGB 229 205 188

HSL 24.88, 0.44%, 0.82%

LAB 83.94, 5.68, 11.51

 

CMYK 0 / 9 / 16 / 4

HEX #F6DFCF

RGB 246 223 207

HSL 24.62, 0.68%, 0.89%

LAB 90.26, 5.35, 10.7

 

CMYK 0 / 5 / 11 / 0

HEX #FFF1E2

RGB 255 241 226

HSL 31.03, 1%, 0.94%

LAB 95.86, 2.26, 8.92

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF5

RGB 255 255 245

HSL 60, 1%, 0.98%

LAB 99.76, -1.71, 4.76

 

CMYK 0 / 8 / 14 / 12

HEX #E0CDC1

RGB 224 205 193

HSL 23.23, 0.33%, 0.82%

LAB 83.63, 4.65, 8.36

 

CMYK 0 / 10 / 16 / 19

HEX #CFBBAE

RGB 207 187 174

HSL 23.64, 0.26%, 0.75%

LAB 77.2, 4.96, 9.15

 

CMYK 0 / 11 / 18 / 25

HEX #BEA99B

RGB 190 169 155

HSL 24, 0.21%, 0.68%

LAB 70.66, 5.31, 10

 

CMYK 0 / 13 / 21 / 32

HEX #AD9788

RGB 173 151 136

HSL 24.32, 0.18%, 0.61%

LAB 63.99, 5.71, 10.9

 

CMYK 0 / 15 / 25 / 39

HEX #9C8575

RGB 156 133 117

HSL 24.62, 0.16%, 0.54%

LAB 57.2, 6.16, 11.86

 

CMYK 0 / 8 / 14 / 12

HEX #E0CDC1

RGB 224 205 193

HSL 23.23, 0.33%, 0.82%

LAB 83.63, 4.65, 8.36

 

CMYK 0 / 12 / 14 / 12

HEX #E0C5C1

RGB 224 197 193

HSL 7.74, 0.33%, 0.82%

LAB 81.64, 8.86, 5.49

 

CMYK 0 / 14 / 14 / 12

HEX #E0C1C1

RGB 224 193 193

HSL 0, 0.33%, 0.82%

LAB 80.65, 10.98, 4.06

 

CMYK 0 / 8 / 14 / 12

HEX #E0CDC1

RGB 224 205 193

HSL 23.23, 0.33%, 0.82%

LAB 83.63, 4.65, 8.36

 

CMYK 0 / 5 / 14 / 12

HEX #E0D5C1

RGB 224 213 193

HSL 38.71, 0.33%, 0.82%

LAB 85.65, 0.47, 11.23

 

CMYK 0 / 1 / 14 / 12

HEX #E0DEC1

RGB 224 222 193

HSL 56.13, 0.33%, 0.82%

LAB 87.94, -4.17, 14.48

 

CMYK 3 / 0 / 14 / 12

HEX #DAE0C1

RGB 218 224 193

HSL 71.61, 0.33%, 0.82%

LAB 88, -7.32, 14.5

 

CMYK 6 / 0 / 14 / 12

HEX #D2E0C1

RGB 210 224 193

HSL 87.1, 0.33%, 0.82%

LAB 87.42, -10.14, 13.6

 

CMYK 0 / 8 / 14 / 12

HEX #E0CDC1

RGB 224 205 193

HSL 23.23, 0.33%, 0.82%

LAB 83.63, 4.65, 8.36

 

CMYK 0 / 12 / 19 / 9

HEX #E7CCBA

RGB 231 204 186

HSL 24, 0.48%, 0.82%

LAB 83.82, 6.64, 12.43

 

CMYK 0 / 15 / 25 / 6

HEX #EFCAB3

RGB 239 202 179

HSL 23, 0.65%, 0.82%

LAB 83.89, 9.64, 16.34

 

CMYK 0 / 19 / 30 / 4

HEX #F6C8AB

RGB 246 200 171

HSL 23.2, 0.81%, 0.82%

LAB 83.88, 12.26, 20.66

 

CMYK 0 / 22 / 35 / 1

HEX #FDC6A4

RGB 253 198 164

HSL 22.92, 0.96%, 0.82%

LAB 83.94, 15.1, 24.54

 

CMYK 0 / 8 / 14 / 12

HEX #E0CDC1

RGB 224 205 193

HSL 23.23, 0.33%, 0.82%

LAB 83.63, 4.65, 8.36

 

CMYK 0 / 4 / 7 / 15

HEX #D8CFC9

RGB 216 207 201

HSL 24, 0.16%, 0.82%

LAB 83.67, 2.07, 4.07

 

CMYK 0 / 0 / 0 / 18

HEX #D1D1D0

RGB 209 209 208

HSL 60, 0.01%, 0.82%

LAB 83.81, -0.18, 0.49

 

CMYK 7 / 3 / 0 / 15

HEX #C9D2D8

RGB 201 210 216

HSL 204, 0.16%, 0.82%

LAB 83.69, -1.9, -4.03

 

CMYK 13 / 5 / 0 / 13

HEX #C2D4DF

RGB 194 212 223

HSL 202.76, 0.31%, 0.82%

LAB 83.91, -3.84, -7.49

 

