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Color name
HEX #E0CDC9

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0CDC9 it is the complementary color #1F3236. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0CDC9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E0CDC9 shade: #E5CDC4, #F6DFD7, #FFF1EA and #FFFFFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0CDC9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E0CDC9 shade: #E0CDC9, #CFBBB6, #BEA9A3, #AD9790 and #9C857D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E0CDC9 shade: #DFCCC7 and #DFC7C7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E0CDC9 shade: #DFCCC7, #DFD2C7, #DFD8C7, #DFDEC7 and #D9DFC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E0CDC9 shade matches the following richer shades: #DFCCC7, #E6C7C0, #EDC2B9, #F4BEB2 and #FBB9AB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E0CDC9 shade: #DFCCC7, #D8D0CE, #D1D5D5, #CAD9DC and #C3DEE4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E0CDC9 shade: #DFC7D0, #DFC7CA, #DFCBC7, #DFD2C7 and #DFD8C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E0CDC9 shade: #C19B93, #D0B3AD, #DFCCC7, #EEE4E2 and #FDFCFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E0CDC9 shade: #E0CDC9, #D6DFC7 and #C7CDDF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E0CDC9 shade: #E0CDC9, #C7DFCB and #CBC7DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E0CDC9 shade: #E0CDC9, #D6DFC7, #C7DBDF and #D0C7DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E0CDC9 shade: #E0CDC9, #CFDFC7, #C7DBDF and #D7C7DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 10 / 12

HEX #E0CDC9

RGB 224 205 201

HSL 10.43, 0.27%, 0.83%

LAB 83.82, 5.94, 4.37

 

Complementary color

CMYK 43 / 7 / 0 / 79

HEX #1F3236

RGB 31 50 54

HSL 190.43, 0.27%, 0.17%

LAB 19.39, -6.42, -4.99

 

CMYK 0 / 10 / 14 / 10

HEX #E5CDC4

RGB 229 205 196

HSL 16.36, 0.39%, 0.83%

LAB 84.12, 6.92, 7.52

 

CMYK 0 / 9 / 13 / 4

HEX #F6DFD7

RGB 246 223 215

HSL 15.48, 0.63%, 0.9%

LAB 90.45, 6.59, 6.77

 

CMYK 0 / 5 / 8 / 0

HEX #FFF1EA

RGB 255 241 234

HSL 20, 1%, 0.96%

LAB 96.04, 3.54, 5.05

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFD

RGB 255 255 253

HSL 60, 1%, 1%

LAB 99.95, -0.34, 0.94

 

CMYK 0 / 8 / 10 / 12

HEX #E0CDC9

RGB 224 205 201

HSL 10.43, 0.27%, 0.83%

LAB 83.82, 5.94, 4.37

 

CMYK 0 / 10 / 12 / 19

HEX #CFBBB6

RGB 207 187 182

HSL 12, 0.21%, 0.76%

LAB 77.39, 6.25, 5.1

 

CMYK 0 / 11 / 14 / 25

HEX #BEA9A3

RGB 190 169 163

HSL 13.33, 0.17%, 0.69%

LAB 70.85, 6.59, 5.86

 

CMYK 0 / 13 / 17 / 32

HEX #AD9790

RGB 173 151 144

HSL 14.48, 0.15%, 0.62%

LAB 64.19, 6.97, 6.67

 

CMYK 0 / 15 / 20 / 39

HEX #9C857D

RGB 156 133 125

HSL 15.48, 0.14%, 0.55%

LAB 57.39, 7.4, 7.54

 

CMYK 0 / 9 / 11 / 13

HEX #DFCCC7

RGB 223 204 199

HSL 12.5, 0.27%, 0.83%

LAB 83.44, 5.78, 4.87

 

CMYK 0 / 11 / 11 / 13

HEX #DFC7C7

RGB 223 199 199

HSL 0, 0.27%, 0.83%

LAB 82.19, 8.42, 3.07

 

CMYK 0 / 9 / 11 / 13

HEX #DFCCC7

RGB 223 204 199

HSL 12.5, 0.27%, 0.83%

LAB 83.44, 5.78, 4.87

 

CMYK 0 / 6 / 11 / 13

HEX #DFD2C7

RGB 223 210 199

HSL 27.5, 0.27%, 0.83%

LAB 84.95, 2.64, 7.05

 

CMYK 0 / 3 / 11 / 13

HEX #DFD8C7

RGB 223 216 199

HSL 42.5, 0.27%, 0.83%

LAB 86.47, -0.48, 9.22

 

CMYK 0 / 0 / 11 / 13

HEX #DFDEC7

RGB 223 222 199

HSL 57.5, 0.27%, 0.83%

LAB 87.99, -3.57, 11.4

 

CMYK 3 / 0 / 11 / 13

HEX #D9DFC7

RGB 217 223 199

HSL 75, 0.27%, 0.83%

LAB 87.8, -6.2, 11.07

 

CMYK 0 / 9 / 11 / 13

HEX #DFCCC7

RGB 223 204 199

HSL 12.5, 0.27%, 0.83%

LAB 83.44, 5.78, 4.87

 

CMYK 0 / 13 / 17 / 10

HEX #E6C7C0

RGB 230 199 192

HSL 11.05, 0.43%, 0.83%

LAB 82.63, 9.81, 7.53

 

CMYK 0 / 18 / 22 / 7

HEX #EDC2B9

RGB 237 194 185

HSL 10.38, 0.59%, 0.83%

LAB 81.89, 13.96, 10.29

 

CMYK 0 / 22 / 27 / 4

HEX #F4BEB2

RGB 244 190 178

HSL 10.91, 0.75%, 0.83%

LAB 81.44, 17.68, 13.5

 

CMYK 0 / 26 / 32 / 2

HEX #FBB9AB

RGB 251 185 171

HSL 10.5, 0.91%, 0.83%

LAB 80.82, 22.02, 16.48

 

CMYK 0 / 9 / 11 / 13

HEX #DFCCC7

RGB 223 204 199

HSL 12.5, 0.27%, 0.83%

LAB 83.44, 5.78, 4.87

 

CMYK 0 / 4 / 5 / 15

HEX #D8D0CE

RGB 216 208 206

HSL 12, 0.11%, 0.83%

LAB 84.05, 2.41, 1.96

 

CMYK 2 / 0 / 0 / 16

HEX #D1D5D5

RGB 209 213 213

HSL 180, 0.05%, 0.83%

LAB 84.97, -1.35, -0.48

 

CMYK 8 / 1 / 0 / 14

HEX #CAD9DC

RGB 202 217 220

HSL 190, 0.2%, 0.83%

LAB 85.68, -4.44, -3.21

 

CMYK 14 / 3 / 0 / 11

HEX #C3DEE4

RGB 195 222 228

HSL 190.91, 0.38%, 0.83%

LAB 86.72, -7.68, -5.96

 

CMYK 0 / 11 / 7 / 13

HEX #DFC7D0

RGB 223 199 208

HSL 337.5, 0.27%, 0.83%

LAB 82.43, 9.94, -1.41

 

CMYK 0 / 11 / 9 / 13

HEX #DFC7CA

RGB 223 199 202

HSL 352.5, 0.27%, 0.83%

LAB 82.27, 8.92, 1.58

 

CMYK 0 / 9 / 11 / 13

HEX #DFCBC7

RGB 223 203 199

HSL 10, 0.27%, 0.83%

LAB 83.19, 6.31, 4.51

 

CMYK 0 / 6 / 11 / 13

HEX #DFD2C7

RGB 223 210 199

HSL 27.5, 0.27%, 0.83%

LAB 84.95, 2.64, 7.05

 

CMYK 0 / 3 / 11 / 13

HEX #DFD8C7

RGB 223 216 199

HSL 42.5, 0.27%, 0.83%

LAB 86.47, -0.48, 9.22

 