CMYK 0 / 14 / 12 / 12

HEX #E0C1C6

RGB 224 193 198

HSL 350.32, 0.33%, 0.82%

LAB 80.77, 11.79, 1.55

 

CMYK 0 / 12 / 14 / 12

HEX #E0C5C1

RGB 224 197 193

HSL 7.74, 0.33%, 0.82%

LAB 81.64, 8.86, 5.49

 

CMYK 0 / 8 / 14 / 12

HEX #E0CDC1

RGB 224 205 193

HSL 23.23, 0.33%, 0.82%

LAB 83.63, 4.65, 8.36

 

CMYK 0 / 5 / 14 / 12

HEX #E0D5C1

RGB 224 213 193

HSL 38.71, 0.33%, 0.82%

LAB 85.65, 0.47, 11.23

 

CMYK 0 / 1 / 14 / 12

HEX #E0DDC1

RGB 224 221 193

HSL 54.19, 0.33%, 0.82%

LAB 87.68, -3.65, 14.12

 

CMYK 0 / 18 / 29 / 23

HEX #C4A18B

RGB 196 161 139

HSL 23.16, 0.33%, 0.66%

LAB 68.82, 9.64, 16.3

 

CMYK 0 / 13 / 21 / 18

HEX #D2B7A6

RGB 210 183 166

HSL 23.18, 0.33%, 0.74%

LAB 76.27, 6.99, 12.19

 

CMYK 0 / 8 / 14 / 12

HEX #E0CDC1

RGB 224 205 193

HSL 23.23, 0.33%, 0.82%

LAB 83.63, 4.65, 8.36

 

CMYK 0 / 5 / 7 / 7

HEX #EEE3DD

RGB 238 227 221

HSL 21.18, 0.33%, 0.9%

LAB 90.93, 2.72, 4.25

 

CMYK 0 / 0 / 1 / 2

HEX #FBFAF8

RGB 251 250 248

HSL 40, 0.27%, 0.98%

LAB 98.3, -0.01, 1.06

 

CMYK 0 / 8 / 14 / 12

HEX #E0CDC1

RGB 224 205 193

HSL 23.23, 0.33%, 0.82%

LAB 83.63, 4.65, 8.36

 

CMYK 8 / 0 / 14 / 12

HEX #CEE0C1

RGB 206 224 193

HSL 94.84, 0.33%, 0.82%

LAB 87.14, -11.54, 13.16

 

CMYK 14 / 13 / 0 / 12

HEX #C1C2E0

RGB 193 194 224

HSL 238.06, 0.33%, 0.82%

LAB 79.22, 5.58, -15.03

 

CMYK 0 / 8 / 14 / 12

HEX #E0CDC1

RGB 224 205 193

HSL 23.23, 0.33%, 0.82%

LAB 83.63, 4.65, 8.36

 

CMYK 14 / 0 / 8 / 12

HEX #C1E0CD

RGB 193 224 205

HSL 143.23, 0.33%, 0.82%

LAB 86.53, -13.82, 5.87

 

CMYK 8 / 14 / 0 / 12

HEX #CDC1E0

RGB 205 193 224

HSL 263.23, 0.33%, 0.82%

LAB 79.9, 10.02, -13.91

 

CMYK 0 / 8 / 14 / 12

HEX #E0CDC1

RGB 224 205 193

HSL 23.23, 0.33%, 0.82%

LAB 83.63, 4.65, 8.36

 

CMYK 8 / 0 / 14 / 12

HEX #CEE0C1

RGB 206 224 193

HSL 94.84, 0.33%, 0.82%

LAB 87.14, -11.54, 13.16

 

CMYK 14 / 5 / 0 / 12

HEX #C1D4E0

RGB 193 212 224

HSL 203.23, 0.33%, 0.82%

LAB 83.86, -3.95, -8.09

 

CMYK 6 / 14 / 0 / 12

HEX #D3C1E0

RGB 211 193 224

HSL 274.84, 0.33%, 0.82%

LAB 80.39, 11.99, -13.12

 

CMYK 0 / 8 / 14 / 12

HEX #E0CDC1

RGB 224 205 193

HSL 23.23, 0.33%, 0.82%

LAB 83.63, 4.65, 8.36

 

CMYK 12 / 0 / 14 / 12

HEX #C5E0C1

RGB 197 224 193

HSL 112.26, 0.33%, 0.82%

LAB 86.52, -14.63, 12.2

 

CMYK 14 / 5 / 0 / 12

HEX #C1D4E0

RGB 193 212 224

HSL 203.23, 0.33%, 0.82%

LAB 83.86, -3.95, -8.09

 

CMYK 2 / 14 / 0 / 12

HEX #DCC1E0

RGB 220 193 224

HSL 292.26, 0.33%, 0.82%

LAB 81.15, 14.99, -11.91

 

Description

Color code: HEX #E0CDC1 | qconv.com Color code: HEX #E0CDC1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 205 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 205 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 14 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 14% 12% C M Y K

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Provide designers and agencies with accurate color values.

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