CMYK 0 / 20 / 24 / 24

HEX #C19B93

RGB 193 155 147

HSL 10.43, 0.27%, 0.67%

LAB 67.19, 12.9, 9.54

 

CMYK 0 / 14 / 17 / 18

HEX #D0B3AD

RGB 208 179 173

HSL 10.29, 0.27%, 0.75%

LAB 75.24, 9.46, 6.91

 

CMYK 0 / 9 / 11 / 13

HEX #DFCCC7

RGB 223 204 199

HSL 12.5, 0.27%, 0.83%

LAB 83.44, 5.78, 4.87

 

CMYK 0 / 4 / 5 / 7

HEX #EEE4E2

RGB 238 228 226

HSL 10, 0.26%, 0.91%

LAB 91.3, 3.05, 2.17

 

CMYK 0 / 0 / 0 / 1

HEX #FDFCFC

RGB 253 252 252

HSL 0, 0.2%, 0.99%

LAB 99.04, 0.34, 0.11

 

CMYK 0 / 8 / 10 / 12

HEX #E0CDC9

RGB 224 205 201

HSL 10.43, 0.27%, 0.83%

LAB 83.82, 5.94, 4.37

 

CMYK 4 / 0 / 11 / 13

HEX #D6DFC7

RGB 214 223 199

HSL 82.5, 0.27%, 0.83%

LAB 87.58, -7.24, 10.72

 

CMYK 11 / 8 / 0 / 13

HEX #C7CDDF

RGB 199 205 223

HSL 225, 0.27%, 0.83%

LAB 82.45, 1.45, -9.61

 

CMYK 0 / 8 / 10 / 12

HEX #E0CDC9

RGB 224 205 201

HSL 10.43, 0.27%, 0.83%

LAB 83.82, 5.94, 4.37

 

CMYK 11 / 0 / 9 / 13

HEX #C7DFCB

RGB 199 223 203

HSL 130, 0.27%, 0.83%

LAB 86.62, -11.69, 7.1

 

CMYK 9 / 11 / 0 / 13

HEX #CBC7DF

RGB 203 199 223

HSL 250, 0.27%, 0.83%

LAB 81.22, 5.95, -11.41

 

CMYK 0 / 8 / 10 / 12

HEX #E0CDC9

RGB 224 205 201

HSL 10.43, 0.27%, 0.83%

LAB 83.82, 5.94, 4.37

 

CMYK 4 / 0 / 11 / 13

HEX #D6DFC7

RGB 214 223 199

HSL 82.5, 0.27%, 0.83%

LAB 87.58, -7.24, 10.72

 

CMYK 11 / 2 / 0 / 13

HEX #C7DBDF

RGB 199 219 223

HSL 190, 0.27%, 0.83%

LAB 86.07, -5.86, -4.25

 

CMYK 7 / 11 / 0 / 13

HEX #D0C7DF

RGB 208 199 223

HSL 262.5, 0.27%, 0.83%

LAB 81.61, 7.59, -10.78

 

CMYK 0 / 8 / 10 / 12

HEX #E0CDC9

RGB 224 205 201

HSL 10.43, 0.27%, 0.83%

LAB 83.82, 5.94, 4.37

 

CMYK 7 / 0 / 11 / 13

HEX #CFDFC7

RGB 207 223 199

HSL 100, 0.27%, 0.83%

LAB 87.08, -9.67, 9.94

 

CMYK 11 / 2 / 0 / 13

HEX #C7DBDF

RGB 199 219 223

HSL 190, 0.27%, 0.83%

LAB 86.07, -5.86, -4.25

 

CMYK 4 / 11 / 0 / 13

HEX #D7C7DF

RGB 215 199 223

HSL 280, 0.27%, 0.83%

LAB 82.17, 9.92, -9.88

 

Description

Color code: HEX #E0CDC9 | qconv.com Color code: HEX #E0CDC9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 205 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 205 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 10 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 10% 12% C M Y K

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Provide designers and agencies with accurate color values.

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